Literature in English, British Isles Commons^™

Shakespeare Adapts, Grace C. Tiffany

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Shakespeare’S Troilus And Cressida And The Genre Of Comical Satire, Robert B. Pierce

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“Shall I Always Keep Below Stairs?”: The Waiting-Gentlewoman On The Margin Of Much Ado About Nothing, Daniel F. Gates

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Moral Ecology In Shakespeare's Tragedies: Nature, Animals, And Conscience As Ethical Agents In Hamlet, Macbeth, And King Lear, Md. Abu Bakkar

Journal of Language, Literature, and Arts

Shakespeare's tragedies repeatedly dramatize a universe in which moral transgression produces consequences that extend beyond individual psychology to affect society, nature, and the non-human world. This study examines how Hamlet, Macbeth, and King Lear construct a system of moral ecology, understood as a framework of ethical causality in which human actions generate interconnected consequences across psychological, social, and natural orders. Using qualitative close reading informed by moral criticism, ecocriticism, animal studies, and early modern cosmology, the study analyzes selected passages representing natural disturbance, animal imagery, and conscience as forms of ethical response. The findings show that the three …

Unsex Me Here: Gendered Psychology In Shakespeare's Major Tragedies And Comedy, Md. Abu Bakkar

Journal of Language, Literature, and Arts

This study examines how gender shapes psychological experience across five of Shakespeare’s major plays: Macbeth, Hamlet, Othello, King Lear, and Twelfth Night. Existing scholarship treats Shakespeare’s tragic women, tragic men, and comic heroines as separate problems; this article asks whether one framework connects them. Its starting point is the reversal in psychological positions between Macbeth and Lady Macbeth: he resists killing on moral grounds and then grows recklessly violent, while she plans the murder with cold resolve and is later overwhelmed by guilt. The study asks whether this pattern recurs more broadly, and why. Drawing …

In Praise Of Antony's Folly: The Triumph Of Foolishness In Shakespeare's Antony And Cleopatra, Michael Anthony Rombola

Theses, Dissertations and Culminating Projects

Antony and Cleopatra has long been regarded as a play about shame. Underlying this reading there have been several assumptions, namely that Antony's shame is justified and that Cleopatra's influence is destructive. These beliefs are rooted largely in the historical treatment of Cleopatra, particularly that of Plutarch, who advanced the view that the Queen of Egypt destroyed a formerly great man. In this paper, I argue that the opposite is true: that Shakespeare's Cleopatra, far from destroying Antony, actually helps to liberate him from the tyranny of Roman expectation. In the course of my analysis, I examine two competing sets …

Historic Shrouds: A New Voice For Shakespearean Women, Ashleigh E. Weinstock

Global Tides

This article presents, and seeks to remedy, the argument that Shakespeare’s female characters are deprived of equal representation as complex humans through narrative gaps, action relegated to offstage scenes, and reduced opportunities for direct-to-audience speech, mirroring the social hierarchies of early modern gender, which continue to be reflected in modern society.

While this critique is not new, this essay argues that the criticism of these theatrical inequalities is insufficient to remedy their harms. Instead, this author proposes a performance-based, generative model of restorative justice termed the Historic Shroud, which seeks to give voice to sidelined female characters by placing …

The Substance Of Reality: Moral Perfectionism In Shakespeare's Hamlet., David Wright

Electronic Theses and Dissertations

Through a selection of and close reading of key passages, I offer an interpretation of Hamlet that seeks to illuminate the play as an important work of moral philosophy, and to situate the play within a strand of moral philosophy named moral perfectionism by Stanley Cavell. Indeed, Hamlet is a masterpiece of Renaissance drama, but when read with attention to moral perfectionism, the play yields additional layers of meaning. Hamlet is a “philosophical drama” that navigates the “moral calling of philosophy”—a text that seems to, almost uncannily, elicit the audience to think reflectively, to ask fundamental human questions along …

“Sonnet 29”: The Transcendent Power Of Rich Love, Emily M. Lewan

2025 Symposium

Shakespeare's "Sonnet 29" highlights the journey of the human condition from lowly self-deprecation to high self-sentiments when affected by love. This paper analyzes the poignant fourteen lines penned by William Shakespeare and draws parallels between their sentiment and modern research on love's positive impact on preexisting low self-esteem and self-worth. "Sonnet 29" develops a story of the natural stages from self-deprecation due to low self-esteem into heightened self-worth due to the potent integration of love. Modern, scientific research by Harris and Ulrich, Răşcanu, and Zhang and Hawk, lends credence to the assessment of love's powerful and positive impact on a …

Conformable Kate: Identity And Power In The Taming Of The Shrew, Helen R. Ball

The Confluence

The Taming of the Shrew by William Shakespeare is often read as an exploration of power dynamics and abuse, leaving readers to question the extent of Katherine’s power and autonomy in her marriage to Petruchio. Some believe Katherine manages to control her husband, Petruchio, while others believe Petruchio successfully 'tames' her. This essay explores such a question and seeks to answer which character holds the most power within the play. Using textual evidence from the play, scholarship from Natasha Korda’s writing on domesticity and commodity structures in Shakespeare's time, and Gary Schneider’s ideas of the public and private sectors of …

False Virtues And Fragile Honor: The Weight Of Reputation In Shakespeare’S Works, Amanda Sheps

Theses and Dissertations

"False Virtues and Fragile Honor: The Weight of Reputation in Shakespeare’s Works" analyzes the intersection between honor and social standing in William Shakespeare's Othello and Much Ado About Nothing, specifically in regards to the gender roles prevalent in the plays' societies. In both plays, women who are perceived as a threat to the prevailing norms of society are ostracized, ridiculed, and may even face violence at the hands of their male love interests. The innocence of Desdemona and Hero, however, calls into question the validity of this cruel treatment. These negative reactions reflect the pressure that men have to preserve …

The Art Of Masking And Performing For The Perfect Marriage In William Shakespeare’S The Taming Of The Shrew, Rita Oliva

Dissertations and Theses

This thesis explores how William Shakespeare’s The Taming of the Shrew exaggerates the art of masking and performing as necessary social techniques for women surviving the patriarchal culture of Padua. Through close analysis of Katherine and Bianca Minola, both sisters adopt performative identities, the “shrew” and the “ideal woman,” that reflect, resist, and expose the restrictive gender norms governing female behavior, qualifications for marriage, and worth. While Bianca’s apparent passivity and rhetorical femininity promote her to manipulate societal expectations to her advantage, Katherine’s refusal to submit to the societal and cultural standards of Padua results in her categorization of a …

All That May Become A Man: Dynamics Of Gender And Violence In Macbeth, Lauren M. Schuster

West Chester University Master’s Theses

The text of Shakespeare’s Macbeth is rife with the language of gender crisis, with the titular character and his wife struggling against the repressive nature of patriarchal gender norms. It is this conflict between individual gender expression and societal ideals of gender that underscores the play’s central conflict, with Lady Macbeth’s rejection of typical femininity as an inciting force for the murder of King Duncan and the chaos that follows. In my reading of Macbeth, I focus on the rhetoric of material sex and gender performativity. In doing so, I examine what such rhetoric suggests about the patriarchal structures …

Shakespeare’S Portia: A Feminist Icon But Figure Of Hierarchy, Rowan G. Feasel

Endeavors: Mississippi State Undergraduate Research Journal

In Shakespeare’s The Merchant of Venice, Portia achieves a level of agency that few Shakespearean women do with her wealth and wit despite having to conform to her father’s wishes for her marriage with the casket test. Through dressing as a man during Antonio’s trial, Portia even assumes a physical appearance that reflects her skill in gaining influence and gives her more power over the men. Because of her ability to assert control in her home and the courtroom, literary critics often present Portia as a feminist icon. However, Portia restricts other characters like the Prince of Morocco and …

Reflecting On Shakespeare’S Accessibility And Relevance In A Chinese University: The Case For Translanguaging And A Genai-Proficient Educator, Therese P. Abonales

Journal of English and Applied Linguistics

This paper reflects on the implementation of an approach that integrates Generative AI (GenAI), specifically the Chinese GenAI model Wenxi Yiyan (also known as Ernie Bot in English), along with translanguaging into the teaching of Shakespearean literature and language instruction.The approach, tested with a group of third-year English majors at Jimei University (JMU), Xiamen, China, using Sonnet 116 as the primary topic, leveraged Wenxin Yiyan using both Chinese and English, to enhance pedagogical strategies, simplifying complex Shakespearean language, instead of mere translation, to make it more accessible and engaging for Chinese English majors. This paper begins by exploring Shakespeare's relevance …

Shadows And Seduction: Exploring The Duality Of Night In Romeo And Juliet, Elizabeth Woelkers

Rushton Journal of Undergraduate Humanities Research

This essay explores how societal perceptions of night evolved from a time of secret worship to a period fraught with fear and demonic influence. Further, this essay explores Shakespeare's use of night to frame the clandestine romance between Romeo and Juliet, highlighting the lovers' perilous engagement with darkness. By embodying the duality of night within the lovers, Shakespeare underscores the timeless struggle between the purity of light and the seduction of night. Additionally, this duality serves as a cautionary narrative, urging audiences to resist the allure of night's temptation and remain in the true light of God.

Diverse Possibilities Of Shakespeare: Teaching Twelfth Night Through A Queer Lens, Julia Ritzler

Honors Projects

This project seeks to understand the ways in which Queer Theory can be applied to secondary language arts education to enhance students' understanding of identity and gender in literature. For the purposes of this project, Shakespeare’s Twelfth Night is being used as a case study text. This project includes a thorough analysis of Twelfth Night through a queer lens, a literature review of Queer Theory and educational pedagogy, a block plan and related instructional and assessment materials, a rationale for the block plan, and project limitations and implications for future research. By analyzing scholarly texts and applying the theories within …

Reflection: The Twenty-Line Trap? Shakespeare Enacted By Young Women, Shannon Reed

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

Professional actors assemble a toolkit of monologues with an obligatory “Shakespearean monologue” of around 20 lines. But female actors are at a disadvantage, with less than 150 women in a repertoire of over 1,100 characters in Shakespeare’s 37 or more plays. Young female actors (18-22 years old) are even more at a loss, if the powerful and complex older female roles are removed, leaving only a few dozen appropriate speeches. What effect does this limited canon have on such actors? Here, I reflect upon my own participant observer experience as a young woman actor, who received the bulk of my …

Hamlet In Narnia: The Prince And The Poem In Lewis’S Chronicles Of Narnia, Sarah R. A. Waters

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

C.S. Lewis is little-known for his Shakespeare scholarship except perhaps for his lecture “Hamlet: The Prince or the Poem” for the British Academy (1942). This essay begins by discussing Lewis’s approach to the play and his desire to reenchant his audience with the play he had loved as a child, before character-criticism got in the way. It then explores how Lewis takes the Prince and the aspects he found most affective in Hamlet out of the play and explores them, imaginatively, in another world: recasting them “for children” in Narnia. The essay considers Hamlet in The Silver Chair in …

Sacrificial Lambs: The Perils Of Childhood In Shakespeare, Benjamin Sidney Reed

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

“Sacrificial Lambs: The Perils of Childhood in Shakespeare” utilizes childhood studies to read five Shakespearean plays and how they portray child characters in perilous situations such as kidnapping, banishment, and murder. It argues these dangers emulate real circumstances young people faced in the early modern period, including the boy actors playing these roles. The dissertation’s key research questions include how children in these plays exhibit agency in the face of danger, how they resist adult systems of power, and how audiences in the sixteenth and seventeenth centuries may have responded to these portrayals of imperiled and rebellious youths. The Introduction …

Subversion Of Traditional Gender Roles In Macbeth, Olivia Eubanks

Merge

No abstract provided.

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Richard Iii, The Tudor Myth, And The Transition From Feudalism To Capitalism, Thomas E. Lambert

Faculty and Staff Scholarship

Over the last 10 years or so there has been a resurgence of interest in the English king Richard III, especially after his remains are found in 2012 after being lost or missing for centuries. Prior to this, there are many publications, reports, and documentaries alluding to a “smear” campaign being conducted against the king by either the Tudor monarchs who succeeded him and/or by their confederates and surrogates. It is alleged that this is done in order to promote and make the Tudor dynasty of the 16^th Century (Henry VII, Henry VIII, Mary I, and Elizabeth I) appear …

Stomach And Womb: Early Modern Recipes For The Perinatal Woman, Grace E. Beacham

English Theses - Archive

Stomach and Womb examines the recipes from early modern obstetrical treatises and midwifery manuals, revealing an ontology of parturiency that winds through the concurrent Shakespearean plays, Twelfth Night and The Winter’s Tale. Gynecological and obstetrical texts from the era detail how pregnant women were to order themselves after conception with utmost concern for their diet, governing the outputs of their bodies by managing the inputs, the foods they ingested before, during, and after pregnancy and childbirth. Further, the associated images of the stomach and the womb during this time present an essential link between foodways and a construct of …

"Lord, What Fools These Mortals Be:" Ambiguity In Shakespeare's Romeo And Juliet And A Midsummer Night's Dream, Hannah Murphy

Scripps Senior Theses

My thesis is focused on how and why ambiguity/double meanings within the language of Shakespeare plays occurs, and how this can be adapted into a ballet format as there is no verbal component. As well as why this aspect of the plays is so vital to the portrayal of the characters that to remove it would be to severely reduce the impact of the story. It focuses specifically on the plays and ballets of A Midsummer Night's Dream and Romeo and Juliet, with the NYC Ballet versions of both as a reference.

“My All The World”: Constance, Motherhood, And Petrarchanism In Shakespeare’S King John, Anne Mcilhaney

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

“She Never Yet Was Foolish That Was Fair”: Whiteness As Erasure In William Shakespeare’S Othello, Kathryn Croft

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Virtue Of Humour In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"As the essays in this volume by Carolyn Sale and Katie Adkison clearly demonstrate, King Lear is centrally concerned with virtue. France makes it a priority when choosing Cordelia for his wife, telling her ‘Thee and thy virtues here I seize upon’ (1.1.250).1 Similarly, Cornwall cites Edmund’s ‘virtue and obedience’ when deciding to ‘seize on’ Edmund as his own (2.1.115, 118). The fact that characters as opposite as Cordelia and Edmund are alike ‘seized’ upon on account of their virtue underscores how difficult it can be to determine who and what is truly virtuous. Lear highlights this very problem when …

Shakespeare’S Prince Of Denmark: Political Pandering In Hamlet, Moriah Theriault

Criterion: A Journal of Literary Criticism

Shakespeare's Hamlet contains frequent cultural ties and insights into Danish tradition that depict intentional effort to represent Danish culture. These accuracies can be seen in the description of the castle in Elsinore, the deep-seated conflicts between Christian forgiveness and revenge, and the traditional cannon salutes featured in Hamlet. Shakespeare created these connections to Danish culture for a political maneuver to win the favor of King James and his wife, the Royal Queen Anne of Denmark.