History of Art, Architecture, and Archaeology Commons^™

Dr. Scott Montgomery Faculty Spotlight, Elijah Kruger

DU Undergraduate Research Journal Archive

An interview with Dr. Scott Montgomery of the University of Denver's School of Art and Art History.

Medieval German Christian Women’S Religious Experience, Elliot Knell

Departmental Honors & Graduate Capstone Projects

In the medieval period, both professed women and laywomen were deeply involved in manuscript production, and the use of books was often a vital part of their religious practices. In order to fully understand the value that manuscripts held for medieval women it is important to understand the medical and philosophical understandings of sex that permeated medieval society in order to better understand gendered experiences within Christian spaces. Additionally, examining how vision was understood as both a physical and spiritual process allows for a deeper understanding of how visual art is used in religious contexts. In the medieval period, understandings …

The Diorama Of Coexistence Hypnagogia: The Liminal Space Between Dream And Reality, Yunseok Song

Master's Theses

The “Diorama of Coexistence” explores the imagined spaces where humans and animals share the same environments, blurring the lines between reality and fantasy. This year-long photographic project is inspired by my Christian faith and the Genesis creation narrative, where the world was originally harmonious and unspoiled. Through my work, I aim to reimagine the natural world, not as it is, but as it could be a place where animals and humans coexist peacefully.

In researching human development and its impact on nature, I found that animals are often confined to spaces like zoo, far from their natural habitats. This led …

Knowledge Production And The Unthinkable: Weaving Stories Of Art, Gender, And Land, Christin Huntsman

Master's Theses

Colonialism is deeply and violently embedded in Western knowledge formation—dominant power structures produce epistemes that uphold and perpetuate colonial narratives. This kind of knowledge production forecloses other possibilities. Western discourse of truth becomes universalized to the point that other worldviews, other knowledges that do not conform to hegemonic norms, are suppressed or silenced. This thesis examines three areas of hegemony and erasure: art, gender, and land. First, the history of art clearly marks a delineation between Western elitist artistic masterpieces and non-Western ethnographic artifacts. Eurocentrism of art in the academy determines what counts as art and how art is categorized. …

More Than Historical Artifacts: Classical Chinese Gardens And How They Affect Human Perception Of Nature, Ningjing Xin

Master's Projects and Capstones

Under the influence of industrialization and urbanization, urban people nowadays are increasingly alienated from nature. Manipulated by algorithms, more and more urban people immerse themselves in the online world rather than paying attention to the offline environment that surrounds them. What’s worse, in such a process, they are becoming increasingly indifferent to their senses and bodies. Many pre-modern cultures have an attitude of closeness to nature, and such an attitude is reflected in some cultural heritages that have survived to this day, such as classical gardens. The design of classical Chinese gardens is deeply influenced by traditional Buddhist and Daoist …

The Art World Of Isabella Gardner And Fenway Court, Ivy Kolkana

Symposium of Student Scholars

"The Art World of Isabella Gardner and Fenway Court" presents a comprehensive examination of the influential cultural milieu created by Isabella Stewart Gardner, focusing on the inception and evolution of Fenway Court, now the Isabella Stewart Gardner Museum. This paper delved into the intricate tapestry of Gardner's relationships with prominent artists such as John Singer Sargent, Anders Leonard Zorn, James Abbott McNeill Whistler, Denis Bunker, and several other female artists, illuminating her pivotal role as a patron and tastemaker in the late 19th and early 20th century America.

Beginning with the genesis of the museum, the paper traces Gardner's vision …

Embodied Visions: Interactive Installations That Reimagine Bodily Presence In Digital Imaging Apparatuses As Shadows, Yunzi Shi

Dartmouth College Master’s Theses

Contextualized within a history of technological development, the evolution of imaging devices and technologies is accompanied by the abstraction of spatial relationships between the body of the observer, the apparatus, and physical reality, which leads to disembodying experiences for the observing subject. Compared with devices and interactive experiences, critical reflection on the epistemological impact of digital imaging devices has less priority in computational imaging and human-computer interaction research. Taking an artistic approach, this thesis describes Embodied Visions, an exhibition featuring three interactive installations exploring the technical infrastructure for imaging and reflecting on the (dis)embodied experiences in the digital age. …

Eng 155: Introduction To Literary Studies, Joseph Donica

Open Educational Resources

An OER syllabus covering the ways humans have read and continue to read literature from a variety of critical and theoretical perspectives. An emphasis is placed on the application of critical thought to writing expository essays and responding to readings.

Going Beyond The Margins: Photographs By Ming Smith, Isis A. Serna

Art & Art History ETDs

Ming Smith is a photographer who has been creating images since the early 1970s and trained with the artist collective Kamoinge Workshop. Throughout most of her career, Smith has been marginalized by art historians, critics, and museum curators. Since the early 2000s, Smith has only been included in museum exhibitions highlighting African-American female artists from 1960 to the present. Before this surge of interest in her work, the art world ignored and silenced her. However, Smith’s creative process allowed her to see and experience going beyond the struggle by being consistent in her strategy to do what she wanted on …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

Texas Gothic, Taryn Uribe Turner

Art Theses and Dissertations

The emotional and the ecological combine to create my body of work titled, “Texas Gothic.” My thesis tells the stories of my oil paintings created through personal connections to a variety of landscapes, animals and experiences that share the setting of Texas.

Desire and regret take shape as animals and figures not fully formed or real. Unreliable narratives of the past are entangled with present tensions to create a painting that haunts and stalks.

And yet, there is hope!

Through nostalgia and sweetness and burdens, my paintings confront a shrouded future. The contradictions of time passing are explored in my …

Fragmented Bodies, Lauren Careese Alexander

Art Theses and Dissertations

Through Memory Webs and fragmented ceramic vessels, I express what it feels like to grow up living in a biracial body. I utilize mixed media to emulate a mixed-race experience. My Memory Webs are fashioned by painting on scraps of canvas and attaching them with crocheted wire and ribbon to speak to how my memory has impacted my identity. My fragmented ceramic vessels are cut up and stitched back together to represent disjointedness and un-belonging. All of my work is contextualized through the novel Frankenstein by Mary Shelley and what the Monster may represent for people of color. I also …

Increasing The Accuracy Of The Military‟S Post-Deployment Mental Health Screening Strategies, Daniel Fass

All-Inclusive List of Electronic Theses and Dissertations

The author investigated the prevalence rates of mental health problems reported by college students and compared them with previously existing data on active duty, reserve, and National Guard Operation Iraqi Freedom veterans. Participants completed the mental health portion of the Post-Deployment Health Re-Assessment and an additional questionnaire in which the effect of a drug use screen was explored. Subjects were also asked about their intentions to seek mental health or substance abuse treatment and how anonymity affected their treatment seeking and reporting accuracy. Results indicate similar and at times higher rates of mental health problems in the sample of college …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

The Daily Struggle: Philip Guston And American Art In The 1930s, Maxwell Dunbar

Arts & Sciences Graduate Student Theses and Dissertations

American art in the 1930s was shaped by questions of social relevance and utility. The crisis of the Great Depression left millions destitute, and the contradictions of capitalism were exposed for all to see. Many artists and intellectuals, despite their marginal and specialized status in American social life, recognized that there was a need to connect their work to the mass mobilization of the working class, who were organizing in the face of unprecedented poverty and misery. The culture of working-class radicalism in this period, now commonly referred to as the “Red Decade,” was the result of the rapid development …

The Question Of Design In The Context Of The First Australian Nations: Designing Reparations Through Decolonial Architecture, Eli Abamonte

Bachelor of Architecture Theses - 5th Year

Forget about tourist postcards and picture-perfect landscapes. Australia's true heart beats in the ancient stories of the Indigenous communities that tell them, their vibrant cultural tapestry woven beneath the surface. My research dives into this tapestry, not as an Architect with blueprints imposing my own vision, but as a student with an open ear and collaborative spirit. Australia’s vastness holds countless stories, but my research led me deep into the heart of East Arnhem Land, where ancient legends whisper in the wind and the Yolngu people dwell. Anthropologists like Bruno Descola shattered my singular view of the world, revealing a …

User Perception Of Gender Studies In Video Games, Quinn T. Gienapp

Honors Thesis

Alongside the increase in video game popularity, a subclass of games was formed that offer very unconventional gaming experiences. These games offer different stories that differ greatly from games made on multi-million-dollar budgets. Many of these types of games exist on the fringes of the industry and portray LGBTQ+ themes through their writing or gameplay. One of these games uses the medium of video games to process their trauma by relaying their own story. The game “He Fucked the Girl Out of Me” is an autobiographical video game that highlights the story of the Author and their experiences with …

Suspicion And The Witch’S Tit, Shayna R. Miller

Theses and Dissertations

Shayna Miller’s paintings are built up panels with protruding points, appearing as if a mass is pushing up from behind the burlap-stretched painting surface. In Suspicion and the Witch’s Tit, Miller contextualizes her work in relation to a history of shaped painting and frames her discussion around references related to suspicion, embodiment, and rejection.

Vision, Repetition And Redemption: Envisioning Universal Salvation In A Group Of Six Carolingian Ivory Book Covers, Valerie Thai

Theses and Dissertations

Six Carolingian ivory plaques share almost identical imagery. This thesis focuses on the figures of Synagoga and the rising dead repeated in the compositions. As the ivories are Gospel covers used in Mass, this study demonstrates how these motifs appeal to the congregation, conveying the Christian tenet of universal salvation.

The Defense And Propagation Of A Doctrine In New Spain: Images Of The Virgin Of The Immaculate Conception In Franciscan Religious Establishments, 1550–1700, Jocelyn Mosquera

Theses and Dissertations

This thesis examines how the Franciscan Order utilized art in their religious establishments in New Spain to propagate the doctrine of the Immaculate Conception. By doing so, the Franciscans further established themselves as the defenders of the Virgin of the Immaculate Conception.

The Body Of God: The Experience Of Eleventh Century Churches In France, Henry B. Piper

Theses and Dissertations

In its history, philosophy and art, 11^th century France is a distinct historical period and speaks in a distinctive voice that still murmurs in its churches. I seek to occupy this period, as we occupy a church, through immersion in its spirit and thought, which still resound in its stones.

"This Unshakable Dandy": The Life And Work Of Heinrich Maria Davringhausen (1894–1970), Jacob M. Robinson

Theses and Dissertations

This thesis is a monographic study of Heinrich Maria Davringhausen (1894–1970), an artist best-known for his contributions to the art of interwar Germany—and the political and historical contexts of his time. It examines his pre-1918 emergence as an avant-garde artist, asserts a more prominent place for his role in the development of German Post-Expressionism (commonly known as Neue Sachlichkeit or Magic Realism), and broadly overviews the increasingly abstract paintings he produced after fleeing Germany in early 1933, eventually settling in the South of France as Henri Davring.

Édouard Manet’S Defense Of Modernity: Recontextualizing The Cat In Olympia, Rebecca Schiffman

Theses and Dissertations

The black cat in Édouard Manet’s seminal painting, Olympia, has often been relegated as a crude joke or symbol of reprehensible sexuality. This thesis argues that the cat plays a larger role in Manet’s representation of modernism, and functioned as a defense mechanism by the artist against his critics.

A Biography And Case Study On Marthe Wéry Her Ceaseless Exploration Of The Components Of Painting: Tracing Journeys In The Artist’S Life And Work, Sarah Grace Jones

Theses and Dissertations

My thesis investigates Belgian artist Marthe Wéry’s oeuvre, determines art-historical contexts for her paintings, and examines the many milestones that exemplify her work. Her monochromatic paintings, radical experiments with paint, empirical way of thinking, and exploration of architecture defend her robust career and demand involvement in today’s art historical conversation.

The Great Synthesizer: Yuji Agematsu’S Map Works, Rare Objects And Affinities To Fluxus, Renāte Lagzdiņa

Theses and Dissertations

The thesis examines Yuji Agematsu’s artistic practice offering novel lens through which to explore artist’s oeuvre and employed methodologies. It delves into Agematsu’s map works, strategies for collecting the debris of the city, and researches his potential affinities to Fluxus movement.

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

Changing The Narrative: Athinai, An Illustrated Periodical For Modern Greece, 1934–35, Julie Fry

Theses and Dissertations

Athinai provided a Greek counterpart to European popular magazines of the interwar period. The integration of hand-drawn illustration with photographic imagery, collage, and multicolor printing yielded its distinctive visual language. Athinai portrayed changes in the daily life of modern Athens, attitudes to the body, and the role of women.

Papering Over Colonial Legacies: Chinoiserie, Chinese Wallpaper, And Exotic Obfuscation At Harewood House, Carolyn J. Bishop

Theses and Dissertations

Harewood House is an estate emblematic of eighteenth-century evolutions in aesthetic philosophy, capital flows and social dynamics in the British empire. Built by the Lascelles family, it embraces an eclectic neoclassical decorative style that includes chinoiserie. This thesis argues that this exoticizing decorative strategy, and particularly its Chinese wallpaper – as both fine art and consumer good – translated the Lascelles' fortune, amassed through colonial exploits in the Caribbean, into advancement through domestic British hierarchies.