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Articles 5251 - 5280 of 13970

Full-Text Articles in History of Art, Architecture, and Archaeology

Rodin: The Human Experience, Arthur J. Difuria Jan 2018

Rodin: The Human Experience, Arthur J. Difuria

Art Inquiries

No abstract provided.


Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington Jan 2018

Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington

Art Inquiries

No abstract provided.


Art Inquiries, Xvii:3, Full Issue Jan 2018

Art Inquiries, Xvii:3, Full Issue

Art Inquiries

No abstract provided.


An Interview With Stacey M. Holloway, Kerr Houston Jan 2018

An Interview With Stacey M. Holloway, Kerr Houston

Art Inquiries

No abstract provided.


Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick Jan 2018

Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick

Art Inquiries

No abstract provided.


Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco Jan 2018

Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco

Art Inquiries

No abstract provided.


Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris Jan 2018

Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris

Art Inquiries

Review of Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life, by Lucy Hartley.


Howardena Pindell: What Remains To Be Seen, Alyssa Bralower Jan 2018

Howardena Pindell: What Remains To Be Seen, Alyssa Bralower

Art Inquiries

No abstract provided.


Boredom, Mysoon Rizk Jan 2018

Boredom, Mysoon Rizk

Art Inquiries

Review of Boredom, edited by Tom McDonough.


Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez Jan 2018

Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez

Art Inquiries

No abstract provided.


No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman Jan 2018

No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman

Art Inquiries

No abstract provided.


Michelangelo: Divine Draftsman & Designer, Marjorie Och Jan 2018

Michelangelo: Divine Draftsman & Designer, Marjorie Och

Art Inquiries

No abstract provided.


Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond Jan 2018

Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond

Art Inquiries

Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.


Back Matter Jan 2018

Back Matter

Art Inquiries

No abstract provided.


Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo Jan 2018

Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.


What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird Jan 2018

What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird

Honors Theses

This thesis explores street art in Tel Aviv, Israel through anthropological concepts of value. By defining street art as an interstitial practice—one that exists between permeable, socially defined boundaries and is characterized differently by different power structures—I attempt to define some of the different regimes of value that apply to street art. Using the emerging market of “street art tours” as a fieldwork site, I look at how street art is presented and re-presented to both tourists and locals. By situating my research in a historical and geographic context, I hope to understand the ways different value schema, from economic …


American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts Jan 2018

American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts

Books and Monographs

American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.


Strange Rarities, Cori Crumrine Jan 2018

Strange Rarities, Cori Crumrine

Graduate Student Theses, Dissertations, & Professional Papers

‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.


Table Of Contents (V. 30, 2018) Jan 2018

Table Of Contents (V. 30, 2018)

BEADS: Journal of the Society of Bead Researchers

No abstract provided.


To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz Jan 2018

To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz

BEADS: Journal of the Society of Bead Researchers

This article serves as an introduction to the use of beads – both indigenous and European – in surviving examples of body ornaments of the early colonial period Caribbean: a cemí/belt in the collections of Rome’s Museo Nazionale Preistorico Etnografico “L. Pigorini,” a belt from the Weltmuseum Wien, and a cache of beads in a wooden vessel from the collections of the Museo de Historia, Antropología y Arte, Universidad de Puerto Rico. These artifacts offer insights into how the Taíno may have adopted newly introduced foreign goods, aligning them to their own aesthetics and world view. Glass beads, acquired via …


Book Reviews And End Matter Jan 2018

Book Reviews And End Matter

BEADS: Journal of the Society of Bead Researchers

Not Just for Show: The Archaeology of Beads, Beadwork and Personal Ornaments, by Daniella E. Bar-Yosef Mayer, Clive Bonsall, and Alice M. Choyke (eds.), reviewed by Karlis Karklins. The Art & Tradition of Beadwork, by Marsha C. Bol, reviewed by Valerie Hector. Stone Beads of South and Southeast Asia: Archaeology, Ethnography and Global Connections, by Alok Kumar Kanungo (ed.), reviewed by Karlis Karklins. Beads in the World, by Kazunobu Ikeya (ed.), reviewed by Margot Thompson. Journal: Borneo International Beads Conference 2017, by Heidi Munan and Anita MacGillivray (eds.), reviewed by Louise M. Macul.


Art 11 Introduction To Art History, Deborah Lewittes Jan 2018

Art 11 Introduction To Art History, Deborah Lewittes

Open Educational Resources

No abstract provided.


"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono Jan 2018

"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono

Art Faculty Articles and Research

"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."


Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner Jan 2018

Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner

All Graduate Theses, Dissertations, and Other Capstone Projects

The Late Woodland and Terminal Woodland traditions encompass a number of Native American cultural groups living in the Upper Midwest United States, dating between A.D. 400/500 and 1100/1200. Although archeological work has been done on many Woodland and Terminal Woodland sites in Illinois, Iowa, Michigan, Wisconsin, comparatively little has been done in Minnesota, and only a small amount has been done in southeastern Minnesota. As a result, Late Woodland and Terminal Woodland pottery complexes in the Red Wing, Minnesota area are still poorly understood.

Pottery types are the single most important artifact class used to identify population segments and trace …


2018 Bethsaida Field Report, Rami Arav Jan 2018

2018 Bethsaida Field Report, Rami Arav

Field Reports

THE EXPEDITION

A two weeks session of excavations was conducted from June 25th to July 4th , 2018. Since the expedition was arranged late in time, the group of excavators was limited to 16 participants.

The team included the architects Kenneth Bensimon from Washington State, Nic Birt from New Zealand, co-director and area supervisor Dr. Carl Savage, Drew University, Dr. Stefania Peluso Greco-Roman pottery expert, Haifa University, photographer Hanan Shafir, co-director Dr. Jerome Hall, University of San Diego, and director Prof. Rami Arav, University of Nebraska at Omaha and the Hebrew Union College Jerusalem.

This year the expedition was lodged …


Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach Jan 2018

Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach

Art and Art History Faculty Research

No abstract provided.


From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill Jan 2018

From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill

Theses and Dissertations--Art and Visual Studies

The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic technique was; and if Degas did have …


Mexican Technoscientific Arts, 2000-2015: Art And Science, Machine Inventions, And Political Ecologies, Carlos R. Guzman Jan 2018

Mexican Technoscientific Arts, 2000-2015: Art And Science, Machine Inventions, And Political Ecologies, Carlos R. Guzman

Dissertations and Theses

In the last decades, several artists have engaged directly with emerging digital technologies and science, the so-called new media arts. For the past fifteen or twenty years, such practices have experienced a paradigmatic transformation in Mexico, particularly in the capital. They have shifted from peripheral to mainstream, from contingent to ubiquitous, and from underground/experimental to official and governmentally funded.

This thesis explores the development of technoscientific arts in Mexico, its evolution, main artists, and institutions. It focuses on specific technoscientific artistic projects developed in Mexico between 2000 and 2015 by artists like Tania Candiani, Gilberto Esparza, Iván Puig, and Ale …


Soaring Without Safety, David Keck, Elyse M. Miata Jan 2018

Soaring Without Safety, David Keck, Elyse M. Miata

Publications

When pilots and avi­ation enthusiasts find themselves in Washington, D.C., they often plan a trip to the Mall to visit the Smithsonian National Air and Space Museum. But those who love the skies might also want to walk directly across the Mall and visit the Nation­al Gallery of Art, where we recommend taking a look at one of our favorite paintings: Peter Paul Rubens's The Fall of Phaeton. This piece of Ba­roque art speaks powerfully to aviators, as it shows what happens if the rules of the sky are disregarded.


Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland Jan 2018

Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland

Scripps Senior Theses

The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.