Literature in English, British Isles Commons^™

Divided Loyalties: Family And Consent To Marriage In Late Middle English Literature, 1300–1500, Jennifer R. Alberghini

Dissertations, Theses, and Capstone Projects

Studies of marriage and family can help us learn how medieval women lived. This dissertation focuses on “consent theory,” which explains the medieval definition of marriage. According to the Church, a marriage was made valid by the couple’s consent, not outside pressures. This theory, as we might expect, conflicted with practice: children—daughters especially—were expected to be obedient to their parents and marry approved partners.

Medieval England’s legal system came down on both sides of the issue. Rape accusations were made by parents who disapproved of their daughter’s choices, and court cases evaluated the validity of a marriage made without parental …

Revolutionary Joy: Affect, Expression, And Community In Milton's England, Stephen Spencer

Dissertations, Theses, and Capstone Projects

To express joy in revolutionary England was deeply paradoxical. English Protestants frequently described the experience as indescribable, owing more to the agency of God’s grace than the subject’s will. And yet, the public expression of joy was considered a Christian duty, an important means of affirming and galvanizing community. In Revolutionary Joy: Affect, Expression, and Community in Milton’s England, I argue that the constitutive paradox of Protestant joy renders its expression a potent form of political speech amidst mid-seventeenth century transformations to the English church, monarchy, and parliament. In an era where apocalyptic expectation put pressure on affective experience …

Demonic Pedagogy And The Teaching Saint: Voice, Body, And Place In Cynewulf's Juliana, Christina M. Heckman

Medieval Feminist Forum: A Journal of Gender and Sexuality

In Cynewulf’s Old English poem Juliana, the saint frames her encounters with her adversaries as pedagogical confrontations, refusing the lessons they attempt to “teach” her and ultimately adopting the identity of a teacher herself. These confrontations depend on three key tropes in the poem: Juliana’s voice, as a material manifestation of language deployed by the saint; her body, both as living body and as relic; and place, especially the place of the saint’s martyrdom and/or burial. Viewed through theories of material feminism, these tropes reveal diverse forms of agency in the poem, as both human and non-human agents make …

Chaucer's Pardoner: The Medieval Culture Of Cross-Dressing And Problems Of Religious Authority, Larissa Tracy

Medieval Feminist Forum: A Journal of Gender and Sexuality

One of the most ambiguous and contentious characters in Geoffrey Chaucer’s fourteenth-century Canterbury Tales is the Pardoner, the last (and arguably worst) of the pilgrims described in the General Prologue. The Pardoner accused of being a gelding or a mare endowed with several effeminate traits, plays on multiple gendered associations—including that of a cross-dressing woman. Throughout the Canterbury Tales Chaucer manipulates gender expectations and assumptions in the figure of the Pardoner without fully clarifying the Pardoner’s sex, sexuality or gender, leaving the text open to potentially subversive interpretations. By the fourteenth century, cross-dressing was a relatively common literary motif, …

“A Drunken Cunt Hath No Porter”: Medieval Histories Of Intoxication And Consent, Carissa M. Harris

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay traces medieval representations of intoxication and consent and links them to contemporary cases, including Brock Turner’s 2016 rape trial and the 2017 slew of lawsuits filed against Baylor University. Through an examination of medieval texts from a range of genres, including the Biblical stories of Lot and Noah, the Digby Mary Magdalene play, proverbs, Geoffrey Chaucer’s Wife of Bath’s Prologue, the 1292 legal case of Isabella Plomet, and Robert Mannyng’s Handlyng Synne, this essay explores past views of gender, perpetrators, culpability, alcohol, and consent. It argues that victim-blaming those who have been assaulted while intoxicated has …

Queer Pregnancy In Shakespeare's Plays, Alicia Page Andrzejewski

Dissertations, Theses, and Capstone Projects

Bringing together queer and feminist theory, this dissertation examines Shakespeare’s representations of pregnancy divorced from their promised duration and promised end, revealing that the pregnant body is not wholly symbolic of futurity, chastity, or even heterosexual desire. In queer readings of Shakespeare’s plays and in the methodological debates that inform them, the pregnant body has been conspicuously absent, despite being often subsumed into definitions of heteronormativity and procreative reproduction. In feminist work on Shakespeare’s pregnant characters, scholars largely conflate pregnancy with maternity instead of considering the ways in which these women might engage in non-heterosexual forms of intimacy and eroticism. …

Losing Faith: Emily Brontë'S Revolutionized Religion, Emily Renee Holmes

Graduate Theses and Dissertations

“Losing Faith: Emily Brontë’s Revolutionized Religion” discusses the role of religion in her novel Wuthering Heights and her poems set in the mythical world of Gondal. Through close readings of both her prose and poetry, this paper seeks to understand the relationship between the dark, vindictive nature of Brontë’s characters and their hopeful ending. The first chapter, Here’s The Situation, discusses the situation as set up by the novel, focusing specifically on Catherine and Heathcliff. I discuss the violence and codependence of their relationship, their Gondal predecessors, their fascination with each other as well as their torment when apart, and …

"We Are Strangers In This Life": Theology, Liminality, And The Exiled In Anglo-Saxon Literature, Nathan John Haydon

Graduate Theses and Dissertations

In “‘We Are Strangers in this Life’: Theology, Liminality, and the Exiled in Anglo-Saxon Literature,” I analyze the theme of exile in the theological literature of the Anglo-Saxon era as a way of conveying the spiritual condition of eschatological separation. The anthropological theory of liminality will be applied in this dissertation as a way of contextualizing the existence of the exiled, and the multiple ways in which exile is enacted. The intervention of the theory of liminality in this dissertation offers a methodology and vocabulary for assessing what exile means in terms of a spiritual identity, how it operates in …

On The Variations Of 'Occupatio' In "Richard Ii", William Kelly Reeder

Graduate Theses and Dissertations

Recent scholarship of Shakespeare’s Richard II has been interested in or preoccupied with its historical relations. Particularly the plays association with the Essex Rising of 1601, and the censorship of the deposition scene, both of which seem to resonate for history with Elizabeth’s enigmatic comment expressing her identification with Shakespeare’s portrayal of Richard II.

This paper proposes to resolve the question of the play’s censorship by interpreting the deposition scene as a dramatization of transubstantiation, perhaps triggering Elizabethan censors.

Transubstantiation is the doctrine by which the Catholic Church interprets the Eucharist using the distinction between substance and accidens (eternal and …

Monstrous Mobility In Dr. Jekyll And Mr. Hyde And Dracula, Autumn Danielle Weese

Graduate Theses and Dissertations

This thesis explores Late Victorian Gothic texts that are central to theories on monstrosity in terms of mobility by examining Dr. Jekyll and Mr. Hyde and Dracula. The goal of this project is to survey the ways in which two exemplary monsters, Mr. Hyde and Count Dracula, promote mobility for others and themselves as an inherent part of their monstrosity. The variety of this mobility is demonstrated by examples showing how monsters move and encourage movement in ways that are social and transformative as well as physical. Because social mobility is essential to these movements, this study also considers the …

Feeling Clumsy, Feeling Alien: Gender And Affect In Victorian Sensation Fiction, Gracie Mae Bain

Graduate Theses and Dissertations

“Feeling Clumsy, Feeling Alien: Gender and Affect in Victorian Sensation Fiction” explores the interactions between the shock of reading sensation fiction and the affective potential of the genre using Sara Ahmed’s definition of the killjoy and the affect alien. The sensation genre, as explained in its name, is potentially useful when thinking about affective ties in the Victorian period. The first chapter, “Tracing Sensations: Finding and Following the Killjoy” explores the affective footwork that readers of sensation fiction are asked to perform in their sympathetic process with the female villains and fallen heroines. Affective tools employed by sensational fiction create …

“A Woman’S Story”: Lady Macbeth And Performing Femininity In The Early 1600s – Late 1900s, Phyllis Lebert

Graduate Theses and Dissertations

This paper uses gender studies to understand the themes of gender performance further, and more specifically, femininity, in Shakespeare’s Macbeth. It also explores the many ways feminine gender performance has changed as society has changed. Thus, proving gender is performative rather than innate. It does this by examining first the text within the context of Elizabethan society. Moreover, by examining three pivotal performances of Lady Macbeth through history within the context of their social structures as well. The three performances are that of Sarah Siddons in the Late 18th Century, Ellen Terry in the 19th Century, and Judy Dench in …

Folklore-In-The-Making: Analyzing Shakespeare's The Tempest And Adaptations As Folklore, Heather Talbot

Student Works

This paper explores the similarities between folklore and Shakespeare's play,The Tempest. Not only is The Tempest an example of a folkloric story, this paper looks at how this play calls to attention the importance of story and the need for story to adapt in order to survive. Folklore is an oral tradition that is living, or continually adapting. Shakespeare's plays, while written are also performances which can be adapted through interpretations and by adapting to new genres. It is this adaptability which allows Shakespeare's works to continue to thrive and it is this adaptability which will determine how …

Strict Restraints: Abstinence's Gender Problems In Measure For Measure, Joseph Makuc

History Honors Papers

Shakespeare’s Measure for Measure poses questions about sexual coercion and governmental corruption that resonate today. Recent scholarship has examined sexual abstinence in Measure for Measure in terms of its historical economic and religious context regarding Isabella. However, Angelo and the Duke, the play's other central characters, also make claims about the value of abstinence. I put these characters’ claims into dialogue with Judith Butler’s theory of gender performativity and extensive scholarship on Shakespearean England. I argue that abstinence is the axis around which Measure’s main characters revolve, and that Measure locates these characters’ abstinences as competing performances of manhood and …

Music, Shakespeare, And Redefined Catharsis, Megan Jae Hatt

Student Works

The definition of catharsis has changed since the time of Aristotle. A person does not only experience catharsis out of pity or fear from theatric tragedies; they also experience it through laughter, love, and simply immersing themselves into the emotions presented by different forms of media. This essay reviews the catharsis one can experience through contemporary music and Shakespeare as they become submersed in the emotions and spectacle of each respective media. In this essay, I compare and contrast contemporary music and Shakespeare text and performance in order to relate them to this new definition of catharsis by including different …

“More Free Than He Is Jealous”: Female Agency And Solidarity In The Winter’S Tale, Stacey K. Mooney

The Review: A Journal of Undergraduate Student Research

No abstract provided.

Children As The Power Of Shakespeare, Samantha Rowley

Student Works

An dive into how children are used in Shakespeare’s plays and sonnets. While there has been some extensive research on numerous of Shakespeare’s minor characters, some of his other characters, the minors, have been focused on less. Because they fly under the radar, Shakespeare uses these “minor” characters in order to subtly manipulate his audience, using them as a source of pathos in much the same way adults use children to manipulate audiences while silencing the actual opinions of the children they claim to represent. However, though he may often use children for this effect due to their fragility, Shakespeare …

Politicized Identity In Peter Ho Davies's The Welsh Girl And The Fortunes, Savanna S. Batson

English Department Theses

This thesis explores the effects of politicized identities on the basis of particular aspects of an individual’s being, such as gender, ethnicity, or nationality in Peter Ho Davies’s novels The Welsh Girl (2007) and The Fortunes (2016). By carefully studying each of his protagonists within the context of the particular time and place in which they have come of age, and are now living, this thesis demonstrates how Davies engages with themes of identity, community, and alienation relative to the specific socio-cultural matrix that informs the politicization of identities at their time. It explores how Davies’s characters undergo the process …

Beyond Marital Bliss: A Redemption Of Motherhood In Jane Austen, Destiny Cornelison

English MA Theses

Though the mother figures in Jane Austen’s novels are often written off as ridiculous or unlikeable, this thesis posits that the mothers of Pride and Prejudice, Sense and Sensibility, and Mansfield Park are written as they are in an intentional effort on Austen’s part to condemn the society that forced them into roles of ridiculousness or stinginess. Their inconsistencies highlight the unattainable standards placed on mothers by society as a whole and their eccentricities are the result of a lack of outlet for feminine energy. Character studies of the women of these novels illustrate that they are not …

The Divinity That Shapes Our Ends: Theological Conundrums And Religious Scepticism In Hamlet, Kyler Merrill

Student Works

This paper proposes that Shakespeare deliberately incorporated speculative theology into Hamlet to stimulate religious scepticism. It explores the troubling implications of the ghost’s behaviour, cinematic adaptations of the murder testimony, and the characters’ moral failings in the purportedly Catholic cosmos of Elsinore.

On The Shoulders Of Humphrey Carpenter: Reconsidering Biographical Representation And Scholarly Perception Of Edith Tolkien, Nicole M. Duplessis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In his obituary for Carpenter, Douglas A. Anderson reviews Carpenter’s “long and complex” involvement with the subject of his 1977 authorized biography, indicating that “with [Carpenter’s] passing it is time to begin to assess his changing perspectives on Tolkien and on his own Tolkien-related work.” Since its publication, Carpenter’s biography of Tolkien, which Anderson calls “an excellent book. . . unusually accurate more than a quarter of a century after it was written, despite many advances in Tolkien scholarship” remains a largely unquestioned authority, its influence so entrenched as to be virtually invisible. As a result, scholarship on Tolkien, from …

Gunslinger Roland From Yeats’S Towers Came(?): A Little-Studied Influence On Stephen King’S Dark Tower Series, Abigail L. Montgomery

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This essay has two major goals. Its general aim is to join the growing body of scholarship that takes Stephen King’s work seriously as literature in its own right and in conversation with other, traditionally canonical, works. This essay specifically does so by examining the apparent, though unreferenced, influence of William Butler Yeats’s poems “The Tower” and “The Black Tower” on King’s longest, strangest, most challenging and most self-referential work—the Dark Tower series. King references Yeats elsewhere in his fiction, and a rich, non-linear intertextuality connects the Dark Tower series to much of the rest of King’s work. Taking this …

Binding Them All (2017), Ed. By Monika Kirner-Ludwig, Stephan Köser, And Sebastian Streitberger, Anna Smol

Journal of Tolkien Research

Book review by Anna Smol of Binding Them All (2017), ed. by Monika Kirner-Ludwig, Stephan Köser and Sebastian Streitberger

Raising Cain: Interrogating Monstrosity In Beowulf, Victoria Pan

[Archive] Belmont University Research Symposium (BURS)

In this paper, I explore the implications of the narrator in Beowulfdescribing Grendel as the "son of Cain." I use this reference as it applies to Beowulf, Grendel, and Grendel's mother, to interrogate what exactly it means to be a monster, and who gets to place this designation on others. What I find is ultimately, there is no true system behind who is the monster and who is the hero: one is simply favored by society, accepted as part of their "normal," and one is not. By walking through a series of parallels between Beowulf and Grendel, who both inherit …

Subverting The Patriarchy And Its Ties To Feminism: Du Maurier And Her Adaptations, Samantha Koller

KUCC -- Kutztown University Composition Conference

This paper describes the common (mis)reading of Daphne Du Maurier's Rebecca as upholding Victorian patriarchal values and attempts to demonstrate that the novel is indeed feminist and acts as a critique and subversion of those patriarchal standards; it then examines the film and stage adaptations of Rebecca, demonstrating via comparison to the original medium that feminism has begun to affect other cultural interpretations and depictions of the narrator, Mrs. Danvers, and Rebecca herself.

“‘Hel-Heime!’: The Daring Love Between Men In Dome Karukoski’S Tolkien”, Christopher Vaccaro

Journal of Tolkien Research

This article briefly summarizes the homo-amorous connections between members of the T.C.B.S. in the Karukoski's film, Tolkien.

The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu

Studies in Medieval and Early Modern Culture

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …

Milton, Jerome, And Apocalyptic Virginity, Brooke Conti

English Faculty Publications

Milton’s youthful interest in virginity is usually regarded as a private eccentricity abandoned on his maturation. His “Mask” is often read, analogously, as charting the Lady’s movement from temporary virginity to wedded chastity. This essay challenges those claims, arguing that Milton’s understanding of virginity’s poetic and apocalyptic powers comes from Saint Jerome, whose ideas he struggles with throughout his career. Reading “A Mask” alongside Jerome suggests that Milton endorses the apocalyptic potential of virginity without necessarily assigning those powers to the Lady herself. In later works, Milton modifies and adapts Jerome before finally producing the perfect eremitic hero of “Paradise …

Enchantment: A Teleology, Nathanael S. Toth

Senior Honors Theses

Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.

This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …

Deforming Normalcy: Deformity And Disability In William Blake's Art, Seolha Lee

Department of English: Dissertations, Theses, and Student Research

This thesis examines William Blake’s verbal and visual art from the perspective that disability is a physical and mental condition that is viewed by society as deviant. Prior to modern conceptions of disability in Britain, the deviation was labeled as “deformity.” This thesis demonstrates various ways in which Blake illustrates deformity, and through this, prefigures the modern sense of disability in his art. I argue that Blake’s representation of deformity in his poetry and drawings is intended to reveal the precariousness of the “normal” human body and inform the reader and viewer that normality is an illusion. The age of …