Modern Art and Architecture Commons^™

Caribbean Sensibility, Olivia A. Davis

MA Projects

The Caribbean is a region with a complex history, from the displacement of Indigenous communities to the forced migrations of the transatlantic slave trade and the arrival of indentured laborers from Asia. This has produced a region where questions of identity and belonging remain constant. Caribbean Sensibility explores how artists form the Caribbean and its diasporas navigate these complexities, transforming histories of displacement into creative expression. The exhibition draws on Trinidadian scholar Patricia Mohammed’s concept of a “Caribbean sensibility,” an emotional and aesthetic orientation based in hybridity. It is “the dissonance between a seemingly imported religion and our homegrown private …

Objective Chance, Convulsive Beauty And The Marvelous Within Fashion, Ellen Silva

MA Projects

Objective Chance, Convulsive Beauty and The Marvelous within Fashion is an exhibition inspired by the early idea of Surrealism specifically how the concepts of objective chance, convulsive beauty and the marvelous are intertwined and represented within fashion in the 21st century. The audience will be able to witness for themselves the use of these themes throughout the Surrealist movement by viewing works of fashion and artwork side by side. Some of the references are unmistakable, but some of them must be viewed with more of a conceptual focus as Surrealism was not only an art movement, but originally a philosophical …

Beyond Recognition: The Surrealist Strategy Of Face Concealment In The Portraits Of René Magritte And Ewa Juszkiewicz, Darina Kravchenko Eldridge

MA Theses

This dissertation investigates the evolution of the Surrealist strategy of face concealment from a modernist device of perceptual estrangement into a contemporary tool of feminist and postcolonial critique within portraiture. By obscuring the most recognisable marker of identity, it evokes a complex and unsettling emotional response in the viewer, transforming the act of looking at another person into an encounter with absence. The study situates this transformation within broader aesthetic and ideological discourses, drawing on feminist art history as articulated by Linda Nochlin and Griselda Pollock, alongside John Berger’s Ways of Seeing, Jacques Derrida’s hauntology, the Zeigarnik effect and Guy …

From It-Girls To Obscurity: What Happened To The Stettheimer Sisters?, Catherine Pierce Higgins

MA Theses

This dissertation explores the lives and impact of the three Stettheimer sisters, Florine, Carrie and Ettie, cultural innovators, and major influencers of a distinctive, feministic strand of American modernism in New York between 1914 and 1950. The Stettheimer sisters did not use their privilege to assimilate into society but to create an alternate artistic universe, resisting the male hierarchies of the dominant avant-garde. By controlling a salon, an intellectual and creative social center where artists, writers, and intellectuals such as Marcel Duchamp, Georgia O’Keeffe and Carl Van Vechten held court, they were able to create an environment in which femininity, …

Marc Chagall And The Jewish Experience: A Personal Modernism In The Parisian Avant-Garde, Samantha Desanctis

MA Theses

Marc Chagall and the Jewish Experience: A Personal Modernism in the Parisian Avant-Garde examines the interplay between Marc Chagall’s Jewish heritage and his engagement with the Parisian avant-garde of the early twentieth century. Chagall’s upbringing in the Russian Empire deeply informed his visual language, which persisted even as he explored the techniques and innovations of modernist movements. This thesis analyzes Chagall’s early works alongside close readings of key paintings such as I and the Village, 1911, Homage to Apollinaire, 1911–12, Self-Portrait with Seven Fingers, 1912–13, and Green Violinist, 1923–24, considering symbols, colors, compositions, and recurring motifs drawn from religion, tradition, …

Reconstructing The Surreal: Female Artists And The Transformation Of Surrealist Aesthetics, Erin Regan

MA Theses

This thesis examines the role and legacy of female artists who took part in the Surrealist visual art movement of the early 20th century. Canonical accounts have historically privileged the contributions of male artists, marginalizing women to the fringes of the movement by framing female artists as being primarily relevant as muses for their male peers. This study contests this historiographical misconception, relying upon visual analysis and archival research, as well as drawing from psychological, feminist, and postmodern theory, ultimately arguing that their artistic and theoretical innovations fundamentally restructured Surrealism’s visual vocabulary, theoretical objectives, and cultural legacy. This thesis is …

From Canvas To Crude: Volatility And Value Of Andy Warhol Prints, Arseniy Cassidy

MA in Art Business Dissertations

The volatility of commodities, such as oil, is well understood to reflect macroeconomic shocks, but less is known about how broader economic forces influence the performance of art. This study compares Andy Warhol print prices with West Texas Intermediate (WTI) crude oil, analysing both assets through a macroeconomic lens. Using data from 2000–2025, we examine annual returns, volatility, and risk-adjusted performance, and also assess correlations with the stock market. The results show that Warhol prints achieved higher average returns than oil or equities but with much greater volatility and pronounced boom-bust cycles. Major macroeconomic events – such as recessions, oil …

Gender, Feminism, And Market Dynamics: Examining Gender And Feminism In The Art Market Through Two Female Chinese Artists, Hung Liu (劉虹) And Yu Hong (喻红), Amelia Campbell-Breeden

MA in Art Business Dissertations

This dissertation examines the articulation of feminist expression in contemporary Chinese women’s oil painting and its positioning and valuation within the art market. A focus is placed on Yu Hong and Hung Liu, analysing the interaction of gender, race, and censorship within both domestic and global frameworks. The study employs Grounded Theory to integrate qualitative and quantitative evidence from literature, exhibitions, market reports, rankings, and auction data, aiming to develop a theory from under-explored material instead of applying Western feminist beliefs.

Research suggests that recent advancements in female visibility are often driven by positive discrimination and curatorial “translation”, which uses …

The Impact Of Francisco Franco’S Dictatorship On The Art Market For Spanish Artists: How Did Francisco Franco’S Dictatorship And State Policy Shape The Domestic And Foreign Art Market For Spanish Artists?, Georges Ruiz-Picasso

MA in Art Business Dissertations

This dissertation aims to look at the impact of Francisco Franco’s dictatorship (1939-1975) on the art market for Spanish artists. By segmenting the research in two parts, one on the internal market and the other on the external market, the dissertation wants to determine how and the extent to which Francisco Franco’s dictatorship and state policies shape the domestic and foreign art market for Spanish artists? The study argues that, within the domestic market, the gradual political shift of the regime has permitted a slow progress towards internationalization. Whilst the domestic market experienced a limited productivity, some international Spanish artists …

Gendered Value: The Economics Of The Modernist Nude: Comparative Study Of Market Asymmetries Between Amedeo Modigliani, Suzanne Valadon, And Paula Modersohn-Becker, Ines Natuzzi

MA in Art Business Dissertations

This dissertation investigates the complex dimensions of gendered valuation through a comparative study of Amedeo Modigliani, Suzanne Valadon, and Paula Modersohn-Becker. Leading figures in the modernist reimagining of the nude in the early twentieth century, with shared ties to the Parisian milieu, their markets have since followed markedly different trajectories. Combining market and historiographical analysis with feminist theory, this study considers the structural, ideological, and discursive mechanisms that underpin these asymmetries and continue to inform the artists’ reception and valuation today.

By interrogating the gender ideologies, institutional barriers, and critical discourses behind these market asymmetries, this study argues that the …

How Have Emil Nolde’S Political Biographies Impacted His Market, From ‘Weimar Degenerate’ And ‘Dissident’, To ‘Complicit Antisemite’?, Samuel Goodwin-Hudson

MA in Art Business Dissertations

Emil Nolde is regarded as one of the most accomplished and innovative modernists. Celebrated for his varied iconographies expressed with thick, erratic brushstrokes, displaying highly saturated, non-naturalistic tonal contrasts, and pronounced, distorted forms. He often draws comparisons to Paul Gauguin and Vincent van Gogh. He died a national hero in Northern Germany, 1956, at 88 years of age. His oeuvre has inspired numerous artists, such as Georg Baselitz, Daniel Richter and Anselm Kiefer. Accordingly, his art has been exalted by institutions and converted by learned collectors, subsequently demanding huge sums.

The exhibition 'Emil Nolde. A German Legend. The Artist during …

Female Photographers’ Practices And Markets: A Three-Part Case Study, Emma Howard

MA Theses

This thesis explores the intertwined histories of artistic legacy, cultural impact, and market reception of female photographers, who have often been decentered in art history and overshadowed by male contemporaries. While photography has historically been more inclusive to women than other art forms, women photographers have nonetheless faced marginalization in the canon of photography history and the art market. Building on efforts to reclaim and elevate the contributions of women photographers, this research integrates art historical and market analyses to provide a holistic understanding of their careers and legacies. Through detailed case studies, this thesis examines the artistic practices, biographical …

Modern Mother: Abby Aldrich Rockefeller And The Visionary Women Who Founded The Museum Of Modern Art, Sophie Dowling

MA Theses

This thesis analyzes the role that women played in founding The Museum of Modern Art (MoMA) in 1929 during an era in which the prevailing attitude toward modern art in America was one of bewilderment and derision. MoMA was founded by three women: Lillie Plummer Bliss, Abby Aldrich Rockefeller and Mary Quinn Sullivan. At a time when their male counterparts were more focused on collecting Renaissance and Old Master paintings, French decorative arts, Chinese porcelain and medieval tapestries, these women chose to collect modern art. Avant-garde art, which was shown en masse to the American public in 1913 at the …

“How Did Guernica Become The Important Painting And The Universal Symbol It Is Today?", Or Lebel

MA Theses

This thesis explores the intriguing journey that propelled "Guernica" from the initial obscurity of a commissioned artwork to its current status as a globally recognized symbol. The research unravels the multifaceted processes that have contributed to the transformation of a relatively overlooked artwork into an important painting and a universal emblem of protest, antiwar, and hope. The research addresses the fundamental question of how "Guernica" evolved into an important and universally recognized painting. Answering this question allows me to explore and explain how "Guernica," despite its lack of immediate recognition, grew to possess an enduring significance. The research also tackles …

The Spirit Of Female Modernity, Yuan Yuan

MA Projects

"The Spirit of Female Modernity" rejoices in the empowering synergy of women and art modernist aesthetics. It focuses mainly on the work of female artists, designers, musicians, and fashion brands that break several epochs and media. The goal is to motivate by illustrating how women in diverse artistic and design fields embraced and, in some cases, reinterpreted the language of modernist art to reflect their period's concept of modernity. This carefully curated exhibition highlights the new and thought-through role that women artists embarked on in helping to shape the history of art through the modernism lens of feminist practice. It …

The Unconscious Mind: Psychoanalysis And Art, Carlie Hoffer

MA Theses

The insights brought to society about the unconscious mind can be solely credited to Sigmund Freud’s groundbreaking works that were published in the early 1900’s. Specifically, the concept of the unconscious mind being a driver for human behavior was a unique theory that Freud introduced to a society that had never considered this possibility before this. The realization and acknowledgement of the unconscious mind as relevant to analyzing human behavior including art inspired other scholars and individuals in the field of psychology to explore a more nuanced understanding of human motivations. His novel ideas about human behavior emerged at a …

Untamed: The Terrifying Beauty Behind The Works Of Woman Surrealists, Shely Calderon Benpalti

MA Projects

An exhibition of work spanning the works of five late North American and Latin American born or naturalized female Surrealist artists, Frida Kahlo (1907-1954), Leonora Carrington (1917-2011), Remedios Varo (1908-1963), Leonor Fini (1907-1996) and Dorothea Tanning (1910-2012). Untamed explores themes of female existence, alchemy, astrology, dreams and symbolism through painting works on paper and photography. Between the dark years during the first world war, the second world war and postwar, Surrealism as a means of possibility to live a dream-like life were the theory behind this artist's body of work. The deception of dreams, parallel realities and profound studies into …

Revolution And Revelation: An Early Russian Avant-Garde Private Collection, Olivia A. Aurtenechea Eguiron

MA Projects

Revolution and Revelation: An Early Russian Avant-Garde Private Collection is an
exhibition proposal with accompanying essays that explore the value and influence of the Russian Avant-Garde art movement, highlighting its significance as a revolutionary force in early twentieth-century art. While the first essay provides a comprehensive overview of the Russian Avant-Garde art movement, the second one explores the considerations and advantages of exhibiting a private collection of early Russian Avant-Garde art, specifically Suprematism, in either a museum or a gallery. The first essay, A Look Into Russian Avant-Garde, delves into the value and influence of the movement acknowledging the challenge …

Monumentality Of The Artist Chapel: Dissecting Light, Color, Spirituality, And Permanence, Katherine Isler

MA Theses

The concept and creation of the artist chapel is an opportunity presented to only a select few artists. Artist chapels are monumental, permanent works of art that expose a sweeping summary of the artists oeuvre and act as a window into the mind of the artist. The chapels of Ellsworth Kelly, Dan Flavin, and Mark Rothko present a variety of similarities through the mediums of light and color. These characteristics take the artist chapel from a piece of art, to a transcendent
/="/">environment that cocoons the viewer in a space of both the seen and unseen. Each of these …

Spirituality And Abstract Art, Hao Zheng

MA Theses

Through a close analysis of abstract art and metaphysics (ontological and psychical), the paper examines how metaphysics might be related to abstract art, as well as the early emergence of abstract art in diverse cultures around the world, and its development from the 19th to the 20th century in the modern art world. The paper conducts an examination of some modern abstract art pioneers, as perceived by general public, such as Wassily Kandinsky and Agnes Pilton, who
experimented with the art form in the 19th and 20th centuries, and their intentions based on metaphysics: spirituality and mythology are included in …

Manifesting Magic: Occultism And Feminism In The Art Of Leonora Carrington And Remedios Varo, Margaret Dirschl

MA Theses

The artworks of Leonora Carrington and Remedios Varo are replete with
/="/">symbolism and evocations of the occult, formulating bodies of work that are charged with magic and mysticism. When studied within the context of their male contemporaries of the Surrealist group, it becomes apparent that this use of the occult operates as a compelling and historically based feminist strategy. Immediately stemming from the occult revival of the previous century and the issues for females presented by Surrealism, the foundations of this idea originate much earlier in the pagan traditions of antiquity and the witch hunts of the 15th through …

Lucretia Van Horn: The Artist’S Meaningful Impact On The Development Of Modernism In The Bay Area, Annie K. Roddy

MA Theses

Women artists lack recognition for their significant contributions to the development of regional modernism in the United States during the twentieth century. This study seeks to highlight the important impact American artist Lucretia Van Horn had on modernism in the Bay Area from the 1920s through the 1940s. The study addresses how the artist worked in advanced modernist styles, achieving local recognition and success, but was ultimately overshadowed by her male counterparts in the larger dialogue. The results reveal an artist at the forefront of avant-garde trends who deserves much wider recognition.

Helen Frankenthaler : The Calculus For Gender Neutrality Within The Post Abstractionist Color Field Movement, Aelxandra H. Dodge

MA Theses

In a decade marked by the omnipresence of black-and-white television, McCarthyism, the end of the Korean War and the fledgling sounds of rock n’ roll, the 1950s invited American artists to utilize color in forms and abstractions to challenge the domesticated, safe boundaries established by European masters. The 1950s perpetuated dominate male, decision–making stereotyping while subordinating females as submissive, adorned homemakers. Sandwiched between the creative genius and evolution of the U.S abstract expressionist movement of the 1940s and the emerging pop artists of the 1960s, the 1950s signaled the development and the ascendency of Helen Frankenthaler. As a woman artist …

From Spectacle To Collectible : A Reappraisal Of Katherine Dreier And Juliana Force's Pioneering Impact To Bolster The Ascendancy Of Modern Art In America, Caroline Holt Yarbrough

MA Theses

My thesis analyzes the critical and pioneering role that Katherine Dreier, Juliana Force, and other New York-based female cultural promoters played in advancing the education, acceptance, and appreciation of modern art in America. By illuminating the strategies these women used to accomplish their objectives to support contemporary artists and demystify modern art to the public, as well as elucidating the barriers they overcame as women driving for change in a male-dominated society, I seek to answer the fundamental questions of how and why women were able to play such a central role in creating the canon of modern art in …

Hilma Af Klint's Divine Commission, Paintings For The Temple : Modern Western Esotericism Embodied And Art Historical Norms Redfined, Hilary Cianciolo

MA Theses

Swedish occultist, scholar, and artist, Hilma af Klint (1862-1944), produced a series of 193 paintings after receiving a commission in 1906 from a divine spirit who offered complex iconographic insight into human ontology. The resulting series of colorful abstract paintings would not only alter her life, but also redefine contemporary perceptions of the Western art historical canon. Although all works of art are inherently spiritual to a degree, af Klint’s, commission Paintings for the Temple, is an example of Modern Western Esotericism. The commission maintains the six principle characteristics the construct is defined by, including: Role of Mediations and Imagination, …

What Are The Challenges Of Establishing The Fair Market Value (Fmv) Of Guggenheim Founding Collection? If The Transparency Of An Asset Value Is Possible On Non-Profit Financial Year Report, How Can The Fmv Preserve The Continuity Of Public Art Patronage, In Spite Of, Deaccession Artwork From The Guggenheim’S Collection Being Sold On The Auction Market?, Leng Ho

MA Theses

A collector’s financial interest in purchasing works of art is often motivated by potential return on investment. These collectors have heard countless stories of others gaining huge financial returns after consigning rare works of art from a museum collection. In recent decades, rising debates on the capitalizing of museum collections to gain financial assets allude to long-term negative repercussions. Those opposed postulate that art patron will lose trust in a museum’s ability to care for its publicly-owned collections. Deaccession is a difficult research topic, attempts to resolve any conflicts of interest in the matter of selling cultural work of art …

Walter Gropius, Mies Van Der Rohe And Marcel Breuer: Designing For America, Shiri Chapman-Daniel

MA Projects

Walter Gropius, Mies van der Rohe and Marcel Breuer: Designing for America examines interior and furniture projects by the three European modern designer after emigrating to the U.S. in 1938. Many of these projects are not very well known, or are commonly discussed solely in terms of architecture, yet the interiors in fact reveal interesting and significant developments in Gropius, Mies and Breuer's work. The exhibition highlights the evolution of their designs, as well as the extent to which they were affected by American tendencies and innovations and their lasting impact.

Moral Rights: The Economic Ramifications Of Moral Rights Under Vara In The U.S., Akilah Chandler

MA Theses

When balancing the interests of the art market gatekeepers including patrons, dealers, and auction house intermediaries, with the interest of artists, artists have always bared the shorter end of the stick. It has been almost 30 years since the U.S. legal system acknowledged moral rights and a lifetime that artist have had to defend those rights. However, the question remains— how has the art market balanced these conflicting interests and at what expense? This paper will explore the effects moral rights have on an artist’s market and with that, the overall art market. This paper will also cover the ramifications …