History of Art, Architecture, and Archaeology Commons^™

“By Order Of The Commandant General”: Eighteenth-Century Bourbon Reforms And The Architecture Of Mission San Francisco De La Espada, San Antonio, Texas, James E. Ivey

Art & Art History ETDs

The effects of Bourbon reforms on mission architecture of the northern frontier of New Spain have not been examined in the surprisingly limited historiography of the San Antonio, Texas missions. The few existing architectural studies overlook major structural and developmental changes at the missions. Using the construction history of Mission San Francisco de la Espada, I argue that most of these changes are the result of the application of the Bourbon-revised mission administrative method, the método nuevo, made possible by the Patronato Real Universal of 1753 that gave the King of Spain temporal control over the Catholic Church within …

Textiles And The Portrayal Of Power: Figuring European-Ottoman Relations, 16th-17th Centuries, Kathryn A. Krocheski

University Scholar Projects

The exploration of the complex relationship between Tudor England and the Ottoman Empire in the sixteenth-century through Turkish textiles and motifs present in Tudor portraiture.

In Memoriam Of Laura Ramírez Palacio (1988–2022), Paula Barreiro López, Anita Orzes

Artl@s Bulletin

In memoriam of Laura Ramírez Palacio, who passed away in April 2022.

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Beside Yingzao: An Index Of Chinese Building Traditions, Tianyi Hang

Masters of Environmental Design Theses

Yingzao referred to the Chinese architectural practice prior to the nineteenth-century introduction of the term jianzhu, the translation of “architecture.” The earliest preserved illustrated government-issued building standard was titled Yingzao fashi. Published by the Southern Song government in 1103, Yingzao fashi defined and regulated technical terms used to describe imperial construction as well as specified the labor costs of certain building techniques. These terms inform our understanding of the traditional Chinese way of categorization and knowledge system of architecture and architectural elements.

Titled “Beside Yingzao,” this study takes the technical terms from Yingzao fashi to guide the reader in investigating …

Degree Of Satisfaction Of Elderly About The Services Provided To Them In Social Care Houses In White Beds Association, Yousef Mohammed Al-Shurman, Ferdous Hasan Omari

Al-Balqa Journal for Research and Studies البلقاء للبحوث والدراسات

This study aims at identifying the degree of satisfaction of the elderly about the (social, health, entertainment, psychological) services provided to them in social care houses. The sample of the study includes all residents of the White Beds Association for the care of the elderly in Amman. The researcher designed a questionnaire to use in the interviews with the elderly. The questionnaire has four items, and each item includes a group of questions about the service provided to them. The researcher interviewed all the members of the White Beds Association, whose health condition allowed this, (75 elderly people: 44 men …

Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene

MFA in Illustration & Visual Culture

This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …

The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith

MFA in Visual Art

Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …

Echoed Sites And The Unknowable Object, Joseph Canizales

MFA in Visual Art

This thesis will discuss the expanded field of sculpture, simulacra, digital technology, and two terms I’ve devised: the unknowable object, and echoed sites. Within these two terms, I’m concerned with the complicated relationship between humans and geology and how we extract material from the ground without reflecting on the geologic history of the site. In echoed sites I create sculptures with and without a geologic site or object, by way of digital technology. These forms display two states paradoxically in balance, where what’s presented leaves more questions than answers. Thus, as part of echoed sites, exists the unknowable object. …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Review Of The The Closet: The Eighteenth-Century Architecture Of Intimacy, By Danielle Bobker, Mary Peace

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Du Undergraduate Showcase: Research, Scholarship, And Creative Works: Abstracts, Emma Aggeler, Elena Arroway, Daisy T. Booker, Justin Bravo, Kyle Bucholtz, Megan Burnham, Nicole Choi, Spencer Cockerell, Rosie Contino, Jackson Garske, Kaitlyn Glover, Caroline Hamilton, Haley Hartmann, Madalyne Heiken, Colin Holter, Leah Huzjak, Alyssa Jeng, Cole Jernigan, Chad Kashiwa, Adelaide Kerenick, Emily King, Abigail Langeberg, Maddie Leake, Meredith Lemons, Alec Mackay, Greer Mckinley, Ori Miller, Guy Milliman, Katherine Miromonti, Audrey Mitchell, Lauren Moak, Megan Morrell, Gelella Nebiyu, Zdenek Otruba, Toni V. Panzera, Kassidy Patarino, Sneha Patil, Alexandra Penney, Kevin Persky, Caitlin Pham, Gabriela Recinos, Mary Ringgenberg, Chase Routt, Olivia Schneider, Roman Shrestha, Arlo Simmerman, Alec Smith, Tessa Smith, Nhi-Lac Thai, Kyle Thurmann, Casey Tindall, Amelia Trembath, Maria Trubetskaya, Zachary Vangelisti, Peter Vo, Abby Walker, David Winter, Grayden Wolfe, Leah York

DU Undergraduate Research Journal Archive

Abstracts from the DU Undergraduate Showcase.

White Snake:A Representative Story Of The West Lake, Zhiying Chen

Theses - ALL

As one of the Four Classic Folktales of China, The Legend of the White Snake, which happened in Hangzhou, is a representative folktale of Chinese culture. The story has been developed for thousands of years and we see it as a reflection of Chinese history and culture.

The first part of the thesis is going to trace the development of this story back to its origin and analyze the changes in the content of each story version of The Legend of the White Snake with respect to its cultural, religious, and social backgrounds. Secondly, it will focus on contemporary writer …

Fragmented Landscapes: An Archaeology Of Transformations In The Pra River Basin, Southern Ghana, Sean Hamilton Reid

Dissertations - ALL

This doctoral archaeological research examines the Pra River Basin in southern Ghana through lenses of landscape, temporality, and transformation. Drawing on the Annales school and the writings of Tim Ingold, this study moves away from binary constructions of natural and cultural landscape features toward a more integrated view of the landscape's long human history. The primary temporal focus of this research is the past three millennia but evidence recovered of even more ancient eras is also examined. The artifacts and features documented while surveying this landscape allow us to glimpse pre-Atlantic (pre-1450 CE) settlement patterns, subsistence, and technology, as well …

How To Survive The Apocalypse: Using Film, Television, And Video Games As Gateways To Self-Analysis, Braeden Raymer

Theses - ALL

This thesis serves as an investigation on the use of film, television, and video games as access points for personal analysis in imagined scenarios. When creating a fictional world, characters' motivations and behaviors are often based on real-life experiences. In the apocalypse genre, understanding how a character might behave in such an extreme circumstance can be difficult to predict, considering few have lived through comparable conditions. To supplement personal experiences and observations, a creator might use other stories as gateways to self-examination. The investigation begins in film, exploring how stories provide a viewer with new experiences that they can then …

Monuments Are For The Living: The Confederate Mound Monument And The Falsehood Of Reconciliation Statues, Janelle O'Malley

Student Projects

In 2015 the Southern Poverty Law Center (SPLC) began tracking Confederate symbol usage in the United States, namely focusing on confederate flags and monuments. That same year a white supremacist fatally shot nine Black worshippers at the historic Emanuel African Methodist Episcopal Church in Charleston, S.C. The shooter in this case had confederate symbols all over their home. This sparked conversation nationally about confederate symbolism and its true purpose. In turn, the conversation led to highly contested debates on confederate monuments and statues. Between 2015 and 2020, 148 confederate statues were removed from the public eye. But the most shocking …

Sanctuary: The-Construction Of Communion, Carlos Salazar-Lermont

MFA in Visual Art

This thesis narrates the development of the multimedia art installation called Sanctuary. I unwrap the theoretical background of my practice, which is rooted in the theories of deconstruction by Jacques Derrida, and the rhizome theory by Gilles Deleuze and Félix Guattari. I approach my creative process as a grammatic of matter, space, and time, constructing meaning through an interplay of significants that connect to political, social, economic, and cultural implications. In the case of Sanctuary, I sought to create a path of empathy towards Venezuelan refugees in St. Louis, Missouri through the exploration of the concept of communion. …

Preservation And Public History In Mound Bayou, Mississippi, Walker Bray

Honors Theses

This paper is an exploration of the history of Mound Bayou, Mississippi, an all Black community in the Mississippi Delta formed by freedmen in the wake of Reconstruction. This paper also discusses the ways in which Mound Bayou citizens are working to preserve their history and make it known to a wider audience. In particular, this work discusses the recently opened Mound Bayou Museum of African American Culture and History and related efforts to restore and preserve historic structures in Mound Bayou. In addition, this work also seeks to explore ways in which the University of Mississippi can effectively supplement …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

The Screen To Desire, Joseph Parra

Theses and Dissertations

Joseph Parra reflects on our often embellished online personas and their effect on our desires. Through luscious 3-dimensional painting Parra translates the seductive desire of the hypermasculine male-presenting figure through glorification and criticality. The tactile painting also acts as a rebellion to accurately represent “real” life on the digital screen.

Dust, Mist, Haze, Michael C. Tracy

Theses and Dissertations

This paper explores painting through the ideas of dust, mist, and haze as specific atmospheric metaphors that could be used to describe ontologies of space, time, memory, and history.

By Her Hands: An Analysis Of The Hidden Labor Of Black Women At The Hugh Craft House Site In Holly Springs, Mykayla Williamson

Honors Theses

This project unearths the hidden labor of Black women by analyzing architectural remains, artifacts, and primary and secondary documentary evidence surrounding the urban antebellum Hugh Craft House site in Holly Springs, Mississippi. This project considers the gap in theorizing the hidden labor of Black women in the seldom-researched setting of urban slavery. It also draws on household and Black feminist archaeology theories to uncover the hidden labor in the domestic spheres that the enslaved women were actively shaping. Research methods included watching clips of Behind the Big House tour interpretations; taking a Craft House tour in Holly Springs; looking at …

Finding The Meaning In Ceramic Patterns From A Chaco Canyon Burial, Michael Lucero

Theses

The focus of this research considers the culture of the Ancestral Puebloans from the American Southwest region. This project reflects and examines the cultural arts and practices in relation to funerary aspects of the ancient Puebloan society that flourished in Chaco Canyon, located in present-day New Mexico. While investigations of historians and archaeologists have concentrated on findings within the Great House of Pueblo Bonito in Chaco Canyon, research focused on the structures and objects within rooms. The base of this research examines a collective set of vessels from burial room 33, excavated from the original exhibition of George H. Pepper, …

Stepping Out Of The Sun: Watteau And Freedom In The Early Eighteenth Century, Jayme G. Carlson

Honors Theses

The reign of Louis XIV is characterized by his desire to control based on his political ideology of absolutism. This desire manifested itself in several political and social changes made across the kingdom, and through his parties and expansions at Versailles, which highlighted his sole power. Sovereign for seventy-two years, he personified the idea of divine power and centralized government, which ultimately created a general sense of restriction among the Sun King’s court. In other words, the aristocratic class was kept under the tight grasp of Louis XIV.

As the King’s reign waned, the French nobility’s craving for freedom grew, …

Framing Colonialism: An Analysis Of Kent Monkman’S Mistikôsiwak (Wooden Boat People), Jasen D. Evoy

The Confluence

The 2019 diptych mistikôsiwak (Wooden Boat People) by Kent Monkman is one of a series of recent commissions by the Metropolitan Museum in New York granted to diverse artists, shifting the Museum’s focus to a broader, inclusive, and global scope. Monkman’s large scale paintings are site specific, exploring interactions between the work and the permanent collection of the Metropolitan Museum. The work uses visual quotation to connect to historical works within the collection of the Met, thereby commenting on the legacy of colonialism and subsequent impacts on Native peoples and cultures. The analysis of the work focuses on visual and …

Using Color To Identify Neotropical Parrots In Early Modern European Art: Recognizing Limitations And Avoiding Pitfalls Through Integration Of Scientific And Artistic Knowledge, Deniz Martinez

The Confluence

Colorful Neotropical parrots were amongst the first and most frequent exotic animals to be imported by Europeans from the “New World” of the Americas, becoming key figures in what would become known as the Columbian exchange. There has been an ongoing effort to locate and identify images of Neotropical parrots in the visual record of early modern Europe, with the classification of many remaining unsettled in the scholarship. Proper identification of these images can be valuable data for reconstructing historical biogeography and transatlantic trade; especially compelling is the potential of certain “mystery parrots” in the visual record to support the …

Prometheus & The Body Beautiful: Arno Breker And The Weaponization Of The Greco-Roman Tradition In The Größe Deutsche Kunstausstellung, Sophia Maldonado

Departmental Honors & Graduate Capstone Projects

During the Third Reich (1933-1945), Hitler and the Nazis turned to the visual arts as a tool for propaganda to promote Hitler’s conception of the ideal people, i.e. the ‘Aryan’ race. Rooted in a calculate understanding of Greco-Roman civilization and culture, this conception of the ideal appropriated the visual vocabulary of the Classical period in Ancient Greece. Within the 1937 inaugural exhibition of the Große Deutsche Kunstausstellung, a propagandistic effort designed to promote this ideal, Arno Breker, chief sculptor of the Nazi Party, would exhibit his Prometheus. Breker’s interpretation of this mythological figure stood as a representation of …

The Portrait And The Pedagogical Object: Art, Advertising, And Commerce In The Works Of Marcel Broodthaers, 1968-1971, D'Arcy Blake

Theses and Dissertations

This thesis examines the opposition of language and object and the roles of art, poetry, advertising, and commodity in Marcel Broodthaers’s van Laack ad (1971). Through a theoretical analysis of Broodthaers’s works from 1968-1971, this study situates the enigmatic van Laack ad as one of the Belgian artist’s most significant, yet overlooked artworks.

The Construction And Defense Of Artistic Authorship In Contemporary Copyright Disputes, Sophie Bell

Theses and Dissertations

Through the lens of three contemporary copyright infringement cases, this thesis examines topics in the field of art law, each grounded in the recent history of art and its controversies, in order to illuminate the unique set of legal conditions shaping contemporary artmaking, sale, and exhibition in the United States.

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …