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Articles 2131 - 2160 of 5488

Full-Text Articles in Literature in English, British Isles

Finding Aid To The Collection Of Sir Edmund William Gosse Materials, Sir Edmund William Gosse, Colby College Special Collections Jan 2018

Finding Aid To The Collection Of Sir Edmund William Gosse Materials, Sir Edmund William Gosse, Colby College Special Collections

Finding Aids

Sir Edmund William Gosse (1849–1928) was an English biographer and critic. He was lecturer in English literature at Trinity College, Cambridge (1884–90) and librarian of the House of Lords (1904–14). Although he wrote with enthusiasm and wit, his scholarship was often inaccurate and thus much of his critical work has been superseded. He did, however, introduce English readers to Ibsen and other Scandinavian writers as well as to some modern French writers and painters. Among the many biographies he wrote were those of Gray (1882), Donne (1899), Sir Thomas Browne (1905), Ibsen (1907), Swinburne (1917), and Congreve (rev. ed. 1924). …

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A.S. Byatt And The ‘Perpetual Traveller’: A Reading Practice For New British Fiction, Nicole Flynn Jan 2018

A.S. Byatt And The ‘Perpetual Traveller’: A Reading Practice For New British Fiction, Nicole Flynn

English Faculty Publications

While most readers enjoyed, or at least admired A.S. Byatt’s Booker prize-winning novel Possession, many are puzzled by her work before and since. This essay argues that the problem is not the novels themselves, but rather the way that reader approaches them. Conventional reading practices for experimental or postmodern fiction do not enable the reader to understand and enjoy her dense, dizzying work. By examining the intertexts in her novella “Morpho Eugenia,” in particular two imaginary texts written by the protagonist William Adamson, this essay demonstrates how the novella generates a different kind of reading practice. Using Byatt’s metaphor, the …

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A Hateful Cawing Of The Crows: W. E. Aytoun's Satirical Misfire, Mischa Willett Jan 2018

A Hateful Cawing Of The Crows: W. E. Aytoun's Satirical Misfire, Mischa Willett

SPU Works

W. E. AYTOUN’S SATIRICAL VERSE DRAMA, Firmilian (1854), an anti-radical, scattershot missive meant to re-align British poetic tastes1 by reversing the aesthetic gains made by Romanticism in the decades prior to its publication, has been called “one of the most successful pieces of literary criticism ever written” (Morton 849). Despite its broad ambitions, however, it has often been read as a narrow attack on the individual poets popular during the summer of its appearance, creating a school where one had not existed before, turning the poets Philip James Bailey, Alexander Smith, Sydney Dobell and others into “the Spasmodic School.” But, …

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Gestural Ekphrasis: Toward A Phenomenology Of The Moving Body In Joyce And Woolf, Lauren Nicole Benke Jan 2018

Gestural Ekphrasis: Toward A Phenomenology Of The Moving Body In Joyce And Woolf, Lauren Nicole Benke

Electronic Theses and Dissertations

This theoretical project seeks to introduce a new critical methodology for evaluating gesture - both represented in text and paratextual - in the works of Virginia Woolf - specifically The Voyage Out (1915), Orlando (1928), The Waves (1931), and Between the Acts (1941) - and James Joyce - particularly Ulysses (1922) and Finnegans Wake (1939). Though gesture studies has developed significantly as an interdisciplinary field in recent decades and performance studies has elaborated on the moving body's significance to both text and performance, literary scholarship itself has not yet adequately incorporated possibilities for specific critical attention to gesture. Gesture is …

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Chatter And Chant: Religion And Community On The Renaissance English Stage, Rachel Dunleavy Morgan Jan 2018

Chatter And Chant: Religion And Community On The Renaissance English Stage, Rachel Dunleavy Morgan

Electronic Theses and Dissertations

This dissertation examines moments in five English Renaissance plays when characters employ religious language in bids to consolidate or to fracture communities. The plays are John Bale's King Johan (c. 1538, revised c. 1560), Nathaniel Woodes' Conflict of Conscience (c. 1581); Thomas Heywood's A Woman Killed with Kindness (1603); Shakespeare's Cymbeline (1611); and John Webster's The White Devil (1612). The types of communities examined most closely are those of a small scale - relationships of individuals to God, marriages, families, friendships, households, parishes, courts - but these appear against the backdrop of much larger communities such as the nation …

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Frankenstein: A Feminist Birth Myth Of Morbid Conception, Madison R. Rahner Jan 2018

Frankenstein: A Feminist Birth Myth Of Morbid Conception, Madison R. Rahner

Bridges: A Journal of Student Research

In the context of Mary Shelley’s biography and prose style, the theme and structure of Frankenstein indicate that, in addition to being an esteemed work of gothic horror, the novel is a feminist birth myth: a perverse story of maternity and a scathing critique of patriarchal dominance over the feminine. Frankenstein, as a maternal figure, repeatedly seeks to smother female sexuality and usurp heterosexual reproduction through grotesque and unnatural means. The ensuing death and violence are consequences of Frankenstein’s inadequacy as a mother and the insufficiency of masculinity. The monster’s morbid conception and subsequent murders intertwine birth and death in …

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In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick Jan 2018

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

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“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah Jan 2018

“The Deepest Blush”: Bodily States Of Emotions In Jane Austen’S Novels, Nadya Abdelfattah

ETD Archive

During the eighteenth-century, philosophers gave primacy to rationality specifying that reason could and should control emotions; they observed a friction between thought and feeling, rational and irrational, emotion and cognition, mind and body, which competed and united in a way that influenced the eighteenth-century and nineteenth-century thought and experience on many sides. As an early nineteenth-century novelist, Jane Austen explores the relationship between emotion and cognition. I argue that Austen shows the importance of bodily experience of emotion in moral development. Deploying affect theory will illuminate Austen’s depiction of emotions as a mode of understanding of how the body becomes …

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Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti Jan 2018

Review Of W. B. Patterson, Thomas Fuller: Discovering England’S Religious Past, Brooke Conti

English Faculty Publications

No abstract provided.

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Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick Jan 2018

Whispering Together In The Dark: Rereading Samuel Beckett's Homosociality Through Harold Pinter, Aaron Botwick

Publications and Research

In a 1960 letter to a friend, Harold Pinter wrote of Samuel Beckett, “I’ll buy his goods hook, line, and sinker, because he leaves no stone unturned and no maggot lonely. He brings forth a body of beauty; his work is beautiful.” What do we learn if we take the word “beautiful” seriously? Rereading Waiting for Godot backward through Betrayal, this article argues that Beckett’s landscape, typically read as a realization of postwar angst, is in fact one released of the pressures of contemporary living and for Pinter a homosocial Eden. Jerry’s joke upon discovering the adultery—“Maybe I should …

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Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof Jan 2018

Theology, Phenomenology, And The Divine In King Lear, Kent R. Lehnhof

English Faculty Books and Book Chapters

"In what follows, then, I would like to think through Levinas's ideas on transcendence and ethics in such a way as to map out a new pathway for approaching Shakespeare's great tragedy. As unorthodox as it may sound, I propose to shed light on the darkling religiosity of King Lear by turning-not to the theological doctrines of early modem Christians-but to the postmodern ethics of a twentieth-century Jew."

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Renaissance Revenge And The Age Of Interiority, Riley Meachem Jan 2018

Renaissance Revenge And The Age Of Interiority, Riley Meachem

English Honors Papers

No abstract provided.

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Balance Of Limits And Experimentation, Viangri Sontay L. Jan 2018

Balance Of Limits And Experimentation, Viangri Sontay L.

Nebraska College Preparatory Academy: Senior Capstone Projects

In science, there is an equilibrium between advancements in knowledge, ethics, and reason. Equilibrium is when two contrary sides are in balance and, typically, once one side becomes disproportionate, there will be a disturbance. In the novel Frankenstein, Mary Shelley portrays how going beyond the limits of science can cause a disturbance to human nature. One of the main characters, Victor Frankenstein, fabricated a living creature out of unliving parts. Victor is displeased with the result, leaving the Creature neglected and destined to feel loathing toward his creator. The consequences of seeking glory brought about torture. Aside from providing entertainment, …

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Isolation And Revenge: Where Victor Frankenstein Went Wrong, Gabby Escalante Manzano Jan 2018

Isolation And Revenge: Where Victor Frankenstein Went Wrong, Gabby Escalante Manzano

Nebraska College Preparatory Academy: Senior Capstone Projects

Frankenstein by Mary Shelley describes the dangers of revenge and isolation caused by abandonment, following the mistakes made by Victor Frankenstein with the creation of a monster. All the events of the novel support one main theme: revenge caused by isolation. Throughout the novel, the reader witnesses the life of isolation that the creature is forced to live. As the story progresses, the question of why revenge becomes an outcome of isolation is asked. Living a life where you are ostracized by everyone, including your own creator, would drive anyone mad, especially a creature that was brought back to life …

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Front Matter, Douglas Higbee Jan 2018

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Contents, Douglas Higbee Jan 2018

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Recasting The Garden: Anne Brontë’S Subversion Of The Victorian Garden Trope In The Tenant Of Wildfell Hall, Katelyn Sabelko Jan 2018

Recasting The Garden: Anne Brontë’S Subversion Of The Victorian Garden Trope In The Tenant Of Wildfell Hall, Katelyn Sabelko

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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More Than Looking: Translation As Imagination In Williams Carlos Williams’S “The Dance” And Gary Snyder’S “Deer Park”, May Huang Jan 2018

More Than Looking: Translation As Imagination In Williams Carlos Williams’S “The Dance” And Gary Snyder’S “Deer Park”, May Huang

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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“Al Newe Of Gold Another Sonne”: Medieval Gold Symbolism And The House Of Fame, Cecilia Stuart Jan 2018

“Al Newe Of Gold Another Sonne”: Medieval Gold Symbolism And The House Of Fame, Cecilia Stuart

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Mixed Race-Politics And Homi Bhabha’S Third Space Theory In Charles Chesnutt’S “The Wife Of His Youth” And “The Sheriff’S Children”, Gabrielle Sanford Jan 2018

Mixed Race-Politics And Homi Bhabha’S Third Space Theory In Charles Chesnutt’S “The Wife Of His Youth” And “The Sheriff’S Children”, Gabrielle Sanford

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Creating A Monster: Attachment Theory And Mary Shelley’S Frankenstein, Hannah Jackson Jan 2018

Creating A Monster: Attachment Theory And Mary Shelley’S Frankenstein, Hannah Jackson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Back Matter, Douglas Higbee Jan 2018

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 20 Fall 2018 Jan 2018

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 20 Fall 2018

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

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Place In Shakespeare’S Coriolanus: The Intersection Of Geography, Culture, And Identity, Richard Raspa Jan 2018

Place In Shakespeare’S Coriolanus: The Intersection Of Geography, Culture, And Identity, Richard Raspa

English Faculty Research Publications

Coriolanus, the last of Shakespeare’s Roman tragedies (1608), continues to draw on the poet’s fascination with Rome and the Mediterranean as places. In this paper, I will explore the impact of Rome on the characters of Coriolanus from three perspectives: place as an incarnation of values, as an internal cognitive and emotional map, and as a nest of belonging.

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The Sky Of Our Manufacture: The London Fog In British Fiction From Dickens To Woolf, Margaret Konkol Jan 2018

The Sky Of Our Manufacture: The London Fog In British Fiction From Dickens To Woolf, Margaret Konkol

English Faculty Publications

No abstract provided.

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Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner Jan 2018

Quoting Shakespeare In The British Novel From Dickens To Wodehouse, Daniel Pollack-Pelzner

Faculty Publications

Novelists heralded as Victorian Shakespeares frequently navigated the varied nineteenth-century practices of Shakespeare quotation (in the classroom in compilation books, in stage spoofs) to construct the relationship between narrator and character, and to negotiate the dialogue between Shakespeare's voice and the voice of the novel. This chapter looks at three novelists whose practices intersect and contrast: George Eliot, who resists the Bardolatrous imputation of a Shakespearean character's wisdom to its author by distinguishing her own characters' inept Shakespeare quotations from her narrative voice; Thomas Hardy, who claims the authority of Shakespearean pastoral, regional language against the glib quotations of his …

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Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years, Andrea Conover Jan 2018

Post-Wartime Vs. Post-War Time: Temporality And Trauma In Jacob's Room, Mrs. Dalloway, To The Lighthouse, And The Years, Andrea Conover

Scripps Senior Theses

In these novels, Woolf demonstrates the ways in which wartime trauma affects post-war life, from the societal trauma of losing an entire generation in Jacob’s Room, to the continuation of wartime beyond the end of the war for traumatized soldiers and anyone whose lives they touch in Mrs. Dalloway, to recovery through the creation of art and family ties in To the Lighthouse, to the question of futurity inherent in wartime trauma in The Years.

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Depictions Of The Western Artist In Colonial South Africa: Turbott Wolfe, Chloe Bazlen Jan 2018

Depictions Of The Western Artist In Colonial South Africa: Turbott Wolfe, Chloe Bazlen

Scripps Senior Theses

This thesis explores what the role of the artist provides to the colonial novel. Using William Plomer's novel Turbott Wolfe, the role of the Western artist in colonial South Africa is examined and critiqued, putting it in conversation with the art theory of Roger Fry and the Primitivism movement. In doing so, it explores themes such as desire, miscegenation, complexity, and carnival, showing that while artists partake in society, they also remain critical of it, responding to it in their artwork.

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Empire Of The Imagination: Imperialism And The Child Reader Of Victorian And Neo-Victorian Children's Literature, Megan Hicks Jan 2018

Empire Of The Imagination: Imperialism And The Child Reader Of Victorian And Neo-Victorian Children's Literature, Megan Hicks

Master’s Theses

My thesis explores the depiction of the British Empire in Victorian and Neo-Victorian children’s fiction. Though scholars may expect to find simplistic imperial triumphalism in texts written in the late Victorian period and incisive critiques of empire in contemporary texts, my work demonstrates that the ideology of empire is much more contradictory, unstable, and incohesive than one might assume. By looking at the instability of imperial ideology through the lens of children’s fiction, I examine the ways in which that ideology is contested in the text rather than a stable site of ideological transference from adult to child. Thus, my …

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Ideology In Literature And Literature As Ideology: Totalitarian And Reactionary Appropriation Of Resistant Texts, Huntley Hughes Jan 2018

Ideology In Literature And Literature As Ideology: Totalitarian And Reactionary Appropriation Of Resistant Texts, Huntley Hughes

Master’s Theses

This thesis seeks to explore the means by which nominally or potentially resistant texts are appropriated into violent or exploitative political structures for propaganda and profit. In the first chapter two pre-soviet Russian novels closely associated with the radical tradition are examined, through the lens of literary analysis, in order to uncover the ways in which ideologically egalitarian revolutionary movements can degenerate into authoritarian regimes. The second chapter is concerned with a Welsh text, How Green Was My Valley, which, despite being concerned with the conditions of the Welsh mining class, utilizes the narrative form of childhood recollection to insidiously …

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