History of Art, Architecture, and Archaeology Commons^™

Tel ‘Agol A-9544/2023, Barak Tzin

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted on Tel ‘Agol (Permit No. A-9544/2023; Map ref. 235091/726359), after the site had been damaged. The excavation, on behalf of the Israel Antiquities Authority and funded by the Ministry of Defense, was directed by B. Tzin (field photography), with the assistance of R. Be'eri (scientific guidance), Y. Zilpa (administration), A. Shapiro (location map), M. Asakla, A. Ibrahim and B. Hanna (Lower Galilee and Valleys district), Tz. Lang and laborers from Kafr Manda.

Netiv Hagdud 16-03-2023, Oz Varoner

Favissa: Past Archaeological Excavation Reports

In March 2023, a trial excavation was conducted in the southern margins of the Netiv Hagdud settlement (Permit No. 16-03-2023; map ref. 242546-914/654183-876). The excavation was carried out following plowing of the land prior to planting. The excavation, on behalf of the Archaeological Staff Officer of Judea and Samaria and funded by the Israeli Civil Administration, was directed by O. Varoner with the assistance of A. Miller (administration), T. Orenstein (photography) and O. Bejarano (preparation of illustrations). No finds were discovered that could be linked to one of the nearby prehistoric sites.

Nahal Zena‘ A-9718/2023, Dror Halpern

Favissa: Past Archaeological Excavation Reports

In December 2023, a salvage excavation was conducted at Nahal Zena‘, west of Nafha Prison (Permit No. A-9718/2023; map ref. 177436–955/515333–6039; Fig. 1), prior to the construction of a water reservoir. The excavation, undertaken on behalf of the Israel Antiquities Authority and funded by the Dead Sea Drainage Authority, was directed by D. Halpern, with the assistance of A. Montague (surveying and field photography), Y. Alamor (administration), D. Eisenberg-Degen (scientific guidance), G. Seriy, I. Radashkovsky, N. Lect Ben-Ami, Y. Samuel Cohen (Southern Negev District), I. Azoulay (plans), and workers from Ar‘ara. The excavation exposed four installations, a possible grave, and …

Rodcon, Flier, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 1, 2023
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Multisensory Experiences In Archaeological Landscapes—Sound, Vision, And Movement In Gis And Virtual Reality, Heather Richards-Rissetto, Kristy Primeau, David E. Witt, Graham Goodwin

Department of Anthropology: Faculty Publications

Archaeologists are employing a variety of digital tools to develop new methodological frameworks that combine computational and experiential approaches which is leading to new multisensory research. In this article, we explore vision, sound, and movement at the ancient Maya city of Copan from a multisensory and multiscalar perspective bridging concepts and approaches from different archaeological paradigms. Our methods and interpretations employ theory-inspired variables from proxemics and semiotics to develop a methodological framework that combines computation with sensory perception. Using GIS, 3D, and acoustic tools we create multisensory experiences in VR with spatial sound using an immersive headset (Oculus Rift) and …

El Sobredimensionamiento Y Otros Recursos Plásticos Como Representación De La Capacidad Extática–Visionaria En El Arte Chamánico Americano, Ana María Llamazares

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Este artículo explora uno de los principales rasgos del arte chamánico visionario: el sobredimensionamiento de las figuras o de algunas de sus partes significativas. A través de diversos registros arqueológicos y contemporáneos, se brindan elementos valiosos para interpretar como representaciones explícitas de la capacidad extática o visionaria, ciertas imágenes de arte prehispánico o etnográfico ligadas a tradiciones de prácticas chamánicas americanas, en las que se ha expresado la percepción de la magnificación energética a través de rayos, aureolas o apéndices diversos que expanden el tamaño de las cabezas, manos, pies u otras partes del cuerpo en forma desproporcionada respecto del …

Jerusalem, 30 Bibas Street, A-9631/2023, Uriel J. Prince

Favissa: Past Archaeological Excavation Reports

In July of 2023, a salvage excavation was conducted at 30 Bibas Street, in the Nachlaot neighborhood of Jerusalem (Permit A-9631/2023; map ref. 219810-22/632437-48; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Breidman, Agmon architect, was directed by V.W. Avrutis and published by U.J. Prince, assisted by N. Sapir and Tz. Kanias (Jerusalem district), Y. Shalev (scientific guidance), S. Halevi (field photography and photogrammetry), N. Nechama (logistics), A. Zakaim (plans) and E. Rabinovich (sight inspection).

Tintoretto: Painting In The Chaotic Reformations, Summer Markham

OUR Journal: ODU Undergraduate Research Journal

The following essay investigates Tintoretto’s, a Venetian artist during the 16^th century, artist techniques in his painting the Last Supper and how the period is reflected within it. For instance, the chiaroscuro and sfumato techniques in the painting are used to allude the darkness surrounding the self-indulgence, financial abuses, and religious corruption during the Counter-Reformation. Research of underlying symbolism and historical events further reveal how the Last Supper reflects the dark, confusing time that Europe was in during the Counter-Reformation. Understanding the Last Supper and understanding it’s historical context aids in the ability to observe the emotions during that …

Ramat Beth Shemesh A-9505/2023, Rifka Ben Chelouche

Favissa: Past Archaeological Excavation Reports

In January 2023, a trial excavation was undertaken prior to the planned expansion of the Neve Shamir neighborhood in Bet Shemesh. The excavation, conducted on behalf of the Israel Antiquities Authority and financed by the Dissi Group, was directed by R. Ben Chelouche, with the assistance of N. Nehama (administration), E. Marco (photogrammetry), O. Rose (location map and plan), Y. Shalev (scientific consultant), and A. Eirikh-Rose, Z. Kanias, and S. Gendler (Judah District).

Bet She’An A-9586/2023, Gur Peled

Favissa: Past Archaeological Excavation Reports

In July 2023, a trial excavation was conducted in south of Bet She'an (Permit No. A-9586/2023; Map ref. 246330-545/710040-256). The excavation, on behalf of the Israel Antiquities Authority, was directed by G. Peled, with the assistance of G. Leyfirer (trial trenches), R. Be'eri and W. Atrash (scientific counseling), Y. Yaakobi and Y. Zilpa (administration), A. Shapiro (GIS), B. Tzin (GPS), B. Hanna (district archaeologist), A. Ibrahim (regional archaeologists), and with the participation of laborers from Jenin.

Nahal Zanoah, Ramat Bet Shemesh A-9630/2023, Eliana Wexler

Favissa: Past Archaeological Excavation Reports

In July 2023, a trial excavation was conducted on plot No. 400 in The Mishkafayim Neighborhood in Ramat Bet Shemesh (Permit No. A-9630/2023; Map ref. 200475-490/624890-935). The excavation, on behalf of the Israel Antiquities Authority and funded by the 'Shibolet Ltd.' company, was directed by E. Wexler, with the assistance of N. Nehama (administration), Z. Matskevich (trial trenches), S. Halevi (photography), E. Marko (surveying), O. Zakaim (drafting), S. Gendler (district archaeologists), Y. Shalev (archaeological consultation), T. Winter (glass) and with the participation of laborers.

Netivot, Ramot Yoram A-9675/2023, Nir-Shimshon Paran

Favissa: Past Archaeological Excavation Reports

In December 2023, a trial excavation was conducted in an area designated for the construction of a new neighborhood, Ramot Yoram, in the western part of Netivot (Permit No. A-9675/2023; Map ref. 158944-9480/593058-529). The excavation was carried out following the discovery of finds in two spots during an archaeological inspection. The excavation, on behalf of the Israel Antiquities Authority and funded by the Netivot municipality, was directed by N.S. Paran, with the assistance of Y. Alamor (administration), A. Montagu (surveying), I. Azulay (mapping and plans), V. Lifshits, Sh. Tal and A. Reisyuk, S. Shaked, S. Guntar and S. Brailovsky and …

Jerusalem, Hebron Raod A-9695/2023, Itamar Berko

Favissa: Past Archaeological Excavation Reports

In November 2023, a salvage excavation was conducted on Hebron Road in Jerusalem, near the Shmuel Wall Junction (Permit No. A-9695/2023; Map ref. 220105-63/627163-237), after an architectural element suspected as a wall was exposed when trial trenches were dug on the eastern side of the road. The excavation, on behalf of the Israel Antiquities Authority, was directed by I. Berko, with the assistance of S. Halevi (surveying), T. Kanias (IAA Jerusalem District) and N. Nehama (administration).

Qiryat YeʽArim A-9646/2023, Dror Tzitron

Favissa: Past Archaeological Excavation Reports

In August 2023, a trial excavation was conducted in Qiryat Yeʽarim (Permit No. A-9646/2023; Map ref. 209883/634684), in an area designated for the construction of a school and kindergartens. The excavation, on behalf of the Israel Antiquities Authority and funded by Qiryat Yeʽarim Local Council, was directed by D. Tzitron (photography and field preparation), with the assistance of Y. Shalev (scientific consultation), N. Nehama (administration), A. Melman and V. Sterman (preliminary inspections), S. Halevi (surveying, photography, and photogrammetry), O. Zakaim (location map and drafting), S. Gendler and T. Edeltin.

Editor’S Note, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

This special issue of Monsoon is dedicated to the studies honoring the goddess traditions in South Asia. The onset of the Monsoon Season in South Asia typically commences in June and continues until late August and early September. The publication of this issue, therefore, has been strategically timed to coincide with that season, which is a vital source of sustenance for millions of individuals in this part of the world. This anthology consisting of five papers—written by scholars with expertise in the field of goddess and women studies—speak unequivocally about the goddesses or women for their strength, beauty, wisdom, and …

Constructing Jain Goddess Padmavātī In Gujarati Literature, Venu Mehta

Monsoon: South Asian Studies Association Journal

Worship of the goddess Padmāvatī emerged more than a thousand years ago. This article explores three songs about her in Gujarati by Paṇḍit Vīrvijayajī (1773-1852). By analyzing the style and form of his work, one learns a great deal about devotional liturgies that commemorate goddess Padmāvatī’s protection of the Jina Pārśvanātha and, in turn, his protection of her.

Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu

Monsoon: South Asian Studies Association Journal

Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.

Mai Bhago And Amrita Devi Bishnoi: Women Of Strength, Sowmya Ayyar

Monsoon: South Asian Studies Association Journal

Mai Bhago (1670-1720), also known as Bhag Kaur, distinguished herself on the battlefield to defend the Sikh faith. Amrita Devi Bishnoi (d. 1730) is said to have sacrificed her life with 362 others to protect the Khejari trees in the Rajasthan desert. Both women continue to inspire social justice and ecological activism.

An Examination Of Gandhian Economic And Political Thought And Its Relevance To The Empowerment Of Women, Purnima Mehta Bhatt

Monsoon: South Asian Studies Association Journal

Mahatma Gandhi (1869-1948) sought to alleviate poverty and empower women. His commitment to nonviolence and the economic ideal of “small is beautiful” continue to inspire grassroots movements around the globe. This article discusses the Chipko movement of northern India, the protection of rain forests in Kerala’s Silent Valley, the Self Employed Women’s Association (SEWA), and Medha Patkar’s valiant though ultimately futile attempt to save the Narmada River from a massive government damming project. The ongoing legacy of these movements can be found in AWAG, the Ahmedabad Women’s Action Group and Women’s Shanti Sena (Peace Force).

Indigenous Stitch-Arts Of India: Tradition And Revival In A Global Age, Punam Madhok

Monsoon: South Asian Studies Association Journal

Stitch art allows for the creative expression and economic support of countless women throughout India. This article examines four notable styles: chikankari, flora and fauna stitched in white thread on fine white cotton, rabari, the stitching of mirrors into colorful cloth, phulkari, resplendent flowery motifs sewn into shawls in Punjab, and kantha, Bengali patch work yielding quilts and seating mats. In addition to describing each technique, this article discusses how women have been economically empowered through this art by such organizations as Self-Help Enterprise (SHE) in Kolkata and Adithi, a women’s cooperative, in Bihar.

Lost & Found, Minji Choi, Myeongkyo Kim

MA Projects

Lost and Found focuses on olfactory art and stimulates the sense of smell through
various means and materials. In this exhibition, diverse associations of the sense of smell are evoked through visual art. Through these fragrant works of art, personal, psychological, social, and cultural dimensions are conveyed and explored. The exhibition's title, Lost & Found, refers to the restoration of the sense of smell, which many people have temporarily lost due to the physiological and social effects of COVID-19.

(Un)Orthodox Orient, Su Ergeneli

MA Projects

The term Orient was born from a Western-created body of knowledge, or rather discourse, with the authority of the West over the East. This paper, through historical and political analysis of the Orient, questions the reasoning and accuracy of the institutionalized Western knowledge of classical cultural archetypes of the East. Orientalism is a product of the West discovering the Orient and dominating and restructuring the Orient. Hence, it is represented by the dominating
frameworks. By taking the Orient out of the ideological discourse, this paper emphasizes Orient as an individual and evaluates the Near Eastern art market’s transformation as its …

Artificial Minds, Lara Bayer

MA Projects

This paper explores the artistic possibilities of artificial intelligence, as well as its ability to act as a creative being through its learned knowledge from the collective consciousness of human beings, whether this learned knowledge can be used by the AI to represent reality, and whether this can be problematic regarding learned biases from the preexisting ones of our own. Looking at the history of how far artificial intelligence has come within the creative artistic realm, examining the technical aspects of how exactly an AI is able to generate original art, and examining four artists that all collaborate with artificially …

Untamed: The Terrifying Beauty Behind The Works Of Woman Surrealists, Shely Calderon Benpalti

MA Projects

An exhibition of work spanning the works of five late North American and Latin American born or naturalized female Surrealist artists, Frida Kahlo (1907-1954), Leonora Carrington (1917-2011), Remedios Varo (1908-1963), Leonor Fini (1907-1996) and Dorothea Tanning (1910-2012). Untamed explores themes of female existence, alchemy, astrology, dreams and symbolism through painting works on paper and photography. Between the dark years during the first world war, the second world war and postwar, Surrealism as a means of possibility to live a dream-like life were the theory behind this artist's body of work. The deception of dreams, parallel realities and profound studies into …

Revolution And Revelation: An Early Russian Avant-Garde Private Collection, Olivia A. Aurtenechea Eguiron

MA Projects

Revolution and Revelation: An Early Russian Avant-Garde Private Collection is an
exhibition proposal with accompanying essays that explore the value and influence of the Russian Avant-Garde art movement, highlighting its significance as a revolutionary force in early twentieth-century art. While the first essay provides a comprehensive overview of the Russian Avant-Garde art movement, the second one explores the considerations and advantages of exhibiting a private collection of early Russian Avant-Garde art, specifically Suprematism, in either a museum or a gallery. The first essay, A Look Into Russian Avant-Garde, delves into the value and influence of the movement acknowledging the challenge …

Monumentality Of The Artist Chapel: Dissecting Light, Color, Spirituality, And Permanence, Katherine Isler

MA Theses

The concept and creation of the artist chapel is an opportunity presented to only a select few artists. Artist chapels are monumental, permanent works of art that expose a sweeping summary of the artists oeuvre and act as a window into the mind of the artist. The chapels of Ellsworth Kelly, Dan Flavin, and Mark Rothko present a variety of similarities through the mediums of light and color. These characteristics take the artist chapel from a piece of art, to a transcendent
/="/">environment that cocoons the viewer in a space of both the seen and unseen. Each of these …

The Women Of Impressionism: The Influence Of Berthe Morisot, Mary Cassatt, And Eva Gonzalès On The Art Market, Caroline Finden

MA Theses

My thesis addresses three overlooked female Impressionist artists, Berthe
Morisot, Mary Cassatt, and Eva Gonzalès, the hardships that they faced during their lifetimes, the sociological and political influences that shaped their narratives, and the triumphs that allow us to call them great female artists today. Art historians and feminists alike, such as the exalted Linda Nochlin, have searched for understanding as to why so many extraordinary female artists have gone unnoticed throughout art history, often leaving more questions than answers. To better understand each of these women I analyze both an iconic work and the highest selling work at auction …

The Wave Of Digital Revolution: New Trends In The Emergence, Participation, And Presentation Of Metaverse Art, Zijian Zhang

MA Theses

In early 2021, Roblox, known as the first stock in the metaverse, was officially
listed on the New York Stock Exchange. In the same year, the famous American social media giant Facebook changed its name to "Meta" and focused on developing the meta-universe. At the same time, Microsoft, Nvidia, Qualcomm, Byte Jump, Baidu, Tencent and other technology giants laid out metaverse-related industries. Since then, the metaverse has become a new windfall. So what exactly is the metaverse? Meta-universe is a big concept, which is based on digital space to achieve a high degree of integration of the physical world, virtual …

Spirituality And Abstract Art, Hao Zheng

MA Theses

Through a close analysis of abstract art and metaphysics (ontological and psychical), the paper examines how metaphysics might be related to abstract art, as well as the early emergence of abstract art in diverse cultures around the world, and its development from the 19th to the 20th century in the modern art world. The paper conducts an examination of some modern abstract art pioneers, as perceived by general public, such as Wassily Kandinsky and Agnes Pilton, who
experimented with the art form in the 19th and 20th centuries, and their intentions based on metaphysics: spirituality and mythology are included in …

On Curation: A Hermeneutical Approach, Elisabeth Yumin Kröber

MA Theses

Starting point of this paper is the philosophical field of hermeneutics.
/="/">Hermeneutics was established to account for different conditions of understanding
/="/">and how they shape our interpretative processes. As different times constitute
/="/">different conditions, the goal of the discipline essentially is to bridge the temporal
/="/">gap between the creation of a work and its perception at a given point in time.
/="/">Whereas traditionally, understanding was a matter of analyzing the historical
/="/">tradition of author/artist and reader/viewer, nowadays, the perception and
/="/">interpretation of art is shaped by another instance, the curator. Under the premise …