Literature in English, British Isles Commons^™

Irish Identity: Symbols Of Nationalism In W.B. Yeats's Cathleen Plays, Emma Mady

University Honors Theses

William Butler Yeats was one of the leading figures of the Irish Literary Renaissance. Two of his plays, The Countess Kathleen (1892) and Cathleen ni Houlihan (1902) portrayed themes of nationalism and revivalism in strikingly different ways. Each play uses figures from folklore and mythology to establish a sense of national identity: the tale of "The Countess Kathleen O'Shea" inspired The Countess Kathleen, and the Irish Sovereignty goddess inspired the figure of legendary Cathleen ni Houlihan. The Countess Kathleen was met with harsh criticism and accusations of blasphemy, while Cathleen ni Houlihan is still widely regarded as Yeats's …

The Good Knight, Elektra Koozer

University Honors Theses

The Good Knight is a comics adaptation of Sir Galahad's story through the lens of a queer retelling. This story focuses on queer relationships, struggling with depression and isolation, and death. It begins at the end of Galahad's life, where he is forced to question his legacy and who he is after completing the quest that has dictated his whole life. The story weaves through time, reflecting upon his past, thinking about his mother's expectations of him, being chosen for the grail quest, confronting his estranged father, and trying to cope with the world on his shoulders. He has to …

A Twilight World Of Unspeakable Horror: Lesbian Camp And The Vampire Lovers (1970), Mirielle Lemay

University Honors Theses

From the late 1960s through the early 1970s, a wave of lesbian vampire themed exploitation films proliferated through UK, US, and Western European cinemas. In critical literature on this subgenre, camp reading is often dismissed, unacknowledged, or understood as circumscribed by authorial intent and/or intended audience. With this alternating lack of attention to and dismissal of camp, the interpretive agency of the queer spectator is constrained, their spectatorship implicitly subordinated to that of the "conventional" horror audience—the voyeuristic-sadistic male spectator. Through a reading of The Vampire Lovers, a 1970 British production from Hammer Studios, I seek to explore how …

The Desire Of Strict Souls: The Poetry, Criticism, And Letters Of Paul Valéry And Wallace Stevens, Michael Healy

Dissertations, Theses, and Capstone Projects

This dissertation compares the poetic, critical, and epistolary oeuvres of Paul Valéry and Wallace Stevens and the influence of the former on the latter. Valéry famously advocated for the pursuit of “poésie pure” (“pure poetry”) and influenced Stevens especially in this way, though both of them concluded it was not achievable. I establish an approximation of a critical framework based on the work of the following critics and scholars: Wendy Lesser, Wendy Steiner, Anthony Cuda, Michael Clune, Paul Bové, and Liesl Olson. Harold Bloom’s passionate advocacy and deep, sustained engagement with Stevens and his work strongly influenced my choice to …

Beyond Duality: The Doppelganger And The Multiplicity Of Identity In Oscar Wilde's The Picture Of Dorian Gray, Alyssa Roberts

Theses, Dissertations and Culminating Projects

This paper argues that Oscar Wilde uses The Picture of Dorian Gray to transform the Gothic doppelganger from a symbol of moral duality into a site of multiplicity that exposes the instability of identity. Earlier iterations of the double–ranging from mythic traditions to nineteenth-century texts—such as The Strange Case of Dr. Jekyll and Mr. Hyde—tend to structure the self through binary opposition. Wilde, however, reconfigures the double as an accumulative and dynamic process. This paper analyzes how Wilde disrupts the rigidity of Victorian binaries and society’s investment in duality through the portrait’s accumulation of the consequences of Dorian’s actions as …

“Before Your Honour?”: Divine Morality And Women Reclaiming Power In Ben Jonson’S Volpone And William Shakespeare’S Measure For Measure, Delilah G. Fleming

Theses and Dissertations

This thesis explores how the female protagonists in Shakespeare’s Measure for Measure and Jonson’s Volpone navigate and combat corrupting patriarchal forces through moral religious speech. In both plays, the male characters have allowed false gods and hypocrisy to dictate and justify their corrupt behavior. By engaging with the historical significance of early modern female rhetoric this thesis examines Jonson’s Celia and Shakespeare’s Isabella, and how they operate in the interest of godly virtue rather than blind obedience to patriarchal figure heads.  Volpone’s Celia is a character largely neglected in the canon, and whose speech emphasizes the relationship between female agency …

The Monsters We Make: Confronting Repression And Failure In Mary Shelley’S Frankenstein, Ben Wilenski

Theses and Dissertations

This thesis builds upon psychoanalysis and Shelley’s biographical accounts to claim that, rather than creating fear through physical monstrosity, Frankenstein’s horror emerges from the return of repressed parental and social failures. While the novel never excuses its violence, it contextualizes the creature’s acts in ways that demand readers to confront complicity, neglect, and social shortcomings. The following section discusses general horror theory with a focus on notions of abjection and the synthesis of contrasting images and concepts. A baseline understanding of fear will be formed and referred to in each following segment. After establishing a basic understanding of horror vocabulary, …

“One Object Yields Both Grief And Joy”: Death In Elizabeth Cary’S The Tragedy Of Mariam (1613), Valeria Suprunova

Theses and Dissertations

This thesis argues that the dialog between early ancient Roman and early modern English traditions of death and dying helps illuminate the complex relationship between tyranny and death in Elizabeth Cary’s The Tragedy of Mariam (1613) and that death is an inextricable and dynamic element of the text.

In Praise Of Antony's Folly: The Triumph Of Foolishness In Shakespeare's Antony And Cleopatra, Michael Anthony Rombola

Theses, Dissertations and Culminating Projects

Antony and Cleopatra has long been regarded as a play about shame. Underlying this reading there have been several assumptions, namely that Antony's shame is justified and that Cleopatra's influence is destructive. These beliefs are rooted largely in the historical treatment of Cleopatra, particularly that of Plutarch, who advanced the view that the Queen of Egypt destroyed a formerly great man. In this paper, I argue that the opposite is true: that Shakespeare's Cleopatra, far from destroying Antony, actually helps to liberate him from the tyranny of Roman expectation. In the course of my analysis, I examine two competing sets …

Bergsonian Blend: Subjective Temporality Within Modernist Aesthetics Of Mental Illness, Lydia Victoria Gervais

Electronic Theses and Dissertations

Henri Bergson was a modernist French philosopher who wrote extensively on the topic of the lived experience of time, which he called durée, or duration. His contemporary, Sigmund Freud, was developing psychoanalytic theory in a growing field of psychological study, which serves as a prominent ancestor to modern psychiatry and current psychoanalytical literary studies. Fiction writers of the 1900s absorbed the zeitgeist of melded chronology and consciousness, interweaving themes of time and trauma in their works. Utilizing Henri Bergson’s durée as a philosophical framework, I examine the moralization of time-consciousness in connection with mental illness and investigate representations of …

“Where All Is Playtime And Pleasure”: Feeling The Otherworldly In Late Medieval Literature, Anna K. Mcgill

LSU Doctoral Dissertations

In this dissertation, I present intra-, inter-, and extra-textual felt responses to encounters with the otherworldly as described in Late Medieval texts as a lens through which to consider personal, social, and national imaginative potential surrounding contemporary issues across genres and disciplines. I argue that the use of otherworlds and otherworldly agents as both personally and rhetorically compelling analogues through which contemporary issues can be explored. I start my discussion of the felt impacts of encounters with the Arthurian otherworldly, with a particular focus on Glastonbury and Arthur’s alleged grave there, and how they transmit affects of sovereign authority. Next, …

Nonbinary Gender Performance And Self-Identification In Mary Shelley's Frankenstein, Lillian R. Durr

Graduate Theses/Dissertations

Mary Shelley’s 1818 novel Frankenstein, a text informed by a rich Romantic era philosophical tradition, has produced an expansive contemporary body of transgender studies scholarship. Building on transgender literary studies of Frankenstein, my thesis analyzes the difference between the monster’s internalized self-perceived identity and their externally performed and perceived identity. I interpret the difference between the monster’s internal and external identity as an analogy through which to understand contemporary nonbinary experiences. The “performance” of gender that Judith Butler describes is a limited expression of an internal, inescapable, ontological experience of self-identification. The monster’s own social experience illustrates the …

"For What Do You Hunger?": Metaphors Of Consumption And The Gothic Female Experience, Olivia G. Wychock

Master’s Theses

“For what do you hunger?”: Metaphors of Consumption and the Gothic Female Experience offers a feminist-forward analysis on the female experience in Gothic literature, specifically through the lens of metaphors of consumption. This thesis examines how, from the Gothic’s inception, women have been the victims of sexual violence and misconduct, rendering them disposable by patriarchal agents. As the Gothic begins to change over the course of the nineteenth century, female protagonists gain agency and move from being completely victimized to playing the villain and, eventually in post-nineteenth-century Gothic, becoming the victor. That is to say that the Gothic both reinforces …

Awakening The Mind: How Secure Attachment Impacts Language Acquisition In Charles Dickens's Literary Orphans, Alaina Gray

Master of Arts in Classical Studies

As a young child, Charles Dickens attached securely to his family. Through his strong literary relationship with his mother, Dickens learned to read well yet experienced a period of parental separation during his blacking factory employment, providing many opportunities to meet and interact with abandoned children, who pervade his novels. Baruch Hochman and Ilja Wachs describe the negative impacts of orphanhood in Dickens: The Orphan Condition. While Hochman and Wachs address the social and economic difficulties faced by Dickens’s literary orphans, they did not connect the orphan condition to impaired cognitive development. Experiencing an excellent literary relationship with his mother, …

Writing Against The War Machine: Wiflred Owen's Poetic Challenge To World War I Pro-War Rhetoric, Elizabeth Woods

Theses and Dissertations

Wilfred Owen, a soldier-poet who fought in World War I, is often labeled an anti-war poet, with some claiming that he was against the war in its entirety. This thesis explores the opinion that Owen is not an anti-war poet but rather that he wrote against anti-pro-war rhetoric. This includes all types of pro-war rhetoric influential in England for recruitment purposes but mainly focuses on poetry that would be published in newspapers for everyday readers to see. Owen seems to specifically resist two types of pro-war rhetoric, the myth of the German barbarian and what he called the old lie. …

The Kinship Power Of Women In Old English Literature, Emily L. Carter

All Master's Theses

This thesis examines several Old English texts to understand how power is portrayed in literature relating to women and their positions as wives, mothers, and daughters. Looking at women characters in Beowulf, Elene, “The Wife’s Lament,” Juliana, and Judith through a New Historicist lens, this thesis attempts to better understand the cultural and social expectations for women in power in Anglo-Saxon England, c. 1000. These women are portrayed as socially intelligent and politically active figures in their communities. The most exemplary women in these texts, this thesis argues, are those who are able to draw upon the …

Modernism’S Wild Child: The Interplay Of Modernist And Children’S Literature, Rachel Riffel

All Master's Theses

Within literary criticism, American and British modernism are often characterized by the disillusioned writers and creators who established an elitist literary community during the early 20^th century. This period is also distinguished by the Harlem Renaissance highlighting Black art, culture, and writing. Gertrude Stein, T. S. Eliot, Langston Hughes and Arna Bontemps are well-known for contributing core texts to modernism and the Harlem Renaissance that expressed existential themes and developed experimental techniques. What many readers don’t know, however, is that these authors and many other contemporaries wrote stories and poetry for children. In this thesis, I explore the children’s …

Spear, Perilous Times, And The Bright Sword: Radical Reinventions Of The Arthurian Legend In 2020s Literature, Brigid Flanagan

Honors Theses

The story of King Arthur has been told time and time again, emerging most recently as a major literary fascination for fantasy writers. The huge body of Arthurian literature published in the 20th century has been well-documented. Raymond H. Thompson’s The Return From Avalon surveys nearly two hundred works published from 1882 to 1983, noting trends and common themes that emerge over this collection. Several more scholars have examined modern Arthurian literature within a smaller scope, including Shiloh Carroll who looks into certain trends across both 20th and 21st century texts. Particular works have been the focus of closer analysis, …

Mad Or Uncontrollable? Reading Female Madness In Three Gothic Texts, Amy Marie Bueno

Dissertations and Theses

My thesis employs comparative close reading framed by disability studies to analyze representations of female madness in Charlotte Brontë’s Jane Eyre, Jean Rhys’ Wide Sargasso Sea, and Isabel Allende’s “If You Touched My Heart.” Drawing on theories of socially constructed disability, it argues that Bertha, Antoinette, and Hortensia are framed as “mad women” not through inherent pathology, but through patriarchal violence, colonial domination, and institutional power. By integrating the social model of disability with feminist theory, this thesis examines how women are rendered disabled within societies influenced by Social Darwinism and eugenic ideologies.

This thesis further incorporates Gothic theory and …

As If It Were Food: A Prose Translation Of The Old English Genesis B, Kane R. Malone

Electronic Theses & Dissertations (2024 - present)

The anonymous Old English poem known as “Genesis B” comes down to us as one of the most inherently human retellings of the Fall of Adam and Eve. Despite this, the piece is seldom read by the average twenty-first century middle-school learner. The poem, originally penned in Old English, has been translated into modern English numerous times, yet as I read through a variety of these translations, they all seemed to downplay the human element which I found intriguing. Thus, I created my own translation of “Genesis B” with a more general audience in mind, looking to create something that …

"Sing It Again": Linguistic Medievalisms In Geoffrey Hill And Seamus Heaney, Christian Cotten-Dixon

Honors College Theses

This study examines the use of early medieval structure and language in the poetry of Seamus Heaney and Geoffrey Hill, focusing on their near-contemporary collections, North and Mercian Hymns. Both collections use etymological and poetic structures to fashion an imagined medieval past in order to discuss personal and cultural narratives of history. Leveraging these structures in poetry and digging them out of past strata like a material artifact, Heaney and Hill collapse linear systems of time and language and access past word forms even as they evolve. This archaeological approach to poetry gives them the means to place the …

Masses And The Gothic In The English Novel: 1700-1820, Szu Ying Chen

Electronic Theses & Dissertations (2024 - present)

This dissertation studies the eighteenth-century English novel and expands the understanding of realism by rereading realist novels through Gothic representations of the masses. The conventional understanding of realism is shaped by Ian Watt’s canonical concept of “formal realism” in The Rise of the Novel and Jürgen Habermas’s conception of the bourgeois public sphere. It identifies realism with a vision of civility grounded in the modern individual and bourgeois social reality. However, the masses and the Gothic challenge this conception of the novel’s realism by representing the social as constituted by collective agency, political violence, and struggles over power rather than …

Abject And Uncanny Manifestations Of Sexuality And Sexual Desire In Nineteenth-Century Gothic Literature, Varvara Kuznetsova

Theses and Dissertations

This thesis explores the ways in which psychoanalytic concepts of the abjection and the uncanny were used to depict monsters and monstrous bodies in nineteenth-century Gothic literature as a site of social, cultural, and sexual transgression. Through the intersections of queer theory, monster theory, and psychoanalytic theory, I examine and analyze depictions of women as monstrous figures in Samuel Taylor Coleridge’s Christabel (1816), Mary Shelley’s Frankenstein; or, The Modern Prometheus (1818), and Sheridan Joseph Le Fanu’s Carmilla (1872). In particular, I aim to detail how language and descriptions of women monsters become coded elements that reveal monstrosity and transgression.

Masculine Devotion And Moral Decay: The Paradox Of Chivalry In Malory's Le Morte Darthur, Julia Annunziato

Graduate Studies Theses and Dissertations 2026

This thesis investigates how, within Sir Thomas Malory’s Le Morte Darthur, the concept of chivalry as a literary construct is misunderstood and misrepresented by the knights who attempt to uphold it. Through a close reading of Le Morte, this paper concludes that Malory presents chivalry not as a coherent moral code, but as a paradoxical system that both promotes and undermines the values it claims to uphold. While chivalry is typically meant to emphasize honor, loyalty, and spiritual devotion, Malory’s narrative reveals how these ideals are compromised by structures of masculine competition, performative identity, homosocial desire, and corrupted …

Women Made By Oscar Wilde, Lia Fowler

Departmental Honors & Graduate Capstone Projects

This analysis examines Lady Windermere’s Fan and An Ideal Husband, arguing that Oscar Wilde categorizes women within restrictive moral binaries of “good” and “bad.” Both plays depict women navigating social expectations, private honor, and the idea of a pure marriage; however, despite their central roles, female characters are not portrayed as empowered with appropriate agency. Wilde renders the women as contradictory, dangerous, shifty figures if they try to operate outside of marital bounds. While Wilde’s plays foreground women in prominent positions, they largely reinforce, rather than challenge, the gendered stereotypes of late Victorian society.

Emphasis On The External: Deceptive Beauty In Lady Audley’S Secret And The Picture Of Dorian Gray, Arden Cravy

Honors Theses

The novels Lady Audley’s Secret by Mary Elizabeth Braddon and The Picture of Dorian Gray by Oscar Wilde both present major themes of beauty, authenticity, and morality while maintaining their didacticism. This thesis comes as a surprise due to the beliefs and intentions of the authors, both of whom claim other motivations than the betterment of their readers. The parallels between these narratives ascribe to the fallible Victorian perspectives regarding external appearance and internal motivations. The danger of assumed authenticity becomes apparent in these authors’ works as they grapple with the realities of human nature. Wilde and Braddon each depict …

“If He Be Mr.Hyde…I Shall Be Mr.Seek”: Crime, Surveillance, And Narrative Structure In The Strange Case Of Dr. Jekyll And Mr. Hyde, Haley N. Durrett

Honors Theses

This research seeks to situate Robert Louis Stevenson's novella, The Strange Case of Dr. Jekyll and Mr. Hyde into the historical context of the time period using 19th century criminal-typing, policing structures, and the genre of detective fiction. Focusing on the representation of the criminal, Edward Hyde, the layout of the detective novel, and narrative structure, the novel creates an implicit desire for the police, that is not fulfilled throughout the novel's unraveling.

Interspecies Responsivity In Early Modern Drama And Animal Performances, Taylor C. Culbert

Dissertations, Theses, and Capstone Projects

This dissertation proposes an expansive, interspecies definition of performance that uses behavior rather than cognition as the decisive feature and illustrates how such a definition can reshape our approach to theatre and performance history. Using the concept of responsivity, which refers to the embodied and affective ways that humans and non-human animals acknowledge and react to one another, I trace human–animal interactions across a variety of sixteenth- and seventeenth-century performance genres, from the aristocratic stag hunt and entertainments involving trained animals to the plays of Molière and Shakespeare. Drawing on my experience training animals, I offer a new perspective on …

Enduring The Torturing Shears: Gardens And Novel Conventions In The Brontës' Novels, Grace Mattingly

Honors Theses

This thesis is a literary analysis of the use of gardens and garden imagery in Anne Brontë’s The Tenant of Wildfell Hall, Charlotte Brontë’s Jane Eyre, and Emily Brontë’s Wuthering Heights to subvert Victorian novel conventions. This work is part of the larger conversation of how female authors in the literary canon express dissatisfaction with or resistance to Victorian social mores. This thesis is divided into three chapters, each focusing on one novel, and it primarily evaluates how gardens are employed by the Brontës to challenge plot and genre conventions. The work examines concerns surrounding the Victorian marriage institution, female …

The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright

Electronic Theses and Dissertations

Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …