History of Art, Architecture, and Archaeology Commons^™

Uncovering The Story Of Sally Maria Johnson: Revealing The History Of The Portrait Of A Painting, Yuanzhen Song

Art Conservation Master's Projects

Portrait of Sally Maria Johnson by the artist James Johnson is a 19^th century oval shaped portrait in the collection of the Buffalo History Museum.  It suffered from structural damages and paint loss resulting from surface alterations and previous restoration campaigns.  This study combines art historical research with scientific analysis to explore both the biography of the subject and the materiality of the painting.  Through local research including historical newspaper articles in Buffalo, the story of Sally Maria Johnson (the wife of Buffalo’s first mayor) was uncovered.  High-resolution imaging techniques were used to document the surface condition and identify …

Art Inquiries, Vol. 21, Oct. 15, 2026 - Full Issue, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Larimore House Correspondence To Al Cultural Resources Preservation Trust Fund, 5.7.2000, William L. Mcdonald

Correspondence

Correspondence from William Lindsey McDonald to the director of the Alabama Cultural Resources and Preservation Trust Fund concerning support for a grant to renovate, restore and repair the historic Larimore House in Florence, Alabama.

The historical marker for the Larimore Home, which is listed on the National Register of Historic Places, can be accessed here.

Forks Of Cypress Archaeological Excavation To James Jackson, 7.16.1993, William L. Mcdonald

Correspondence

Correspondence from William L. McDonald to James Jackson concerning archaeological excavation near a cabin at the Forks of Cypress.

Edward O'Neal Home Cistern Correspondence To Steve Blevins, 11.12.1993, William L. Mcdonald

Correspondence

Correspondence from William Lindsey McDonald to Steve Blevins concerning an archaeological project to cover the cistern at the Edward O'Neal home in Florence, Alabama. The historical marker for the site can be accessed here.

Ornamental Letters In J.R.R. Tolkien's Manuscripts, Eduardo Boheme Kumamoto

Journal of Tolkien Research

The purpose of this article is to examine ornamental letters and decoration that in some way interacts with letterforms in J.R.R. Tolkien’s manuscripts. I explore Tolkien’s use of elements such as double strokes, color, dots, and flourishes to add prominence and beauty to the letterforms; where possible I also try to establish a relation between these ornaments and medieval manuscripts.

On Stage: Startling Visibility, Operatic Drama, And George Tooker’S Un Ballo In Maschera, Alex Del Dago

Art Inquiries

As a part of its centennial advertising campaign, the Metropolitan Opera in New York commissioned the American figurative painter George Tooker (1920-2011) to create a fine art image inspired after Giuseppe Verdi’s 1859 opera, Un Ballo in Maschera. Within the artist's composition, themes around masquerading, skepticism, and surveillance arise, all of which are common threads within both Tooker’s and Verdi’s work. Primary questions that can be asked from looking at this type of subject matter include: who is truthfully themselves, who may be someone other than they initially say they are, and most importantly, how does the ambiguity of gendered …

On Canvas: The Origins And Implications Of A Common Phrase, Kerr Houston

Art Inquiries

Why do modern art historians and conservators describe paintings executed on cloth in Europe in the fourteenth and fifteenth centuries as works on canvas, when late medieval and early Renaissance sources never do the same? This article answers that question by tracing and analyzing the evolution of canvas as a term in the history of painting. Until the late 1400s, it will be argued, the term canvas and its regional variants connoted coarse woven fabrics made of hemp that were associated with rugged, utilitarian needs and rural poverty—but not with painting. By contrast, artists and related texts relied on …

Front Matter, Art Inquiries, Kris K. Belden-Adams

Art Inquiries

No abstract provided.

Here Come The Brides: Sylvia Sleigh, Lawrence Alloway, And Hetty Remington, Andrew D. Hottle

Art Inquiries

Sylvia Sleigh (1916–2010), a Welsh-born artist who lived and worked in England before settling in the United States, is known primarily for her uninhibited portraits of nude men, many of which were painted in New York City during the feminist art movement of the 1970s. Over the last half-century, Sleigh’s male nudes have been both admired and derided for disrupting the conventional paradigm of the male artist and unclothed female model. Among them are Philip Golub Reclining (1971; private collection) and The Turkish Bath (1973; David and Alfred Smart Museum of Art, University of Chicago), which were inspired by canonical …

Adrienne L. Childs, Ornamental Blackness: The Black Figure In European Decorative Arts, Brigid M. Boyle

Art Inquiries

Ornamental Blackness by Adrienne L. Childs offers the first comprehensive survey of European luxury and utilitarian objects that treat Black Africans as decorative motifs. Proceeding chronologically from the middle Baroque period to the late nineteenth century, Childs charts the initial production of racialized objects for royal courts and aristocratic households and their later dissemination to middle-class homes. Items such as furniture, light fixtures, clocks, tableware, porcelain figurines, and treasury objects became an apparatus for controlling and fetishizing Black bodies, reinforcing the idea of Black servitude as normal. Many of these objects were crafted from precious natural materials whose extraction and …

Alison Place, Ed., Feminist Designer: On The Personal And The Political In Design, Anmol Shrivastava

Art Inquiries

No abstract provided.

Robert Indiana, Love, Biblical Authority, And American Art In The 1960s, David Mccarthy

Art Inquiries

Years before Robert Indiana suggested that his canonical LOVE paintings and sculptures carried erotic connotations, he was explicit in indicating that the series was to be understood as spiritual. In 1973, as the United States Postal Service issued some three hundred and thirty million stamps with his design, he specifically explained that the genesis of LOVE should be traced to his childhood training in Christian Science. Although scholars have certainly acknowledged this background, none, so far, have sufficiently addressed the actual foundational text of the faith, nor have they adequately addressed the evidence of Christian references found in the artist’s …

Memory In Fragments: The Lives Of Ancient Maya Sculptures By Megan E. O’Neil, Jeanette Nicewinter

Art Inquiries

No abstract provided.

Harry Boone: From Entropy To Renewal, Gertrude Herbert Institute Of Art, Augusta, Ga, Mysoon Rizk

Art Inquiries

No abstract provided.

Book Review: The Art Of Anna Dorothea Therbusch (1721-1782) By Christina K. Lindeman, Amanda Strasik

Art Inquiries

No abstract provided.

Encoded, The Metropolitan Museum, New York, Ny, Tamara Smithers

Art Inquiries

No abstract provided.

On Loss And Absence: Textiles Of Mourning And Survival, Art Institute Of Chicago, Chicago, Il, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

Floating World: A.A. Murakami, Museum Of Fine Arts, Houston, Tx, Yumi Park

Art Inquiries

No abstract provided.

Marie Taylor Barton And Southern Modernism, Cynthia Fowler

Art Inquiries

This paper examines the efforts by Southern artist Marie Taylor Barton (1904-1992) of Nashville, Tennessee to spread the principles of modern art to her community through her art practice and her advocacy for modern art. Barton emerged as an artist in the first half of the twentieth century. She studied with New York modern artist Ralph Pearson (1883-1958), an underrecognized but highly influential art teacher, at his summer school in Gloucester, Massachusetts. While in Gloucester, she also heard lectures by artist Hans Hofmann and visited Dartmouth College to see José Clemente Orozco’s mural The Epic of American Civilization (1932-34) that …

Tradition And Representation In The Work Of Contemporary Native American Art, Florence Romero

Summer Research Showcase

This presentation investigates the origins of contemporary Native American art in the mid-to late twentieth century to gain a deeper understanding of the broader contours of the field of contemporary art by Native Americans, to understand some of the key issues that these artists are interested in, and research the work of select contemporary Indigenous artists. Using comparative analysis of six case studies of contemporary Indigenous artists, this presentation will examine how these artists deal with themes of tradition and modernity and respond to how Native Americans have been misrepresented in the past and how these representations have impacted them …

The Everyday Monument: Architectural And Spatial Transformations Of Rome's Nasoni, 1874–Present, Sandra L. Santos

McNair Summer Research Program

Rome's nasoni are small public drinking fountains that have provided free water throughout the city since 1874. There are approximately 2,500–2,800 nasoni in Rome, actively supplying people with free drinking water. Although they are usually understood as ordinary and mundane hydraulic infrastructure, their persistence across different political periods makes them useful objects for examining the relationship between architecture, public service, and political meaning. This research asks how the forms, materials, and spatial contexts of late-nineteenth-century nasoni differed from fountains constructed or modified during the Fascist era.

Over my three weeks of fieldwork in Rome, I documented seventy-five public drinking fountains …

Between Their Hands And Mine, Ellie Barnes

Art and Art History Honors Projects

We better understand the people who came before us through objects, images, and stories. Between Their Hands and Mine is a studio art honors project that connects wheel-thrown ceramics to the stories and experiences of the women in my life, known and unknown. Adorning the home with love and care through objects like cups with butterflies was common in my upbringing. My family’s Norwegian background inspired the florals and stripes that decorate the surface. This series of plates, bowls, mugs, and other dinnerware set amongst a dining room and ancestral objects is reminiscent of the homemaking women in my life.

Familiar Corners, Lilia Gonzalez-Baldwin

Art and Art History Honors Projects

The mundane is defined as lacking interest; dull, unimportant. My honors project aims to find the beauty in the mundane moments that linger in the domestic spaces that hold meaning to me. My desire to amplify the figures, spaces, and belongings that formed my childhood home and current apartment inspired me to create numerous highly detailed, overlapping works that act as portals into rooms in these spaces. In Shaving Cream, 2008, my 6-year-old self is shaving my older sister’s legs in the bathtub. In Down in their Nest, posters, trinkets, and stuffed animals act as easter eggs for my childhood.

Egyptian Suite: Compositional Reflections, Jeremy Fisher Jacobus

Master's Theses

Egyptian Suite is an original composition for concert wind ensemble that takes example and inspiration from what others believe was Ancient Egyptian music, with some of today’s examples of Egyptian music. This work is divided into four movements: The Nile, The Pharaoh’s Festival, The Pyramids, The Grand Coronation, with each movement representing personal interpretation of each idea with the instrumentation, and the changes in texture, color and rhythm. With each movement of the Egyptian suite, I evaluated instruments being used as additional colors and textures, used more non-conventional key signatures modulations and time signature changes, and utilized a diverse and …

Perbandingan Kesenjangan Perilaku Manusia Purba Di Wilayah Sulawesi Dan Flores, Kaylica Putri Kurniawan, Siti Oktavia Caroline, Nazwa Fariha Ramadhani

Multikultura

Wallacea, particularly the islands of Sulawesi and Flores, holds important archaeological evidence of the behavioral transition between Homo sapiens and earlier archaic hominins. This article aims to compare the behavioral gaps that occurred at two sites, namely Leang Bulu Bettue, Sulawesi, and Liang Bua, Flores. The results of the study indicate that Sulawesi and Flores have significantly different gap patterns, where at Leang Bulu Bettue there was a drastic change in substance, while at Liang Bua the opposite behavior occurred, where there was technological continuity from Homo floresiensis to early Homo sapiens with gradual behavioral changes. The results of this …

Pemaknaan Ikon Makhluk Hidup Dengan Kaligrafi Arab Pada Srabad Dari Kesultanan Cirebon, Fitria Anisya, R. Cecep Permana

Multikultura

Islamic art in the Nusantara (Indonesian Archipelago) represents a fusion of Islamic tradition and local cultural wisdom that flourished through coastal trade routes. One of the most distinctive manifestations of this fusion is the art of srabad Cirebon. Etymologically, the term srabad derives from the Javanese expression "mingser saking abad", meaning the transition from the Hindu era to the Islamic era. This art form presents anthropomorphic elements uncommon in conventional Islamic artistic tradition, in which icons of living creatures are specifically constructed from the structure of Qur'anic verses. Studies that examine the relationship between the depiction of living creature icons …

Tinjauan Arkeologis Dan Interaksi Manusia Toalean Di Leang Panninge, Kabupaten Maros, Sulawesi Selatan, Naila Maulidiya Ajitoko, Mayfa Rahmah Padmarani, Syakira Athiyah As'ad

Multikultura

The karst landscape of South Sulawesi served as the habitat of Toalean culture bearers, a Middle Holocene hunter-gatherer group active from 8,000 to 1,500 years ago, recognized through distinctive artefacts including Maros points, backed microliths, and osseous tools. This paper conducts an archaeological review of Toalean remains at Leang Panninge, Maros Regency, covering material culture, site stratigraphy and chronology, and population interactions within the Wallacean migration context, using a descriptive-analytical literature review approach. Findings reveal well-preserved Toalean cultural deposits spanning 9,400 to 1,500 years ago. The most significant discovery is the skeletal remains of a female individual aged 17–18 years, …

Kajian Paleoantropologi Homo Floresiensis Di Liang Bua Dan Mata Menge Tahun 2016-2026, Candra Agustin, Sahla Nabillah, Siti Zahra Indah Permata

Multikultura

The discovery of Homo floresiensis at Liang Bua Cave, Flores Island, in 2003 stands as one of the most revolutionary breakthroughs in twenty-first-century paleoanthropology. This small-bodied hominin species sparked global scientific debate regarding both its species validity and the possibility of pathological conditions in the discovered individual. This study aims to analyze the development of paleoanthropological interpretations of Homo floresiensis at the Liang Bua and Mata Menge sites during the period 2016–2026. A qualitative method with a descriptive-analytical literature review approach was applied to relevant international scientific publications. The results show that redating of the Liang Bua site revised the …

Batujaya Sebagai Destinasi Wisata Edukasi Sejarah, Retno Raswaty

Multikultura

The Batujaya site in Karawang Regency is a National-level Cultural Heritage Area that houses the oldest Buddhist temple complex on Java Island. However, its potential as an educational tourism destination has not yet been optimally developed. This article examines the educational value of Batujaya through experiential learning, historical thinking, and episodic memory approaches. It demonstrates that direct learning at historical sites delivers a stronger cognitive and affective impact compared to textual learning in the classroom. Based on archaeological findings, Batujaya is identified as having a dual function as both a center of worship and a center of learning in the …