Literature in English, British Isles Commons^™

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

‘Such Editorial Liberties’: Scott And The Textual Afterlives Of Thomas The Rhymer, David Selfe

Studies in Scottish Literature

This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott's version of the ballad "Thomas the Rhymer" (or "True Thomas") tracing the ballad's history within the social context of its reception, and then comparing Scott’s version with the orally-transmitted version "Thomas Rhymer and the Queen of Elfland",written down by Anna Gordon Brown in 1800, for differences both in wording and in punctuation choices as the “apologetic apostrophe,” to suggest how such textual traces show the changing relationship between textual form and textual function. [essay still in final proof stage]

Twilight Histories: The Waverley Novels And George Eliot’S Fictions Of The Recent Past, Camilla Cassidy

Studies in Scottish Literature

Discusses the influence of Scott's Waverley novels on George Eliot, as novels set in recent history, drawing on Eric Hobsbawm's idea of a "twilight zone between history and memory" to examine Eliot's Adam Bede and The Mill on the Floss, and to argue that Eliot in reworking Scott's reimagining of this recent-historical "time-lapse" articulates a psychological experience of historical transition and modernisation.

Amédée Pichot And Walter Scott’S Parrot: A Fabulous Tale Of Parroting And Pirating, Céline Sabiron

Studies in Scottish Literature

Describes the background and origin of Le perroquet de Walter Scott (Paris, 1834), by the French writer and translator Amédée Pichot, who had visited Scott (and Scott's home at Abbotsford) in 1822, discussing the complex interrelationship in Pichot's work between parody, translation, and piracy, and also considering more briefly Pichot's work as anticipating the better-known parrots in Flaubert and Julian Barnes.

Allegories Of The Heart, Fiona Robertson

Studies in Scottish Literature

"Allegories of the Heart" uses allegory (or "telling otherwise") as a means of investigating Scott’s presence in literary works which do not specifically adapt or rework his texts, arguing that this is an underexplored area of imaginative and figurative engagement with Scott’s work. Key texts are The Heart of Mid-Lothian, The Monastery, and Hawthorne’s fictions "Earth’s Holocaust" and The Scarlet Letter.

Croftangry’S Castle And The House Of Usher: Scott, Poe, And ‘Decayed And Lingering Exotics’, George S. Williams

Studies in Scottish Literature

Discusses Poe's reading of Walter Scott, specifically through parallels of plot, setting, phrasing and imagery, between Scott's Chronicles of the Canongate, 1st series (1827) and Poe's short story "The Fall of the House of Usher" (1839), arguing that the two works share psychological preoccupations, also present more widely in the prose works of the writers.

Walter Scott And Comics, Christopher Murray

Studies in Scottish Literature

A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.

Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray

Studies in Scottish Literature

Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project

Contributors To Ssl 44.2

Studies in Scottish Literature

No abstract provided.

The Desire To Escape And The Inability To Follow Through In James Joyce’S Dubliners, Alyssa M. Wheatley

LSU New Orleans Theses and Dissertations

In my research, I will examine James Joyce’s Dubliners as a collection of stories that is unified by an ongoing theme; escape or the desire to escape. In the collection, the want or need to escape serves a major purpose throughout the characters and their lives. This thesis explores five stories that share this theme in particular: “The Sisters,” “Eveline,” “Araby,” “An Encounter,” and “The Dead.” Each story will be discussed in the context of how each story progresses from a want to an actual escape. In addition, the thesis also considers how these stories exhibit a progression towards isolation …

The Plot Thickens : Illustrated Victorian Serial Fiction From Dickens To Du Maurier, Mary Elizabeth Leighton, Lisa Surridge

Ohio University Press Open Access Books

In the early 1800s, books were largely unillustrated. By the 1830s and 1840s, however, innovations in wood- and steel-engraving techniques changed how Victorian readers consumed and conceptualized fiction. A new type of novel was born, often published in serial form, one that melded text and image as partners in meaning-making.

These illustrated serial novels offered Victorians a reading experience that was both verbal and visual, based on complex effects of flash-forward and flashback as the placement of illustrations revealed or recalled significant story elements. Victorians’ experience of what are now canonical novels thus differed markedly from that of modern readers, …

Introduction: Reworking Walter Scott, Daniel Cook, Lucy Wood

Studies in Scottish Literature

An overview of Walter Scott's contemporary celebrity and evolving reputation, of scholarship on his afterlives, of the way his work has been reshaped in a variety of settings and media, and of the essays collected in this special issue.

Romantic Theology As Revelation Through Tom Bombadil And Goldberry In Tolkien’S The Lord Of The Rings, Brandon Best

Augsburg Honors Review

In J. R. R. Tolkien’s The Lord of the Rings, Tom Bombadil initially appears to be merely an eccentric, episodic character. Yet, upon close reading his enchanting spirit embodies moral significance throughout the trilogy when members in the war against Sauron recall his spirit in moments of hope and despair. Though he only appears to the Hobbits within the Old Forest, Bombadil represents ideals present throughout the entire story. As Tolkien wrote, “[Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he …

Frankenstein: A Feminist Interpretation Of Gender Construction, Jackie Docka

Augsburg Honors Review

There is a long history of exploring Frankenstein through a feminist lens. A historical examination that explores Mary Shelley’s life and the literature that influenced her writing is key to understanding the feminist elements of Frankenstein. Additionally, this paper will call upon Judith Butler’s concept of gender performativity to examine the ways in which Victor’s monster constructs his own gender identity based upon his creator’s own flawed masculinity. Victor’s gender expression is defined by the time period in which he was created and also by the masculine literature of the time. While masculine literature helped to define both the monster’s …

A Poetics Of Temperance: Gender, Genre, And Meaning-Making In Early Modern England, Cristina Maria Rosell

LSU Doctoral Dissertations

For several hundred years, the scholarly discussion of temperance was dominated by the legacy of classical models. This dissertation, titled A Poetics of Temperance: Gender, Genre, and Meaning-Making in Early Modern England, develops said discussion in a new way by forging a language about ethics and aesthetics into a poetics of temperance. The term poiesis derives from Greek and signifies “to make, create, produce” (OED). Accordingly, Aristotle uses the Greek poietes, “from which our word ‘poet’ derives,” to denote a “maker” (Murray xxxii). In brief, this project understands the role of women in emergent genres as …

How The ‘Abortion Miracle’ Motif In Medieval Irish Hagiographies Structured Gender Roles In Relation To Female Reproductivity And Sexual Sin, Lora Lynn Horner

Essential Studies UNDergraduate Showcase

Four Irish Saints are accredited to performing abortions, otherwise known as the ‘Abortion Miracle’ motif. These four Saints are St. Brigid of Kildare, Ciarán of Saigir, Áed mac Bricc, and Cainnech of Aghoboe. In each of these four Saints lives they share a similar motif in which they bless a mother’s womb resulting in the mother no longer being pregnant. These ‘abortion miracles’ created structured gender roles in which a masculine figure would partake in the intervention of a female and a female’s reproductivity. The intervention of the Saints would come when the women would start to become visually pregnant …

Immortal Melancholia: A Psychoanalytical Study Of Byronic Heroes, Kathryn Frazell

Dissertations, Masters Theses, Capstones, and Culminating Projects

This culminating project examines Byronic heroes using psychoanalytic theory across four case studies in media, including classic literature, theater, film, and television. The Byronic hero is a literary archetype inspired by the poet George Gordon, Lord Byron (1788-1824). Typical characteristics include angst, arrogance, cunning intelligence, criminality, desire, passion, dominance, and otherness. The characters I have chosen to study include Mr. Rochester from Jane Eyre (1847), the Phantom from the 2004 film The Phantom of the Opera, James Bond from the 2012 film Skyfall, and Damon Salvatore from the hit television series The Vampire Diaries (2009-2017). Through examining the …

A Critical Exploration Of Costume Design Possibilities In Tolkien’S Legendarium, M. Grace Costello

Apparel Merchandising and Product Development Undergraduate Honors Theses

Tolkien’s Legendarium has in many ways codified modern fantasy. Illustrations and film adaptations of it have had far-reaching consequences on popular culture, building an 80-year tradition of visual depictions of Tolkienesque fantasy. Particularly, Elven characters are usually depicted wearing costume inspired by Victorian notions of Western medieval costume. In this paper I seek to approach the design of original costume for the Ñoldor from a different perspective, free from the established traditions of other designers’ and illustrators’ work.

The preliminary research focuses on searching the source materials of the Silmarillion and select texts from the Histories of Middle Earth. I …

Preface To Ssl 44.1, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Brief introductory comments on the inclusion of comparative studies in Studies in Scottish Literature, and, through a reference to G.S. Fraser's poem "Meditation of a Patriot" (1944), on how perspectives on Scottish-Russian literary interrelationships changed from the 19th to the 20th centuries.

Introduction: Scotland And Russia Since 1900, Anna Vaninskaya

Studies in Scottish Literature

Introduces the project "Scottish-Russian Cultural Relations since 1900," based at the University of Edinburgh, the series of related symposia in Edinburgh, Dundee and Aberdeen, and its extensive web-site of translations and other resources, and provides a brief narrative of cultural interactions between Scotland and Russia in the twentieth and twenty-first centuries, including such key examples as the Russian presence at the Glasgow International Exhibition of 1901, Korney Chukovsky's account of visiting Scottish troops in 1916, and the the Scotland-USSR Society's welcome to the Russian Burns translator Samuil Marshak and Burns biographer Anna Elistratova during the International Burns Festival of 1955.

Translations Of Robert Burns In The Russian Book Market: The Old And The New, Natalia Kaloh Vid

Studies in Scottish Literature

Discusses the influence of Samuil Marshak's long-dominant Russian translations of Robert Burns's poems and the more recent anthologies and translations that "broke the Marshak monopoly," and briefly examines why, in publishing terms, the Marshak translations are still the most widely available.

Scottish Demotics And Russian Soul: Liz Lochhead’S Adaptation Of Chekhov's Three Sisters, Ksenija Horvat

Studies in Scottish Literature

Explores theatrical issues and theoretical approaches to translating, adapting and staging Chekhov's classic play Three Sisters, through adaptations by the Irish playwright Brian Friel and (briefly) the Scot John Byrne, and then discusses more fully the adaptation by Liz Lochhead, premiered at the Royal Lyceum Theatre, Edinburgh, in 2000.

‘The Shadow And The Law’: Stevenson, Nabokov And Dostoevsky, Rose France

Studies in Scottish Literature

Discusses Vladimir Nabokov's comments in lectures at Cornell praising Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde while condemning Fyodor Dostoevsky's Crime and Punishment, and compares the two novels' treatment of the double in their central character with Nabokov's Humbert Humbert in Lolita.

'Like Pushkin, I': Hugh Macdiarmid And Russia, Patrick Crotty

Studies in Scottish Literature

A detailed discussion of the poetic development of the Scottish poet Hugh MacDiamid (1892-1978), drawing on research for the forthcoming Complete Collected Poems of Hugh MacDiarmid to chart the changing ways in which he encountered, read, and responded to Russian writing, philosophy and culture in different phases of his career.

Contributors To Ssl 44.1

Studies in Scottish Literature

No abstract provided.

‘Presume Not That I Am The Thing I Was’: Altering Perceptions Of The Disabled Via The Staging Of Disability In Early Modern England, William Nyfeler

All NMU Master's Theses

Attitudes toward people with physical or mental disabilities have varied throughout history. Each society collectively defines what is considered normal and abnormal, and those values change over time. Many cultural factors impact how much these views change, including the dominant social philosophies and religions of an era. In Early Modern England, the rise of large public theaters and an increasingly permissive society contributed to the development of plays becoming a powerful tool for swaying public opinion.

Using this new pulpit, Shakespeare and his contemporaries staged plays that often depicted disability and deformity in negative ways, including the implications that a …

“I’Ve Been Given The Wrong Mother:” Reconsidering Absent Mothers In Postmodern British Literature, Amanda G. Sawyers

Electronic Theses and Dissertations

Nineteenth-century British authors, in particular, Charles Dickens, Charlotte Bronte, and Jane Austen, often turned to orphaned children as a means to drive the plot of their novels. While struggles such as displacement were often accurately depicted, the abovementioned authors and their contemporaries often glossed over or completely disregarded the trauma and psychological implications felt by these orphans. As psychology gained prominence as a discipline through the works of Sigmund Freud and others, modern British literature saw a shift in its consideration of orphans and, additionally, emotionally absent mothers. This thesis will examine three modern British novels; Ian McEwan’s Atonement, …

From Meyerhold And Blue Blouse To Mcgrath And 7:84: Political Theatre In Russia And Scotland, Rania Karoula

Studies in Scottish Literature

Discusses the 1920s Russian political theatre movement Blue Blouse, as seen in 1926 by the American Hallie Flanagan (later director of the Federal Theatre Project), the Scottish radical theatre group 7:84, the Scottish company's successful Russian tour in 1982, and parallels between the two in approach and staging as analysed by 7:84's John McGrath.

Review Of Charlotte Lennox: An Independent Mind By Susan Carlile, Alexis Mcquigge

ABO: Interactive Journal for Women in the Arts, 1640–1830

This article reviews Susan Carlile's recent biography of Charlotte Lennox, Charlotte Lennox: An Independent Mind. Because much of Lennox's life story, and many of her works, remain mysterious to contemporary readers, Carlile's work highlights some unique and important aspects of the life of a - at least in the eighteenth- and nineteenth-centuries, a celebrated literary minds. Carlile's work is an important and necessary addition to the study of women's writing in the period, and contributes a great deal to those studying the works of Charlotte Lennox.

Review Of Royal Shakespeare Company Production Of Mary Pix’S The Beau Defeated, Retitled The Fantastic Follies Of Mrs. Rich, Aparna Gollapudi

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jo Davies’s reprise of Mary Pix’s comedy The Beau Defeated, Or The Lucky Younger Brother,performed by the Royal Shakespeare Company at Swan Theatre in Stratford-upon-Avon under the title The Fantastic Follies of Mrs. Rich refocuses the comedy from its original engagement with primogeniture and middling class masculinity towards the female characters. It also diffuses Pix’s Whiggish moralism in Mrs. Rich's portrayal, highlighting instead her energy and verve. Overall, a very successful production, the performance is more Restoration comedy than the transitional work that Pix's play was when it opened in 1700.