Modern Art and Architecture | Open Access Articles

Dissident Artists' Associations Of Germany 1892-1912, Mary Jo Eberspacher Jan 1984

Dissident Artists' Associations Of Germany 1892-1912, Mary Jo Eberspacher

Masters Theses

With the end of the Franco-Prussian War on January 18, 1871, the German Empire under the leadership of the Hohenzollern king, William of Prussia, was proclaimed in the Hall of Mirrors at Versailles. Now Emperor Wilhelm I, Otto von Bismarck, his chancellor, and their staff as federal executives of the Empire possessed important legislative and economic powers. However, the individual states retained rights in some areas such as: education, health services, police protection and some powers of taxation, and in some instances, there was a distrust of the newly organized federal institutions. Consequently, this states' rights concept seemed to have …

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Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens Jan 1983

Post Object Art And Sociological Influences On The Internal Processes Of Art Making, Steve Havens

Masters Theses

The purpose of this thesis is to discuss how external sociological factors inevitably have a profound effect on current art.

Much great art has been created against the flow of what is critically "popular" or "fashionable," but as these external factors become more prominent so the art work produced inevitably suffers.

The exhibition of Frank Stella's black and aluminum paintings at the turn of the 60's, in my own opinion, provided something of a landmark in the history of art. These works, in all their stark, flat, geometric nakedness denied both "form" and "content." They bare no illusions, no mythology, …

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The Photograph And Superrealism, Christopher Stokes Jan 1982

The Photograph And Superrealism, Christopher Stokes

Masters Theses

In 1968 an exhibition entitled "Realism Now" was held at Vassar College under the direction of Linda Nochlin, a noted art historian and professor at the school. The exhibition sought to present a cross-view of recent American painting in the realistic mode. Included in the catalog were twenty-five artists including Jack Beal, Robert Bechtle, Richard Estes, Alex Katz, Alfred Leslie, Malcom Morely and Philip Pearlstein, as well as many other artists who, at the time, were relatively unknown. The exhibition generated a great deal of attention, not only because of its recognition of contemporary representational painting as an influential movement, …

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Cezanne, The Unknowing Father Of Modern Art, David Thomas Jan 1980

Cezanne, The Unknowing Father Of Modern Art, David Thomas

Masters Theses

In this paper, Cezanne's life and work are discussed with emphasis on his influence on the Modern Movement in Art. Questions are raised concerning the interpretation of his work both by art historians and artists. This, in turn, casts doubt on some of the premises of Modernism. It is important to realize that Cezanne had a great respect for the art of the old masters and, had he lived, would probably have been abhorred by modernist developments.

To understand Cezanne's complex attitude, his background is extensively dealt with in a biographical section. His relationship with the realist novelist Emile Zola …

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Objectivity And New Realist Painting, Jacky Palman Jan 1977

Objectivity And New Realist Painting, Jacky Palman

Masters Theses

This thesis describes the methods of New Realist painting ( also known as Sharp-Focus Realism, Photo-Realism, Super Realism and Hyper-Realism ) and its philosophy of objectivity behind the photographic approach and the choice of subject-matter. It also points out that this aim for total objectivity is ultimately unattainable.

A definition of New Realism in painting follows in Chapter One, which also deals with the factors separating it from other photographically realistic styles - the primary distinction being the constant striving of New Realism for complete objectivity.

Chapter Two deals with the influences responsible for the emergence of New Realism. Pop …

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The Inevitability Of Abstract Expressionism In America, Brenda Hawtin Jan 1977

The Inevitability Of Abstract Expressionism In America, Brenda Hawtin

Masters Theses

Although a non-figurative, non-realistic art had been invented and developed in Europe during the early part of the Twentieth century, it was inevitable, due to innumerable circumstances, that abstract art should culminate in its absolute expression in America, in the form of Abstract Expressionism, during the 1940's.

The combination of these events - large scale works being executed, the awareness of the innovational developement of European art, the changing attitudes from Americans who had experienced other cultures - put American artists at the point where they were ready to invent their own new style of painting. The large abstract paintings …

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Surrealism And Abstract Expressionism, Michael R. Robins Jan 1976

Surrealism And Abstract Expressionism, Michael R. Robins

Masters Theses

No abstract provided.

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A Comparative Analysis Of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson Jan 1974

A Comparative Analysis Of Selected Twentieth Century Watercolorists, Bonnie L. Ferguson

Masters Theses

My objectives in writing this paper were to research selected watercolorists whose work I admire and whose work bears a relationship to my own, and to make a comparative analysis. In the process of research, I found that not all of the work of the artists I had chosen related totally to my own, but there was at least one of the basic elements that did apply. I wanted to learn from looking at their work and reading about their philosophies. That I did; and it has stimulated in me many thoughts and plans, wishes to try some of their …

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Tradition In American Realism, George L. Ganley Jan 1974