History of Art, Architecture, and Archaeology Commons^™

Pins, Pendants, Banners, And Badges: The Supply And Demand Of Multifunctional Objects At Pilgrimage Sites, Hanneke Van Asperen

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Ed Ruscha's Street-Level View And The Postwar Redevelopment Vernacular, F. R. Ammon, Brian D. Goldstein, G. D. Nelson

Art History Faculty Works

No abstract provided.

Haifa, Naḥal Aḥuzza A-10170/2025, Tal Lavi

Favissa: Past Archaeological Excavation Reports

In November 2025, a trial excavation was conducted in advance of the construction project “Ofer Moradot Freud” in Haifa (Permit No. A-10170/2025; map ref. 197775/743020; Fig. 1). The excavation took place on the western slope of Mount Carmel, east of Yod-Alef Ha-Sporta’im Street and north of Naḥal Aḥuzza (Ahuzza River), within the antiquities area Naḥal Aḥuzza [1] (61059/0). The excavation was conducted on behalf of the Israel Antiquities Authority and funded by Yael Oko. It was directed by T. Lavi (field photography), with the assistance of A. Azab (Haifa District archaeologist), N. Shahar (Haifa sub-district archaeologist), Z. Lotan and Y. …

Nahal Tamar (Tamar River) A-9979/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9979/2025; map ref. 545150/232580; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific giudance), G. Seriy (safety), and workers from …

Nahal Tamar (Tamar River) A-9978/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In January–February 2025, a salvage excavation was conducted in the Nahal Tamar area, east of Road 258, approximately 3 km north of Zafit Junction (Permit No. A-9978/2025; map ref. 220626-894/552395-3084; Fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot Water Company. The excavation was directed by A. Davidesco, with the assistance of Y. Alamor (administration), A. Montague (drone photography and plans), A. Fraiberg (drone photography), L. W. Davies (flint), I. Azoulay (drafting), D. Eisenberg-Degen (scientific guidance), G. Seriy (safety), and laborers from …

Between Sde Boker And Mitzpe Ramon: Passing Bays, Highway 40, A-10140/2025, Nofar Lary

Favissa: Past Archaeological Excavation Reports

In September 2025, a trial excavation was conducted on Highway 40 (Permit No. A-10140; map ref. 174894-9185/518274-31301; Fig. 1), within preparation for the construction of passing bays. The excavation, conducted on behalf of the Israel Antiquities Authority and funded by Netivei Israel, was directed by N. Lary, with the assistance of T. Sapir (photography, field director), Y. Alamor (administration), A. Montagu (GPS, plans, and model), D. Varga (pottery), D. Degen-Eisenberg (consultant), S. Talis, G. Seriy, I. Radashkovsky, and A. Fraiberg (Southern District), along with laborers under contractual employment.

Caesarea Industrial And Business Park (ʻAl-Domiry) A-10145/2025, Anna Khalatov, Yotam Tepper

Favissa: Past Archaeological Excavation Reports

On October 2025, a trial excavation (Permit No. A-10145; map ref. 194335–41/708123–30; Fig. 1) was conducted in an area of dune sands, south of the Caesarea Industrial Park and north of Highway 65, in advance of the installation of an Israel Railways track. The excavation, carried out on behalf of the Israel Antiquities Authority and funded by Israel Railways, was directed by A. Khalatov (field photography) and Y. Teper (guidance), with the assistance of Y. Amrani and Z. Lotan (administration), S. Emmanuilov (surveying, documentation, and drafting), A. Dagot (GPS), A. Massarwa (sub-district archaeologist), A. ʻAzab (district archaeologist), and eight laborers.

Jerusalem, Ramat Rahel (West, Kathisma Site) A-10036/2025, Rina Avner

Favissa: Past Archaeological Excavation Reports

In early April 2025, a trial excavation was conducted south of the Kathisma site and south of the junction between Hebron Road and the main road descending eastward to the Har Homa neighborhood, approximately 200 m north of the Mar Elias Monastery (Permit No. A-10036/2025; map ref. 220137-51/627263-79; Fig. 1). The excavation, on behalf of the Israel Antiquities Authority and funded by Moriah – The Jerusalem Development Corporation, was directed by R. Avner, with the assistance of M. Chernin (field supervision), N. Sapir (Jerusalem District), S. Halevi (photogrammetry), M. Cimadevilla (drafting), and laborers.

Arenas Of Resistance: How Oklahoma's Black Rodeos Preserved Environmental Wisdom And Community Power, Rorie Johnson

Scripps Senior Theses

This thesis explores how Black rodeos in Oklahoma emerged from post-emancipation agricultural labor and ranching traditions, serving as powerful sites of cultural preservation, knowledge transmission, and resistance to dominant narratives of the American West. Through analysis of historical records, photographic evidence, and personal family narratives, this research demonstrates how Black Oklahomans developed unique relationships with land and animals that encompassed both the "ecological burden" of agricultural labor and the "beauty" of cultural expression and community-building. Drawing on theoretical frameworks including Kimberly Ruffin's "ecological burden-and-beauty paradox," George Lipsitz's "Black spatial imaginaries," bell hooks' "oppositional gaze," and Toni Morrison's concept of "rememory," …

On The Nature Of Artworks: An Argument For Artwork Universals, Emma H.B. Rosenberg

Scripps Senior Theses

What kind of a thing is an artwork? Artworks are an extensive, complex category including all manner of media and content. This makes the project of determining what artworks themselves are a significant challenge. Nevertheless, there are many things we intuitively desire to say about what artworks are like and what value they offer. One underexplored theory which I will here argue successfully accommodates many of these features is that of artworks as universals.

It is not my aim in this thesis to compare this theory with other, rival theories of artworks. Rather, I will argue that the theory supports …

Elat, Shehoret Industrial Zone, A-10054/2025, Tal Sapir

Favissa: Past Archaeological Excavation Reports

In April–May 2025, a trial excavation was conducted northwest of Elat, in the Shehoret Industrial Zone (Permit No. A-10054/2025; map ref. 196507/390351; Fig. 1), in advance of the construction of Reservoir 2. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by Mekorot – Israel’s National Water Company. The excavation was directed by T. Sapir (field photography), with the assistance of Y. Alamor (administration), A. Montague (surveying and aerial photography), A. Azoulay (plans), D. Degen-Eisenberg (scientific guidance), Y. Radashkovsky (aerial photography) and G. Seriy of the Southern Negev District.

Nahal Tamar (Tamar River) A-9980/2025, Avshalom Davidesko

Favissa: Past Archaeological Excavation Reports

In February–March 2025, a salvage excavation was conducted on the eastern bank of Nahal Tamar, west of Road 90 and of the access junction to Moshav ʽEn Tamar (Permit No. A-9980/2025; map ref. 546070/233150; fig. 1), prior to the installation of a Mekorot water pipeline. The excavation was carried out on behalf of the Israel Antiquities Authority and funded by the Mekorot Water Company. It was directed by A. Davidesko, with the assistance of Y. Alamor (administration), M. Kahan (aerial photography and plans), A. Fraiberg (aerial photography), I. Azoulay (drafting), D. Eisenberg-Degen (scientific supervision), G. Seriy (safety), and workers from …

The Influence Of Japanese Art And Aesthetics On The Paintings Of Théodore Rousseau, Erinn Alexis Stuart

Graduate Research Theses & Dissertations

Landscape paintings of Barbizon painter Théodore Rousseau provide a unique perspective on the impact of Japanese artworks on nineteenth-century French painting. The examination of Eastern influences on Western art has been confined to Western urban popular culture, resulting in a narrative that restricts the understanding of modern art to the context of Western industrialization. This method of exploring cultural influences constructs a narrative of othering, confining the perception of its impact to the superficial and commercial, thus perpetuating an othering subnarrative, not only between the two nations but also between the different genres of Western art. Through an investigation into …

Introduction To The “Mappings” Issue, Asa Mittman, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Cartography Between Ptolemaic Accuracy And Scope For Communication: The ‘Genoese World Map’ Dated 1457, Gerda Brunnlechner

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Pilgrimage And Play: The Intersection Of Pilgrimage Objects And Toys In Later Medieval London, Eliot Benbow

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: The Trees Of The Cross: Wood As Subject And Medium In The Art Of Late Medieval Germany By Gregory Bryda, Abigail Berry

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Miniature Sword Badges: Towards A Reclassification, Jennifer Lee

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Advent Of The Astrolabe In St. Gallen And Notker Teutonicus’ Cosmographic Globe (C. 1015), Jost Schmid-Lanter

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Mapping The Conquest In The Bayeux Embroidery, Rachel Dressler

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Dunwich Camel: An Early Tudor Badge From Suffolk, Matthew J. Champion

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Merlin, Myth And Monument: The ‘Stonehenge’ Miniature In Bl Egerton Ms 3028, Betsy Chunko-Dominguez

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Controversial Conservation Project: The Restoration Of The Langton Vault In Winchester Cathedral, Hampshire, England, Nicholas Riall

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

[Review Of The Book Querns And Mills In Mediterranean Antiquity. Tradition And Innovation During The First Millennium Bc, By N. Alonso, T. J. Anderson, L. Jaccottey]., Jared T. Benton

Art Faculty Publications

[First paragraph] Querns and Mills in Mediterranean Antiquity (hereafter QMMA) is the publication of an EAA (European Association of Archaeologists) session on querns held in Barcelona in 2018. The purpose of the session—and by extension the volume—was to fill a gap by studying the smaller, hand-operated millstones, which have received less attention than their larger Roman-era and medieval counterparts. A second aim was to begin a conversation about standardizing the study of millstones, and particularly querns, in terminology and methodology.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

Art Worker: Atlanta’S Contemporary Art History And The Workers Who Shaped It, Abigail D. Miller

Master's Projects

There is a contradiction at the heart of the relationship between artists and the public in the United States. Art is considered culturally important and beneficial to the public, yet hardly any public funding is paid directly to artists for their labor. Moreover, because the nature of art production in contemporary society does not align easily with capitalism’s need for constant growth and profit, artists are often on the economic fringes in a constant state of precarity. These conceptual arguments are explored in this project, and the related research aims to position artists as members of the working class who …

Movement And Mastery: The Artistic Evolution Of Artemisia Gentileschi, 1613-1640, Molly E. Russom

Capstone Showcase

This thesis examines the artistic evolution of Artemisia Gentileschi between 1613 and 1640, focusing on how her extensive travels shaped the development of her style, subject matter, and professional identity. While Artemisia’s work is frequently interpreted through a biographical or feminist lens, this study emphasizes her artistic agency and technical mastery by situating her paintings within the distinct artistic environments of Florence, Rome, and Venice. Through visual and contextual analysis of her key works—Penitent Magdalene, Judith and her Maidservant with the Head of Holofernes, and Corisca and the Satyr—this paper demonstrates Artemisia’s evolving use of …