Literature in English, British Isles Commons^™

Reading The Books Of Margery Kempe And Alice Pyett: Attachment And Feminist Restoration In Michelle Paver's "Wakenhyrst", Laura Varnam

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article examines reading, attachment, and the restoration of female voices in Michelle Paver's Wakenhyrst, a 2019 novel inspired by the fifteenth-century mystic and author, Margery Kempe. The article foregrounds and analyses the author’s own response to the novel and to Paver's comments about Kempe from the perspective of Rita Felski's work on art and attachment (2020) and in the context of Carolyn Dinshaw's reading of Hope Emily Allen's championing of Margery Kempe (2012). Underpinned by a framework that draws on medievalism studies (particularly Katherine Brown's concept of 'restoration'), the article explores the ways in which Paver's two readers …

Poets And Scribes In Late Medieval England: Essays On Manuscripts And Meaning In Honor Of Susanna Fein, Michael Johnston, Kathryn Kerby-Fulton, Derek Pearsall

Festschriften, Occasional Papers, and Lectures

This collection of essays, inspired by Susanna Fein’s remarkable breadth and range, reflects upon her deep commitment to unpacking how we can use manuscript evidence to recover the voices of medieval poets in their original reading environments. Drawing upon her critical insights, this volume gathers contributions from scholars whose own research is indebted to Fein’s enduring contributions. From seasoned veterans of Middle English studies to mid-career scholars to emerging voices within the field, this book brings together essays by eleven scholars indebted to Fein’s work, ranging across Middle English manuscripts, lyrics, Chaucer, Pearl, devotional poetry, scribal culture, multilingualism, gender, …

Æthelflæd, Lady Of The Mercians, And Women In Tenth-Century England, Rebecca Hardie

Richard Rawlinson Center Series

Æthelflæd (ca. 870–918), political leader, military strategist, and administrator of law, is one of the most important ruling women in English history. Despite her multifaceted roles and family legacy, however, her reign and relationship with other women in tenth-century England have never been the subject of a book-length study. This interdisciplinary collection of essays redresses a notable hiatus in scholarship of early medieval England. Æthelflæd, Lady of the Mercians, and Women in Tenth-Century England argues for a reassessment of women’s political, military, literary, and domestic agency. It invites deeper reflection on the female kinships, networks, and communities that give meaning …

Envisioning A World Without Rape In Late Fifteenth-Century Dream Narratives, Boyda J. Johnstone

Medieval Feminist Forum: A Journal of Gender and Sexuality

Recent scholarship has been preoccupied with questions of rape and consent in late medieval literature, partly influenced by the Me Too movement while we continue to grapple with Geoffrey Chaucer’s allegation of raptus. In such a climate, medieval texts that likewise challenge the normalization of rape in literature and society require renewed attention and critical interest. The three fifteenth-century poems I examine in this article, The Assembly of Ladies, The Floure and the Leafe, and The Isle of Ladies, push Chaucer’s dream vision tradition in a new direction, presenting us with female-centered models of cooperation, care, and governance. …

Selecting Authority: The Compiler And Female Mystical Sources In Speculum Devotorum, Caitlin J. Branumthrash

Medieval Feminist Forum: A Journal of Gender and Sexuality

The fifteenth-century Speculum devotorum, or Mirror to Devout People, is best known for incorporating the texts of mystical women into its narrative of the life of Christ, likely because it has an explicitly stated female audience—a nun of Syon. Rather than considering how the female audience may have perceived the female sources in Speculum devotorum, this article investigates the compiler’s views of his female sources based on how he incorporates them into his work. I argue that the compiler treats his female sources as full auctores, but he only includes their works when he addresses what he considers female …

Holy Matter Making Holy Meaning: Fashioning Memory, Community And Dissimilar Similitude In Middle Dutch Sister-Books And The Book Of Margery Kempe, Godelinde G. Perk

Medieval Feminist Forum: A Journal of Gender and Sexuality

The Middle Dutch sister-books and The Book of Margery Kempe are fifteenth-century vernacular texts by women chronicling their female subjects’ conversion and arduous attempts at a holy life. They share an (auto)hagiographic enterprise and formal and thematic features, including a display of rags and riches by the vitae’s subjects and a desire for mnemonic engagement on the part of the readers with the text. This article is the first to present the Diepenveen and Deventer sister-books and the Book as conversation partners. I draw on two main conceptual tools: 1) medieval memoria and 2) the notion of “dissimilar similitude” …

Anti-Woman Invective On The Early Modern Stage: Abuse, Degradation, And Resistance, Savannah Xaver

Dissertations

On the early modern stage, gendered epithets like “strumpet,” “mermaid,” “minx,” “hobby horse,” “courtesan,” “drab,” and “whore” are not just markers of misogyny. Instead, these insults harm the male user as well as their female target. My cross-playwright and cross-genre connections show the complex, wide use and impact of anti-woman terms. A wide-ranging study of the plays of Shakespeare and his contemporaries reveals that gendered insults signify masculine mental decline in tragedies as well as comedies and tragicomedies. In tragedy, the increasingly violent language of male slur users – like, for example, the frustrated Othello, who declares, of his wife, …

The Bond Of Empathy In Medieval And Early Modern Literature, David Strong

Research in Medieval and Early Modern Culture

This study examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries. By attuning oneself to another’s expressive phenomena, the empathizer acquires an inter- and intrapersonal knowledge that exposes the limitations of hyperbole, custom, or unbridled passion to explain the profundity of their bond. Understanding the substantive meaning of the characters’ discourse and narrative context discloses their motivations and how they view themselves. The aim of this book is to explore the place of empathy in select late medieval and …

Calkas’S Daughter: Paternal Authority And Feminine Virtue In Troilus And Criseyde, Jennifer Alberghini

Medieval Feminist Forum: A Journal of Gender and Sexuality

The heroine of Geoffrey Chaucer’s Troilus and Criseyde has been of considerable interest to medieval feminist scholars as a woman who is depicted as both virtuous and an adulteress. Yet critical discussions do not often view Criseyde’s virtue in light of her role as daughter. This article explores that role, focusing on how her father Calkas is described by the characters as having authority over his daughter’s body in the marriage market. This will later enable them to use him as an excuse for Criseyde’s failure to return to Troy and thus preserve her status as virtuous. However, the characters …

Affect And The Tomb In Robert Henryson's Testament Of Cresseid, Elizabeth Elliott

Medieval Feminist Forum: A Journal of Gender and Sexuality

The penultimate verse of Henryson’s Testament of Cresseid suggests the possibility that Troilus raised a monument in memory of his former love, Cresseid: “Sum said he maid ane tomb of merbell gray” (l. 603). Examining the political implications of this uncertain act of memorialisation, this article considers how Henryson's poem mobilises the reader's emotional response to constitute Cresseid as a mourned subject, whose subjectivity is recognised only insofar as it is limited to suffering and death. In doing so, the Testament also establishes a subjectivity for women that offers conditional tolerance predicated on respectable behaviour, contributing to the historical production …

The Gaelic Background Of Old English Poetry Before Bede, Colin A. Ireland

Richard Rawlinson Center Series

Seventh-century Gaelic law-tracts delineate professional poets (filid) who earned high social status through formal training. These poets cooperated with the Church to create an innovative bilingual intellectual culture in Old Gaelic and Latin. Bede described Anglo-Saxon students who availed themselves of free education in Ireland at this culturally dynamic time. Gaelic scholars called sapientes (“wise ones”) produced texts in Old Gaelic and Latin that demonstrate how Anglo-Saxon students were influenced by contact with Gaelic ecclesiastical and secular scholarship. Seventh-century Northumbria was ruled for over 50 years by Gaelic-speaking kings who could access Gaelic traditions. Gaelic literary traditions provide …

Humanism, Capitalism, And Rhetoric In Early Modern England: The Separation Of The Citizen From The Self, Lynette Hunter

Research in Medieval and Early Modern Culture

This book offers an interdisciplinary approach to concepts of the self associated with the development of humanism in England, and to strategies for both inclusion and exclusion in structuring the early modern nation state. It addresses writings about rhetoric and behavior from 1495-1660, beginning with Erasmus’ work on sermo or the conversational rhetoric between friends, which considers the reader as an ‘absent audience’, and following the transference of this stance to a politics whose broadening democratic constituency needed a legitimate structure for governance-at-a-distance.

Unusually, the book brings together the impact on behavior of these new concepts about rhetoric, with the …

The Owl And The Nightingale And The English Poems Of Jesus College Ms 29 (Ii), Susanna Fein

TEAMS Middle English Texts

An edition of the early Middle English verse sequence contained in the thirteenth-century Oxford Jesus College MS 29 (II) with accompanying translations in Modern English and scholarly introduction and apparatus. The sequence is varied in subject, with poems of religious exhortation set beside others of secular pragmatism. Included are: The Owl and the Nightingale, Poema Morale, The Proverbs of Alfred, Thomas of Hales’s Love Rune, The Eleven Pains of Hell, the prose Shires and Hundreds of England, the lengthy Passion of Jesus Christ in English, and twenty-one additional lyrics, most of them uniquely …

Women’S Acts Of Childbirth And Conquest In English Historical Writing, Emma O. Bérat

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay explores how female characters in historical literature written in high to late medieval England shape land claims, political history, and genealogy through their acts of childbirth. Recent scholarship has shown how medieval writers frequently imagined virginal female bodies – religious and secular – in relation to land claim, but less work exists on how they also used the non-virginal bodies of mothers and vivid descriptions of childbirth to assert rights to land and lineage. This essay examines three birth stories associated with conquest or claims to contested lands from Geoffrey of Monmouth’s Historia Regum Britanniae, William of …

Thomas Middleton And The Plural Politics Of Jacobean Drama, Mark Kaethler

Late Tudor and Stuart Drama

Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of …

“Writing History, Writing Trauma” : The Rape Of Igerna In The Medieval Brut Narratives, Gillian Adler

Medieval Feminist Forum: A Journal of Gender and Sexuality

In the Brut narratives of medieval historiography, male heroic success and specifically the birth of Arthur are predicated upon the rape of Igerna. A comparative approach to the Tintagel episode across several of these narratives reveals how the emphasis on romance, magic, and nation-building function to validate sexual assault and elide Igerna’s experience. Ultimately, the repetition entailed in translatio studii, specifically the transfer that takes place within history-writing, reinforces the silencing of the survivor’s voice. This repetition lends trauma to the reading experience or creates the risk that readers become inured to the rape.

Insistent, Persistent, Resilient: The Negative Poetics Of Patient Griselda, Susan Signe Morrison

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay argues for silence as a dynamic actant and vibrant rhetoric. While Walter commits slow violence against her, Griselda in Chaucer's Clerk's Tale resists the predatory practice of exploiting nonhuman objects, which, within misogyny, women embody. Ultimately framed within an ecocritical paradigm, this essay is grounded in lessons from trauma studies concerning silence, as well as new materialist and ecocritical approaches. Whether focusing on emotional distress, environmental devastation, or the agency of materiality, these critical approaches cohere by making manifest and heard what has been repressed, silenced, or overlooked. Griselda writes her own narrative, patiently and resiliently enacting agency …

Fabricated Muslim Identity, Female Agency, And Cultural Complicity: The Imperial Project Of Emaré, Amy Burge, Lydia Kertz

Medieval Feminist Forum: A Journal of Gender and Sexuality

Extant in only one mid-fifteenth-century manuscript, the Middle English romance Emaré has nevertheless captivated modern scholars and readers. The majority of studies have focused on the text’s material culture, centred on the description of a luxurious cloth that takes up 10% of the poem. A recent global turn in medieval studies has consistently highlighted the role of medieval Europe in defining and supporting imperial projects, simultaneously challenging the Eurocentrism of medieval studies and the supposed neutrality of medieval European culture. This article brings Emaré into conversation with material culture and postcolonial critique to investigate the imperial politics of the text. …

Poetic Style And Innovation In Old English, Old Norse, And Old Saxon, Megan E. Hartman

Richard Rawlinson Center Series

This book traces the development of hypermetric verse in Old English and compares it to the cognate traditions of Old Norse and Old Saxon. The study illustrates the inherent flexibility of the hypermetric line and shows how poets were able to manipulate this flexibility in different contexts for different practical and rhetorical purposes. This analysis shows what degree of control the poets had over the traditional alliterative line, what effects they were able to produce with various stylistic choices, and how attention to poetic style aids literary analysis.

Chaucer's Polyphony: The Modern In Medieval Poetry, Jonathan Fruoco

Research in Medieval and Early Modern Culture

Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the …

The Wisdom Of Exeter: Anglo-Saxon Studies In Honor Of Patrick W. Conner, Edward J. Christie

Richard Rawlinson Center Series

This interdisciplinary volume collects original essays in literary criticism and literary theory, philology, codicology, metrics, and art history. Composed by prominent scholars in Anglo-Saxon studies, these essays honor the depth and breadth of Patrick W. Conner’s influence in our discipline. As a scholar, teacher, editor, administrator and innovator, Pat has contributed to Anglo-Saxon studies for four decades. It is hard to say which of his legacies is most profound.

Hysteria, Perversion, And Paranoia In The Canterbury Tales: "Wild" Analysis And The Symptomatic Storyteller, Becky Renee Mclaughlin

Research in Medieval and Early Modern Culture

Beginning with the spectacle of hysteria, moving through the perversions of fetishism, masochism, and sadism, and ending with paranoia and psychosis, this book explores the ways that conflicts with the Oedipal law erupt on the body and in language in Chaucer’s Canterbury Tales, for Chaucer’s tales are rife with issues of mastery and control that emerge as conflicts not only between authority and experience but also between power and knowledge, word and flesh, rule books and reason, man and woman, same and other—conflicts that erupt in a macabre sprawl of broken bones, dismembered bodies, cut throats, and decapitations. Like …

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

Melusine, Invisible Leadership And The Future (In The Past), Jan Shaw

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper considers the operation of “invisible” leadership in the figure of Melusine from the late Middle English romance Melusine. By invoking contemporary leadership theory, this paper identifies leadership maneuvers in Melusine that are similar to those often practiced by women today, but the discourses of gender identity then ultimately render Melusine’s leadership invisible, just as leadership discourses today often render female leadership invisible. By uncovering the operation of “invisible” leadership in the figure of Melusine and identifying commonalities with the leadership of women today, this paper aims to improve our understanding of the contemporary problem of the marked …

Introducing Gower Shorts, Eve Salisbury, Georgiana Donavin

Accessus

This essay provides an introduction to a special issue of Accessus, entitled "Gower Shorts," slightly expanded and revised versions of conference papers presented at the International Congress on Medieval Studies at Kalamazoo in 2018-19 and the Modern Language Association Conference in Chicago in 2019.

Imperatrix, Domina, Rex: Conceptualizing The Female King In Twelfth-Century England, Coral Lumbley

Medieval Feminist Forum: A Journal of Gender and Sexuality

This article draws on methods from transgender theory, historicist literary studies, and visual analysis of medieval sealing practices to show that Empress Matilda of England was controversially styled as a female king during her career in the early to mid twelfth century. While the chronicle Gesta Stephani castigates Matilda’s failure to engage in sanctioned gendered behaviors as she waged civil war to claim her inherited throne, Matilda’s seal harnesses both masculine and feminine signifiers in order to proclaim herself both king and queen. While Matilda’s transgressive gender position was targeted by her detractors during her lifetime, the obstinately transgender object …

A Space Of Her Own: Genderfluidity And Negotiation In The Life Of Christina Of Markyate, Meghan L. Nestel

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper draws on transgender studies and theories of gender performativity and genderfluidity to consider how twelfth-century holy woman Christina of Markyate resists traditional and third-gender binary policing. It argues that Christina is genderfluid, and that as a secular, masculinized, and religious virgin, she co-exists within and moves among multiple gender spaces that allow her to establish her own authority.

Architectural Rhetoric In Shakespeare And Spenser, Jennifer C. Vaught

Research in Medieval and Early Modern Culture

Jennifer C. Vaught illustrates how architectural rhetoric in Shakespeare and Spenser provides a bridge between the human body and mind and the nonhuman world of stone and timber. The recurring figure of the body as a besieged castle in Shakespeare’s drama and Spenser’s allegory reveals that their works are mutually based on medieval architectural allegories exemplified by the morality play The Castle of Perseverance. Intertextual and analogous connections between the generically hybrid works of Shakespeare and Spenser demonstrate how they conceived of individuals not in isolation from the physical environment but in profound relation to it. This book approaches …

Darkness, Depression, And Descent In Anglo-Saxon England, Ruth Wehlau

Richard Rawlinson Center Series

This collection of essays examines the motifs of darkness, depression, and descent in both literal and figurative manifestations within a variety of Anglo-Saxon texts, including the Old English Consolation of Philosophy, Beowulf, Life of Saint Guthlac, the Junius manuscript, the Wonders of the East, and the Battle of Maldon. Essays deal with such topics as cosmic emptiness, descent into the grave, and recurrent grief. In their analyses, the essays reveal the breadth of this imagery in Anglo-Saxon literature as it is used to describe thought and emotion, as well as the limits to knowledge and …

Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy

Medieval Feminist Forum: A Journal of Gender and Sexuality

One of the most ambiguous and contentious characters in Geoffrey Chaucer’s fourteenth-century Canterbury Tales is the Pardoner, the last (and arguably worst) of the pilgrims described in the General Prologue. The Pardoner accused of being a gelding or a mare endowed with several effeminate traits, plays on multiple gendered associations—including that of a cross-dressing woman. Throughout the Canterbury Tales Chaucer manipulates gender expectations and assumptions in the figure of the Pardoner without fully clarifying the Pardoner’s sex, sexuality or gender, leaving the text open to potentially subversive interpretations. By the fourteenth century, cross-dressing was a relatively common literary motif, …