History of Art, Architecture, and Archaeology Commons^™

Programa De La Conferencia Segundo Congreso Internacional De Iconografía Precolombina

Segundo congreso internacional de iconografía precolombina. Barcelona, 2023. Actas.

Barcelona, 2023.

Victòria Solanilla, organizador

17 al 20 de octubre de 2023.

En el Museu de Cultures del Món de Barcelona. Calle Montcada, nº12-14, 08003, Barcelona.

Y en el Institut d’Estudis Catalans. Calle del Carme, nº 47, 08001, Barcelona.

Organizado por el GRUP d'ESTUDIS PRECOLOMBINS· con el apoyo del MUSEU ETNOLÒGIC I DE CULTURES DEL MÓN· INSTITUT D'ESTUDIS CATALANS· SOCIETAT CATALANA D'ESTUDIS HISTÒRICS

Il Cibo E Il Corpo Nell’Immagine- I Dipinti Rinascimentale Del Cibo E Del Corpo, Lainey Tomasoski

Italian Renaissance Foodways

Questo progetto esamina il modo in cui l'arte rinascimentale rappresentava la cultura del cibo nella prima era moderna e cosa dice questo sulle dinamiche sociali dell'identita.

The House Of Dreams Awakens, Molly Mcclain, Heather Crane

History: Faculty Scholarship

La Jolla's "House O'Dreams" (1911-18) is a palatial East Asian-style house built from architectural materials most likely sourced from San Francisco’s Panama-Pacific International Exposition (1915) which featured a Chinese Village and a three-acre Imperial Japanese Garden.

El Vínculo Entre El Arte, La Política Y El Espacio Público: Una Investigación De Colectivo El Muro Cusco Y Su Resistencia Contra Poder Estatal Y La Censura Del Espacio, Stella Gould

Independent Study Project (ISP) Collection

El Colectivo El Muro Cusco es un colectivo libertario y autogestionado dedicado al apoyo a las luchas sociales y al intercambio de información alternativa. Activo durante los últimos 20 años, El Muro,1 como se le conoce coloquialmente, ha sido un proveedor de la verdad en Cusco, utilizando el arte y la protesta para expresar descontento con las injusticias perpetuadas por el gobierno peruano. Utilizando el muro del Paraninfo Universitario de la UNSAAC ubicado en la Plaza de Armas de Cusco como su centro focal, el Colectivo utiliza el espacio como galería de arte y lugar de exposición, pero también como …

The Role Of Moroccan Street Art In Decolonial Discourse And Binary Deconstruction, Taylor Rokala

Independent Study Project (ISP) Collection

As a country historically subjected to French colonialism and currently the site of a burgeoning street art scene, Morocco is a locus for street art that contributes to the decolonial project and deconstruction of remaining colonial structures left by the French. Drawing from Edward Said’s concept of orientalism, the idea of gaze, and bell hooks’s counter concept of oppositional gaze, this paper seeks to understand how Moroccan street artists use their art to challenge the binary opposition between tradition and modernity constructed during the French Protectorate. I will discuss the theme of temporality, because of street art’s ephemeral nature and …

Archaeologies Of Roads, Tuna Kalaycı

Digital Press Books

What happens if we think of roads not only as a static archaeological object but as a dynamic and complex phenomenon?

Inspired by this question, “Archaeologies of Roads” brings together various studies spanning diverse landscapes and epochs. The central premise of the book is to reveal the complexity of the road, be it a modern or an ancient one. The starting point is that the road is not only a container for action but also the action itself; roads are perpetual works in progress, continually shaping and being shaped by the world around them.

Authors contribute with road studies from …

Patrimonio Cultural, Arqueología, Medio Ambiente Y Economía: ¿Cómo Ha Afectado La Construcción Del Aeropuerto Internacional De Chinchero-Cusco A Las Comunidades Y La Tierra De Chinchero?, Sydney Berenson

Independent Study Project (ISP) Collection

La urbanización gubernamental ha sido un problema para las poblaciones indígenas, el medio ambiente y la protección del patrimonio cultural durante numerosos años en todo el Perú. Más recientemente, en la pequeña ciudad de Chinchero, ubicada a unos 30 kilómetros al noroeste de Cusco, se está construyendo un nuevo aeropuerto internacional, Aeropuerto Internacional de Chinchero-Cusco (AICC), para reemplazar el actual aeropuerto nacional de Cusco. Chinchero es un importante centro urbano que está conformado por 13 comunidades campesinas que participan en la industria agrícola de la región, además consta con una importante comunidad artesanal, ruinas arqueológicas precolombinas y una gran biodiversidad. …

V.1 Fall 2023, Center For Arts & Language, Students Of Risd, Risd Archives

All Student Newspapers

v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Fall 2023 issue contains articles on bubbles, a performance at AS220 "Belated Avowal" by RISD MFA student Cat Ashley, sleeping and dreaming, interviews of RISD students, a critical review of Queen Elizabeth Olympic Park, movement experiments, a Jake Shore show at Providence student gallery Ladybug Providence, and George Orwell's book "Why I Write," along with creative writing on a variety of topics.

The Artistic Narratives Of Faith Ringgold: Depicting Race Relations And Social Justice In 1960s America, Nicole Hill

Theses

This thesis explores the works of artist and activist Faith Ringgold within the context of the Civil Rights movement in the United States. The Civil Rights era was a pivotal moment in American history, marked by racial segregation, violence, and discrimination against Black Americans. Against this backdrop, Ringgold's art emerged as a powerful tool for social critique and political activism. The thesis focuses on five of Ringgold's most significant works: Between Friends, The Civil Rights Triangle, The Flag is Bleeding, US Postage Stamp Commemorating the Advent of Black Power, and Die. These works span the period of the 1960s to …

From Donatello To Michelangelo: A Franciscan Angel, Kayla M. Bruce

Institute for the Humanities Theses

During the Italian Renaissance, images of angels and of the Virgin Mary were incredibly commonplace and were often used to denote the Virgin in her role as prophetess. The Virgin was often shown surrounded by angels in the background or flanking her on either side. However, in the fifteenth century, a motif appeared where an angel head was depicted on either the Virgin’s diadem or on her chest as a decorative brooch. This specific motif only appeared in images of the Virgin and the Christ Child. It was also only employed by Florentine artists and began with the Florentine sculptor, …

Exploring The Effectiveness Of Virtual Reality Role-Playing In Debating Repatriation Of Artworks In Active Learning Art History Classes, James Hutson, Trent Olsen

Faculty Scholarship

This paper addresses the pressing issue of repatriation debates for artworks, heightened by notable instances like the return of the Benin Bronzes and discussions around the Elgin Marbles. Given the challenges in conducting effective classroom debates on such sensitive topics due to the pandemic, generational shifts in learning preferences, and increased student anxiety, this study identifies a gap in the integration of active learning strategies in a virtual setting. The primary aim of this research is to examine the efficacy of virtual reality role-playing games (VR-RPGs) in enhancing student engagement, immersion, presence, and learning outcomes within a virtual learning environment …

Annotated Bibliography Assignment For An Art History Class, Nicole Derenne

AI Assignment Library

This assignment aims to help students explore various ways to find scholarly sources for academic research papers using Primo, Google Scholar, and Elicit. It is designed to be completed individually by students in an asynchronous 200-level course. For example, I use this assignment in my 200-level art history survey course as an introduction to the research process. This assignment contains two parts: first, identifying a topic and research question and finding sources, and second, annotating two of the identified sources.

Photography And 21st-Century Migration, Sarah Bassnett, Blessy Augustine

Visual Arts Publications

No abstract provided.

Family, Diaspora, And The Politics Of Care In Griselda San Martin’S The Wall , 2015-16, Sarah Bassnett

Visual Arts Publications

This article examines a series of photographs by Griselda San Martin, a Spanish journalist and documentary photographer based in New York City and Mexico City. The series focuses on the experiences of people at Friendship Park, a bi-national park located in the border region of San Diego, United States, and Tijuana, Mexico. Working in Tijuana, San Martin engaged with families as they attempted to connect with loved ones across the border in San Diego. Many of the people she met at Friendship Park had become separated from family members after living as undocumented migrants in the US and then being …

Treatment Of A German Cuckoo Clock, Maeve E R O'Shea

Art Conservation Master's Projects

A German cuckoo clock was treated during this project. The history and context of the clock are discussed and ethical issues regarding functional objects are considered. The clock’s primary condition issue was the deterioration of the leather bellows material, causing the clock to no longer whistle. New bellows were fabricated, using the surviving top and bottom blocks, and a variety of replacement bellows materials were tested and considered. The clock was reassembled and returned to working order, and aesthetic losses were addressed.

Straight Out-Of-The-Tube: Analysis And Conservation Of George Mathieu’S Pour Une Aliénation Définitive Du Logos, Christy H. Mccutchen

Art Conservation Master's Projects

Pour une aliénation définitive du logos (96.5 cm × 195.6 cm, Buffalo AKG Art Museum, Acc.1971:7), painted in 1955 by French artist Georges Mathieu (1921-2012) is an iconic example of Lyrical Abstraction. Mathieu launched this European counterpart to Abstract Expressionism in the post-war upheaval of 1947. His unorthodox methods present a unique combination of aesthetic concerns and intrinsic material instability. Mathieu’s technique involved squeezing oil paints out-of-the-tube directly onto his canvas with rapid and spontaneous calligraphic motions. The primary condition issue for Pour une aliénation définitive du logos was the failing adhesion between this thickly applied paint and the primed …

Cartographic Subjectivity In Fernand Deligny’S Lignes D’Erre, Anya Komar

Dissertations, Theses, and Capstone Projects

Fernand Deligny (1913-1996) was a French thinker, writer, and social worker who dedicated his entire life to an abolitionist project of protecting “severely autistic” children from internment in mental asylums by allowing them to move freely through the mountains of Cévennes where he established a support network for neurodiverse children. He privileged children’s nonverbal state and let them “direct” the community.

This thesis aims to historicize the drawings made under the guidance of Fernand Deligny between the 1960s and 1980s. His drawing method of tracing children’s movement offered an unprecedented way of providing visibility to children with nonverbal autism, outside …

Flamboyant Abundance: Performing Queer Maximalism, 1960–1990, Jack Owen Crawford

Dissertations, Theses, and Capstone Projects

This dissertation theorizes “queer maximalism” as an aesthetic of unmitigated flamboyance and voracious drag that appears in a constellation of performance-based artistic practices in the postwar United States. Queer maximalism brings together a historically grounded group of performers primarily based in New York City who have been variously described as theatrical, baroque, and Ridiculous and repositions them within an art-historical frame. Identifying drag and pastiche as central to queer maximalism, I show how artists salvage, assemble, and re-signify pop-cultural imagery, inflecting it with camp in order to fashion intimate community and openly flout societal norms of gender, race, and sexuality. …

Raphael Montañez Ortiz And Alternative Art Spaces, 1966–1971: From Repulsion To Exaltation, Ana Cristina Perry

Dissertations, Theses, and Capstone Projects

In the 1960s, Brooklyn-born Puerto Rican artist Raphael Montañez Ortiz built a successful and provocative career in New York. Throughout the decade, Ortiz created sculptures, performances, and events that were part of a sustained investigation into how embodied destructive and uncomfortable actions could physically confront rationality and objectivity. His works attend to how rationality and objectivity were valued in the United States as a consequence of colonization and imperialism. Beginning in 1969, Ortiz overtly addressed how museums are directly implicated in systems of oppression, protesting with the Art Workers Coalition and founding El Museo to meet the needs of the …

Fifteenth-Century Sienese Art In Its International Setting: A Case Study Of Cross-Cultural Exchange In Italy And Beyond, Maria Lucca

Dissertations, Theses, and Capstone Projects

Scholars often frame the Republic of Siena as isolationist and inward-looking, yet from its beginning in 1262 the city-state was internationally vital, sending artists to work in foreign cities and calling upon foreign artists to do significant work in Siena. Although Siena temporarily retreated from this internationalism to a period of relative cultural autonomy in the mid-Trecento, in the early Quattrocento it re-opened the gates of its medieval walled city to artistic interchange between Sienese and Florentine sculptors, setting in motion the dramatic shift that occurred in the mid-Quattrocento. Sienese sculptors embraced the Renaissance artistic humanism flourishing in Florence and …

Justice, Pandemics, And Museums In Cyberspace: Archaeology Museums’ Decolonization Projects During The Covid-19 Pandemic, Samuel Besse

Dissertations, Theses, and Capstone Projects

This paper explores three Archeology Museums (Historic St. Mary’s City, James Madison’s Montpelier, and the American Museum of Natural History), their attempts at addressing the colonial narratives that museums are built on, and how the Covid-19 pandemic and protests over George Floyd’s death affected these projects. I place a special effort on the online presence of these museums, as this is the main way visitors interacted with the museums during the pandemic. After discussing the origins of museum’s decolonization efforts and their efforts to make an online presence, I talk about the Covid-19 pandemic and the events around George Floyd’s …

Taking Comfort In Virtual Humor: Tolkien Memes As Adaptation And Escape, Nick Polk

Journal of Tolkien Research

Presented at the inaugural Prancing Pony Podcast Moot in 2021, this paper's aim is to argue that Tolkien memes can be classified as adaptation as Linda Hutcheon defines adaptation and argue for a hermeneutic of Tolkien's concept of Escape, as laid out in his essay On Fairy-stories, as way to understand Tolkien meme creation and circulation. Concluding remarks are given to the spreadability of Tolkien memes among Tolkien fan communities.

Object Itineraries Of Metal Artifacts From The Stark Farm Site Complex (22ok778), Madeleine Marie Hale

Theses and Dissertations

This thesis focuses on creating a deeper understanding of European-made metal objects uncovered at a Late Mississippian period site by using an object itinerary theoretical framework. This theory allows for objects to be understood and analyzed without bias as it acknowledges Indigenous and archaeological perspectives by considering the many different contexts an object moves through. I apply this theory to these European-made metal objects that were transformed and used by the Chicasa as a way to introduce a more collaborative and holistic approach to the other analytical methods being used at Stark Farm (22OK778). This process was completed by using …

Death Becomes Her: Rejecting The Muse And Reclaiming The Female Body In Leonor Fini’S Skeleton Women, Janna Singer-Baefsky

Theses and Dissertations

This thesis is organized through the varied ways Fini incorporated death imagery, like the skeleton, into her art. I trace how she changed her interpretations of death from being a symbol in earlier works to then rendering death as the subject itself and concluding with depicting herself as death.

Remedios Varo: Inspirations And Creative Strategies, Margaret Colbert

Theses and Dissertations

Remedios Varo is best known for the narrative, if enigmatic and symbol-laden, paintings she produced while living in Mexico from 1941 to 1963. This thesis argues that Varo’s key creative strategy was to mine and mimic the subject matter and motifs of other artists—Hieronymus Bosch and Leonora Carrington – as well as the visual culture related to the occult and other esoteric practices that she found in published sources, specifically by Carl Jung and Kurt Seligmann.

Keeping Both History And Magic Alive: Judson Dance Theater: The Work Is Never Done (2018) At The Museum Of Modern Art, Beatrice M. Johnson

Theses and Dissertations

This thesis examines the exhibition, historical reconstruction, and museum acquisition and conservation of postmodern dance, with the 2018 MoMA exhibition Judson Dance Theater: The Work Is Never Done as a case study. This exhibition considered the history and legacy of 1960s postmodern dance through a presentation of artifacts and archives alongside a continuous program of live, in-gallery performances. The Work Is Never Done catalyzed questions in the three areas of dance exhibition, reconstruction, and conservation and, as this thesis argues, represents a unique example of preserving canonical dance history while creating a generative context for spontaneity, experimentation, and reinvention.

One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-One. Twenty-One. Twenty-Three. Twenty-Four. Twenty-Five. Twenty-Six., Liza Lacroix

Theses and Dissertations

"One. Two. Three. Four. Five. Six. Seven. Eight. Nine. Ten. Eleven. Twelve. Thirteen. Fourteen. Fifteen. Sixteen. Seventeen. Eighteen. Twenty. Twenty-one. Twenty-one. Twenty-three.Twenty-four. Twenty-five. Twenty-six." is a biographical fiction of violence toward the protagonist. Comprised of writing, audio, documentation and intervention. This text is the first iteration, and the thesis work is the second iteration of the same.

A Nomination For The Oliver La Farge House To The Historic Santa Fe Foundation’S Register Of Properties Worthy Of Preservation, Hayden D-L Mcafee

Architecture and Planning ETDs

647 Old Santa Fe Trail is a traditional one-story adobe house in the territorial style. Constructed in 1867, it has a long history and has played a significant role in the development of Santa Fe. Sitting on the original path of the Santa Fe Trail and later Route 66, it has witnessed over 150 years of history both outside and within its doors. It was occupied by the Pulitzer Prize winning author and respected anthropologist Oliver La Farge from 1947-1963. La Farge was an important figure in the Santa Fe community, most recognized for his novels and activism, advocating for …

Household Manifestations Of Coalescence At Carden Bottoms (3ye0025) And In The Arkansas River Valley, Gillian Marie Steeno

Graduate Theses and Dissertations

Excavations at Carden Bottoms (3YE0025), an Early Contact period farmstead site in the Arkansas River Valley, yield important information about cultural mingling at a briefly occupied site affected by European contact. These broad cultural interactions have been explored; however, traditions and practices at the individual household level are largely unknown. In this thesis, I explore contexts including three house structures and associated pits at the Carden Bottoms site. This case study includes attribute analyses and chi-square tests performed on ceramic decoration and temper as well as lithic tool and source material. Additionally, ceramic form is investigated between and within households …

Addendum To Ap Art History Curriculum: Impressionism And Its Female Painters, Julie Short

Theses

This project seeks to add depth to Content Area 4 of the AP Art History Curriculum by supplementing the study of Impressionism as a whole, as well as including the study of the role of women artists in the movement and their contributions to Impressionism and Modern art in general. The goal is to provide students with greater historical context and formal analysis of major Impressionist works, as well as to expose students to the accomplishments of more female artists.