Modern Art and Architecture Commons^™

Initial Type Craft, Micah Angelus

Theses and Dissertations

What kinds of objects can still think when the self-contained aesthetic object can no longer be taken for granted? The historical ruptures that have placed painting under crisis have also brought into view the fallacy of artistic autonomy, raising questions about how value, contemplation, and meaning persist under conditions of deconstruction.

Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane, Sydney Srnka

Theses and Dissertations

This thesis examines the culturally specific visual language within the work of Zilia Sánchez through an analysis of her biography and semiotic strategies, arguing that meaning in her work emerges through the materiality of form, rather than through conventional stylistic categorization. It reconsiders how art-historical movements are used to organize artists, proposing a framework better suited to Sánchez’s practice. The issues of reception and legibility have shaped Sánchez’s career as an exile whose experience of displacement informed her shaped canvases. These works articulated a simultaneously unique and universal sense of experience. In researching Sánchez’s history, an alternative story for the …

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

A Fine Arts Program For No. 1 Chase Manhattan Plaza, Paul Richert-Garcia

Theses and Dissertations

This thesis reads Chase Manhattan's 1959 art program as a reconstitution of ornament. The spatial and affective work historically performed by murals, carved stone, and mosaic was now performed by collecting—contemporary art, ethnographic holdings, folk art—deployed by committee across a corporate modernist master plan stripped of the handcraft tradition.

Signs In The Landscape: Authenticity, Ambiguity, And The Work Of Richard Long, Heather Green-Gulez

Theses and Dissertations

This thesis examines Richard Long’s walking-based practice as a sustained and direct engagement with lived experience, tracing his development through walking landscapes, marking, and documentation. It negotiates tensions between reductive and hermeneutic readings, ultimately arguing that Long gestures toward pre-agrarian land ethics, raising broader questions of authenticity in modern life.

Building Artistic Identity, Visual Heritage, And Contemporaneity Of The Arab World: Case Studies Of The 1974 Arab Art Biennale And 'Calligraphy In Contemporary Arab Painting' At The 1989 Havana Biennial, Amanda Msallem

Theses and Dissertations

The 1974 Arab Art Biennale held in Baghdad, Iraq, and the exhibition Calligraphy in Contemporary Arab Painting of the 1989 Havana Biennial in Cuba are unique biennial initiatives that represent a decisive transitional period of modern art of the Arab world, during which Arab artists moved from the aspirations of the Pan-Arab collective and toward increasingly individualized, experimental practices with local cultural specificity.

Tears, Blood, And Milk: Frida Kahlo's Depictions Of Maternity, Jenny Mushkin Goldman

Theses and Dissertations

This thesis analyzes Frida Kahlo’s representations of miscarriage, childbirth, and breastfeeding as departures from idealized portrayals of womanhood in post-revolutionary Mexico. Drawing on Catholic and Mesoamerican imagery, Kahlo reframes the maternal body as a site of resistance, engaging mexicanidad (Mexicanness) to counter its patriarchal constructions of national identity and gender.

"This Unshakable Dandy": The Life And Work Of Heinrich Maria Davringhausen (1894–1970), Jacob M. Robinson

Theses and Dissertations

This thesis is a monographic study of Heinrich Maria Davringhausen (1894–1970), an artist best-known for his contributions to the art of interwar Germany—and the political and historical contexts of his time. It examines his pre-1918 emergence as an avant-garde artist, asserts a more prominent place for his role in the development of German Post-Expressionism (commonly known as Neue Sachlichkeit or Magic Realism), and broadly overviews the increasingly abstract paintings he produced after fleeing Germany in early 1933, eventually settling in the South of France as Henri Davring.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

A Biography And Case Study On Marthe Wéry Her Ceaseless Exploration Of The Components Of Painting: Tracing Journeys In The Artist’S Life And Work, Sarah Grace Jones

Theses and Dissertations

My thesis investigates Belgian artist Marthe Wéry’s oeuvre, determines art-historical contexts for her paintings, and examines the many milestones that exemplify her work. Her monochromatic paintings, radical experiments with paint, empirical way of thinking, and exploration of architecture defend her robust career and demand involvement in today’s art historical conversation.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

Changing The Narrative: Athinai, An Illustrated Periodical For Modern Greece, 1934–35, Julie Fry

Theses and Dissertations

Athinai provided a Greek counterpart to European popular magazines of the interwar period. The integration of hand-drawn illustration with photographic imagery, collage, and multicolor printing yielded its distinctive visual language. Athinai portrayed changes in the daily life of modern Athens, attitudes to the body, and the role of women.

Mourning Before Death: Ferdinand Hodler And Valentine Godé-Darel, Nicolas Dowling

Theses and Dissertations

“Mourning Before Death” explores Ferdinand Hodler's (1853-1918) artistic relationship with death and grief culminating in an examination of his series of paintings and drawings depicting the slow death of his mistress, Valentine Godé-Darel. This thesis primarily utilizes the theories of Elisabeth Kübler-Ross as a framework for understanding Hodler’s work.

Swallow Your Medicine: Marisol’S Saca La Lengua From The Peace Portfolio Ii, A. E. Chapman

Theses and Dissertations

Bundling associations of medical examination, consumption, oral fixation, horror, and protest, Saca la Lengua provides a preview of a decisively abject turn in Marisol’s work. This thesis probes psychoanalytic themes of abjection and the pathological in the language and iconography presented in this and other works by Marisol.

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

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Scattered Fragments: Art, Architecture, And Archives In Revolutionary Urban Cairo, Mounira M. Makar

Theses and Dissertations

This thesis analyzes how revolutions impact urban Cairo and its communities, specifically within artistic, architectural and archival practice while acknowledging the central role of public spaces in giving way to such revolutionary practices. Fundamentally, this paper highlights the foundational nature of such practices in developing urban communities.

"How Is Photography?": Robert Heinecken's Photographic Concept At The University Of California, Los Angeles, 1960–1991, Noa Wesley

Theses and Dissertations

This thesis examines the photography program Robert Heinecken established at UCLA, highlighting his interest in teaching photography as an idea rather than a technologically inflected medium. This pedagogical model provides a lens through which I trace the work of three of his students: Maria Nordman, John Divola, and Uta Barth.

Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley

Theses and Dissertations

This thesis explores compulsory domesticity and the impulse to overextend oneself, both pressures often associated with the construct of femininity. Through diving into my personal history, which includes growing up in a three-generational home of women, I explore mimesis as it functions in both the replication of identity and in terms of pictorial representation; specifically I address its relationship to gender, manifestation within the body, and the search for subjectivity through the process of making and thinking. In various forms of material explorations, I play with ideas of malleability, mimicry and “embedded” behaviors that are passed down and embodied in …

Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky

Theses and Dissertations

This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.

Remedios Varo: Inspirations And Creative Strategies, Margaret Colbert

Theses and Dissertations

Remedios Varo is best known for the narrative, if enigmatic and symbol-laden, paintings she produced while living in Mexico from 1941 to 1963. This thesis argues that Varo’s key creative strategy was to mine and mimic the subject matter and motifs of other artists—Hieronymus Bosch and Leonora Carrington – as well as the visual culture related to the occult and other esoteric practices that she found in published sources, specifically by Carl Jung and Kurt Seligmann.

The Chicana Mural Movement: A Reclamation Of Mesoamerican Iconography, Jennifer Vander Els

Theses and Dissertations

An examination of the deployment of indigenous Mexica iconography by Chicana artists during the Chicano Mural Movement. The ethno-national concept of Aztlan, corn and Corn Women, and the deities Coatlicue and Coyolxauhqui were restructured in Chicana murals to uplift and recognize the achievements of the women of the Chicano community.

To Love, And To Be Loved: The Art And Relationships Of Gwen John (1876-1939), Karina Grady

Theses and Dissertations

Extremely close kinships that lasted decades, love affairs with other artists, a patron who fulfilled both her financial and cerebral needs, and a lifelong creative curiosity: these are the distinct relationships Gwen John carried throughout her life and, I maintain, that her art should be viewed as their reflection.

(Not) Knowing, Jared Friedman

Theses and Dissertations

Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.

Los Días De La Calle Gabino Barreda: The Social Circle Of Remedios Varo And Benjamin Péret In Mexico, 1941-1947, Esther R. Levy

Theses and Dissertations

This thesis explores the social circle of Surrealist exiles that formed at the home of Remedios Varo and Benjamin Péret on Calle Gabino Barreda between 1941 and 1947. This group is immortalized in Gunther Gerzso’s painting Los Días de la Calle Gabino Barreda (1944) and includes Gerzso, Varo, Péret, Esteban Francés, and Leonora Carrington. This thesis argues that the environment cultivated on Calle Gabino Barreda provided these artists with a place to expand on what they learned in Europe to develop their Surrealist practice in Mexico.

Leonora Carrington’S "Down Below": Transgressive Renderings Of The Grotesque Female Body, Kelsey King

Theses and Dissertations

The classification of the bodily grotesque relies on the transgression of boundaries, marked by an openness to the world. Leonora Carrington’s memoir (1944) and painting (1940) that share the same name, Down Below, illustrate the grotesque body as a revisionist self-configuration, destabilizing traditional representations and eroticization of the female form.

Making And Taking: Evaluating The Ethnographic Gaze In Graciela Iturbide’S Los Que Viven En La Arena, Lauren Gonzales

Theses and Dissertations

Graciela Iturbide’s career-defining engagement with indigenous subjects began with a commission by the Mexican government's Instituto Nacional Indigenista (INI) to document the Seri people. This thesis contextualizes the resulting photobook, Los que viven en la arena (1981), within the history of indigenous representation in Mexico and the controversial policies of the INI.

Developing Mexico: History, Architecture, Photography, And Esther Born’S The New Architecture In Mexico, Tyler Considine

Theses and Dissertations

Esther Born’s The New Architecture in Mexico (1937) presents the first survey of Mexican modern architecture and documents early works by Luis Barragán, Juan O’Gorman, among other Mexican modernists. This thesis examines Born’s architectural photography alongside that of Lola Álvarez Bravo, Guillermo Kahlo, and other photographers and within discourses of modernity, history, and representation.

Artist-Scholar: Tradition And Modernity In The Work Of Tseng Yuho, Jennie Tang

Theses and Dissertations

Chinese American artist-scholar Tseng-Yuho (1925-2017) developed an original, modern style called dsui hua based on her extensive knowledge of traditional Chinese ink art and scroll mounting techniques, Chinese and Western art history, and experiences living in or travelling to mainland China, Taiwan, Hong Kong, Paris, Hawai‘i, and New York.

Ernesto Deira, Rogelio Polesello, And The Esso Salons Of 1964–65, Jonas Albro

Theses and Dissertations

This investigation analyzes artworks by Argentinian painters Rogelio Polesello and Ernesto Deira shown in the Argentinian Esso Salon of 1964 and the International Esso Salon the following year in Washington D.C. at the Museum of the Pan American Union (PAU), and the complex networks of internationalization represented therein.

Realisms And The Body After War: Document, Truth, And Critique In Postrevolutionary Mexico And Weimar Germany, Eliana Blechman

Theses and Dissertations

This thesis examines realisms and representations of the body in postrevolutionary Mexico, using the critical framework surrounding Neue Sachlichkeit and post-World War I Weimar society as a comparative model. Through imagery of soldiers, women, and class disparity, artists utilized realisms to relay record, suggest truth, and create criticism.