Literature in English, British Isles Commons^™

The Game Debate: Video Games As Innovative Storytelling, Melissa Somerdin

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Flying Man And Falling Man: Remembering And Forgetting 9/11, Graley Herren

Faculty Scholarship

No abstract provided.

British Literature I: Middle Ages To The Eighteenth Century And Neoclassicism, Bonnie J. Robinson, Laura Getty

English Open Textbooks

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature I: From the Middle Ages to Neoclassicism and the Eighteenth Century. Featuring over 50 authors and full texts of their works, this anthology follows the shift of monarchic to parliamentarian rule in Britain, and the heroic epic to the more egalitarian novel as genre.

Features:

• Original introductions to The Middle Ages; The Sixteenth Century: The Tudor Age; The Seventeenth Century: The Age of Revolution; and Neoclassicism and the Eighteenth Century
• Over 100 historical images
• Instructional Design, including Reading and Review Questions and Key Terms
• Forthcoming …

Harry Potter And The Theory Of Things, Erica Maitland Lange

Master’s Theses

This thesis investigates the boundaries between body and object in J.K. Rowling’s Harry Potter series, seven children’s literature novels published between 1997 and 2007. Lord Voldemort, Rowling’s villain, creates Horcruxes—objects that contain fragments of his soul—in order to ensure his immortality. As vessels for human soul, these objects rupture the boundaries between body and object and become “things.” Using contemporary thing theorists including John Plotz and materialists Jean Baudrillard and Walter Benjamin, I look at Voldemort’s Horcruxes as transgressive, liminal, unclassifiable entities in the first chapter.

If objects can occupy the juncture between body and object, then bodies can as …

The Canterbury Tales: Chaucer's Respectful Critique Of Church Officials And Their Abuse Of Power, Lauren Day

Pell Scholars and Senior Theses

Geoffrey Chaucer was a religious poet-diplomat in 14th century England and as such was in a unique position at court. He used his work, The Canterbury Tales, to critique certain church officials and their practices, which he believed had become more for monetary gain than for the service of the people.

"You Can't Be Shakespeare And You Can't Be Joyce": Lou Reed, Modernism, And Mass Production, Daniel C. Jacobson

Dissertations, Theses, and Capstone Projects

This dissertation proposes a reevaluation of the overlooked connections between American popular music and modernist literature’s scope and formal experimentation which arose in the mid-20th century. Because Lou Reed’s ever-changing persona situates his work uncomfortably between high art and pop-culture, modernism and “post-modernity,” literature and music, and ethics and aesthetics, I intend to consider Reed as this dissertation’s empty, refracted center. One that will allow for a critique of several major intellectual movements, both inside and outside the academy, that continue to influence thinking about art, ethics, and material culture. Additionally, I hope to show that the work of a …

British Literature Ii: Romantic Era To The Twentieth Century And Beyond, Bonnie J. Robinson

English Open Textbooks

The University of North Georgia Press and Affordable Learning Georgia bring you British Literature II: Romantic Era to the Twentieth Century and Beyond.

Featuring 37 authors and full texts of their works, the selections in this open anthology represent the literature developed within and developing through their respective eras. This completely-open anthology will connect students to the conversation of literature that has captivated readers in the past and still holds us now.

Features:

• Contextualizing introductions to the Romantic era; the Victorian era; and the Twentieth Century and beyond
• Over 90 historical images
• In-depth biographies of each author
• Instructional Design …

“The Atmosphere That Supports Life On Earth”: An Ecocritical Approach To Tolkien’S Arda, Elizabeth Anne Turello

Seton Hall University Dissertations and Theses (ETDs)

Ecocriticism speaks to the relationship between the environment and literature, a progressively vital topic of discussion. What is often overlooked, however, is the necessity of the theory’s applicability to stories of speculative fiction; that is, ones existing outside the realm of the real world or, as is the case with the father of modern-day fantasy J.R.R. Tolkien, a mythology set in the ancient days of our world (“Arda”). At first, it may seem contradictory to learn about our surroundings through fictionalized ones seemingly irrelevant to Earth’s own; this apparent contradiction is not valid, though, as the relationship between humans and …

Batman As Monomyth: Joseph Campbell, Robert Jewett, John Shelton Lawrence, Frank Miller, Grant Morrison, Scott Snyder, And The Hero’S Journey To Gotham, Andrew Thigpen

Masters Theses

In 1988, Jeffrey Lang and Patrick Trimble wrote an article called, “Whatever Happened to the Man of Tomorrow,” which explains the absence of a hero of the American monomyth in comic books. The American monomyth was proposed by Robert Jewett and John Shelton Lawrence and describes a community in harmonious paradise threatened by evil. The normal institutions of law and order fail to defeat the evil, but fortunately, a hero from outside the community arises to resist temptation, defeat the evil, and return the community to its peaceful condition. Lang and Trimble observe the death of Superman during the events …

Hamlet As Music: A Study In The Semantics Of Symphonic Poetry, Mckenzie C. Alons

Selected Honors Theses

Symphonic poetry, a widely overlooked genre in musico-literary scholarship, provides a unique focal point into the relationship between music and extramusical texts. Invented by Franz Liszt in the mid-19th century, symphonic poems (or ‘tone poems’) interpret literary texts or ideas through short orchestral works. Thus, the symphonic poem invites close analysis of the semiotic relationship between music and literature. Using Shakespeare’s Hamlet and Liszt’s Symphonic Poem No. 10 (“Hamlet”), this thesis examines the relationship between the Shakespearean tragedy and Lisztian symphonic poetry. This focus is a microcosm for the musico-literary relationship and, henceforth, an undiscovered niche that involves disciplines as …