Modern Art and Architecture Commons^™

Pop/Art: The Birth Of Underground Music And The British Art School, 1960–1980, Andrew Cappetta

Dissertations, Theses, and Capstone Projects

“Pop/Art: The Birth of Underground Music and the British Art School, 1960-1980” argues that the British art school became a training ground for underground musicians in the 1960s and the 1970s because of changes in art school pedagogy and policy in the post-war period. New educational philosophies propagated during the late 1950s and 1960s, above all Basic Design and Behaviorism, redefined the artist as an intermedial experimenter, collapsed distinctions between fine art and design, and theorized the art object as a dynamic and interactive matrix between the maker and viewer. These initiatives, which evolved from art school reforms that ...

Prometheus & The Body Beautiful: Arno Breker And The Weaponization Of The Greco-Roman Tradition In The Größe Deutsche Kunstausstellung, Sophia Maldonado

Student Research Submissions

During the Third Reich (1933-1945), Hitler and the Nazis turned to the visual arts as a tool for propaganda to promote Hitler’s conception of the ideal people, i.e. the ‘Aryan’ race. Rooted in a calculate understanding of Greco-Roman civilization and culture, this conception of the ideal appropriated the visual vocabulary of the Classical period in Ancient Greece. Within the 1937 inaugural exhibition of the Große Deutsche Kunstausstellung, a propagandistic effort designed to promote this ideal, Arno Breker, chief sculptor of the Nazi Party, would exhibit his Prometheus. Breker’s interpretation of this mythological figure stood as a representation ...

Memorial Craze: How War Memorials Have Been Changed By War, Jillian Bass

War and Society (MA) Theses

This thesis project argues that memorials constructed after 9/11 were designed specifically in a way that privileged and focused on the dead individually. By taking a look at memorials throughout American history, the study of memorialization sets up the stage for the way the lives of ordinary people have been memorialized throughout history. 9/11 is one of the most memorable days in the history of the world in the 21st century. However, the academic world has generally ignored the study of war memorials throughout American history as a subset of memorials. Chronicling memorials from the Civil War period ...

The Architecture Of Clothing: Notions Of Public And Private Space, Savannah Orsak

Undergraduate Honors Theses

Space, as defined as a three dimensional extent in which objects and events have relative position and direction, is conversely bound through clothing, architecture, and other margins that organize humanhood for everyday purpose. Continually, clothing imposes and extends itself into everyday experiences and dictates notions of interaction between both people and objects. In this written body of work, my intention is to explore public and private spatial influences within clothing and the ways in which these influences can be curated to reflect and evoke notions of interaction and identity. Following three related studies on space, form, and curation, a survey ...

Performative Disability: The Objectification Of Atypical Physiognomy In The Self-Portraits Of Egon Schiele, Sophia Maldonado

Student Research Submissions

By the early-twentieth century, developments in medicine and psychology tremendously influenced the visual arts. From the medical photography of the Salpêtrière to the psychoanalytic theories of Sigmund Freud, the cultural attitudes and understandings of illnesses and treatments were available to artists whose work engaged with the medical community during this time. The oeuvre of Viennese Expressionist Egon Schiele demonstrates this influence by utilizing iconography related to disability. In order to construct his identity as an artist, Schiele turns to representations of atypical physiognomy that allow him to assert the identity of a ‘tortured artist’ and establish himself among the Viennese ...

Architecture In Anime: Miyazaki's Motifs, Jack Collins

Honors Projects

Internationally known, celebrated, and respected, director Hayao Miyazaki has become a household name by transforming an industry through his films. This research focuses on Miyazaki’s process and the similarities he shares with architects, both in and out of his works. By initially examining his background, the three motifs of architecture, inspiration, and sustainability are explored through works like Spirited Away, Howl’s Moving Castle, Princess Mononoke and more. The results of this research are to inform fans of both architecture and anime about the connection between someone who designs and builds the world, and one who designs and builds ...

The 1895 Cézanne Show At Vollard’S Revisited, Robert Jensen

Art and Visual Studies Faculty Working Papers

The Cézanne show at Ambroise Vollard’s Paris gallery in November-December 1895 was a watershed moment for both artist and dealer. Both the artist and the dealer’s commercial successes date from this moment. The composition of Cézanne’s collectors was also largely divided by this exhibition. Who they were and what particular paintings they bought are listed below. The relative uniqueness of this solo exhibition is highlighted. The paper also addresses the still open questions as to how the paintings for the show were selected, by whom, and which pictures were included. In doing so it adds to the ...

Building For The Future: Functional, Energy-Efficient, And Beautiful Buildings By Snøhetta, Amanda J. Oross

Student Publications

The construction industry accounts for nearly 40% of all greenhouse gas emissions, which ultimately leads to climate change. Because of a lack of global consensus and accountability on a large scale about how to combat climate change, certain countries and cities are leading the charge on mitigation, since they tend to be more progressive and homogenous. Norway is one of those countries, and happens to be the headquarters for Snøhetta, a design company, that is designing buildings that are not only energy-efficient but also functional for the space in which it resides. Snøhetta very much values the interconnection between the ...

The Nazi Aesthetic: Nuance And Contradiction In Systematic Art Theft And Collection Efforts, Katharine J. Namon

Senior Theses and Projects

Nazi art collecting and looting was a strong and persistent undercurrent throughout World War II. The public and private practices of Nazi officials reveal both their aesthetic tastes and obsession with establishing themselves as highly educated, cultured patrons of the arts. Although the party’s artistic preferences are hard to define, it is evident that their stance on what constituted fine art and culture was entirely illogical, inconsistent, and incongruent. By examining their motives for acquiring such an astounding amount of art, the artistic tastes of individual Nazi officials, and the public exhibitions they held to advertise their values, one ...

Altering The Meaning Of Remembrance: The Influence Of Resurgent Nazi Perpetrators On The Jewish Museum Berlin, Zamara Tomko

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

This visual exhibit looks at various images of the Jewish Museum Berlin and the effects resurgent neo-Nazis had on its design. After 1989, the building saw alterations to its interpretation and the architect Daniel Libeskind's design due to a lack of funding because of reunification, political power gained by the right-wing parties, and xenophobia towards Jewish people and foreign workers. It evolved from a Cold War project meant to represent Berlin and Berlin Jewish history both distinctly and integrally to a symbol of reunited Germany that showcased the continual and persistent victimization of the Jewish people.

“Mieux Vaut Goujat Debout Qu’Empereur Enterré !” : An Examination Of The Arts Incohérents Movement And Its Place In French Artistic Canon, Ashley Holt

Tête-à-Tête

No abstract provided.

The Sensible Body Of The Female Reader, Anoosheh Ghaderi

Tête-à-Tête

No abstract provided.

Women Of The Dalit Unrest: Rewriting Bodies, Reinforcing Resistance, Suddhadeep Mukherjee

Tête-à-Tête

The paper aims to take the scholarship on corporeal feminism and Dalit Studies forward by focusing on the Dalit woman’s body. The body is not treated as an inert surface in this paper but is considered as a transformative medium that can alter its embedded codifications and significations through transgressive performances in the face of systemic and systematized caste violence. In doing so the gendered body not only challenges to rewrite the Dalit epistemology from the vantage of resistance but also initiates a rethinking of Indian feminism. The paper begins with a discursive discussion on the importance of the ...

Occult Conceptualism, Olivia Shao

Theses and Dissertations

This thesis explores and defines the term “Occult Conceptualism.” The term questions past models for Conceptual Art, in particular those rooted in Benjamin H. D. Buchloh’s 1990 text, “Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions,” and Joseph Kosuth’s safeguarding of Conceptual Art in part two of his text “Art after Philosophy,” in which a number of artists (John Baldessari, Douglas Huebler, amongst others) are excluded from his canon. Arguing for a new approach to certain strains of conceptualism, this paper refutes the perspective that the conceptual movement was grounded only in ...

Boundary As Borderland: Mexico City’S Central Plaza And The Politics Of Presence, Re'al Christian

Theses and Dissertations

In the postcolonial era, the land surrounding national borders—the borderland—has inherited a specific identity and relationship with those who navigate it. While national borderlands are oft discussed amid conversations on globalization, land disputes, and war, the Spanish colonization of the Americas in the fifteenth and sixteenth centuries saw the new establishment of borderlands from within in the form of segregative boundaries that purported to separate Indigenous and European peoples. This thesis concerns the manifestation of the borderland as not only an external entity, but an internal one as well. Using Mexico City, the center of the Spanish colonial ...

L’Accent Sur Le Local : Modernisme Et Régionalisme Dans L’Art Grec De L’Entre-Deux-Guerres, Christina Dimakopoulou

Artl@s Bulletin

In 1919 a group of Greek modernist artists under the name “Groupe Tekhni” was presented to the Parisian public through a collective exhibition aiming at proving the synchronized status and the international scope of Greek contemporary art. Against all the ambitions, the exhibition did not meet the expectations of French critics who were searching vainly in the work of Greek artists for a certain accent local, typical of the region of oriental Mediterranean. This paper investigates the way in which the concept of accent local, proposed by the French critics, was interpreted in the Greek art of the interwar period ...

Mediterranean Cubisms: Decoration, Classicism, Picasso And Professionalism, David Cottington

Artl@s Bulletin

‘A working countryside is hardly ever a landscape’, Raymond Williams observed fifty years ago in his book The Country and the City; for to perceive it as such is to have both the leisure and the distance from it, to aestheticize it. This essay argues that, similarly, art practices have too often been understood ‘from the outside in’: that in Cubist representations of the Mediterranean, the picturesque quality of the Riviera insinuated itself—indeed that that the influence of the decorative was so far- reaching in the inter- World War years that it co- opted avant-gardism itself, and that the ...

L'Invention Artistique De La Méditerranée: Quelques Repères, Rossella Froissart

Artl@s Bulletin

Qu’en est-il de la Méditerranée pour les historiens de l’art ?

Si les relations nord-sud ont été abordées relativement souvent, on a gardé prudemment à distance toute analyse faisant cas d’un prétendu « genius loci » méditerranéen, fondé sur les concepts de « nation », de « peuple » et de « race ». Aujourd’hui les outils pour une lecture dépassionnée des imbrications du fait artistique avec les logiques spatiales ne manquent pas et le dossier peut être rouvert. Il faudra d’abord tenter d’établir à quel moment et sous quelles conditions la notion de « Méditerranée » apparaît dans le discours sur les arts. Puis ...

Bonded By Nature: The Prevalence Of Landscape Subjects Within Abstract Expressionism And Their Sources In American Art, Aileen F. Marcantonio

Theses and Dissertations

Landscape subjects reappear throughout Abstract Expressionism. Although it is often overlooked, landscapes were perhaps a natural subject for a group of artists that were known to work from their environment. When we focus on the landscape subjects, we gain a better understanding of Abstract Expressionism and its place within the canon of American art.

Painting Outside Of The Lines: How Race Assignment Can Be Rethought Through Art, Giovanni Mella-Velazquez

Gettysburg Social Sciences Review

For centuries art has been used to make us think about our own human experiences. Unfortunately, works usually reflect the era which they were painted in; this has led to various artists showing, maintaining, and therefore reinforcing racist thoughts in our cultures. Art can be used to create a new narrative for our race assignments and their meanings. The idea of loving one's roots has been prevalent in many cultures, but in art form a disconnect between history and the everyday experience can arise which could miss the mark in helping us redefine our own race. Therefore, artwork which ...