Literature in English, British Isles Commons^™

Chaucer’S Contradictory Representations Of Fourteenth Century Knighthood In The Canterbury Tales, Nicholas Cabrera

Theses and Dissertations

Differences in interpretation have long dominated scholarship regarding knighthood in Geoffrey Chaucer’s The Canterbury Tales. But these differences fail to consider the nuance of the text and the historical realities of the period in which Chaucer wrote. Chaucer’s depiction of knighthood represents the institution as filled with tensions and contradictions.

Like Shapes Moving In Another World: An Identification And Interpretation Of Mythical Figures In C. S. Lewis’ Novel The Silver Chair, Benjamin S. Perkin

Student Research

As a result of his conversion to Christianity, author C. S. Lewis felt compelled to formulate a unique definition of myth. From his perspective, myth is a means through which God communicates His truth to the non-Christian world. Myth recognizes the yearning for home all people experience yet cannot satisfy, but while it correctly diagnoses humanity’s symptoms, myth fails to treat the underlying disease responsible for them. The influence of non-Christian, specifically Greek, myth can be felt most strongly in The Silver Chair, the sixth installment of Lewis’ series The Chronicles of Narnia. Through the allusions this essay explores, in …

Feminism And Female Identity In Adaptations Of Pride And Prejudice Throughout The 20th And 21st Centuries, Emily Suh, Emily Suh

Honors Theses

To many of her fans in the world, Austen is undeniably a feminist author, especially for her time in the nineteenth century. In a time where women were dependent upon male family members for their livelihoods, most of Austen’s heroines exhibit a sort of independence and strong will with a mind of their own, including in Pride and Prejudice. Elizabeth is the model for what an independent woman is, a woman who is not so concerned with the monetary value of matrimony and only falls in love because she wants to. Furthermore, female audiences tend to like Elizabeth more than …

Blake’S Green Symbols Of Humanity, Society, And Spirituality, Angela J. Heagy

Criterion: A Journal of Literary Criticism

William Blake is an exemplar of Romantic poetry characterized by depictions of the occult, the divine, and human nature. Despite Blake’s reputation as a Romantic poet, many critics claim that there is not sufficient evidence to consider him a nature writer. As a result, Blake’s name is frequently omitted from ecological discussions; some scholars go so far as to claim that Blake’s poetry demonstrates a disregard for nature altogether. This article argues that an eco-critical analysis of Blake’s Songs of Innocence and of Experience reveals nature to be Blake’s continual source of inspiration. Within this collection, nature represents the struggles …

The Affable Raphael: Milton's Surrogate Instructor In Paradise Lost., Beau Kilpatrick

Electronic Theses and Dissertations

John Milton’s Paradise Lost (1667) is a beautifully written epic that continues to be a stalwart text in the English literary canon, with unlimited potential for interpretation. In this dissertation I propose that Paradise Lost can be read as a pedagogical lesson for Milton’s “fit audience,” where the author implements his views on education in the context of heaven, hell, and Paradise. In the poem, Milton presents three pedagogical methodologies: first, the wrong way to knowledge is presented through Satan’s manipulations of the fallen angels and Eve; second, the divine way to knowledge is illustrated via Michael’s prophecy to Adam …

“No One To Show Us The Way:” Assessing The Contemporary Relevance Of The Gay Male Bildungsroman, Matthew Lemas

English (MA) Theses

The gay male bildungsroman can trace its origins to E.M. Forster’s posthumously published Maurice (1971) and Edmund White’s A Boy’s Own Story (1982), among other examples. While nested under the umbrella category of the queer bildungsroman (and, more broadly, the bildungsroman), the gay male iteration particularly explores integrational challenges related to the extant tensions between hegemonic masculinity and the male protagonist’s sexuality and gender identity. The subgenre—often conflated with the “coming out novel”—has faced a range of criticism in its roughly half-century existence. Scholars have accused it of banality, often relying on a limited range of well-trodden tropes; lacking diversity, …

Sacrificial Lambs: The Perils Of Childhood In Shakespeare, Benjamin Sidney Reed

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

“Sacrificial Lambs: The Perils of Childhood in Shakespeare” utilizes childhood studies to read five Shakespearean plays and how they portray child characters in perilous situations such as kidnapping, banishment, and murder. It argues these dangers emulate real circumstances young people faced in the early modern period, including the boy actors playing these roles. The dissertation’s key research questions include how children in these plays exhibit agency in the face of danger, how they resist adult systems of power, and how audiences in the sixteenth and seventeenth centuries may have responded to these portrayals of imperiled and rebellious youths. The Introduction …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Jane Austen And A Biographical Study Of The Historical Narrative Process, Serena Young

Electronic Theses, Projects, and Dissertations

Jane Austen, beloved national literary icon of Great Britain, is world-renowned for her fiction. Biographers have attempted to authentically piece together her life and often, try to connect her narrative to when and how her fiction was written, as well as point out circumstances within her personal life and speculate their influence on her work. Literary analysts and critics that have examined the historical narrative process, Hayden White and Kevin Gilvary, have found that the way in which a historical account is presented plays a significant role in how history is understood and perpetuated. When examining Jane Austen’s life, many …

Cloaked Trannies On The Silver Screen: "Evolutionary Derangement" And Cronenberg's Approach To Shaping A Critical Mindset Towards Trans Bodies, John David Hunter

All Theses

This thesis engages David Cronenberg’s 2022 film, Crimes of the Future, analyzing the text through the lens of Saul Tenser (Viggo Mortensten) as a transgender allegory. Through this, the project investigates the way in which Cronenberg’s text visually creates a Deleuzian language of the body, which is the body of becoming. This queer analysis of the film does so by utilizing the perspective of the trans body, through the character of Tenser, which more clearly illustrates the human body as one which is in a continual process of evolution. Following in the footsteps of scholars such as Susan …

The Calling Of Governess, Karissa Maust

All Theses

The governess is a widely discussed figure in literary criticism. However, the motivations that cause literary characters to engage in the profession of governess are not often talked about. This thesis discusses the three primary motivations that inspired women to become governesses—survival, duty, and calling. It begins with a historical discussion of the governess, then illustrates women’s reasons for engaging in this occupation, using literary figures from Emma, Villette, and Jane Eyre to do so. The thesis then ends with a discussion of the modern American teacher—how she differs from the governess but also shares the lack of …

Rebels And Dubliners: Motherhood In Three 20th-Century Irish Texts, Sara S. Barenfeld

Theses, Dissertations and Culminating Projects

This thesis explores representations of motherhood across several genres in Irish literature. In my essay, I look at two short stories from James Joyce’s Dubliners (1914): “The Boarding House” and “A Mother.” I argue the way spatiality functions in “The Boarding House” and “A Mother” reveals Mrs. Mooney’s and Mrs. Kearney’s overall ability to exercise maternal agency; it shows the extent to which their agency is circumscribed. The spaces themselves act as defining factors contributing to the mothers’ abilities to engage with power structures and ultimately fail or succeed in their endeavors. I also examine two autobiographies: The Autobiography of …

Homemade Language, Conservative Fro-Yo, And Sci-Fi Sloths: How Speculative Migration Fiction Confronts The Ends Of Worlds By Challenging The Nation-State, Zoe R. Scheuerman

English Honors Projects

This English literature thesis project explores an emerging, genre-defying body of fiction which I call “speculative migration fiction.” Speculative migration fiction imagines how ongoing global developments like climate change, technological development, and war may shape future migrations. Drawing on Benedict Anderson’s conception of national culture, Wendy Brown’s theory of the border, and Caroline Levine’s understanding of literary form, as well as close readings from Scattered All Over the Earth by Yōko Tawada, Exit West by Mohsin Hamid, and 2 A.M. in Little America by Ken Kalfus, I argue that transnational migrations move toward becoming postnational migrations as migrants evade border …

Austen's Realist Feminine Icon, Sean Mcconnell

Student Works

No abstract provided.

The Queer Gazes Back: A Dowry Of Blood As A Queer Mirror To Cisheterosexual Gothic Fears, Robin Bozik

English

This paper examines the connection between the contemporary Gothic A Dowry of Blood and its literary predecessors, Dracula, Frankenstein, and Carmilla. Through a focus on queer bodies, this work demonstrates the evolution of queer lineage-making and responses to cisheterosexual threats. Using literature as a “mirror” to gaze back on the visceral fears held by those who fall outside the norms of gender and sexuality in their respective time periods, this work also examines social tensions in the 21^st century surrounding reproduction and gender-affirming care.

In addition to literary analysis of the primary texts, this paper is …

"My Hideous Progeny": Complicating Preconceived Notions Of Monstrous Beings In "Frankenstein" And "Jurassic Park", Megan Engstrom

English

This project examines and complicates preconceived notions of the monstrous in Frankenstein and Jurassic Park. By engaging with monster theory, I interrogate how the creators are destructive beings and their creations are only trying to fit into their made bodies. I also complicate the ideas of family when interacting with monsters or monstrous places – specifically looking at how isolation/creation of them will affect people. These ideas are questioned to confront a normalized perception of monsters as the villains. By examining the monstrous in Frankenstein and Jurassic Park, I am questioning the very idea of how a monster is created …

Subversion Of Traditional Gender Roles In Macbeth, Olivia Eubanks

Merge

No abstract provided.

“Young In Deed”: Feminine Affect And Agency In Young Adult Shakespeare Adaptations, Juliana Hall

English

Approaching the cultural behemoth that is Shakespeare can be daunting, especially for young audiences; the language is antiquated and can be difficult to understand, and, due in part to the age of these works, the content is often rooted in bigoted ideologies. Young adult (YA) novel adaptations have begun reintroducing readers to Shakespeare, not only significantly enhancing the narratives, but encouraging readers to play with Shakespeare’s language in new, accessible, and exciting ways. By looking at two twenty-first century YA novel adaptations of Shakespeare’s original plays alongside the accompanying source material, I analyze how female protagonists engage with their emotions …

Middle-Earth’S Middleman: Exploring The Contradictory Positionalities Of Faramir In J.R.R. Tolkien’S 'The Lord Of The Rings', Kelsey A. Fuller-Shafer

Journal of Tolkien Research

In the large pantheon of characters in The Lord of the Rings, Faramir stands out for his position of unbelonging, and is usually analyzed comparatively to other characters rather than in-depth in his own right. However, more focused considerations of Faramir can articulate the breadth of Tolkien’s influences that were incorporated into Middle-earth as well as the ways in which those influences conflicted with Tolkien's own moral compass, and thus needed to be openly challenged and modified. Those internal conflicts can be interrogated throughout Faramir’s contradictory positions within the literature, history, and societies that Middle-earth represents. His positioning in a …

Recognizing Traps And Frightening Wolves: Foxes And Lions As A Representative Of Machiavellian Political Ideology In Shakespeare’S Comedies, Grace A. Powell

Student Scholar Showcase

While William Shakespeare’s plays and sonnets have been discussed time and time again over the past few centuries, one topic that has been less traversed is the connection between his Comedies and Niccolò Machiavelli’s political ideologies. This project will explore references of lions and foxes in Shakespeare’s Comedies and the leaders and monarchs within them to determine how beliefs about Machiavelli’s political ideology influenced Shakespeare’s literature and became symbols for leadership and power. This project will be important for gaining historical context on Machiavellian political discourse and how it was represented in the contemporary dramatic literature of William Shakespeare. I …

Timeless Moments: Russell Kirk, Charles Williams, And Stephen King On The Afterlife, Camilo Peralta

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

What happens to us after death is one of the oldest and most difficult questions. Even the standard response of many Christians, that we go to either Heaven, Hell, or Purgatory, can only partly satisfy, because while we experience the passing of time in a linear manner, those places are said to exist completely outside of time. How, then, can it make sense to speak of “going” to Heaven or Hell after death? Must we not always and forever be there—even during our lifetimes? Russell Kirk, a Catholic historian from Michigan who often speculated about the afterlife in his fiction …

Tolkien, Augustinian Theodicy, And 'Lovecraftian' Evil, Perry Neil Harrison

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

A number of scholars have commented upon Augustine of Hippo’s influence upon J.R.R. Tolkien’s portrayal of evil in his legendarium. However, in his seminal work J.R.R. Tolkien: Author of the Century, Tom Shippey pushes back against this perception, noting that there are some forms of evil in the legendarium that do not adhere to the Augustine’s belief that evil is merely a “twisting” of good. This article argues that Ungoliant is one such exception to the Augustinian paradigm because of the uncertainty regarding her origins.This uncertainty complicates the Augustinian view of evil that permeates the legendarium and instead echoes …

Pity, Power, And Tolkien's Ring: To Rule The Fate Of Many (2023) By Thomas P. Hillman, Marilyn R. Pukkila

Journal of Tolkien Research

Book review, by Marilyn R. Pukkila, of Pity, Power, and Tolkien's Ring: To Rule the Fate of Many (2023) by Thomas P. Hillman

Concealment And Darkness In Horace Walpole’S The Castle Of Otranto, Alexandra G. Speck

Global Tides

This paper examines the relationship between darkness and fear in Horace Walpole’s The Castle of Otranto, widely recognized as the first Gothic novel. Walpole wrote Otranto soon after the rise of Enlightenment thought, which stressed sensory observation as the foundation for human reason. Walpole engages with Enlightenment ideas through Otranto’s dark setting, which invokes fear and irrationality in the heroine, Isabella.

Tracking Walpole’s manipulation of light and darkness through the narrative, this paper illustrates how darkness inspires more fear in Isabella than either the novel’s infamous supernatural dangers or its human villain, Prince Manfred, who pursues her through …

Bibliography For "Pico Iyer Display", Isabella Piechota, Arianna Tillman, Kalea Brown

Library Displays and Bibliographies

A bibliography created to support a display about Pico Iyer at the Leatherby Libraries during April 2024 at the Leatherby Libraries at Chapman University.

Beyond The Looking Glass: Dreams And Somnial States And Spaces In Nineteenth-Century British Literature, Anne N. Nagel

Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–

Poised between a waning magico-theological tradition of symbolic dream interpretation and the rising influence of scientific dream theories, which equated dreaming with disorder, the dream occupied a unique space in nineteenth-century Great Britain. Dreams were coming untethered from signification, as natural philosophers deemed their content indecipherable and chaotic. Yet vestiges of early modern beliefs could still lend supernatural power and polyphony to dreams.

This was not simply a matter of making a binary choice between two ways of thinking about dreams but instead a site of collisions and coalescences. I contend that the ways in which dreams were conceptualized in …

Mythos And Logos: Foucauldian Subjectivities Of Virginia Woolf's Orlando, Hayley R. Cisney

Student Publications

Virginia Woolf’s Orlando: A Biography details a centuries-long battle between Orlando and the sexual structures of repressive power in England. The biographical framework of the novel implies its contribution to objective, historical fact, while the miraculous nature of Orlando’s sexual transformation directly conflicts with constituted epistemologies of being. This paper examines these contrasting forces through Michel Foucault’s post-structuralist considerations of knowledge, power, and sexuality, in addition to the incorporation of other scholarship on Woolf’s conceptions of gender. I specifically follow the timeline of Foucault’s interpretation of the repressive hypothesis as it unfolds throughout the course of Woolf’s novel. By establishing …

Inviting Submission: Isabella Beeton At The Englishwoman's Domestic Magazine, 1856-1865, Julie Megan Sorge Way

English Theses & Dissertations

Isabella Beeton, creator of the iconic domestic manual Beeton’s Book of Household Management, died suddenly in 1865, just before her twenty-ninth birthday. Her popular book survived to codify stereotypical Victorian female ideals. Yet the “Mrs Beeton” mythos camouflages a remarkable talent: far from domestic drudgery, Beeton maintained a vibrant career as a writer and editor at the Englishwoman’s Domestic Magazine (EDM), traveling widely to research the latest fashions and laboring behind the scenes to ensure the magazine’s success. Closely examining Beeton’s EDM work demonstrates how these formative, productive years shaped her later, more popular writing. Such a …

“Éowyn It Was, And Dernhelm Also”: Reading The ‘Wild Shieldmaiden’ Through A Queer Lens., Sara Brown

Journal of Tolkien Research

The Éowyn we first meet in 'The Two Towers' is a woman who has been traumatised by the loss of her parents at a young age, the recent loss of her cousin Théodred, the apparent weakening of her uncle Théoden, and her inability to escape the lascivious gaze of Wormtongue. Marginalised by her gender and by social expectation, her desire to find purpose in her life as a shieldmaiden is repeatedly thwarted. Seeking to reclaim control over her life and to make her own choices, she rides out with the Rohirrim not as Éowyn, but as Dernhelm.

Past scholars have …

“Creating And Maintaining Black Life-Worlds”: The Black Aesthetics Of Bernardine Evaristo’S Blonde Roots And Girl, Woman, Other, Sharanya Dg

Criterion: A Journal of Literary Criticism

Black Aesthetics is the philosophical inquiry into the objects and practices of expressions coming from people who have been racialized as black. These expressive practices then lend to the creation of the life-worlds of people subjected to racist discourses. One such author in the contemporary English society, Bernadine Evaristo, responds to anti-black racist discourses by exploring the cultural plurality of British black life-worlds. This paper is a textual and formal analysis of two experimental novels of Evaristo to study how they distinctly present the quotidian lives of various characters in their racialised bodies to reflect on the sociocultural and political …