Modern Art and Architecture Commons^™

Painting Taiwan's Modern Identity, Shelley D. Hawks

2013 New England Association for Asian Studies Conference

Taiwan’s painters were dynamic contributors to a revolution in color that dramatically reshaped East Asian art. During the early twentieth century, new techniques of on-site sketching and the introduction of oil paint shook the foundations of Chinese and Japanese ink painting as it had been practiced for centuries. The Japanese colonization of Taiwan, a period when educators such as Ishikawa systematically introduced European painting methods, produced a cohort of painters in Taiwan professionally trained and committed to watercolor and oil painting. Building on international art trends like Impressionism and Fauvism, these painters developed a sense of color distinctly their own. …

Science Fictional Transcendentalism In The Work Of Robert Smithson, Eric Saxon

School of Art, Art History, and Design: Theses and Student Creative Work

In studies of American artist Robert Smithson (1938-1973), scholars often set the artist’s early abstract expressionist and Christian iconographical paintings apart from the rest of his body of work, characterizing this early phase as a youthful encounter with the enduring legacy of abstract expressionism in the late 1950s to early 1960s as well as a temporary preoccupation with ritualized Catholic imagery. This thesis argues for the inclusion of this early phase into Smithson’s career as a foundational period in which he established the set of problems that artistically engaged him throughout his life: issues of temporality, materiality, and universal entropy. …

Self-Expansion And Breakups: Effects On Possessions, Caroline Sandrick

All-Inclusive List of Electronic Theses and Dissertations

The current study strives to understand the influence of breakups on the expanded self and its representation through possessions. The self-expansion theory (Aron & Aron, 1986) states that involving oneself in a romantic relationship alters one’s sense of self by taking on the partner’s characteristics and qualities and integrating them into the self. The study examined the reported self-expansion in the relationship and the couple representativeness of a possession to see if this affected the outcome of the possessions (kept vs. discarded). Participants were asked to report their three favorite possessions and five possessions they would keep (or kept) and …

Ritual Process, Kevin A. Baer

LSU New Orleans Theses and Dissertations

My art is a means for investigating the passage of time, the decay of physical things, and the truth of mortality. I explore these concepts through process-oriented sculptures that emphasize ritual and material. The process is communicated with the creation of relics, often existing as drawings or the remains of degenerated sculptures. These relics bear witness to the process. I focus on themes of temporal change and death because they remain central to our metaphysical and physical existence. I see a diminished reverence for the power of death in our culture, and through my work I aim to pay homage …

Body As A Vessel, Matt Chenoweth

Department of Art and Design

No abstract provided.

George Barbier And The Art Deco Era: A Love Story, Elly Vander Kolk

Academic Symposium of Undergraduate Scholarship

No abstract provided.

The Ambiguous Graveyard: Religious Sympathy And Erotic Desire In Sir John Everett Millais's The Vale Of Rest, Greg W. Spangler

School of Art, Art History, and Design: Theses and Student Creative Work

The Vale of Rest, 1859, despite or because of its oddities—two nuns digging a grave—was in its own day understood as a touchstone for Sir John Everett Millais and his career. Its critical reception in 1859 was hostile, with charges of “ugliness,” but by 1897, it was hanging in the Tate museum. Scholars and biographers have accordingly seen it as a turning point in Millais’s abandonment of Pre-Raphaelite realism for a more aestheticized and bourgeois style. The subject of nuns has led other scholars to investigate Millais’s sympathies with the Oxford Movement, the midcentury effort to reform the Anglican …

Lessons In Playing: Robert Morris’ Bodyspacemotionthings As A Biopolitical Environment, Tim Stott

Conference Papers

This paper will examine how, when certain current works of art are presented as playgrounds, in which previously unknown persons encounter one another, their play is both complexly organised around play objects and other constraints and governed within what Foucault termed a biopolitical milieu. On the one hand, this development changes the values and qualities that might describe aesthetic play, or the play particular to the encounter with works of art. On the other hand, it tests Foucault’s analysis of how biopolitical techniques of governance “make live” and allow players “to be free to be free.”

In more detail, …

“Rationalization Takes Command: Zeilenbau And The Politics Of Ciam,” Excerpt From Building Culture: Ernst May And The New Frankfurt Initiative, 1926-1931, Susan R. Henderson

School of Architecture - All Scholarship

Chapter seven, of Building Culture,"Rationalization Takes Command: Zeilenbau and the Politics of CIAM," addresses the New Frankfurt housing and settlement initiative at the onset of the depression of 1929. The shift into decline, saw some initiatives completed, others stifled, and new ones emerge. Thus the 1929 CIAM Congress held in Frankfurt began with performances of experimental music, poetry and dance, and ended with the consecration of the existence minimum as the new housing standard. Meanwhile, Ernst May pushed forward with a revised housing strategy based on the minimal dwelling, the existence minimum, and the superblock (Zeilenbau). The CIAM Congress …

Moments Of Freedom: Revolutionary Art From China, South Africa And Tunisia, Ikram Lakhdhar

Self-Designed Majors Honors Papers

No abstract provided.

The New Woman's Home, Excerpt From Building Culture: Ernst May And The New Frankfurt Initiative, 1926-1931, Susan R. Henderson

School of Architecture - All Scholarship

Chapter three of Building Culture, “The New Woman’s Home. Kitchens, Laundry, Furnishings,” discusses household culture and modernization. It begins with the Frankfurt Kitchen and its designer, Grete Lihotzky, and continues with a discussion of electricity and the architect Adolf Meyer, and its expansion with the example of the electric laundries in the Frankfurt settlements. The next segment is a discussion of new furniture design, small, inexpensive furniture that was an essential partner to contemporary small house design and was avidly researched in the Frankfurt offices. Designers here include Kramer, Cetto and Schuster.

La Desnuda Rebelde Y El Bodegón Subversivo: Una Reinterpretación Del Arte De Olga Costa Y María Izquierdo, Carly Goodkin

CMC Senior Theses

This paper explores the art of Olga Costa and María Izquierdo. The history of the Mexican revolution is outlined and then presented again with a focus on women’s issues and involvement. Next is a discussion of national identity construction after the revolution, with attention paid to the role of the “Big Three,” muralists Diego Rivera, Jose Clemente Orozco, and David Siqueiros. While scholars often credit male artists for their involvement in this process, the contributions of female artists tend to be overlooked. Although the work of female artists is often portrayed as limited to their personal experiences, this thesis argues …

Bridging Modernities In Brazil: Progress And Violence In The Work Of Rosangela Renno, Francine Kath

Dissertations and Theses

No abstract provided.