History of Art, Architecture, and Archaeology Commons^™

Review Of Helen E. Lunnon, East Anglian Church Porches And Their Medieval Context., Meg Bernstein

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Table Of Contents, Acknowledgements, Glossary, List Of Illustrations, Foreword. The Marriage Bed Of Henry Vii & Elizabeth Of York: Dynasty, Design & Descent, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Ancestry, Tradition And Context. The Marriage Bed Of Henry Vii & Elizabeth Of York: Dynasty, Design & Descent, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Inscription. The Marriage Bed Of Henry Vii & Elizabeth Of York: Dynasty, Design & Descent, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Appendix Ii Sir Nicholas Mosley – The Will And “The Epitaph”, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Appendix Iii The Lancashire Beds, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Conclusions, Stephanie Brooke

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Monuments As A Lens To Understand Climate Change: A Survey Of Altered Indian Architecture, Mckenzie Davis

Independent Study Project (ISP) Collection

My project is asking in what ways climate change is impacting monuments in the developing world using case studies in India? The project will be a survey of sites occupying different positions in environment, religion, and history in order to assess the multitude of threats on cultural heritage created and/or exacerbated by climate change. The Taj Mahal (17th century) will be assessed in order to discuss the impacts of air pollution associated with an urban environ ment and drought along the Yamuna river, using a widely known icon of India to serve as a visualization of slow violence taking place …

Photo Essay: Painted Masonry And Ornament In English Romanesque Architecture, Malcolm Thurlby

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Is It Useful? Orthophosphate Mapping Of An Excavated Cellar Of A Mid 1700’S Tavern In New London Va, Thomas M. Bender, Randy Lichtenberger

Faculty Publications and Presentations

The partially backfilled cellar of Mead’s Tavern (VDHR # 015-0120) a circa 1760’s building in New London Virginia, was studied by orthophosphate (PO₄³) mapping of the recently exposed, culturally sterile, subsoil floor. Prior studies of the cellar had exposed a hearth along with features that were speculated to be wall partitions for subdivision of the cellar. The full intended purpose for those exposed features is unknown. To further probe that exposed subsoil prior to a major engineering stabilization of the tavern’s foundation, a chemical mapping of surface PO₄^3- levels in the cellar was done. The …

V.1 Fall 2022, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2022 issue centers on the theme "what do you see?" and contains articles on a lecture by Camille Norment, the curator for the student exhibition "No Longer Transparent," the new RISD identity, elevators at RISD, various objects, crabs, the Prov-Wash bathrooms, the history of the drinking straw, drawing, Charles Mingus, and the 2022 grad show, along with other student creative writing.

The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen

Armstrong Undergraduate Journal of History

Conventionally, museums are most often considered as a series of objects displayed, but I argue that the museum itself should be seen, first and foremost, as the object on display. The Ashmolean Museum in Oxford, built at the high tide of British Imperialism, is a very interesting case study. Interested in its engagement with its own past, I do not seek to investigate the actions it takes as an institution, for instance, as regards to the politics of repatriation. Instead, I want to explore the whole experience it facilitates as an object in its own right.

This experience begins with …

Khirbat Safra (2020-2021), Paul Z. Gregor, Paul Ray, Robert D. Bates, Trisha Broy, Talmadge Gerald

Faculty Publications

No abstract provided.

Architecture As Memory: Gothic Ruins In The Work Of Lyonel Feininger, 1928-1953, Daria Rose Evdokimova

Armstrong Undergraduate Journal of History

In the summer of 1928 Lyonel Feininger made his first drawings of the ruins of a local church in the German village of Hoff. Through a series of happenstance episodes these Gothic ruins grew to haunt the artist’s entire body of work: across various media (pencil, watercolor, ink, oil), across space (in person from the Baltic coast, and later in New York from memory), and time (the motif spans three crucial decades of the artist’s career). While everything else in Feininger’s life was sent into a chaotic flurry – the banning of his works by the Weimar government, shutdown of …

Information About The School Of Art And Design At Wvu

Clio: WVU Art History Research Journal

No abstract provided.

An Introduction To Plastic Sheet Working, Griffin Nordstrom

Clio: WVU Art History Research Journal

No abstract provided.

Forman Analysis Of Caged In The Circus Of Civilization, Riley Red Klug

Clio: WVU Art History Research Journal

No abstract provided.

Catholicism And Commercialism: The Many Aspects Of Andy Warhol's Life, Payton Brown

Clio: WVU Art History Research Journal

No abstract provided.

Iridescent Skies, Joanna Rose Jacinto

Clio: WVU Art History Research Journal

No abstract provided.

The Fountain Of Venus By Francois Boucher, Rebekah Gooding

Clio: WVU Art History Research Journal

No abstract provided.

Artist Statement, Payton Brown

Clio: WVU Art History Research Journal

No abstract provided.

Foreword, Rebekah Gooding

Clio: WVU Art History Research Journal

No abstract provided.

Table Of Contents

Clio: WVU Art History Research Journal

No abstract provided.

Publication Information

Clio: WVU Art History Research Journal

No abstract provided.

Title Page

Clio: WVU Art History Research Journal

No abstract provided.

Clio Art History Research Journal 1st Edition

Clio: WVU Art History Research Journal

No abstract provided.

An Experimental Study Of Norton And Thule Cooking Pot Performance, Caelie Marshall Butler

Dissertations and Theses

Ceramic technology was adopted by hunter-gatherers of the Paleo-Inuit Norton tradition in the Western Arctic between 2800 and 2500 years B.P., corresponding with an increase in the use of aquatic resources. Pottery production and use continued until approximately 1,500 BP, and resumed during the Neo-Inuit Birnirk and Thule periods, approximately 1,350 years BP. The technical characteristics of Norton and Thule ceramics suggest they performed differently when used for cooking, with Norton ceramics best suited for cooking using direct or suspended heat, and Thule ceramics best suited for indirect heat. Prior experimental archaeological research has focused on Thule ceramics, with limited …

Primitivism, Performance Studies, And Modernist Time: Tracing An Alternative Genealogy Of Performance Studies Through Case Studies In Modernist Cultural Appropriation, Stephanie Vella

Dissertations, Theses, and Capstone Projects

This dissertation traces a genealogy of research methodologies for documenting, transmitting, and analyzing embodied, non-textual performance practices from the late-nineteenth through early-twentieth centuries. I uncover intersections between these methods and the conflations of race and temporality that are ubiquitously threaded through modernist cultural practices during this time in the form of primitivism. The researchers whose work I analyze all saw European modernity as fundamentally detached from physical culture, while viewing other cultures—especially those of the people most directly threatened by colonial and capitalist expansion during this time—as having access to a “lost” corporeal knowledge. I argue that primitivism is not …

Globalism And Identity In Taiwanese Contemporary Art, 1978–2009, Chu-Chiun Wei

Dissertations, Theses, and Capstone Projects

Taiwanese contemporary art emerged in the 1980s and rapidly flourished in the 1990s, nourished by the process of democratization and the construction of Taiwanese consciousness prompted by the lifting of martial law in 1987. This dissertation makes two claims. Firstly, that Taiwanese contemporary art after 2000 can be understood as “post-national,” due to the country’s marginal position in the world and contentious status as a nation-state. Secondly, that Taiwanese post-national art differentiates itself from postcolonial/post-martial law art of the late 1980s and 1990s on the basis of its globalism. The three artists surveyed by the dissertation each exemplify different …

70 | Ashqelon Barne‘A: The Early Bronze Age Site : Volume Ii : The Finds, Amir Golani

IAA Reports—Monograph Series of the Israel Antiquities Authority

Ashqelon Barne'a the Early Bronze Age Site, Volume II, the Finds (IAA reports 70), is the second of two volumes comprising the complete and final report of the three excavation seasons at the Early Bronze Age I site of Ashqelon Barne‘a that took place in 2004 and 2005. Volume I (IAA Reports 65) includes an introduction to the excavations, the geographical and geomorphological setting, the stratigraphy, architecture and settlement planning, radiocarbon (14C) dating and an appendix concerning Byzantine remains. Volume II , the finds, is comprised of thirteen chapters and includes a full presentation of the ceramic assemblage, its petrographic …