History of Art, Architecture, and Archaeology Commons^™

Sex, Drugs, And Rock-Lined Privies: An Analysis Of Embossed Glass Health Product Bottles From Victorian-Era Brothel And Non-Brothel Archaeological Sites By Socioeconomic Status, Erin Lynn Randolph

Theses and Dissertations

This thesis examines consumption patterns of Victorian-Era health products once contained in embossed-glass bottles to elucidate trends among different socioeconomic groups during the mid-nineteenth century through the first decade of the twentieth century. The consumption patterns of 20 types of health products from nine different archaeological sites across the United States were analyzed among Victorian-Era brothel residents and the non-brothel population, by socioeconomic class, and then by both socioeconomic status and affiliation with the sex industry. This process was repeated using the ingredients contained within the health products examined above.

Analysis revealed that soda water was exceptionally popular as a …

Futurism In Fashion: What Does That Mean?, Jonathan Orozco

UNO Student Research and Creative Activity Fair

In fashion, the term ‘futuristic’ is often used to describe avant-garde clothing designs. It could refer to several things, such as the clothing’s method of production, the materials used, or the garment’s design. Futurism can even refer to the 20^th century Italian art movement, and indeed, this movement addressed the problem of designing fashion for the 20^th century. We would learn much by examining Futurist fashions in order to understand its legacy in relation to contemporary fashion designers viewed as futuristic today. This paper will review this legacy by looking at five specific examples—Italian Futurists and their contribution …

Artistic Syncretism In Latin America: From Olmec To Spanish Colonialism, Nicole Timm

Honors Program: Senior Projects (Public)

The purpose of this paper is to provide a historic and systematic review of colonial Latin American art. The first half will focus on the ancient arts created by the ancient civilizations that sculpted culture in Latin America centuries before the Spanish were aware another continent existed. The latter portion of the paper will look to the post-colonial period. It will begin by delving into the influence of European artistic styles blending with Latin American culture and style of painting and vice versa. The final goal of this paper is to uncover the syncretism that took place across Latin America …

Defining Authentic: The Relationship Between Native Art And Federal Indian Policy, 1879-1961, Aurora Kenworthy

Honors Program: Senior Projects (Public)

Between 1879 and 1961, non-Native perceptions of what constituted authentic Native art shifted. These changing perceptions were influenced by, and then in turn influenced, federal policy and legislation. While non-Native individuals and groups worked to improve conditions for Native communities and to protect “authentic” Native art forms, Native reformers also attempted to enact change to help Native communities and Native artists exercised control over their own art and identity.

An Alternative View On The Roll-Brimmed Hat, Lauren King

SMU Journal of Undergraduate Research

Why does Gudea wear the roll-brimmed hat? Neo-Sumerian period statues of Gudea, king of Lagash (c. 2100 BCE), were primarily designed to convey the leader’s piety before the gods. The traditional interpretation of the roll-brimmed hat suggests that this garment added to Gudea’s pious affect, serving as a humbler alternative to the divine horned-headdress worn by Naram-Sin, the last king of the previous Akkadian period. While acknowledging the less overtly ambitious quality of the roll-brimmed hat, I nevertheless argue that other potential meanings of this headgear have been overlooked. In particular, I take a materiality and haptic approach to propose …

Constraint And Control, Patricia Ayres

Theses and Dissertations

I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.

Modernizing The Arthurian Legend: Julia Margaret Cameron’S Photographic Illustrations Of Idylls Of The King, Hannah Rozenblat

Theses and Dissertations

This study identifies Julia Margaret Cameron’s contribution to the Arthurian Revival through Illustrations to the Idylls of the King and Other Poems, taking into consideration the development of narrative photography, the depiction of Arthurian themes in art and book illustration, theatricality and its connection to photography, and Victorian gender roles.

Umberto Boccioni's States Of Mind, Sonya Shrier

Theses and Dissertations

This thesis examines Umberto Boccioni’s series the States of Mind (1911) and discusses how these works represent a breakthrough in the artist’s search to find a pictorial expression for concepts that occupied him throughout his career. The States of Mind exists in four complete iterations each comprised of three images: The Farewells, Those Who Go and Those Who Stay.The first set of oil paintings, begun in late summer of 1911, are in the Divisionist style and are in the collection of the Civica Galleria d’Arte Moderna in Milan. A set of charcoal and contè drawings on paper, likely completed in …

Big Sister Enterprise: Just Be There, Wai Ying Zhao

Theses and Dissertations

Wai Ying Zhao, an artist and curator, instituted an American company named Big Sister Enterprise in 2018. BSE is a Delaware registered LLC that imitates briefcase companies implemented in order to foster a community of emerging artists with the intent of exhibiting and promoting their works. Zhao’s initiative stems from the awareness that many artists are struggling to continue their studio practices because of unstable income or being overworked in jobs such as art handling, gallery sitting and bartending. Through openings and events held in spaces in both New York and Shenzhen, she aims to create a community where emerging …

Access Point: Yuan Dongping’S Mental Patients In China And The State Of Chinese Documentary Photography In The 1990s, Sheung Ng

Theses and Dissertations

An investigation of the biographical, political, art historical, and social factors that could affect the discrepancy between the intention and reception of Chinese photographer Yuan Dongping’s Mental Patients in China photobook published in 1996, providing insight into the state of Chinese documentary photography publishing in the 1990s.

Capitalism As Readymade: 5.5 Case Studies, Nathan S. Rayman

Theses and Dissertations

Rayman makes an argument to repurpose capitalist systems as readymade artworks to shift the existing flow of capital from speculator to art producer.

How Is Global Postmodernism Globalized? Lee Seung-Taek’S Conceptual Art As The Methodology Of Survival For The Unrepresentable, Mi Hyun Oh

Theses and Dissertations

This thesis takes a comprehensive look at the integrated social context of South Korean artist Lee Seung-taek’s (b.1932) biography. I look at the ways in which Lee’s life experiences and practices capture the essential and critical influence of postwar South Korea’s strong anticommunist stance and his precarious status as a North Korean refugee in South Korea on the formation and development of his conceptual sculpture and performance work.

The Case Of New Institutionalism: Maria Lind At The Kunstverein München, 2002–2004., Olga Tykhonova

Theses and Dissertations

The thesis focuses on a particular moment in the history of Kunstverein München - the directorship and curatorial practice of Maria Lind from 2002 to 2004, referred to as exemplary of the New Institutionalism. I analyze Lind’s directorship through the lens of the director-curator concept and institution as an “agonistic space.”

Deconstructing The Image Of Woman: Video Portraiture And Women’S Performance For The Camera 1972-1980, Olivia Gauthier

Theses and Dissertations

This thesis examines key examples of video portraiture, a subgenre of 1970s video art in the United States. Through the examples three aesthetic categories are defined: mirroring, masquerade, and disrupting the male gaze. Video portrait works are framed by goals of the Women’s Liberation Movement and Second Wave Feminism.

The Material Turn: Charles-Germain De Saint-Aubin And The Art Of Embroidery In Louis Xv’S France, Pamela J. Koons

Theses and Dissertations

This thesis examines Charles-Germain de Saint-Aubin and his prolific treatise, L’art du Brodeur— both of which elevated the status of eighteenth-century embroidery under the reign of Louis XV, as seen in the context of embroidered court dress, concepts of etiquette and the luxury guilds.

Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper

Theses and Dissertations

This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.

Ray Johnson: Collage As Networked "Correspondance", Gillian Pistell

Dissertations, Theses, and Capstone Projects

Scholars unfailingly comment on the complex community of artists, poets, and musicians that form the foundation of Ray Johnson’s visual language, yet do not examine the implications of these relationships on Johnson’s art. “Ray Johnson: Collage as Networked ‘Correspondance’” looks at Johnson’s mail art and collages through the lens of Social Network Theory, a sociological concept used to analyze social groups, to investigate possible meanings recorded within Johnson’s elaborate imagery and show how his relationships manifested in his work. I argue that Johnson used his mail art to gather people and information to create a network, which he then manipulated …

Morris High School: A Biography, Naomi Sharlin

Dissertations, Theses, and Capstone Projects

Morris High School was conceived and built in the Bronx with a lofty mission: to provide a comprehensive, world-class secondary education to the children of immigrant and working-class families, and in so doing to elevate the American public education system and America itself. Such a weighty mission for an institution would result, one could expect, in painstaking record keeping, the lionization of great leaders, consistent investment in the building, and attention given to problems encountered or created over the years. And yet, the life of Morris High School remains elusive. Key figures in its story are lost to obscurity like …

The "I" Of The Artist-Curator, Natalie Musteata

Dissertations, Theses, and Capstone Projects

This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …

On The Use Of Geometric Elements In The Works Of Laszlo Moholy-Nagy And Piet Mondrian, Kimberly Spayd, Molly Reynolds, Christian Lansinger

Journal of Humanistic Mathematics

Working in overlapping artistic circles in the first half of the twentieth century, Laszlo Moholy-Nagy and Piet Mondrian had very different intentions for how their pieces would affect viewers. But while their aims differed dramatically, the individual techniques they employed were both rooted in a mathematical foundation. Moholy-Nagy used simple two-dimensional shapes, scaled repetition of those shapes, and variations in perspective to illustrate the potential benefits of machine technology to the common person. Mondrian, alternatively, limited the elements in his work to perpendicular lines, asymmetry, and a dedicated adherence to the plane in order to align his viewer's metaphysical state …

Bridging The Research/Teaching Divide With Dah And Sotl-Ah, Renee Mcgarry, Virginia B. Spivey Phd

Publications and Research

This paper explores the potential for rigorous pedagogical scholarship to complement developments in digital art history (DAH). In addition to introducing ideas and methods that characterize scholarship of teaching and learning (SOTL) in higher education, we focus on two major themes: how digital tools and techniques can support robust scholarship of teaching and learning in art history (SoTL-AH) and ways that SoTL-AH can be used to evaluate and demonstrate the impact of DAH projects in the classroom and the public realm. Our goal is to encourage greater exchange between these two emerging fields that can together advance art historical study.

The Locus Of Meaning In Medieval Art: Iconography, Iconology, And Interpreting The Visual Imagery Of The Middle Ages, Lena Eva Liepe

Studies in Iconography: Themes and Variations

This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky’s three-level interpretative model sits firmly in the methodological toolkit of art history, and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demands to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the …

Yay Or Neigh? Frederic Remington’S Bronco Buster, Public Art, And Socially-Engaged Art History Pedagogy, Jennifer Borland, Louise Siddons

Art History Pedagogy & Practice

This article outlines a collaborative, community-based project developed for two undergraduate art history courses at a large state university. The exercise focused on Frederic Remington’s 1894-95 sculpture, the Bronco Buster, a large bronze image of a cowboy whipping a bucking bronco with the goal of taming it. An enlarged replica of Remington’s sculpture was installed recently in the downtown district of this university town, raising questions about how it was selected and funded, as well as what message the sculpture sent about the town to its visitors. As we discussed our frustration with both the iconography and the selection …

Multisensory And Active Learning Approaches To Teaching Medieval Art, Marice Rose, Tera Lee Hedrick

Art History Pedagogy & Practice

In this article, two professors share methods and examples of active learning in order to teach Western European and Byzantine medieval art through a multisensory lens. The course content and pedagogy are situated in the “sensory turn,” a conceptual and methodological approach that began in anthropology and has transformed medieval art historical scholarship in recent years. The discipline of art history has traditionally focused on the visual impact of objects and monuments, but the sensory turn has prompted art historians and architectural historians to investigate how art objects and monuments engage all five senses, transforming the “period eye” into the …

A Didactic Teaching And Learning Project In Art Market Research. Researching And Publishing The History Of Commercial Art Dealing, Nadine Oberste-Hetbleck

Art History Pedagogy & Practice

In addition to research, one of the main tasks of art historians is the authoring of academically and stylistically sound texts in differing genres. This case study of the research and publishing project Zur Geschichte des Düsseldorfer Kunsthandels (A History of Commercial Art Dealing in Düsseldorf) will demonstrate how research and writing can be integrated into teaching. The project involved supervised work with source materials, data visualization, semi-structured interviews (oral history), a supplementary writing workshop, as well as detailed feedback from a writing instructor, the teacher, and fellow participants in the seminar. In addition, the high practical relevance of the …

Creativity-Integrated Art History: A Pedagogical Framework, Alysha Meloche, Jen Katz-Buonincontro

Art History Pedagogy & Practice

Art history offers a unique opportunity for students to encounter real, historical examples of the creative process in action. By showing examples of the complex process through which artwork is created, art history classes can provide emulative examples for the next generation of innovative designers, artists, historians, educators, and creative thinkers. Art history has a tradition of teaching Big-C creativity principles by highlighting creative products and individuals. Therefore, the art object is emphasized at the expense of unpacking the process and everyday, or mini-c, creativity of the work. At a time when the field of Art History is beginning to …

Modern Visual Culture And The New Sciences Of The Self

Colby College Museum of Art

No abstract provided.

The Physicality Of Printmaking

Colby College Museum of Art

No abstract provided.

Using Visual Art To Structure A Curriculum

Colby College Museum of Art

No abstract provided.

Workshop Description

Colby College Museum of Art

No abstract provided.