History of Art, Architecture, and Archaeology Commons^™

Between Global And Local: Geometric Patterns Of Gallic Roman Mosaics, Rebecca Salem

School of Art, Art History, and Design: Theses and Student Creative Work

It is often assumed that mosaicists working in different parts of the Roman Empire utilized specific repertoires of geometric patterns, specific to that locality, which formed distinct regional styles. Accordingly, scholarship has sought to assign particular layouts and ornamentation to different areas around the Empire: illusionistic patterns mimicking architectural elements such as coffering in the Eastern Roman Empire, black and white scenes of imagery with no geometric designs in central Italy, and large figural scenes bordered with geometric patterns in North Africa. But this existing model of regional difference does not explain the similarities that can also be seen. For …

Transformations: Suburban Cordoba During The Umayyad Caliphate, 929-1009, Carmen M. Tagle

Dissertations, Theses, and Capstone Projects

It has been noted how long it took for the Muslim presence in Iberia, starting in 711 BCE, to materialize into significant works of architecture. The continuous military campaigns, necessary to consolidate control of the Peninsula, were undertaken by a relatively small group of incoming Arab and Berber troops. This naturally limited the potential scope of construction to repairs of the Hispano-Roman infrastructure found in the conquered areas, mainly in the middle and the South of the Iberian Peninsula. The old walled city of Cordoba, locale of Roman and Visigoth rulers, served as the capital of the new emirate, …

The Other At War: Performing The Spanish-Cuban-American War On U.S. And Cuban Stages, Juan R. Recondo

Dissertations, Theses, and Capstone Projects

The Spanish-Cuban-American War, declared by the United States on April 25, 1898, marks a colonial shift in the history of the Caribbean and solidified the expansionist thrust of the United States outside national borders. Theatres in turn-of-the-century New York, which at this point was one of the theatrical centers of the nation, debated for audiences the imperialist character of the U.S. The Cuban struggle and the resulting Spanish-Cuban-American War permeated U.S. drama, thereby portraying a Caribbean in need of salvation by the military intervention of the United States. New York stages of the time became locations where various cultural representations …

Think Natural ! Une Nécessité Qui Ne Se Cache Plus, Cedrick Nzolo Ngamobu

Artl@s Bulletin

This contribution raises questions regarding the search for mediation and transition found in pedagogy and the creative process. This can be posed as a response to an affirmation of identity, coupled with a search for philosophical autonomy. The need for mediation or transition is a necessity that we all seek in different ways and according to our respective contexts. In teaching in a school of art or fashion, it is a question with different variables that leaves the field open to all forms of questioning and brings to the fore the confrontation of modes of expression.

Œuvre D’Art Comme Récit Historique (Rapport Des Discussions Du Groupe De Travail), Emi Koide

Artl@s Bulletin

This report aims to present central questions raised during two days of group discussion and debate concerning the theme « art work as history ». Several different points of view were presented, in which generational frictions in kinois artistic milieu came to the fore. The main subjects during the discussions were: the challenges involved in writing Art History in the Congo through their own perspectives; the importance on creating archives about Congolese art locally; considering artwork as historical narrative; the importance of the body as a link between object and performance, as well as between material and immaterial dimension.

Au-Delà Des Rivalités Provinciales : Poétiques Visuelles Tropicalistes Et Autres Projets D’Art Étendu Depuis La Perspective Du Nord-Est Brésilien, Ayrson Heráclito

Artl@s Bulletin

This text is a compilation of writings published during the course of our research for the 3^rd Biennale of Bahia (2014), for which we worked in the curatorial team. These investigations reflect on the genealogy of Northeast Brazil’s contemporary art, seeing this region as unrestricted and non-essentialist. The production of certain artists is considered within an expanded context. To this end, we employed the idea of PEBA (Pernambuco-Bahia), while attempting to come to terms with the possibility of existence of a family, united by the desire for a poetic turn in the tropics.

The Lubumbashi Biennial: Towards New Protagonisms, Daniella Géo

Artl@s Bulletin

This article reflects on the role and relevance of the Lubumbashi Biennial (DR Congo), taking into account its specificities, context and modus operandi, as well as making brief parallels with other recurring art events in an attempt to situate the Congolese biennale within the histories of contemporary art biennales. The text provides first-hand commentary on the Lubumbashi Biennial, in particular its fourth edition in which the author formed part of the curatorial team.

Histoire Picturale De Laurent-Désiré Kabila (1997-2001), Donatien Dibwe Dia Mwembu

Artl@s Bulletin

This article considers the story of the late Laurent-Désiré Kabila, President of the Democratic Republic of Congo, as told by the popular painters of the city of Lubumbashi. Its shows how popular painting contributes to the knowledge of LD Kabila's reign, by serving as a support for oral history. Indeed, the commentaries of the paintings made by their authors or by critics unveil a chapter of history. Placed next to each other according to their theme and chronological order, popular paintings depict the highlights of the history of a given region in a specific area such as politics, economy, culture, …

Le Paradigme « Art Africain » : De L’Origine À Sa Physionomie Actuelle, Henri Kalama

Artl@s Bulletin

This study relooks at the problematic concept of "African Art". The conceptual evolution of "African Art" coincides with three realities: firstly, that the art discovered in Africa was described as uncivilized; secondly, that this art capitulated with the colonial past of Africa; finally, that this art of an underdeveloped continent. In such a context of emergence, this art has been or is still exploited by ambitious and interested promoters. Hence, there is an imperative need for contemporary artists to overcome all these influences to produce works whose ontological values and universality cannot be challenged.

Les Nouveaux Défis Du Métier D’Artiste En République Démocratique Du Congo, André Yoka Lye

Artl@s Bulletin

The history of art institutions in D.R. Congo is relatively old compared to the rest of Africa. This justifies the know-how of Congolese artists since 1930-40’s, even if the general trend was, for a long time, reliant on amateurism and mimetism of European production. With the integration of art institutes into university education level since 1971, the issues and challenges became precise and appeared to be possible to overcome: professionalization, rooted and applied research, community building and international competitiveness, with the urge of solidarity with countries and experiences from the South.

The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle

Articles

Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …

The Significance Of Cloth In The Narrative Of The Life Of Christ As Represented In Dieric Bouts' "Life Of Christ Altarpiece", Mary-Margaret Mcleod Pilling

Undergraduate Honors Theses

This thesis explores the materialistic importance of cloth in the life of Jesus Christ and relates it to the disassembled Life of Christ Altarpiece painted by the Renaissance artist Dieric Bouts. References to cloth in the scriptural accounts of Christ’s life support the claim that there is deep theological significance to fabric. The medium of each of the paintings that comprised the altarpiece is a flax linen canvas, which, combined with the references to cloth throughout the compositions, parallels these references to cloth in the scriptures. The entire artwork serves as a metaphor for the Eucharist resting on linen on …

Interpreting San Francisco Identities, Grace Hanford, Grace Hale

Creative Activity and Research Day - CARD

This presentation provides an overview of the exhibition, Interpreting San Francisco Identities, organized by art history students in ART 200 Museum Studies. This exhibition features rare books, photographs, prints, and other material from the collection of the Donahue Rare Book room. It explores how guidebooks, travelogues, world’s fairs, and various print material have shaped and reflected San Francisco’s various identities over the past 150 years. The exhibition is on display in the Donahue Rare Book room beginning Monday, April 30th.

Pit Features: A View From Grand Island, Michigan, Emily R. Bartz

Theses and Dissertations

Serving a multitude of functions from subterrestrial cavities of storage, basins for cooking, to vessels that securely hold pounds of rice allowing the grains to be danced upon to thresh, pit features are one of North Americas most common archaeological feature. These constructions are dug to fit a diversity of needs based on the people who manufacture them. By understanding the distinct function(s) a pit or group of pit features played at a site-level, the needs of the people who inhabited that landscape are better understood. The nature of a pit feature is to store something or process a food …

How To Be The Perfect Asian Wife!, Sophia Hill

Art and Art History Honors Projects

“How to be the Perfect Asian Wife” critiques exploitative power systems that assault female bodies of color in intersectional ways. This work explores strategies of healing and resistance through inserting one’s own narrative of flourishing rather than surviving, while reflecting violent realities. Three large drawings mimic pervasive advertisement language and presentation reflecting the oppressive strategies used to contain women of color. Created with charcoal, watercolor, and ink, these 'advertisements' contrast with an interactive rice bag filled with comics of my everyday experiences. These documentations compel viewers to reflect on their own participation in systems of power.

Bye Bye Biodiversity: Insects, Art And Climate Change, Bekka Ord

Art and Art History Honors Projects

Bye Bye Biodiversity explores the intersection between insects, art and climate change. This project examines two insect species impacted by climate change, the eastern larch beetle (Dendroctonus simplex) and the monarch butterfly (Danaus plexippus). As the larch beetle population booms and devastates Northern forests, the monarchs’ numbers decline. Climate change is often conveyed through numbers and graphs, but equal weight needs to be placed on the visceral in order to create an emotional reaction and connection. This project aims to create that emotional response to the scientific reality of climate change and its impact on two …

The History Of British Art And The Burkean Sublime, Natalie Ware

Young Historians Conference

A Philosophical Enquiry into the Beautiful and the Sublime by British philosopher Edmund Burke, published in 1757, proposed a concrete definition of the aesthetics concept of the sublime. This definition solidified the place of the sublime in the minds of British artists and philosophers from the Baroque period onward into the current contemporary art culture. The sublime has periodically been embraced, redefined, or even claimed as fatal to art itself. As British artists have struggled to grapple with the sublime throughout the centuries, the works that they’ve created out of this discourse have become emblems of the sublime controversy and …

Time Does Not Heal All Wounds: Temporal Differences In Spinal Pathology Among Pre-Columbian Sites In West-Central Illinois, Abigail Peeples

Theses and Dissertations

This research sought to examine a co-occurrence of three spinal pathologies, Schmorl’s nodes, osteophytosis, and osteoarthritis, within three temporally contiguous pre-Columbian sites in west-central Illinois. Albany Mounds (200 BCE – CE 400), Kuhlman Mounds (CE 600 - 900), and Dickson Mounds (CE 900 - ~1300), acted as proxies for their respective time periods in order to determine if there were any patterns among the three spinal pathologies present. Individuals with vertebrae present were examined and joints were scored based on criteria listed for each pathology. Overall, highest frequency of individuals affected by Schmorl’s nodes, osteophytosis, and osteoarthritis were located in …

The Bronze Boy: Donatello's Ideal Lover, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

In-Between: The Spaces Of Modernity, Elisa Fabris Valenti

LSU Master's Theses

During the past three years as a graduate student, I have experienced loneliness. Having recently emigrated from Italy, I have often asked myself why I am experiencing such hard times adjusting to a different country. My thesis explores this question. Referring to Marc Augé’s idea of non-place, I have chosen a geographical and spatial starting point to approach my work. Italian cities are built around the central piazza where social, political, and economic life revolves. In my thesis, I depict American spaces that lack specific location and create solitude within the urban corridors. Private feelings, such as loneliness, are paradoxes …

Mortuary Patterns In West-Central Tennessee: Contextualizing Historic Field Data From Nine Mississippian Period Sites, Brooke Adele Wamsley

Theses and Dissertations

Middle Mississippian is a both a cultural and temporal (1200 CE – 1400 CE) archaeological context of Midwestern North America. This cultural tradition is associated with mound building, specific art motifs, arguably stratified societies, intensive agriculture, and specific ritual/mortuary practices. Burial sites can be very valuable to archaeologists because of the purposeful interaction between the living and the deceased and reconstruct cultural elements such as social identity and group membership. While American archaeology continues to be fieldwork-focused, there are a considerable amount of cultural resources housed in museum collections that could provide data for research into pre-Columbian lifeways in North …

Working Women: Agricultural Intensification, Osteoarthritis In Females, And Subadult Health In Illinois Woodland And Mississippian Mortuary Contexts, Paige M. Dobbins

Theses and Dissertations

Temporal variation was examined in female labor associated with subsistence modifications in pre-Columbian human osteological samples from the Mississippi River valley of west-central Illinois related to weaning patterns, diet, and overall health status of subadults. This study was performed on a sample of 173 burials constituting 98 subadults and 75 adult females from temporally sequential Illinois mortuary contexts (Albany [11WT1], Kuhlman [11A163], Schroeder [11HE177], and Dickson [11F10] Mounds) that represent the transition from Middle Woodland hunter gatherers to Mississippian maize agriculturalists. This was accomplished by (1) scoring pattern and degree of dental attrition and dental caries in subadults, (2) identification …

The Role Of Dogs In Prehistoric Illinois: A Study Of Dog Paleopathology At The Range Site In The American Bottom, Allison L. Huber

Theses and Dissertations

Archaeological investigations at the Range site (11S47) in the American Bottom region of Illinois resulted in the recovery of over 3,300 domestic dog (Canis familiaris) remains. Fifty-two dog burials associated with the Late Woodland Patrick phase (A.D. 650-900) and Terminal Late Woodland Period (A.D. 900-1050) were identified in the assemblage. The well-preserved nature of these remains allowed for the examination and interpretation of pathology and trauma, providing insight into the role and treatment of dogs at the site. The data obtained from the Range assemblage indicate the most common pathologies present are antemortem tooth absence, periodontal disease, cranial trauma, rib …

Sitios De Memoria: Una Comparación Analítica Entre Los Espacios De Memoria Y Derechos Humanos En Buenos Aires Y En Santiago / Sites Of Memory: An Analytical Comparison Between Memory And Human Rights Spaces In Buenos Aires And Santiago, Henry Shuldiner

Independent Study Project (ISP) Collection

Los museos y monumentos conmemorativos son vehículos centrales a través de los cuales la sociedad puede conmemorar y compartir los hechos del pasado en la actualidad. Tienen la capacidad de contar la historia a través de objetos, medios, artefactos; objetos tangibles, no palabras solamente.

Ésta es una investigación comparativa en que parto observando los lugares de memoria en Santiago y Buenos Aires que rememoran a las víctimas de la dictadura en cada país. Me centraré en cómo funcionan los espacios de memoria para enseñar esta historia, la forma en lo que cada espacio conmemora a las víctimas y cómo estos …

Mapping Desire In Chaucer’S “To Rosemounde,” Shakespeare’S “Rape Of Lucrece,” And Donne’S “A Valediction: Of Weeping”, Jane Beal

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Modern American Cover Art: The Great Gatsby Through Time, Jessica Harrell

Senior Theses

Book jackets and cover art are, more than anything, an advertising tool used to attract consumers, promote book sales, and establish company identity. F. Scott Fitzgerald’s The Great Gatsby is a staple in the canon of American literature whose cover art has drastically transformed in the ninety years since its original publication. This thesis traces these changes over time, focusing specifically on publishing history, art history, American culture, and thematic interpretations. In doing so, I found that the most substantial influences on these covers were publishing house identity, design trends, and available artistic techniques. Ultimately, The Great Gatsby’s cover …

The Roman Heritage Of Medieval World Maps, Emily Albu

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Geographies Of Salvation: How To Read Medieval Mappae Mundi, Felicitas Schmieder

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Fra Mauro’S View On The Boring Question Of Continents, Christoph Mauntel

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Eric M. Ramírez-Weaver, A Saving Science. Capturing The Heavens In Carolingian Manuscripts (Penn State University Press, 2017), Mechthild Haffner

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.