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Literature in English, British Isles Commons™
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Articles 5041 - 5070 of 5488
Full-Text Articles in Literature in English, British Isles
Chaucer's Criseyde: Portrait Of Woman, Nancy Joan Faulkner
Chaucer's Criseyde: Portrait Of Woman, Nancy Joan Faulkner
Theses & Honors Papers
No abstract provided.
Marlowe's Cosmology, William H. Caldwell
Marlowe's Cosmology, William H. Caldwell
Master's Theses
A general study of Marlowe 's cosmology may by no means be original, for numerous critics have mentioned the subject in varying degrees; however, there is a wide disparity or opinion concerning the relative importance of the subject in relation to the playwright. This study is not exhaustive; it is significant, however, because it attempts to prove by means of biographical and historical backgrounds the idea that Marlowe had an intellect that was always "climbing after knowledge infinite."
In this study there are two obvious omissions: the plays Dido, Queen of Carthage, and The Massacre at Paris. …
The Family Tree Of Fanny Burney's Evelina, Frances Mcentee Martin
The Family Tree Of Fanny Burney's Evelina, Frances Mcentee Martin
English Theses & Dissertations
No abstract.
The Bloomsbury Group: Agent Of Evolution, Rashelle Altschul
The Bloomsbury Group: Agent Of Evolution, Rashelle Altschul
English Theses & Dissertations
No abstract.
The Eighteenth Century Background Of Canto Iv Childe Harold's Pilgrimage, Dorothy Cox Moore
The Eighteenth Century Background Of Canto Iv Childe Harold's Pilgrimage, Dorothy Cox Moore
English Theses & Dissertations
No abstract.
Godwin's Influence On Shelley: A Study Of The Effect Of Marriage Ideas In Political Justice On Shelley's Life And Writings, Marie Murphy Garrett
Godwin's Influence On Shelley: A Study Of The Effect Of Marriage Ideas In Political Justice On Shelley's Life And Writings, Marie Murphy Garrett
Theses & Honors Papers
No abstract provided.
The Development Of Twentieth Century Criticisms Of The Canterbury Tales, Donald Keith Gosnell
The Development Of Twentieth Century Criticisms Of The Canterbury Tales, Donald Keith Gosnell
University of the Pacific Theses and Dissertations
It will be the purpose of this thesis to survey and to evaluate twentieth-century criticisms of Chaucer's Canterbury Tales. Because the topic is so broad, it is necessary to find methods of limiting the subject so that it· may be adequately covered herein. This paper will be limited primarily to books published on the topic under consideration. To cover all the work in periodical literature would go beyond the scope of this study. Perhaps that task can be covered by someone else.
Shelley's Prometheus Unbound : A Critical Analysis And Interpretation, Emily Carol Braxton
Shelley's Prometheus Unbound : A Critical Analysis And Interpretation, Emily Carol Braxton
Master's Theses
As a basis for Prometheus Unbound, which he completed in 1819 and which is his masterpiece, Shelley used Aeschylus' Prometheus Bound. Shelley used the Prometheus myth to express his own ideas about present evils and his hopes for man's future as a result of his belief that man was capable of perfectibility.
Evelyn Waugh, The Satirist, Riccardo Andretta
Evelyn Waugh, The Satirist, Riccardo Andretta
Archived Theses and Dissertations
No abstract provided.
Hamlet The Existentialist: A Comparison Of Hamlet And Kierkegaard, June B. Stark
Hamlet The Existentialist: A Comparison Of Hamlet And Kierkegaard, June B. Stark
Masters Theses
No abstract provided.
Similarities Between Lazarillo De Tormes And Early English Novels, Emily M. Marsland
Similarities Between Lazarillo De Tormes And Early English Novels, Emily M. Marsland
Masters Theses
No abstract provided.
A Comparison Of Two Medieval Story-Tellers : Geoffrey Chaucer And John Gower, Margaret Joan Byerly
A Comparison Of Two Medieval Story-Tellers : Geoffrey Chaucer And John Gower, Margaret Joan Byerly
University of the Pacific Theses and Dissertations
The purpose of this study is to compare the narrative and framing techniques used by Geoffrey Chaucer and John Gower. These authors were selected for several reasons. Being contemporaries, they lived through the days of the reign of Richard II, his deposition, and the accession of Henry IV. This was a time change: the age of chivalry and true knighthood was ending; the middle class was establishing commerce, towns, guilds; openly and violently the peasants were beginning to reject their servile positions; the corruption within the organized church was being publicly exposed, and efforts, believed heretical by some, were being …
"Gulliver's Voyage To Lilliput": A Transcript Of History, Barbara Ann Rodgers
"Gulliver's Voyage To Lilliput": A Transcript Of History, Barbara Ann Rodgers
Masters Theses
No abstract provided.
Dryden's Adaptations Of Shakespeare, Massie C. Stinson Jr.
Dryden's Adaptations Of Shakespeare, Massie C. Stinson Jr.
Master's Theses
It is the purpose of this study to discuss Dryden's adaptations of Shakespeare's The Tempest, Antony and Cleopatra, and Troilus and Cressida. As a background for this study, Restoration drama will be discussed from the standpoint of the following criteria: relationship to Elizabethan drama; Restoration audiences, theaters, and fashion; adaptations, primarily of Shakespeare; D’Avenant, Dryden, and heroic drama; and finally, English opera in the Restoration period. The first of the five chapters in this discussion will be concerned with the items listed above. Succeeding chapters in order will discuss Dryden's adaptations of Shakespeare’s The Tempest, Antony and Cleopatra, Troilus and …
The Motif Of The Grotesque In The Alexandria Quartet Of Lawrence Durrell, Barbara J. Marta
The Motif Of The Grotesque In The Alexandria Quartet Of Lawrence Durrell, Barbara J. Marta
Graduate Student Research Papers
Lawrence Durrell has written The Alexandria Quartet in a form he considers modern and which he has labeled a "continuum." In this continuum the first three novels of the quartet occur at the same place in time and treat the same characters and incidents with the point of view and interpretation changing in each of the novels; the fourth novel then constitutes a sequel. Throughout this general framework of abstract time established by the continuum, the motif of the grotesque is woven, constantly evident, attempting to force an awareness of the sordid aspects of humanity as well as those of …
An Evaluation Of The Autobiographical Interpretation Of Samson Agonistes, Edward P. Crockett
An Evaluation Of The Autobiographical Interpretation Of Samson Agonistes, Edward P. Crockett
Master's Theses
Certainly, every reader of Samson Agonistes who is at all familiar with the circumstances of Milton's life, his thought, and the history of his times has been attracted by obvious parallels between 'the poet and certain aspects or his dramatic creation, and he may understandably assume that the presentation or the sufferings of Samson constitute intentional, hidden autobiography. To assume even the obvious, however, is something too blithely done. A little research into this area of Miltoniana will reveal to him that scholarly opinion concerning Samson Agonistes and autobiography is greatly varied and that some scholars are inclined not only …
Thomas Shadwell: The Sentimental Characteristics Of His Comedies, Ramona Hartley Hamby
Thomas Shadwell: The Sentimental Characteristics Of His Comedies, Ramona Hartley Hamby
English Theses & Dissertations
No abstract.
The Problem Of Satan In Milton's Paradise Lost, Jeanne Saunders
The Problem Of Satan In Milton's Paradise Lost, Jeanne Saunders
Master's Theses
By 1641 John Milton had prepared a rather detailed outline for a tragic drama, Adam Unparadised. The design was to take form and grow, not as a religious drama, but as a magnificent epic poem which would "assert Eternal Providence,/And justify the ways of God to men" (I.25-26). In the original design for the drama the character and person of Satan did not constitute a basis for sustained interest. However, when Paradise Lost was finished in 1665, this was no longer the case; Satan, as an historical figure treated by the poetic and religious imagination of Milton, emerged as one …
Character And Theme In Romeo And Juliet And Troilus And Cressida : A Comparative Critical Study, Charlotte H. Oberg
Character And Theme In Romeo And Juliet And Troilus And Cressida : A Comparative Critical Study, Charlotte H. Oberg
Master's Theses
No abstract provided.
The Theme Of Isolation In Four Novels Of Daniel Defoe, Mildred Merle Dillman
The Theme Of Isolation In Four Novels Of Daniel Defoe, Mildred Merle Dillman
University of the Pacific Theses and Dissertations
Daniel Defoe, separated from the society of the majority of English people of his time by his religion and his low social status, was concerned with isolation in the lives of the characters in his novels. The solitude of Robinson Crusoe has been frequently discussed, but the characters in other novels have not been studied in much detail nor have the characters been studied as a group of isolated with similar characteristics.
The purpose of the following study is to determine what characteristics Defoe’s isolates have in common, what attitude Defoe had toward solitude and the isolates, and what effect …
The Hobbesian Villain In Dryden's Heroic Plays, Margaret Norman Simmons
The Hobbesian Villain In Dryden's Heroic Plays, Margaret Norman Simmons
English Theses & Dissertations
No abstract.
Literary Criticism Of Shakespeare's King Lear, Daniel Lee Burcham
Literary Criticism Of Shakespeare's King Lear, Daniel Lee Burcham
Masters Theses
No abstract provided.
A Study Of Urizen Symbols In Some Of William Blake's Poems, Glen Ivan Wilsey
A Study Of Urizen Symbols In Some Of William Blake's Poems, Glen Ivan Wilsey
Graduate Student Research Papers
It was the purpose of this study (1) to present a simplified background of Blake's philosophy and values and a clear concept of what Urizen is and (2) to show Blake's use of Urizenic symbols in presenting his views of the world in which he lived.
A Study Of Mycorhizal Associations In Two Species Of Botrychium, Rebecca A. Carr
A Study Of Mycorhizal Associations In Two Species Of Botrychium, Rebecca A. Carr
All-Inclusive List of Electronic Theses and Dissertations
No abstract provided.
The Style Of Gilbert Keith Chesterton, Frances H. Moore
The Style Of Gilbert Keith Chesterton, Frances H. Moore
Theses & Honors Papers
No abstract provided.
1 Tamburlaine: A Comedy, Caroline Heath Tunstall
1 Tamburlaine: A Comedy, Caroline Heath Tunstall
English Theses & Dissertations
No abstract.
The Religious Ideas Of William Butler Yeats In A Vision, Beverly Ann Klaus
The Religious Ideas Of William Butler Yeats In A Vision, Beverly Ann Klaus
Masters Theses
No abstract provided.
A Comparative Study Of Caroline & Restoration Drama, Jane Pfingston
A Comparative Study Of Caroline & Restoration Drama, Jane Pfingston
Masters Theses & Specialist Projects
The original plan for research was to make a comparative study of plays written in the twenty year span before the theaters closed and in the twenty year period after the theaters reopened - a comparative study of Jacobean and Restoration drama. However, the availability of play copies limited the number of plays read and the authors used. Therefore the twenty year plan proved to be quite cumbersome and the plays were reduced roughly to a twelve year period. The subject for research then became "A Comparative Study of Caroline and Restoration Drama."
Joseph Conrad: A Study In Moral Conflict, Ann M. Belch
Joseph Conrad: A Study In Moral Conflict, Ann M. Belch
Graduate Student Research Papers
The purpose of this research paper is to attempt to define Joseph Conrad's moral philosophy of life and to show how that philosophy is embodied in the novel, Lord Jim.
The Orc Symbol In William Blake's Works, Michael James Finnigan
The Orc Symbol In William Blake's Works, Michael James Finnigan
Graduate Student Research Papers
A study of Orc, Blake's symbol for energy, suggests several different hypotheses. This paper intends to test the hypothesis that Orc is a force. With the use of illustrations and explications, Orc becomes more clearly a symbol of Blake's imaginative form. This energy will be seen at each level of Blake's visions, each different psychological stage, and at the highest level, poetic imagination. Thus, as the creator creates, the creation becomes the molded form of the creator's imagination.