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Articles 5341 - 5370 of 14053

Full-Text Articles in History of Art, Architecture, and Archaeology

The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris Jan 2018

The Sylvan Blindspot: The Archaeological Value Of Surface Vegetation And A Critique Of Its Documentation, John S. Harris

Graduate Student Theses, Dissertations, & Professional Papers

Surface vegetation at archaeological sites is a resource overlooked in cultural resource management. Drawing upon comparative documentary surveys of site forms and human surveys of 161 archaeologists in 12 U.S. states, this thesis explores why surface vegetation offers archaeological data potential; how archaeological documentation is an artifact of archaeologists, shaped by various subjectivities; and how improvements can be made for vegetal description in cultural inventory site forms. The surveys offer a critique on how the site form records are a product of disciplinary training oversights, differing work background experience, cultural bias, limitations in botanical knowledge, regional differences in U.S. archaeological …


Bayou Bohemia: Early Modernism In Houston, Susan J. Baker, Randy Tibbits Jan 2018

Bayou Bohemia: Early Modernism In Houston, Susan J. Baker, Randy Tibbits

Art Inquiries

No abstract provided.


Front Matter Jan 2018

Front Matter

Art Inquiries

No abstract provided.


Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond Jan 2018

Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond

Art Inquiries

Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.


Boredom, Mysoon Rizk Jan 2018

Boredom, Mysoon Rizk

Art Inquiries

Review of Boredom, edited by Tom McDonough.


No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman Jan 2018

No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman

Art Inquiries

No abstract provided.


Back Matter Jan 2018

Back Matter

Art Inquiries

No abstract provided.


Kinetic Landscape And Unalloyed Potential: Rethinking The Extractive Landscape Of Michigan's Native Mass Copper Mining Industry, Sean Gohman Jan 2018

Kinetic Landscape And Unalloyed Potential: Rethinking The Extractive Landscape Of Michigan's Native Mass Copper Mining Industry, Sean Gohman

Dissertations, Master's Theses and Master's Reports

This dissertation examines the extractive landscape and persistent lifespan of native mass copper mining in Michigan’s Upper Peninsula. The historic native copper mining industry of Michigan lasted for over a century, though its impacts on the landscape can be broken into two distinct, though overlapping, phases of extractive practice: mass mining and disseminated lode mining. Each mined specific native copper deposits, utilized related but specialized technologies, and relied upon different sources of energy to power its practices. A first, formative phase of mass mining exploited fissures of pure metallic copper using traditional technology and organic sources of fuel. A second …


Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century, Eileen Yanoviak Jan 2018

Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century, Eileen Yanoviak

Art Inquiries

No abstract provided.


An Interview With Stacey M. Holloway, Kerr Houston Jan 2018

An Interview With Stacey M. Holloway, Kerr Houston

Art Inquiries

No abstract provided.


Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick Jan 2018

Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick

Art Inquiries

No abstract provided.


Facing The Real: Arman’S Accumulations, Jennifer Watson Wester Jan 2018

Facing The Real: Arman’S Accumulations, Jennifer Watson Wester

Art Inquiries

No abstract provided.


Rodin: The Human Experience, Arthur J. Difuria Jan 2018

Rodin: The Human Experience, Arthur J. Difuria

Art Inquiries

No abstract provided.


Howardena Pindell: What Remains To Be Seen, Alyssa Bralower Jan 2018

Howardena Pindell: What Remains To Be Seen, Alyssa Bralower

Art Inquiries

No abstract provided.


Michelangelo: Divine Draftsman & Designer, Marjorie Och Jan 2018

Michelangelo: Divine Draftsman & Designer, Marjorie Och

Art Inquiries

No abstract provided.


Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco Jan 2018

Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco

Art Inquiries

No abstract provided.


Cuneiform And The Rise Of Early Alphabets In The Greater Arabian Peninsula: A Visual Investigation, Saad D. Abulhab Jan 2018

Cuneiform And The Rise Of Early Alphabets In The Greater Arabian Peninsula: A Visual Investigation, Saad D. Abulhab

Publications and Research

Scholars trace the roots of most historical and modern alphabets in the Near East and Europe, including Arabic and Latin, to a single obscure script, namely the Proto-Sinaitic or Proto-Canaanite script. This presumed script was attested by Western scholars in the early 20th Century following the discovery in 1905-06 of a few, very short graffiti inscriptions at “Serabit el-Khadim” in the Sinai Peninsula and the subsequent discovery in 1999 of a few similar ones at “Wadi el-Hol” in the middle of Egypt. According to these scholars, Proto-Sinaitic was derived from the Egyptian Hieroglyphs writing system between 18th-15 …


The Presentation Of The Chasuble To San Ildefonso: An Exploration Of Its Origins, Nikolyn Garner Jan 2018

The Presentation Of The Chasuble To San Ildefonso: An Exploration Of Its Origins, Nikolyn Garner

Graduate Student Theses, Dissertations, & Professional Papers

The Presentation of the Chasuble to San Ildefonso is a 15th-century Spanish altarpiece panel that has been part of the Montana Museum of Art and Culture’s permanent collection since 1957. However, it was donated with little information about the artist who created it, the circumstances of its commission, the area of Spain where it originated, or its provenance from the time of its creation to the time of its donation to the University of Montana. Without research into these questions, this unique piece has not been exhibited as often as it deserves. I have explored these questions as …


Strange Rarities, Cori Crumrine Jan 2018

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.


Eye On The West: Photography And The Contemporary West., James R. Swensen Jan 2018

Eye On The West: Photography And The Contemporary West., James R. Swensen

Faculty Publications

While working in the American West, Ansel Adams liked to wear a Stetson. In many ways the famed photographer and his cowboy hat are emblematic of two of the most enduring cliches of the West. Even though he was the first to protest being typecast, Adams’s near perfect photographs of untrammeled Western landscapes are often seen today as too pristine and too popular. The cowboy, moreover, has become the embodiment of the lone, laconic, male hero braving prairies and rugged mountains. Eye on the West resists both of these Western tropes. Yes, Ansel Adams makes his appearance in the text …


Hisban Cultural Heritage Project, Bethany J. Walker, Øystein S. Labianca Jan 2018

Hisban Cultural Heritage Project, Bethany J. Walker, Øystein S. Labianca

Faculty Publications

No abstract provided.


Peruvian Antiquities And The Collecting Of Cultural Goods, Terrence H. Witkowski Dec 2017

Peruvian Antiquities And The Collecting Of Cultural Goods, Terrence H. Witkowski

Markets, Globalization & Development Review

Ancient art, artifacts, and architecture have long excited the intellectual curiosity and acquisitive passions of private and institutional collectors who, in turn, have funded archaeological research, preservation initiatives, and public education. Yet, the procurement of these goods also has encouraged looting and trafficking activities. Supplying collectors has destroyed much cultural evidence in source countries and has raised questions about who should control heritage and history. This article investigates the market for Peruvian antiquities, the surviving material culture created by the country’s inhabitants before the Spanish Conquest. It briefly reviews Peru’s early history and the history of collecting its artifacts, and …


Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb Dec 2017

Finding Lost & Found: Designer’S Notes From The Process Of Creating A Jewish Game For Learning, Owen Gottlieb

Articles

This article provides context for and examines aspects of the design process of a game for learning. Lost & Found (2017a, 2017b) is a tabletop-to-mobile game series designed to teach medieval religious legal systems, beginning with Moses Maimonides’ Mishneh Torah (1180), a cornerstone work of Jewish legal rabbinic literature. Through design narratives, the article demonstrates the complex design decisions faced by the team as they balance the needs of player engagement with learning goals. In the process the designers confront challenges in developing winstates and in working with complex resource management. The article provides insight into the pathways the team …


Oscar Brousse Jacobson: The Life And Art Of A Cosmopolitan Cultural Broker, Anne Allbright Dec 2017

Oscar Brousse Jacobson: The Life And Art Of A Cosmopolitan Cultural Broker, Anne Allbright

History Theses and Dissertations

As a graduate student studying art at Yale, Oscar Brousse Jacobson (1882–1966) pinned his career on the hopes of someday opening an art school in the American West. Jacobson was a Swedish immigrant, but he felt a deep connection to the West because he spent much of his youth on a ranch in Kansas and roamed the greater Southwest by horseback during the late 1800s. Jacobson believed that after he completed his graduate studies in New England, he would eventually return West. He planned to bring great works of art, produce his own paintings, instruct young artists, and foster art …


Jared French's State Park: A Contextual Study, Emily Sachar Dec 2017

Jared French's State Park: A Contextual Study, Emily Sachar

Theses and Dissertations

Jared French's State Park (Whitney Museum of American Art, 1946) uses the language of magic realism in mid-20th-century America, the egg tempera technique of the Quattrocento, and the theories of Carl Jung to explore a variety of themes: homosexuality, family and power. This thesis considers State Park within the contexts of the artist's circle and liaisons with Paul Cadmus and George Tooker; his photography work with Pajama; his friendship with E.M. Forster; and homophobia at mid-century.


Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig Dec 2017

Stasi Brainwashing In The Gdr 1957 - 1990, Jacob H. Solbrig, Jacob Hagen Solbrig

LSU New Orleans Theses and Dissertations

This thesis examines the methods used by the Ministerium für Staatssicherheit (MfS), more commonly known as the Stasi, or East German secret police, for extraction of information from citizens of the German Democratic Republic for the purpose of espionage and covert operations inside East Germany, as it pertains to the deliberate brainwashing of East German citizens. As one of the most efficient intelligence agencies to ever exist, the Stasi’s main purpose was to monitor the population, gather intelligence, and collect or turn informants. They used brainwashing techniques to control the people of the GDR, keeping the populace paralyzed with fear …


Purism And The Object-Type: Tradition And Modernity, Art And Society, Jamie Morra Dec 2017

Purism And The Object-Type: Tradition And Modernity, Art And Society, Jamie Morra

Theses and Dissertations

This thesis examines the Purist object-type as a formal and social tool in interwar Paris. It’s establishment, definition, and use is analyzed through the work and writings of Amédée Ozenfant, Charles-Édouard Jeanneret and Fernand Léger, via painting as the primary practice, and its further conceptual applications in architecture and film.


Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas Dec 2017

Franz Roh And Visual Juxtaposition In Foto-Auge, Irini Zervas

Theses and Dissertations

This study of Foto-Auge (1929) is grounded on the approach of Franz Roh and aims to unlock the book’s meaning through an analysis of layout and visual sequence. This thesis also demonstrates how Foto-Auge proclaims photography’s ability not merely to record, but to disrupt any sense of reality in images.


“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer Dec 2017

“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer

Theses and Dissertations

This thesis examines the art and social engagement of Laura Márquez in 1960s Paraguay. Despite the challenging economic, political, and social contexts that Márquez encountered throughout the decade, she acted as an invaluable “transmitter” – both carrying international artistic forms and concepts into Paraguay, and diffusing her experience of local reality.


Caspar David Friedrich, The Romantic Hero, And Early German Nationalism, Morgan D. Ward Dec 2017

Caspar David Friedrich, The Romantic Hero, And Early German Nationalism, Morgan D. Ward

Art and Art History Theses

Like many artists, Caspar David Friedrich was affected by the events of his time: the defeat of Prussia by the forces of Napoleon (1806), the following occupation of the German lands (1810), the struggles of the Wars of Liberation (1813-1814) and their disappointing aftermath. He was also greatly influenced by the literary trends of the time, especially the concept of the Romantic hero and the cult of the heroic soldier, ideas that he was exposed to among his circle of friends. The paintings that Friedrich created between 1808 and 1821 display the tensions of the era, emphasizing the feelings of …