Literature in English, British Isles Commons^™

J.R.R. Tolkien And G. B. Smith: With Wind In Our Ears, Edited By Giuseppe Pezzini (2026), Gabriel Schenk

Journal of Tolkien Research

Book review, by Gabriel Schenk, of J.R.R. Tolkien and G. B. Smith: With Wind in Our Ears (2026), edited by Giuseppe Pezzini

Tolkien’S Glee: A Reading Of The Songs In The Hobbit And The Lord Of The Rings By John R. Holmes, Glenn R. Gray

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This is a review of "Tolkien's Glee: A Reading of the Songs in The Hobbit and The Lord of the Rings" by John R. Holmes.

The Gospel Of Gollum By Ivano Sassanelli, Gabriela Clarke

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This review evaluates Ivano Sassanelli’s exploration of what Gollum represents and whether he is a personification of the biblical claim that where one’s heart is, there also will their treasure be. As current scholarship focuses on secondary The Lord of the Rings characters, from Galadriel to Tom Bombadil, this book provides fascinating insights regarding perhaps the most anomalous figure in the canon.

Sassanelli brings together a unique body of international scholarship, especially works from his native Italy, and discusses several niche topics relating to Gollum, such as the character’s grandmother, film portrayal, and Italian-dubbed voice. Comparative reading between early editions …

J.R.R. Tolkien And G.B. Smith: With Wind In Our Ears, Edited By Guiseppe Pezzini, Mercury Natis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Oxford At War: “Leaf By Niggle” As A Wartime Work, Part 1, Josh B. Long

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J. R. R. Tolkien suggested that "Leaf by Niggle" was written around 1938-1939; however, Wayne G. Hammond and Christina Scull argue that it was actually composed in 1942. This corrected date changes how one reads the story: often viewed as an autobiographical allegory of art and faith, “Leaf by Niggle” falls into place as a wartime work, informed and transformed by the World War II pressures of Tolkien’s Oxford—the city and the University. This article situates the story within WWII and analyzes how that context influenced the imagery, characterization, symbols, and motifs of "Leaf."

Dreaming Of Bag End: The Hobbit And Medieval Dream-Poetry, Samuel A. Masters

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Medieval dream-poetry has had a profound impact upon the structure, character development and escapism effect in Tolkien's The Hobbit. As a professor of medieval literature, Tolkien was highly knowledgeable on such dream-poems and the late-antique dream theory of Macrobius. Imitating the structure behind the dream-poems of Chaucer, Dante and Langland, Tolkien presents Bilbo's adventure as comparable to a dream (although is careful not to present it as an actual dream). Within his journey, Bilbo also has several symbolic actual dreams. Through both the dream-like structure and the episodic actual dreams, Tolkien both foregrounds Bilbo's character change as his Tookish …

Forest Ecology And Fantasy Fiction: Morris, Tolkien, Le Guin (2026), By Dion Dobrzynski, Martin Simonson

Journal of Tolkien Research

Book review, by Martin Simonson, of Forest Ecology and Fantasy Fiction: Morris, Tolkien, Le Guin (2026), by Dion Dobrzynski

Shakespeare Adapts, Grace C. Tiffany

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Shakespeare’S Troilus And Cressida And The Genre Of Comical Satire, Robert B. Pierce

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“Shall I Always Keep Below Stairs?”: The Waiting-Gentlewoman On The Margin Of Much Ado About Nothing, Daniel F. Gates

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

A Mouth Too Full: Domination, Consumption, Kitchens And Witches In Macbeth, Bethany Decker

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Introduction, Emily Isaacson

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Moral Ecology In Shakespeare's Tragedies: Nature, Animals, And Conscience As Ethical Agents In Hamlet, Macbeth, And King Lear, Md. Abu Bakkar

Journal of Language, Literature, and Arts

Shakespeare's tragedies repeatedly dramatize a universe in which moral transgression produces consequences that extend beyond individual psychology to affect society, nature, and the non-human world. This study examines how Hamlet, Macbeth, and King Lear construct a system of moral ecology, understood as a framework of ethical causality in which human actions generate interconnected consequences across psychological, social, and natural orders. Using qualitative close reading informed by moral criticism, ecocriticism, animal studies, and early modern cosmology, the study analyzes selected passages representing natural disturbance, animal imagery, and conscience as forms of ethical response. The findings show that the three …

Finding The Numinous: An Ecocritical Look At “Dune” And “The Lord Of The Rings” (2025), By Willow Wilson Dipasquale, Douglas Charles Kane

Journal of Tolkien Research

Book review, by Douglas Charles Kane, of Finding the Numinous: An Ecocritical Look at “Dune” and “The Lord of the Rings” (2025), by Willow Wilson DiPasquale

Miscellaneous, Bruce R. Johnson

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

The Tragicomedy Of C. S. Lewis The Bald: Reflections On An Unpublished Play, Jahdiel Perez

Sehnsucht: The C. S. Lewis Journal

"Within the pages of a Vice-President’s Register (1920–1984), held in the Old Library archives of his Oxford College, Lewis handwrote, in mock Shakespearean English, 'The Tragicomicall Briefe Reigne of Lewis the Bald.' As far as we know, this is the only complete play in his corpus. Mostly unpublished until the recent release of C. S. Lewis’s Oxford (2024) by Simon Horobin, this piece has yet to receive the scholarly attention it deserves. In what follows, I seek to address this gap through a close analysis of portions of the text and its broader implications for Lewis’s approach to writing."

A Moving Image Of Eternity: Exploring C. S. Lewis's Philosophy Of Time, Brian C. Roden

Sehnsucht: The C. S. Lewis Journal

"The “Time Graph,” as it will be labeled in this essay, is obscurely nestled in C. S. Lewis’s personal manuscripts held in the Bodleian Library at the University of Oxford. Comprised of mathematical sketches and cryptic commentary, the document has apparently escaped formal study regarding why Lewis produced it or how it might relate to his published works. More broadly, does it have any bearing on a coherent philosophy of time that Lewis may have held? The aim of this essay is to demonstrate that the Time Graph is very likely an early draft of the mechanics of time travel …

Tracing Sehnsucht: Longing For The "Hidden Country", Charlie Reeder

Sehnsucht: The C. S. Lewis Journal

"This thesis will argue that Lewis employs a consistent set of literary themes and biblical echoes to articulate longing throughout his career, and that his early non-Christian, and often anti-Christian, poetry, such as Spirits in Bondage: A Cycle of Lyrics (1919) and Dymer (1926), plays a formative role in shaping his later depictions of Sehnsucht. Although his theological commitments and vocabulary evolve significantly after his conversion, an engagement with a predominantly Judeo-Christian literary inheritance is apparent from the outset. A central focus here will be Lewis’s use of place. In his early poetry, recurring biblical resonances, conceptual images, and spatial …

The Mythos Of Gender In Till We Have Faces, Annie Crawford

Sehnsucht: The C. S. Lewis Journal

"In Till We Have Faces, C. S. Lewis draws from the mythic imagery of Cupid and Psyche to offer a potent meditation on the symbolism of gender. Through the recurring imagery of mountain, temple, and womb, Lewis reinterprets classical archetypes within a Christian imagination to reveal gender not as a social construct or biological accident but as a spiritual polarity woven into the fabric of creation. In this symbolic cosmos, mas- culinity and femininity signify the dynamic interplay of divine initiative and creaturely receptivity—the eternal rhythm of giving and receiving that structures both nature and grace. Read in this light, …

C. S. Lewis, The Expert Communicator, Steven A. Beebe

Sehnsucht: The C. S. Lewis Journal

"What evidence supports the claim that Lewis is an expert communicator? He remains a popular author, one of the most read authors of all time. He was a professional communicator; he earned his living communicating: teaching, writing, and speaking. And, as this essay has documented, he was a professor of communication. He made insightful observations about the role, nature, and function of communication throughout the corpus of his work. Although his planned book with J. R. R. Tolkien, “Language and Human Nature,” was never published, his initial ideas found in the draft of the partial opening chapter, coupled with a …

Screwtape In Wartime, Joe Ricke

Sehnsucht: The C. S. Lewis Journal

"This essay looks closely at the connections between Lewis’s wartime message to his listeners in his now famous, but then unlikely, sermon, “Learning in Wartime,” on 22 October 1939 and his wartime novel, The Screwtape Letters. It will range widely from biography to history to literary influences and to close reading of the texts to help reflect on its place not only in Lewis’s oeuvre but in his life and the lives of all those who, then and now, attend to the distinction between what Lewis (and, surprisingly, Screwtape) makes between the local wars of time and space and the …

Signifying Nothing? Narnia, Inanity, And A. L. Rowse, Michael Ward

Sehnsucht: The C. S. Lewis Journal

"This essay explores the origins of the word Narnia, the name that Lewis gave to the fictional kingdom in which his seven Chronicles of Narnia are mostly set. How did he come by it? What, if anything, does the word mean?...I will be pursuing two lines of enquiry and two sets of intriguing connections that strike me as potentially illuminating. What follows is more of a theory for consideration than a hard-and-fast conclusion for acceptance. But though I write with a degree of tentativeness, I hope, nonetheless, to shed some light upon Lewis’s statements about his naming
of Narnia and …

"Expressing The Great Myths": Hugo Dyson And Shakespeare In C. S. Lewis's Conversion Narrative, Sarah R. A. Waters

Sehnsucht: The C. S. Lewis Journal

"The conversations that took place on the night of 19 September 1931 in Addison’s Walk might, as David Downing has put it, “be considered the defining moment in Jack’s life.” And Lewis’s letters to Greeves are recognized to be a key source in this narrative, with Alister McGrath noting, for instance that these letters “explain the events of the night and their significance for his reflections on religious faith.” Often ignored in accounts of these conversations, however, is the importance of Dyson in the story, and often ignored in these letters are Lewis’s reflections on his current reading matter, including …

"Lewis Dodged": T. S. Eliot's Silence, C. S. Lewis's Critique (1931 - 1947), Hannah F. Roux

Sehnsucht: The C. S. Lewis Journal

"Most agree that Lewis’s critique of Eliot’s work is important to his literary scholarship—whether they think that critique changes or not. There is no academic book of Lewis’s from the 1930s and 1940s in which he does not at some point engage with Eliot by name. The opposite question—whether Lewis’s work was important to Eliot—is comparatively neglected. This paper investigates this neglected question."

What Did Tolkien Really Think About Narnia?, Holly Ordway

Sehnsucht: The C. S. Lewis Journal

"We are presented with two questions: “what did Tolkien really think about Narnia?” and “how did the idea that Tolkien hated Narnia become accepted as common knowledge?” In this essay, I will address both questions and conclude by suggesting why they matter for Inklings scholarship. At the outset, I will merely observe that since Tolkien and Lewis are two of the greatest fantasy writers of the twentieth century, it is worth knowing what one of them thought of the other’s work. …I have drawn my primary evidence from Tolkien’s published Letters (in the Revised and Expanded Edition), unpublished letters, and …

Frontmatter (Volume 19 Issue 2), Bruce R. Johnson

Sehnsucht: The C. S. Lewis Journal

No abstract provided.

Unsex Me Here: Gendered Psychology In Shakespeare's Major Tragedies And Comedy, Md. Abu Bakkar

Journal of Language, Literature, and Arts

This study examines how gender shapes psychological experience across five of Shakespeare’s major plays: Macbeth, Hamlet, Othello, King Lear, and Twelfth Night. Existing scholarship treats Shakespeare’s tragic women, tragic men, and comic heroines as separate problems; this article asks whether one framework connects them. Its starting point is the reversal in psychological positions between Macbeth and Lady Macbeth: he resists killing on moral grounds and then grows recklessly violent, while she plans the murder with cold resolve and is later overwhelmed by guilt. The study asks whether this pattern recurs more broadly, and why. Drawing …

Tolkien’S Medievalism In Ruins: The Function Of Relics And Ruins In Middle-Earth (2025) Edited By Nick Katsiadas And Carl Sell, Deborah Sabo

Journal of Tolkien Research

Book review, by Deborah Sabo, of Tolkien’s Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (2025) edited by Nick Katsiadas and Carl Sell

Cardinal Vices In Middle-Earth (2025), By Martina Juričková, John Wm. Houghton

Journal of Tolkien Research

Book review, by John Wm. Houghton, of Cardinal Vices in Middle-earth (2025), by Martina Juričková.

Continuing Christopher Tolkien’S Work In A Digital Age, James K. Tauber

Journal of Tolkien Research

Christopher Tolkien’s 12-volume History of Middle-earth is a remarkable achievement, yet Christopher repeatedly acknowledged how difficult the material was to present in print form and that “that there was no really satisfactory solution”.  This paper contends that a printed book is not scholarship but just one way of presenting its results. It explores how digital philology can overcome some of the limitations of print, giving examples from the Digital Tolkien Project. It shows how structural markup, version alignment, parallel reading environments, and other approaches can make relationships between drafts and published texts clearer. Importantly, these methods do not replace Christopher’s …