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Articles 5251 - 5280 of 13970
Full-Text Articles in History of Art, Architecture, and Archaeology
Rodin: The Human Experience, Arthur J. Difuria
Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington
Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:3, Full Issue
An Interview With Stacey M. Holloway, Kerr Houston
An Interview With Stacey M. Holloway, Kerr Houston
Art Inquiries
No abstract provided.
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick
Art Inquiries
No abstract provided.
Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco
Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco
Art Inquiries
No abstract provided.
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris
Art Inquiries
Review of Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life, by Lucy Hartley.
Howardena Pindell: What Remains To Be Seen, Alyssa Bralower
Howardena Pindell: What Remains To Be Seen, Alyssa Bralower
Art Inquiries
No abstract provided.
Boredom, Mysoon Rizk
Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez
Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez
Art Inquiries
No abstract provided.
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman
Art Inquiries
No abstract provided.
Michelangelo: Divine Draftsman & Designer, Marjorie Och
Michelangelo: Divine Draftsman & Designer, Marjorie Och
Art Inquiries
No abstract provided.
Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond
Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond
Art Inquiries
Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.
Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo
Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo
Open Educational Resources
This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.
What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird
What The Walls Say: Finding Meaning And Value In Tel Aviv’S Street Art, Rachel R. Bird
Honors Theses
This thesis explores street art in Tel Aviv, Israel through anthropological concepts of value. By defining street art as an interstitial practice—one that exists between permeable, socially defined boundaries and is characterized differently by different power structures—I attempt to define some of the different regimes of value that apply to street art. Using the emerging market of “street art tours” as a fieldwork site, I look at how street art is presented and re-presented to both tourists and locals. By situating my research in a historical and geographic context, I hope to understand the ways different value schema, from economic …
American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts
American Encounters: Art, History, And Cultural Identity, Angela L. Miller, Janet Catherine Berlo, Bryan J. Wolf, Jennifer L. Roberts
Books and Monographs
American Encounters provides a narrative of the history of American art that focuses on historical encounters among diverse cultures, upon broad structural transformations such as the rise of the middle classes and the emergence of consumer and mass culture, and on the fluid conversations between "high" art and vernacular expressions. The text emphasizes the intersections among cultures and populations, as well as the exchanges, borrowings, and appropriations that have enriched and vitalized our collective cultural heritage.
Strange Rarities, Cori Crumrine
Strange Rarities, Cori Crumrine
Graduate Student Theses, Dissertations, & Professional Papers
‘Strange Rarities’ is a compelling and odd coupling of words, and similar to this body of work, this phrase both masks and reveals its references. ‘Strange’ defines something unfamiliar or extraordinary; ‘Rarity’ describes something that is uncommon, or the quality of being rare. Paired together, a ‘strange rarity’ refers to an object, a feeling, or a something, which discourages familiarity and excites wonder and awe.
Table Of Contents (V. 30, 2018)
Table Of Contents (V. 30, 2018)
BEADS: Journal of the Society of Bead Researchers
No abstract provided.
To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz
To Produce “A Pleasing Effect:” Taíno Shell And Stone Cibas And Spanish Cuentas In The Early Colonial Caribbean, Joanna Ostapkowicz
BEADS: Journal of the Society of Bead Researchers
This article serves as an introduction to the use of beads – both indigenous and European – in surviving examples of body ornaments of the early colonial period Caribbean: a cemí/belt in the collections of Rome’s Museo Nazionale Preistorico Etnografico “L. Pigorini,” a belt from the Weltmuseum Wien, and a cache of beads in a wooden vessel from the collections of the Museo de Historia, Antropología y Arte, Universidad de Puerto Rico. These artifacts offer insights into how the Taíno may have adopted newly introduced foreign goods, aligning them to their own aesthetics and world view. Glass beads, acquired via …
Book Reviews And End Matter
BEADS: Journal of the Society of Bead Researchers
Not Just for Show: The Archaeology of Beads, Beadwork and Personal Ornaments, by Daniella E. Bar-Yosef Mayer, Clive Bonsall, and Alice M. Choyke (eds.), reviewed by Karlis Karklins. The Art & Tradition of Beadwork, by Marsha C. Bol, reviewed by Valerie Hector. Stone Beads of South and Southeast Asia: Archaeology, Ethnography and Global Connections, by Alok Kumar Kanungo (ed.), reviewed by Karlis Karklins. Beads in the World, by Kazunobu Ikeya (ed.), reviewed by Margot Thompson. Journal: Borneo International Beads Conference 2017, by Heidi Munan and Anita MacGillivray (eds.), reviewed by Louise M. Macul.
Art 11 Introduction To Art History, Deborah Lewittes
Art 11 Introduction To Art History, Deborah Lewittes
Open Educational Resources
No abstract provided.
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono
Art Faculty Articles and Research
"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."
Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner
Understanding Complex Late And Terminal Woodland Sites In The Red Wing, Minnesota, Area, Jaclyn Ann Skinner
All Graduate Theses, Dissertations, and Other Capstone Projects
The Late Woodland and Terminal Woodland traditions encompass a number of Native American cultural groups living in the Upper Midwest United States, dating between A.D. 400/500 and 1100/1200. Although archeological work has been done on many Woodland and Terminal Woodland sites in Illinois, Iowa, Michigan, Wisconsin, comparatively little has been done in Minnesota, and only a small amount has been done in southeastern Minnesota. As a result, Late Woodland and Terminal Woodland pottery complexes in the Red Wing, Minnesota area are still poorly understood.
Pottery types are the single most important artifact class used to identify population segments and trace …
2018 Bethsaida Field Report, Rami Arav
2018 Bethsaida Field Report, Rami Arav
Field Reports
THE EXPEDITION
A two weeks session of excavations was conducted from June 25th to July 4th , 2018. Since the expedition was arranged late in time, the group of excavators was limited to 16 participants.
The team included the architects Kenneth Bensimon from Washington State, Nic Birt from New Zealand, co-director and area supervisor Dr. Carl Savage, Drew University, Dr. Stefania Peluso Greco-Roman pottery expert, Haifa University, photographer Hanan Shafir, co-director Dr. Jerome Hall, University of San Diego, and director Prof. Rami Arav, University of Nebraska at Omaha and the Hebrew Union College Jerusalem.
This year the expedition was lodged …
Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Moving Vision: Anne Truitt, Paintings 1972-1991, Michael Schreyach
Art and Art History Faculty Research
No abstract provided.
From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill
From Practice To Performance: The Importance Of Ballet In Degas’S Dancer Painting Process, Whitney Leeann Hill
Theses and Dissertations--Art and Visual Studies
The context in which any artist creates an artwork is integral to understanding its significance, and one crucial aspect of context is how a work was created. When first looking at how Edgar Degas created his dancer paintings, his process seems simple- he watched the dancers and then painted what he saw. However, that is only a surface examination of a much more complicated system of observation, practice, repetition, mastery, and reproduction. This thesis investigates how Degas bridged the gap between observation and understanding of balletic technique; how deep his knowledge of balletic technique was; and if Degas did have …
Mexican Technoscientific Arts, 2000-2015: Art And Science, Machine Inventions, And Political Ecologies, Carlos R. Guzman
Mexican Technoscientific Arts, 2000-2015: Art And Science, Machine Inventions, And Political Ecologies, Carlos R. Guzman
Dissertations and Theses
In the last decades, several artists have engaged directly with emerging digital technologies and science, the so-called new media arts. For the past fifteen or twenty years, such practices have experienced a paradigmatic transformation in Mexico, particularly in the capital. They have shifted from peripheral to mainstream, from contingent to ubiquitous, and from underground/experimental to official and governmentally funded.
This thesis explores the development of technoscientific arts in Mexico, its evolution, main artists, and institutions. It focuses on specific technoscientific artistic projects developed in Mexico between 2000 and 2015 by artists like Tania Candiani, Gilberto Esparza, Iván Puig, and Ale …
Soaring Without Safety, David Keck, Elyse M. Miata
Soaring Without Safety, David Keck, Elyse M. Miata
Publications
When pilots and aviation enthusiasts find themselves in Washington, D.C., they often plan a trip to the Mall to visit the Smithsonian National Air and Space Museum. But those who love the skies might also want to walk directly across the Mall and visit the National Gallery of Art, where we recommend taking a look at one of our favorite paintings: Peter Paul Rubens's The Fall of Phaeton. This piece of Baroque art speaks powerfully to aviators, as it shows what happens if the rules of the sky are disregarded.
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland
Syncretic Souvenirs: An Investigation Of Two Modern Indian Manuscripts, Madeline Helland
Scripps Senior Theses
The objective of this project was to establish a provenance for two Indian manuscripts that were recently discovered in the collections at Scripps College. Based on their illuminations, script, and binding structure, I was able to conclude that these two manuscripts are Hindu religious texts created around the 19th or 20th century. To determine an approximate origin and the significance of these volumes, my research focused on the syncretism of religion, material history, and power dynamics in India. Their context was specifically framed within the history of manuscript construction and conservation.