Literature in English, British Isles Commons^™

Historic Shrouds: A New Voice For Shakespearean Women, Ashleigh E. Weinstock

Global Tides

This article presents, and seeks to remedy, the argument that Shakespeare’s female characters are deprived of equal representation as complex humans through narrative gaps, action relegated to offstage scenes, and reduced opportunities for direct-to-audience speech, mirroring the social hierarchies of early modern gender, which continue to be reflected in modern society.

While this critique is not new, this essay argues that the criticism of these theatrical inequalities is insufficient to remedy their harms. Instead, this author proposes a performance-based, generative model of restorative justice termed the Historic Shroud, which seeks to give voice to sidelined female characters by placing …

A Review Of Deborah Weiss's Women And Madness In The Early Romantic Novel: Injured Minds, Ruined Lives, Jennifer L. Nault Ms

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Women and Madness in the Early Romantic Novel by Jennifer Nault.

Queer Excess And Hybrid History In Elizabeth Cary’S Edward Ii, Kelley K. Glasgow

ABO: Interactive Journal for Women in the Arts, 1640–1830

Elizabeth Cary’s prose history The History of the Life, Reign, and Death of Edward II (1627) follows the fourteenth-century king of England, whose love affairs with his favorite courtiers ultimately resulted in his overthrow and execution. She identifies Edward’s queerness, and his resulting lack of emotional control, as central to his inability to govern England, and as an example of the dangers of excessive emotions for her readers. Because of Edward II’s complicated publishing and attribution history, much of the scholarly effort around this text has been spent attempting to interpret it through Cary’s personal life and political aims. …

Nonbinary Gender Performance And Self-Identification In Mary Shelley's Frankenstein, Lillian R. Durr

Graduate Theses/Dissertations

Mary Shelley’s 1818 novel Frankenstein, a text informed by a rich Romantic era philosophical tradition, has produced an expansive contemporary body of transgender studies scholarship. Building on transgender literary studies of Frankenstein, my thesis analyzes the difference between the monster’s internalized self-perceived identity and their externally performed and perceived identity. I interpret the difference between the monster’s internal and external identity as an analogy through which to understand contemporary nonbinary experiences. The “performance” of gender that Judith Butler describes is a limited expression of an internal, inescapable, ontological experience of self-identification. The monster’s own social experience illustrates the …

‘Just Get It On The Table’: Gendered Food Labour In Janice Galloway’S Fiction, Gina Lyle

Studies in Scottish Literature

This article explores how food labour is used to articulate concerns around gendered power dynamics in Janice Galloway’s short stories and novels. By examining instances of food management and preparation, this article argues that food makes struggles for identity, autonomy, and power more clearly visible. Writing by Sarah Sceats and Mary McGlynn is used to discuss issues around women’s identity formation, while Carole Jones’s work on gender disorientation in late twentieth-century Scotland and Nick Fiddes’s materials on the prestige of meat both aid in arguments around men’s relationships with food labour.

Enduring The Torturing Shears: Gardens And Novel Conventions In The Brontës' Novels, Grace Mattingly

Honors Theses

This thesis is a literary analysis of the use of gardens and garden imagery in Anne Brontë’s The Tenant of Wildfell Hall, Charlotte Brontë’s Jane Eyre, and Emily Brontë’s Wuthering Heights to subvert Victorian novel conventions. This work is part of the larger conversation of how female authors in the literary canon express dissatisfaction with or resistance to Victorian social mores. This thesis is divided into three chapters, each focusing on one novel, and it primarily evaluates how gardens are employed by the Brontës to challenge plot and genre conventions. The work examines concerns surrounding the Victorian marriage institution, female …

No One Listens To Melian: When Women Speak And Men Ignore Them In Middle-Earth, Sara Brown

Journal of Tolkien Research

Throughout J.R.R. Tolkien’s Middle-earth legendarium, opportunities exist for male characters to participate in and learn from the wisdom and experience offered by female characters: what is remarkable is how often they fail to do so. The consequences of this failure are often considerable, ranging from a failed marriage (Aldarion and Erendis) to the loss of an entire kingdom (Melian and Thingol). However, on one occasion where a female character, Aredhel, is listened to, she is then severely punished via the narrative. The question must therefore be asked – what is Tolkien telling us about this gendered space of learning?

What Is A Nation? Colonial Legacies, Identity, And Reclaiming In Métisse Autobiographical Narratives – A Case Study Of Sugar And Slate And Garçon Manqué, Thaïs Maëlle Autin

Foreign Languages & Literatures ETDs

This thesis examines the question of national belonging in autobiographical narratives of second-generation immigrant métisse women. I study the similar aesthetic manner in which individuals with different regional and cultural influences grapple with concepts of identity, gender, racism, exile, and negotiation, and the way in which the authors anchor themselves in a broader familial and national heritage. I argue that such an enterprise can be understood as part of the alternative heritage wave, based on Andrew Higson’s theory. The texts put in question traditional understandings of nation. Doing so opens the possibility of engaging in a dialogue that expands the …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I—A 'Feminine' Eldil And A 'Masculine' Vala, Luke Shelton

Mythopoeic Society Seminar Proceedings

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, many new interpretive communities arose. In one of these conversations, the way that fans interpreted Tolkien’s description of the physical characteristics of the Valar resonated with a passage in C.S. Lewis’s Perelandra (the second book of his Space Trilogy) where the narrator describes the physical manifestation of Perelandra and Malacandra. In this paper I perform a close read of the two passages, to examine the textual meaning, to see what interpretive room there is in …

Breaking The Boundaries Of The Binary: Non-Normative Gender Expression And Rebellion In 19th-Century Literature, Anna Marie Wingard

Honors Theses

This thesis explores non-normative expressions of gender in three nineteenth-century novels: Valperga (1823) by Mary Shelley, The Hermaphrodite (c. 1846) by Julia Ward Howe, and The Awakening (1999) by Kate Chopin. Each novel’s protagonist displays gender expression that rejects nineteenth-century British and American ideals and is consequently exiled from society and faces death. The project diagrams trajectories of gender expression and identity by tracing adherence, failure, and consequences to illustrate how non-normative gender expression directly leads to social exclusion and death. The findings of this literary analysis suggest that nineteenth-century understandings of gender were rigidly policed and the novel served …

“A World Of Her Own Invention”: Teaching Margaret Cavendish’S Blazing World In The Early British Literature Survey And Beyond, Vanessa L. Rapatz

ABO: Interactive Journal for Women in the Arts, 1640–1830

Margaret Cavendish has only recently been included in the canonical literature anthologies and even then, the samplings of her prolific writings are severely truncated. However, even this small taste of Cavendish’s poems and excerpts of A Description of a New World called The Blazing World leave early British literature survey students hungry for more. Frequently, students in the survey choose to focus on Cavendish’s writing for their research projects in which they practice feminist and queer readings and engage with Cavendish as a key player in utopian and science fiction genres. Beyond the survey course, Blazing World works wonderfully in …

Relocating Early Modern Women: Teaching Margaret Cavendish To A Broader Audience, Jennifer Topale

ABO: Interactive Journal for Women in the Arts, 1640–1830

Margaret Cavendish, Duchess of Newcastle, can be called many things: writer, poet, philosopher, woman, Royalist, eccentric rule-breaker, scientific collaborator, utopian thinker, and the list goes on. Unfortunately, access to her writings, typically her The Description of a New World, Called the Blazing World, are often limited in academic settings to courses centered on the seventeenth century, early modern utopian literature, Restoration literature, and possibly an early modern women writers class. Though these are all wonderful course topics, they are often upper-division courses specifically designed for English majors of the early modern period. Limiting Cavendish to only these courses means that …

Gender Wobbles But It Don’T Fall Down: Feste And The Instability Of Gender In Twelfth Night, Evangeline Thurston Wilder

International Journal of Undergraduate Research and Creative Activities

Shakespeare’s Twelfth Night appears to some readers as a conservative story of gender-bending, in which all is made “right” in the end. The central character, Viola, disguises herself as Cesario in order to survive. In the final scenes of the play, this character reveals herself to have been a woman all along, and immediately enters a cis-heterosexual marriage with the Duke Orsino. To other readers, the play appears to be an early depiction of what we might now call transmasculinity. In this view, the central character is not just dressing up as a man to survive; he really is Cesario. …

The Nebulous Binaries Of C.S. Lewis' Till We Have Faces, Amantia Menalla

Honors Undergraduate Theses

Much of C.S. Lewis’ novel Till We Have Faces can be examined through one of two binaries. The tension between rationality, or reason, and spirituality, or religion, is one of the core facets of both the text and its main character, Orual. Orual feels the pull of both ideas and thus spends most of the novel in a nebulous space between them. This tension is further complicated by the space between the feminine and the masculine which she also inhabits. By covering her face and body, Orual de-emphasizes her feminine identity and takes on a masculine role, dressing as a …

Romancing The University: Bipoc Scholars In Romance Novels In The 1980s And Now, Jayashree Kamble

Publications and Research

English-language mass-market romance novels written by BIPOC (Black, Indigenous, and People of Color) writers and starring BIPOC protagonists are a small but important group. This article is a comparative analysis of how recent representations of diversity in this sub-set of the genre, specifically the character of the Black academic and the language of racial justice, compare with the first group of BIPOC novels that were published in 1984 (Sandra Kitt’s Adam and Eva and All Good Things as well as Barbara Stephens’s A Toast to Love). In Adrianna Herrera’s American Love Story (2019), Katrina Jackson’s Office Hours (2020), and …

Review Of Botanical Entanglements, By Anna K. Sagal, Millie Schurch

ABO: Interactive Journal for Women in the Arts, 1640–1830

Review of Botanical Entanglements, by Anna K. Sagal

Elizabeth Boyd's Disappearing Act: Performing Literary Legacy On The Georgian Stage, Kristina Straub

ABO: Interactive Journal for Women in the Arts, 1640–1830

How do we trace the historical processes that grant some writers visibility and, hence, legacy, while shoving others into the historical closet? This essay offers the case study of Elizabeth Boyd (1727-1745), a novelist, poet, and playwright who has received some attention from scholars interested in women’s contributions to the legacy of William Shakespeare in the second quarter of the eighteenth century. In particular, her unperformed play, Don Sancho: Or, the Students Whim, a Ballad Opera of Two Acts, with Minerva’s Triumph, a Masque (1739) dramatizes a woman writer’s reflections on the politics of legacy at this formative moment in …

Men, Women, And Italians: The Masquerade Of Narrative And Identity In Richardson's Sir Charles Grandison, Ruth A. Holmes

English Theses & Dissertations

The chaotic masquerades that proliferated during the British long eighteenth century punctuated the period’s preoccupation with order and categorization. The identity categories that the masquerade disrupted, the novel reinforced, or perhaps even created. It was in the middle of this period, in the political center of Britain, that Samuel Richardson published his third and final novel, The History of Sir Charles Grandison (1753), a novel which centers England and was also centered by England, a national treasure entangled in literary and cultural history. Tracing the nexus of gender and nationalism in Grandison then becomes important given the novel’s active entanglement …

"Where Sex Is Directly Concerned" Agatha Christie And The Feminization Of Detective Fiction, Barbara Javori

Theses and Dissertations

Agatha Christie’s name is synonymous with the Whodunit. She is without a doubt one the most popular and best selling authors of all time. Christie’s work built upon the first examples of detective fiction, including Edgar Allan Poe, Wilkie Collins, and Sir Arthur Conan Doyle. However, Christie’s embrace of the traditionally female spaces, her subversion of expectations, and her unlikely detectives set her apart from her predecessors with their focus on male intellect, patriarchal superiority, and absent female characters. Christie’s novels established recognizable patterns still used today in books, television and movies. This project examines the arc of detective fiction …

"Why Do You Keep Alone?:" Isolated Women In The Plays Of Shakespeare, Alexus Litchfield

College of Graduate Studies: Theses & Dissertations

The works of William Shakespeare have been well explored, but there is a lack of criticism that examines how the depiction of women is shaped by the genre of the play. Linda Bamber is one of the few critics who have explored this connection between gender and genre. However, while she focuses on the plays’ psychological dynamics, I examine the social dynamics between characters in my study of gender and genre. I suggest that, in both tragedy and comedy, isolation is a strong marker of unhappiness for Shakespeare’s female characters. Examining three tragedies, I find that Lady Macbeth, Goneril, Regan, …

Negotiating Gender, Representing Landscape: Teaching Lady Anne Lindsay Barnard’S Letters, Journals And Watercolours From The Cape Colony (1797–1801), Lenka Filipova

ABO: Interactive Journal for Women in the Arts, 1640–1830

The article focuses on Lady Anne Lindsay Barnard’s letters, journals and watercolours that she produced during her stay at the Cape Colony (1797–1801). Combining a series of tasks focused on close reading of Barnard’s work and a critical discussion of the historical context, the article provides a teaching strategy to examine her work with respect to the gendered discourse of the eighteenth century, and her approach to the Cape landscape and its inhabitants which both employs and, significantly, subverts contemporaneous conventions. More specifically, the tasks draw attention to Barnard’s use of ‘the modesty topos’ and the way she uses rhetorical …

Unmasking Polly: Race And Disguise In Eighteenth-Century Plantation Space, Kristen Hanley Cardozo

ABO: Interactive Journal for Women in the Arts, 1640–1830

John Gay’s The Beggar’s Opera has influenced popular culture since its debut. Its 1729 sequel, Polly, has been understudied by literary critics, perhaps because of its suppression in Gay’s lifetime. However, Polly offers scholars new views on British imperialism before an active abolition movement in Britain. Gay confronts the evils of colonialism through his theatrical use of disguise. While other Caribbean plays of the period allow white characters to reinvent themselves abroad, in Polly disguise only intensifies the self, while the higher stakes of plantation space are where the characters meet the fates originally designated for them in The …

"Custome Is An Idiot": How Genre Bending Opens New Meanings For Hæc Vir, Or The Womanish Man, Stephen Montgomery-Anderson

All Theses

Hæc Vir, or the Womanish Man is often conceived of as a satirical pamphlet. Moreover, scholars such as Linda Woodbridge and Simone Chess read the pamphlet as ultimately and explicitly arguing for a normative rendering of gender. Such readings, while acknowledging the rhetorical power and feminist nature of the crossdressed female character Hic Mulier’s arguments, invariably discount them in favor of a supposed return to normalcy. I instead suggest that Hic Mulier’s arguments be read as genuine and potentially altering. I further argue that we should read Hæc Vir as a closet drama. Bending the genre of the …

To Put Her In Her Place: An Interrogation Of Death And Gender In Shakespearean Tragedy, Isabella A. Zentner

Criterion: A Journal of Literary Criticism

This analysis investigates the gendered implications of Shakespearean heroines' deaths. Using Macbeth, Antony and Cleopatra, and Titus Andronicus as case studies, evidence is drawn from the text. This evidence is then supported by extensive historical research and reference to external critical studies of these tragedies. By identifying the gendered aspects of these heroines’ deaths, one can gain a greater understanding of Shakespeare’s view of female autonomy and power. The deaths Shakespeare inflicts often act as a punishment for the heroines' betrayal of traditional gender roles and forcibly return the heroines to the feminine sphere.

Visions: The Dance Most Of All: Envisioning An Embodied Eighteenth-Century Studies, Susannah Sanford, Sofia Prado Huggins

ABO: Interactive Journal for Women in the Arts, 1640–1830

The editors introduce this special issue of ABO, highlighting the work of the authors included in the issue. The introduction draws on recent scholarship re-visioning the work of the long, “undisciplined” eighteenth century, arguing for an eighteenth-century studies that embodies our intersectional identities and honors the experiences of bodyminds surrounding texts and authors, as well as the bodyminds that interact with those texts in the present. Throughout the years, scholars have demonstrated that there is no single vision of what eighteenth-century scholarship is or should be, but rather multiple visions. This introduction urges scholars to consider how an eighteenth-century studies …

Adapting Animals: Nineteenth-Century British Literature, Science, And Media, Kristen Layne Figgins

Graduate Theses and Dissertations

In the nineteenth century, Charles Darwin and other proponents of evolutionary theory provided a theoretical framework for discussing the question of humanity’s place in the world. These nascent theories emphasized the shared animal nature of humans and the nonhuman creatures who had once occupied a distinctly lower place on the chain of being. My dissertation addresses the question of how nineteenth-century scientific attitudes about animals were reflected in the literature of the period. By examining culture-texts from the nineteenth century, it is clear that literature was an active participant in extending scientific knowledge, often by playing with the blending categorical …

Mother Monsters And Monster Mothers From Dracula To Stranger Things, Melissa Dinsman

Publications and Research

Netflix’s hit show Stranger Things is an homage to 1970s and 1980s sci-fi and horror, including Alien and Aliens, Carrie, the Star Wars trilogy, and Poltergeist, as well as buddy adventure films like Goonies and Stand by Me. But it is also, in its obsessive presentation of monsters as mothers and mothers as monsters, a show that takes its 1980s mothering cues straight out of Bram Stoker’s 1890s. Despite its 2016 production date, the Duffer Brother’s Stranger Things presents viewers with very old fashioned ideas of mothering, with Joyce Byers (Wynona Ryder) as the single, but exceedingly pro-active mom from …

Summary Remarks On Conversations About “Researching, Reading And Writing During The Pandemic”, Kate Ozment, Mona Narain

ABO: Interactive Journal for Women in the Arts, 1640–1830

Summary remarks on the Spring 2021 issue that includes Conversation essays by participants in the ABO summer 2020 writing camp #WriteWithAphra. The participants describe their experience of reading, researching, and writing during the pandemic.

Thomas Middleton And The Plural Politics Of Jacobean Drama, Mark Kaethler

Late Tudor and Stuart Drama

Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton's dramatic works as responses to James I's governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of …

“It Could Have Happened To Any Of You”: Post-Wounded Women In Three Contemporary Feminist Dystopian Novels, Abby N. Lewis

Electronic Theses and Dissertations

My goal for this thesis is to investigate the concept of (mis)labeling female protagonists in contemporary British fiction as mentally ill—historically labeled as madness—when subjected to traumatic events. The female protagonists in two novels by Sophie Mackintosh, The Water Cure (2018) and Blue Ticket (2020), and Jenni Fagan’s 2012 novel The Panopticon, are raised in environments steeped in trauma and strict, hegemonic structures that actively work to control and mold their identities. In The Panopticon, this system is called “the experiment”; in The Water Cure, it is personified by the character King and those who follow him; …