History of Art, Architecture, and Archaeology Commons^™

Woman In Stone: Yearning An Despair At Boscotrecase, Russ Nelson

Research Horizons Day Posters

No abstract provided.

Councilor, Combatant, Least Of All Cleric: Bishop Odo's Vanity And The Bayeux Tapestry, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

Sheela-Na-Gigs: The Forgotten Daughters Of The Ancient Goddess, Brittany Newby

Research Horizons Day Posters

No abstract provided.

Theological And Political Influences On The Triumphal Arch Mosaics Of Santa Maria Maggiore, Robin H. Flachbart

Research Horizons Day Posters

No abstract provided.

Foliage And The Horn Of Healing Found In The Unicorn Tapestries, Kailey Franks

Research Horizons Day Posters

No abstract provided.

Yinka Shonibare Mbe's Critiques Of Empire And His Reception In Four Transnational Case Studies, Johanna Wild

Art & Art History ETDs

In the wake of art history’s “global turn”, the installation art of Yinka Shonibare MBE has obtained vast visibility in the established centers of contemporary cultural practice in Europe and beyond. Shonibare is best known for his installations of mannequins that reenact canonized paintings and historical events culled from European modernity. Dressed in deceptively “African” Dutch Wax fabrics, Shonibare’s phenotypically ambiguous and headless mannequins ensnare audiences with a semblance of “exotic” difference, but ultimately resist the fixity of national, cultural, racial and, in some cases, gendered categorization through an incessant semiotic slippage. In his book, The Culture Game (2001), Olu …

Spirituality: Take Me To A Higher Place, Kane Stanglin, Alexandra Mendez, Laura A. Eads, Kyle Crosslin

Collin College Undergraduate Interdisciplinary Student Research Conference

Panel Chair: Marta Moore

Papers Presented:

"The Acceptance of Fate from a Man of God" by Alexandra Mendez

"Acceptance Is Peace" by Kane Stanglin

"Hindu Beliefs in Bhagavad-Gita" by Laura A Eads

"Analysis of 'The Sovereignty of Goodness of God'" by Kyle Crosslin

The Eternal Hero: A Study Of The Evolution Of The Literary Character Throughout History, James Simms

Undergraduate Distinction Papers

The Literary character has always existed, and I intend to show how he or she has changed the times, and, in turn, been changed by the times. Literature is a powerful force of culture and morality, liberalism and conservatism, engines of fate, and forces of chaos. As each era has its own values, so each character reflects those values (and might even go against some in order to convey the authors’ understanding of them). The characters, if powerful enough, often cause social change, defining major thoughts of various eras. Literature can both define a period, but can also be the …

Displays Of Power In English Tudor Painting (1485-1603), Laura Meisner

Student Scholar Showcase

English painting between 1485 and 1603 shaped and was shaped by a myriad of cultural influences. Art historians generally agree that because England did not produce much of its own art until the 18^th century, it had a relatively slight impact on the development of Western art. A cursory history lesson of this time frame likely omits English art apart from the appearance of Hans Holbein the Younger as court painter under Henry VIII and Nicholas Hilliard during Elizabeth I’s reign. However, a study of English paintings throughout the entire Tudor period reflects its importance not only to England’s …

Shattered Ceilings: Roof Tile Analysis On Survey Archaeology Projects, Rebecca Salem

School of Art, Art History, and Design: Theses and Student Creative Work

Finding a roof tile on an archaeological survey demonstrates that a structure had previously stood nearby. Rarely found in their entirety, tiles are fabricated from terracotta, which, while durable when in its proper place, breaks when falling from a roof. The nature of these fragmentary finds has made tile analysis limited and tiles are often not included in publications or only a select few are included with ceramic finds. Additionally, unlike pottery with its typographic chronology, roof tiles have restricted dating potential. However, there are several specific types of tile that can greatly help with dating. Though limited, some of …

Friends Of Musselman Library Newsletter Spring 2017, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library News

• "You do not have a minute to lose!"
• New Homes for Old Books
• Wikipedia Edit-a-thon (Melanie Fernandes '16)
• Share a Table (Sarah Nelson '17)
• A Note of Sadness (Jay P. Brown '51)
• Not Lost in Translation

Half a Million Downloads from The Cupola! (Janelle Wertzberger)

Revisit The Mercury

Mercury Stories of Note (Jerry Spinelli '63)

More Early College Publications Online

The Spectrum of Art

First German Print of the Declaration of Independence (Daniel DeNicola)

Hidden Beneath: Watermarks in the Early American Document Collection (Tyler Black '17)

Archaeological Students Dig Special Collections

Research Reflections …

Haa371 Historic Catholic Church Architecture Of Chicago, Paul B. Jaskot

Course Website Archive

“Historic Catholic Church Architecture of Chicago” used the Omeka/Neatline environment to study the architecture of a number of Catholic churches in Chicago and the effect they have had on the politics, culture, and social aspects of the city. Prof. Jaskot used this help his students “…think about the religious buildings as extensions of the city’s history, while emphasizing the contributions of and conflicts with its various immigrant groups.”

St. Mary’S Chapel, The Bishop’S School, La Jolla, Molly Mcclain

History: Faculty Scholarship

The article explores the history of St. Mary’s Chapel at The Bishop’s School, a sacred space for students, staff, and alumni at the Episcopal preparatory school in La Jolla, California.

Art Since 1980, Craig Houser

Open Educational Resources

This course will explore art since 1980 and consider the questions and ideas embedded in contemporary art in relation to prior historical movements. We will consider a range of questions, including approaches on how to write about contemporary art, when and where to apply philosophical theories, and what a social historical context for a body of work might be, as well as who, how, and why some artists make it into the art history books and others don’t. There will be weekly presentations of texts in class and writing assignments that will encourage students to present their opinions on current …

Sight And Song Augmented, Robert P. Fletcher

Sight and Song Augmented: Painting and Poetry in Mixed Reality

This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.

From Plato To Nato. 2,500 Years Of Democracy And The End Of History, Despina Lalaki

Publications and Research

No abstract provided.

The Origins And Identity Of Roman Mithraism, Charles R. Hill

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis is a reassessment of scholarship concerning the origins of the cult mysteries of Mithraism in its Roman form during the Imperial Period. While much has been published in the debate over the cult’s true origins, we are still left without a satisfactory answer. The present work is an attempt to reconcile some of the arguments posed in the 19^th and early 20^th centuries with those of the later 20^th and 21^st centuries, focusing mostly on the cult’s art and iconography in Mithraea, the central spaces of Mithraic worship. First will be a summary of …

Challenging The Postwar Narrative: The Art And Agenda Of Boris Lurie, Kiersten Signe Remster

Honors Theses

Art history is shaped, studied, and taught based on narratives, artistic movements, and the biographies of celebrated artists. While contributing to an understanding of prevalent traditions and artists working in those traditions, these narratives are also constructions of inclusion and exclusion that establish art historical placement for certain artists while relegating others to historical obscurity. It is clear what happens to the critical fortunes of artists who are placed within these narratives. Yet what happens to the artists who do not fit within any of the categories established by these constructions? Are they then to be understood as simply minor …

Program Booklet: 28th Annual James Porter Colloquium, Department Of Art

28th Annual James Porter Colloquium

No abstract provided.

Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …

Here There Be Herders: Comparative Archaeological Survey Of Bronze Age Monumental Landscapes, Charles Ronkos

Independent Study Project (ISP) Collection

Within our global understanding of the human story, nomadic pastoralists are often featured as marginal, or at best ancillary, to a narrative on sedentary civilizations of increasing complexity. Research on these groups has been limited by this conception, and by a minimal signature in the archeological record. However, revolutionary technological and methodological advances in the field have allowed for increased complexity in current research on the emergence of pastoralists in antiquity. As a region with an extensive nomadic pastoral history, and as a nation reviving its interest in the past, Mongolia is ideal for such studies. However, for large swaths …

Visual Culture Project: Confederate War Etchings: Searching For Arms By Adalbert Johann Volck, Lynn B. Hatcher

Student Publications

Adalbert Johann Volck’s 1861 sketch of Union soldiers, “Searching for Arms,” represents a substantial contribution to the narrative about gender relations during the American Civil War. This simple, small sketch offers the observer a window into the past. It is a collision of symbols and meaning—from gender to war to the household—all wrapped up in one image. This is a portrait sketch of a woman being invaded in her domestic, private sphere, revealing so much about gender relations during the time. The mistress herself seemed to embody a vast range of sentiments such as anger, fear, frailty, and strength, proving …

Visual Culture Analysis Of "The Last Ditch Of The Chivalry, Or A President In Petticoats", Sarah A. Hansen

Student Publications

This lithograph is a Northern depiction of the capture of former Confederate President Jefferson Davis. Titled "The Last Ditch of the Chivalry, or a President in Petticoats", and picturing Davis in a woman’s dress and bonnet, the Northern press painted Davis as a coward. Rather than being a man and standing up to the Union troops, Davis disguised himself as a woman and attempted to cowardly escape. Although in actuality Davis was wearing a rain jacket and shawl rather than a full dress and bonnet, the Northern press mocked him. This piece demonstrates the prominence of male Southern honor, and …

Between Secular And Sacred: The Trade Windows' Depictions Of Food In Chartres Cathedral, Zachary A. Wesley

Student Publications

Medieval artists often blended sacred and secular imagery in their works, though especially stained glass windows. The stained glass windows of Chartres Cathedral, for example, use images of commoners at work and depictions of food to convey religious messages. This paper discusses three such examples and their significance to both the lay community of Chartres and the teachings of the Church.

Paintings Of War, Museums Of Memory, Laura G. Waters

Student Publications

This paper examines the artists sent to the Western Front under Britain’s official war artists initiative. The government sought to utilize artwork for propagandistic purposes, and to foster emotional connection between civilian and soldier. However, the growth of the initiative to include some ninety artists complicated this. The experiences of the artists and the truths revealed to them by the conflict were vastly different, and examination of them as a whole does little to elucidate the character of the war itself. What this paper seeks to do, therefore, is examine three artists - Sir William Orpen, Lieutenant Paul Nash, and …

The Capitalist-Marxist Dichotomy Within The Hudson River School: Conceptualizing American Property Through The Career Of Worthington Whittredge (1820-1910), Astrid Tvetenstrand

MA Theses

The Hudson River School artistic movement has been regarded as one of the foremost examples of American painting. These images of landscape have embodied the spirit of the United States and its perpetually changing relationship with nature. While these nineteenth-century paintings are consistently analyzed through the lenses of Romanticism and Idealism, there is a lacuna in the narrative which accentuates economic and political philosophies as important influencers of these works. The impact of capitalism and Marxism is identifiable through not only the country’s economic system, but also the nation’s artistic movements. These theories are well-defined by paintings highlighting northeastern agrarianism …

The Snozzle Factory, Jeremy Michael Lampe

Theses and Dissertations

The "Snozzle Factory" is a sculptural installation that includes glass, clay, metal, wood and cast paper. It is a representation of an imaginary factory that produces objects that are to be determined by the viewer. The portrayal of time, decay and movement are the primary goals of this installation. It is my attempt to transport the viewer to a different world.

Rock May Find A Home At Last, Mike James

Indian Head Rock Project

Article on the Indian Head Rock published by the Ashland Daily Independent on March 15, 2017.

Women's Work: Sumbanese Textiles From The May Weber Collection, Catherine Nichols, Grace Iverson, Jill Forshee

Anthropology: Faculty Publications and Other Works

This catalogue was produced to accompany Women’s Work, an exhibition of textiles from the May Weber Ethnographic collection held from March 16 — June 2017 in the Damen Student Center. The exhibition was curated by Anthropology student Grace Iverson (B.A. Loyola University Chicago 2017).

Archaeology, Women & The Early Church, Konner Dent

Andrews Agenda: Campus News

No abstract provided.