Literature in English, British Isles Commons^™

The Presentation Of Postmodern Sexuality In Short Fiction, Allie J. Kapus

Senior Honors Theses

Shifting norms in twentieth century western society, coupled with emerging postmodern thought in the 1960s, radically changed the ways in which people viewed sexuality, gender roles, and the institutions of marriage and the family. The literature of the postmodern era, namely short fiction, also reflects such ideological shifts. Literature is a powerful communicator of the human condition as well as a crucial means for reflecting the customs, beliefs, and norms of a society at the time of its writing. Such evolving differences as were occurring in the realm of sexuality came to be represented in postmodern literature. This thesis aims …

The Separate Spheres Of Women And Science, Annie Hays, Barbara Huizar, Crista Johnson, Steven Le, Samantha Tate

Frankenstein @ 200: Student Posters

Through the 19th century ideology of separate spheres, Frankenstein shows how the exclusion of women from science is detrimental to science and destructive to society.

Frankenstem? Technology Ethics In Silicon Valley: Student Poster Session Program, San Jose State University, Department Of English And Comparative Literature

Frankenstein @ 200: Student Posters

Program of student posters presented as part of “Deep Humanities,” One-Day Symposium: FrankenSTEM? Technology Ethics in Silicon Valley, organized by Dr. Revathi Krishnaswamy & Dr. Katherine D. Harris, Department of English and Comparative Literature, San Jose State University on May 1, 2018, 10-4pm, Room 225, King Library, San Jose State University.

Dehumanizing The Human Body, Shelby Escott

Frankenstein @ 200: Student Posters

How does death affect the way in which the human body ceases to represent humanity?

A Flourynge Aege: Tracing The Sacred And Secular In The Book Of St. Albans, Allison Treese

Graduate Theses and Dissertations

With the introduction of the printing press to England around the mid-fifteenth century, English authors were not only writing under the lingering influence of Chaucer and the conventions of established medieval genres, but now had to confront the implications for reading and readership that printing brought with it along with the already turbulent political climate of the fifteenth century. Though this cultural shift was arguably a gradual one, with the earliest printers taking special care to remain faithful to the manuscripts they were copying, and conventional scribes likewise being commissioned to make copies of printed works, there were nevertheless radical …

Gothic Voids: Nineteenth-Century Reader Experience And Participation, Garrett Chapman Jeter

Graduate Theses and Dissertations

Characterization of nineteenth-century literary Gothic is usually confined to affective response. This project argues that literary Gothic works constitute an intellectual, empirical endeavor. Because authors of literary Gothic intentionally left voids in their narratives, they invited their readers to participate in making narrative through speculation and conjecture about missing information. The practice of Gothic reading makes the reader an active partaker in filling those voids with rational conclusions. Reading is not just textual encounter. Rather, it incorporates making meaning of one’s surroundings. In their experiences, literary works’ characters “read” their environments: people, objects, events, etc. Chapter 1 characterizes Gothic reading …

Reading Charlotte Brontë Reading, Madhumita Gupta

Department of English: Dissertations, Theses, and Student Research

This essay considers the significance of undirected childhood reading on an author’s mind and the reason some authors reference specific real books in their fiction. I argue that independent reading (as against schooling or formal education), and the direct and indirect references to certain books in Jane Eyre^[1] were deliberate, well-thought-out inclusions for specific purposes at different points in the story. When a title pointedly says Jane Eyre: An Autobiography, it is probable that a significant part of the author’s life has seeped into her creation which makes it essential to consider the relevant parts of her life to …

Party Politics: Domestic Entertaining And The Reaches Of Sociability In Nineteenth-Century Literature, Andrew Forrester

English Theses and Dissertations

Literature in the nineteenth century often featured highly structured scenes of domestic entertaining. Party Politics makes a case for these parties as both literary devices and cultural touchstones, at once practices indicative of the period’s commitment to strict standards of etiquette and capacious arenas in which to test the already blurred boundary between the public and private spheres. Ultimately, this project contends that parties are staples of Victorian sociability and its depiction in literature; they therefore allow authors and their characters to register social, moral, economic, political, and even international developments of the period in the lives of middle- and …

T.S. Eliot, "The Waste Land", And Yoga Philosophy, Jessica Cloud

Master's Theses

While pursuing his graduate studies at Harvard, T.S. Eliot put a year into deep study of the Yoga Sutras with renowned scholar James Haughton Woods. Yoga, defined in the Sutras as the practice of stopping “the fluctuations of the mind-stuff” (Patañjali 8), provides the possibility of hope and equanimity in Eliot’s poem The Waste Land (1922), which depicts a world seemingly devoid of meaning. Not only can the influence of the Yoga Sutras be seen in the poetic form, style, and voice of The Waste Land and in the explanatory notes to the poem provided by Eliot, but classical yoga …

Science Vs Nature: Frankenstein By Mary Shelley, Jamie Jara, Ellie Siegel, Malorie Allen, Stevey Beall, Juan Miguel Adea

Frankenstein @ 200: Student Posters

The way science overpowers nature is especially relevant to the prioritization and advancement of science and technology in the Silicon Valley.

Will Artificial Intelligence Have Free-Will?, Guadalupe Rodriguez

Frankenstein @ 200: Student Posters

Will Artificial Intelligence have free will the way the Creature did?

Frankenstem? Technology Ethics In Silicon Valley (Flyer With Text, Version 2), San Jose State University, Department Of English And Comparative Literature

Promotional Materials

“Deep Humanities,” One-Day Symposium, Organized by Dr. Revathi Krishnaswamy & Dr. Katherine D. Harris, Department of English and Comparative Literature, San Jose State University

May 1, 2018, 10-4pm, Room 225, King Library, San Jose State University

Frankenstem? Technology Ethics In Silicon Valley (Flyer With Image Only), San Jose State University, Department Of English And Comparative Literature

Promotional Materials

“Deep Humanities,” One-Day Symposium, Organized by Dr. Revathi Krishnaswamy & Dr. Katherine D. Harris, Department of English and Comparative Literature, San Jose State University

May 1, 2018, 10-4pm, Room 225, King Library, San Jose State University

Frankenstem? Technology Ethics In Silicon Valley (Flyer With Text, Version 1), San Jose State University, Department Of English And Comparative Literature

Promotional Materials

“Deep Humanities,” One-Day Symposium, Organized by Dr. Revathi Krishnaswamy & Dr. Katherine D. Harris, Department of English and Comparative Literature, San Jose State University.

May 1, 2018, 10-4pm, Room 225, King Library, San Jose State University

Universal Truths, Verisimilitude, And Hyperreality: Baudrillard’S Simulacra And Simulation In Pride And Prejudice And The Lizzie Bennet Diaries., Kathryn M. Kohls

Electronic Theses and Dissertations

This project applies Jean Baudrillard’s Simulacra and Simulation (1981) to Jane Austen’s Pride and Prejudice (1813) and Hank Green and Bernie Su’s The Lizzie Bennet Diaries (2012). By applying Baudrillard’s theory, one can see that Austen’s marriage plot is a shrewd critique of how social simulacra, simulations of reality, dictate how society is structured and interacts. These manipulative simulations are able to be transgressed by the novel’s protagonists, Elizabeth Bennet and Fitzwilliam Darcy. Their ability to find an unsimulated real is appealing to contemporary audiences caught in the hyperreality of the internet age. This leads to a panicked production to …

Echoes Of Legend: Magic As The Bridge Between A Pagan Past And A Christian Future In Sir Thomas Malory's Le Morte Darthur, Josh Mangle

Graduate Theses

Sir Thomas Malory’s Le Morte Darthur is a text that tells the story of King Arthur and his Knights of the Round Table. Malory wrote this tale by synthesizing various Arthurian sources, the most important of which being the Post-Vulgate cycle. Malory’s work features a division between the Christian realm of Camelot and the pagan forces trying to destroy it. Throughout the thesis, I use a variety of scholarship to examine magic and argue that magic is as essential to the plot of Le Morte Darthur as Christianity is. In chapter one, I review the existing literature that is available …

Darwin's Failures: Childless Women In The Nineteenth-Century British Novel, Rose P. O'Malley

Dissertations, Theses, and Capstone Projects

This dissertation uses feminist neo-materialist and evolutionary theory to examine non-maternal relations among childless female characters in nineteenth-century British novels. In both the nineteenth century and the present day there is a tendency to use the authority of evolutionary biology to define women as essentially reproductive beings; their entire physical and intellectual organization is seen as geared toward childbearing and childrearing. Reading childless female characters with this tradition in mind, as well as the more open-minded counter-narrative of feminist engagements with evolution, opens up new questions about their meaning: Are they truly biological failures, or not? What avenues of physical …

Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian

Dissertations, Theses, and Capstone Projects

This dissertation is about how historical narratives developed in the context of a modern marketplace in nineteenth-century Britain. In particular, it explores British historicism through urban space with a focus on Rome and London. Both cities were invested with complex political, religious and cultural meanings central to the British imagination. These were favorite tourist destinations and the subjects of popular and professional history writing. Both cities operated as palimpsests, offering a variety of histories to be “tried on” across the span of time. In Rome, British consumers struggled when traditional histories were problematized by emerging scholarship and archaeology. In London, …

Famed Communities: Trojan Origins, Nationalism, And The Question Of Europe In Early Modern England, Joseph Bowling

Dissertations, Theses, and Capstone Projects

Throughout medieval Europe, royal families traced their genealogies back to the ancient Trojans. Beginning in the Carolingian court, this practice persisted into the early modern period, when narratives of ancient Troy—from accounts of the war to rewritings of Virgil—saturated literary production. Constituting the translatio imperii tradition, in which civilization “translates” from east to west, these legends of Trojan descent allowed European monarchs to legitimize their authority, or imperium, as derived from the Roman Empire, which Virgil famously celebrated as descending from Trojan Aeneas. This tradition formed what I call feudal cosmopolitanism: an affiliation among nobility premised on shared descent …

“Community In Solitude”: The Solitary Self, Social Critique, And Utopian Longing, Colin S. Macdonald

Dissertations, Theses, and Capstone Projects

This dissertation argues that the discourse of solitude in early modern English literature was used to construct a fantasy of resistance to political and social corruption and internecine conflict. Furthermore, the rhetoric of solitude and the positioning of oneself as an outsider, as “uniquely separate from society,” in Andrew Bennett’s terms, led to the development of an early modern authorial identity in opposition to the world, opening a space that allowed social critique and utopian desire to flourish. The notion of disengaged resistance, or what we might call disengaged engagement, is the key component of the rhetoric and practice of …

Symbols Purely Mechanical: Language, Modernity, And The Rise Of The Algorithm, 1605–1862, Jeffrey M. Binder

Dissertations, Theses, and Capstone Projects

In recent decades, scholars in both Digital Humanities and Critical Media Studies have encountered a disconnect between algorithms and what are typically thought of as “cultural” concerns. In Digital Humanities, researchers employing algorithmic methods in the study of literature have faced what Alan Liu has called a “meaning problem”—a difficulty in reconciling computational results with traditional forms of interpretation. Conversely, in Critical Media Studies, some thinkers have questioned the adequacy of interpretive methods as means of understanding computational systems. This dissertation offers a historical account of how this disconnect came into being by examining the attitudes toward algorithms that existed …

Newspeak Warrants New Thought: Orwell's Nineteen Eighty-Four And Linguistic Determinism In Nazi Language, Barry Rogenmoser

The Review: A Journal of Undergraduate Student Research

No abstract provided.

Connected Spirits: Adolescent Females And Animal Agents, Elizabeth A. Parrish

English Department Theses

The novels The Member of the Wedding by Carson McCullers and The Welsh Girl by Peter Ho Davies create a unique opportunity to investigate human and animal relationships given the similarity of their time frames and main characters. Both novels feature adolescent females struggling to resolve their identities against the backdrop of WWII. Frankie Addams in The Member of the Wedding and Esther Evans in The Welsh Girl share the additional characteristics of deceased mothers, distant fathers, and contacts with animals. Because these books are bildungsromans, they permit a comparative analysis as separate experiments in feminine growth with attention …

"A Crack In The Ice": Attachment And Insanity In Pink Floyd's The Wall, Margaret E. Geddy

Honors College Theses

Pink Floyd’s concept album The Wall follows a musician named Pink from adolescence to adulthood as he struggles to maintain his sanity while searching for a genuine connection "on the thin ice of modern life." This paper analyzes several aspects of the album to trace the character’s break with reality and what he comes to realize, such as all of the lyrics, the track-listing and the side each song appears on, and any non-musical background noise. Through the lens of Attachment Theory, a type of developmental psychology, the inevitability of Pink’s descent into madness is shown, as is how his …

Satyrs, Syphilis, And Sailors: The Influence Of Gaius Petronius’ Satyricon Liber On Samuel Taylor Coleridge’S “The Rime Of The Ancient Mariner”, Spencer Fugate

English Honors Projects

For generations, Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner” has befuddled readers. This project argues that many of its apparent puzzles disappear once we recognize its base text as the Satyricon Liber, Gaius Petronius’ first-century vulgar comedy. Attending to Coleridge’s broader literary corpus alongside images of sexual dysfunction in “The Rime” itself to justify this foundational claim, I then explore how a comic source transforms the reader’s experience of “The Rime” and its criticism. “The Rime” refutes cohesive readings as a horror-poem because it was never intended as pure horror: rather, the poem is Coleridge’s attempt to modernize …

A Frame More Beautiful Than The Picture: How The Frame Story Dominates The Narrative In “Habent Sua Fata Libelli.”, Matt Cowden

Modernist Short Story Project

A frame story is a popular literary technique used by modernist authors such as Joseph Conrad and P.G. Wodehouse. Despite this, there as been relatively little scholarly attention given to the function of the frame story on the narrative. Telling a story within a frame can completely change the emotion and themes of a story, and as such should be considered an any analysis of these stories. An example of a story where the frame completely changes the story is “Habent Sua Fata Libelli,” told by a man who claims to have been wrongfully accused of forging a Greek vase, …

Serving Two Masters: The Paralysis Of Early 20th-Century Women In A. E. Coppard’S “The Hurly-Burly”, Juliana Avery

Modernist Short Story Project

The theme of paralysis is evident throughout early twentieth-century British literature. Consider Joyce’s “Eveline,” in which a young woman cannot make up her mind about whether to go with her lover to South America or stay behind with her father. Eventually she stays behind, not of her own volition but rather because she is paralyzed by not knowing what her duty is, and so she cannot take the decisive step onto the boat. Joyce’s language shows this paralysis: “She stood among the swaying crowd” (15). Everyone can move but Eveline As Frank calls out to her from behind the barrier, …

E.M Forster: Discovering Connection In “Mr. Andrews”, Janelle A. Benny

Modernist Short Story Project

E.M. Forster was well accomplished in his career for his novels and their accomplishments. His writing career started early in life and found great success, yet, often his short stories went unnoticed. Dominic Head explains that critics found his stories to be “lack luster” in comparison to his novels (Head 77). However, this exact quality is what makes Forster’s stories memorable. Head argues that Forster’s short stories approach modernism different from his novels and other writers of the time (77). One such forgotten story is called “Mr. Andrews.” Found in the illustrated magazine The Open Window, Forster’s short story …

The Saddest Story And Ford’S Phobias And Sicknesses, Instable Sentimental Life And Respect Toward The Military., David Moraza

Modernist Short Story Project

By the time Ford Madox Ford published “The Saddest Story,” his name still was Ford Madox Hueffer. He changed his name because it sounded too German; in fact, his father was a German.Ford Madox Ford, we see, was not a careless man; he took things seriously, giving up on his name to fit in society best. He was in close relationship to a lot of important people, Russian politicians, among them, famous authors such as Wells; he was not an average citizen with average acquaintances. Again, we could say Ford was never a conformist; as we look at his work, …

Harold Monro’S “Parcel Of Love”: An Expression Of Monro’S Homosexuality, Mitchell Holman

Modernist Short Story Project

Harold Monro was both an excellent writer and a talented entrepreneur. Born March 14^th, 1879 to Edward William Monro, and Arabel Sophia, Monro came from a long line of well-established men, many of which were doctors and surgeons. He would not follow the family medical tradition, and instead pursued a career as a writer and editor. He worked for a time as an editor for “The Poetry Review,” and would later establish the Poetry Bookshop in Bloomsbury, where he went on to publish his own work and the work of many other up-and-coming authors. Monro’s love life was …