Literature in English, British Isles Commons^™

John Donne And The Paradox: An Analysis Of “Batter My Heart, Three-Person’D God”, Lily Daniels

OUR Journal: ODU Undergraduate Research Journal

A paradox is a statement that appears contradictory but ultimately makes sense. “Sonnet XIV: Batter my heart, three person’d God” (1632) by John Donne reflects the many paradoxes within the Bible and Christian faith. Read within the context of his religious beliefs and the rest of the Holy Sonnets, “Batter my heart, three-person’d God” is a poem that exhibits Donne’s theology of God and the process of salvation. The speaker affirms that the power of the triune God is required to break the bonds of sin. He finds freedom from sin in submitting to God’s will, and he finds innocence …

From Major To Minor Characters: The Fallen Woman And Her Female Friends In The Novels Of Wollstonecraft, Hays, And Austen, Anne Mclaughlin

English Honors Papers

In this thesis I argue that Mary Wollstonecraft, Mary Hays, and Jane Austen use female-female friendships, sororal relationships, and depictions of the “fallen” woman in their novels to expose the oppressive nature of patriarchy and marriage for women. Wollstonecraft and Hays were radical in their time, which is represented in their novels that point out marriage’s inequities towards women in regard to divorce laws and custody laws. Focusing on how marriage impacts a woman’s friendships, Austen acknowledges the potentially isolating nature of marriage.

Wollstonecraft and Hays wrote novels that eschew the marriage plot by focusing on how female-female relationships provide …

Death, Discipline, And The Dead: Biopolitical Rhetoric In Early Modern English Texts, Leslie Raybuck Malland

Theses and Dissertations--English

Death, Discipline, and the Dead: Biopolitical Rhetoric in Early Modern English Texts locates allusions to the biopolitical culture of Early Modern England within popular English texts. Through my examination of the period’s fascination with death—public executions, newly-authorized anatomies—and the ways in which death, as well as the treatment of the dead, was authorized by and supported the ideological aims of the state, my research identifies how those themes carry over into the most popular works of the day, reviewing instances of both verbal and nonverbal rhetoric across genres to find allusions to biopower — or, state control of the biological. …

Monstrous And Beautiful: Jungian Archetypes In Wilde’S Salomé, Nayana Rajnish

English (MA) Theses

The subject of my research is the 1891 play Salomé, by Oscar Wilde and my thesis addresses the modern psychological implications of the cultural truths revealed by Wilde's re-vision of the myth of that biblical femme fatale. I argue that in fashioning a tragic heroine out of a female monster figure of “Immortal Vice”, Oscar Wilde created a document that captures two contradictory narratives: one in which Salomé plays the heroine of a tragedy and another in which she performs the role and functions of a villain. By employing Carl Jung's psychology of the archetypes, I am enabled …

Shakespeare’S Deviation From His Predecessors: Aligning "Romeo And Juliet" With Italian Renaissance Marriage Culture, Tara Lynn Hohn

Honors Theses and Capstones

No abstract provided.

The Creature In The Looking Glass: Miltonic Marriage And The Female Self In Breaking Dawn, Jay Wright

Undergraduate Research Awards

Near the close of Breaking Dawn, the final installment of Stephenie Meyer's Twilight saga, Edward asks his new wife Bella a question. “When will you ever see yourself clearly?” (Dawn 744). Bella has no answer for him. Edward's question and, more importantly, Bella's apparent inability to answer is symptomatic of a broader issue throughout Breaking Dawn, in which, even as Bella obtains all that she has desired, her sense of self begins to fracture. Breaking Dawn formalizes Bella’s union with Edward through a series of increasingly binding steps: first through legal marriage, then sexual intimacy and pregnancy, then through vampiric …

Conquering Shame: The Growth Of Virginia Woolf’S Character In Moments Of Being, Ellie Windfeld-Hansen

Global Tides

This paper details the roles that shame, guilt, dread and humiliation play in Virginia Woolf's childhood and early adult life. It examines four key instances during these times in her life in which one or more of these feelings are present. Each of these instances also involves certain distinct family members. These experiences of Woolf's discussed in the paper and the family members with which she interacts strengthen her character and contribute to her unique perception and worldview.

Interlingual Morphology And Wakean Topology, Stephen Valeri

Dartmouth College Master’s Theses

As an example of limit literature (literature that exhausts the entirety of what is possible in a given form), Finnegans Wake has been an inspiration for the theories of figures like Kristeva and Derrida to reveal the structural and linguistic operations of texts generally. In defamiliarizing the processes of word formation, the Wake compels us to attend to morphology’s structuring role in a work. My project focuses on Phillipe Sollers and Stephen Heath’s French translation of part of the concluding section of James Joyce’s Finnegans Wake to observe how the attempt to approximate Joyce’s interlingual morphology in translation contributes to …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Fantastical Worlds And The Act Of Reading In Peter And Wendy, The Chronicles Of Narnia, And Harry Potter, Grace Monroe

Master’s Theses

My thesis explores the relationship between the child reader and the protagonist within fantasy children’s literature. By examining the experience of the protagonist in the text, I am complicating the notion of escapism in children’s literature and offering a new way to look at how children read. Using narrative theory and Freud’s fort-da, I detail how the events within a novel, the danger and catharsis within the plot, show how both the protagonist and the reader use narrative to better understand and cope with anxieties in their worlds. The novels and series that I discuss, Peter and Wendy (1911), …

Enter Invisible: Atavistic Dualism In Shakespeare, Donne, And Milton, Andrew Scott

Master’s Theses

This thesis explores the different ways in which either dualistic or monistic points of view are represented in select works of William Shakespeare, John Donne, and John Milton. I am relying principally on the broad definition of dualism Ioan Couliano utilizes in his book The Tree of Gnosis. Per Couliano, dualism is not necessarily a discrete tenet of a systematized belief; rather, he means by the word to indicate an intellectual tendency toward splitting certain complex ideas—body and soul, God and man, evil and its opposite, etc.—into separate, sometimes opposing parts. This in contrast to monism, which brings into …

‘I Have Had My Vision:’ Visions And The Escape From Expectations In The House Of Mirth And To The Lighthouse, Madison Yardumian

Scripps Senior Theses

“I have had my vision,” Lily Briscoe declares in the triumphant culminating line of To the Lighthouse, indicating the fulfillment of her artistic vision on a project over ten years in the making. In her success, Lily Briscoe disproves those who have told her “women can’t write, women can’t paint” and actualizes her ability to create, all the while rejecting gendered and heteronormative expectations which prioritize heterosexual marriage over her artistic pursuits (Woolf, TL 86). Strikingly, this language of vision also recurs throughout The House of Mirth by Edith Wharton, a text published 22 years after To the Lighthouse, …

Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown

All Master's Theses

This thesis analyzes the changing gender roles of British women who served as caretakers in World War One. Often overlooked for their contributions, the women who worked on the frontlines of the war defined the changing role of women during and after the war in several crucial ways: 1) the general expectations of women’s gender role, 2) how women perceived and acted in motherhood, and 3) how women constructed and maintained heterosexual, homosocial, and platonic relationships. Using a gender theory approach, this thesis analyzes two semi-autobiographical fictional texts, Evadne Price’s Not So Quiet: Stepdaughters of War, published in 1930, and …

Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira

Honors Program Theses

Most scholars agree that author and social activist Charles Dickens (1812-1870) made keen observations on human behavior and societal problems through his works. However, scholars are divided over whether to categorize Dickens and his work as radically reformist or pro-bourgeoisie. Through an analysis of three of Dickens’s texts, A Christmas Carol (1843), Bleak House (1852), and Great Expectations (1861), this thesis demonstrates that Dickens’s works carry contradictory ideologies. As time passes, Dickens becomes disillusioned with capitalism but continues to promote capitalist and bourgeois values and ideologies. The trajectory of Dickens’s views shows the difficulties in imagining different realities outside of …

"It's Odd, Isn't It?": Irony, Breakdown, And Self-Healing In Doris Lessing's The Golden Notebook, Rachel M. Goodner

EWU Masters Thesis Collection

No abstract provided.

Witch Pamphlets, Tsea M. Francisconi

Graduate Student Theses, Dissertations, & Professional Papers

The witch hysteria that overtook Christian Europe during the Early Modern era inspired a mass paranoia over the conspiratorial belief that the Abrahamic religion’s personification of the world’s evils, also known as Satan, the Devil, demons, or Lucifer interchangeably, was attempting to rise up and cause harm to Christian communities during this time period. It was believed that in order to achieve this goal the Christian version of the Devil had been recruiting humans within Christian communities and turning these chosen humans into witches by granting them the ability to wield magical powers to spread their destruction, murder, and terror …

The Moxon Tennyson : A Landmark In Victorian Illustration, Simon Cooke

Ohio University Press Open Access Books

A new perspective on a book that transformed Victorian illustration into a stand-alone art.

Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. …

Madness And Sanity: Wisdom Of Madmen And The Wise Men Madness In The 19th Century, Norah Roudhan

Undergraduate Research Symposium

This research is based on a careful examination of the concept of insanity and reason. In addition to mentioning some examples from the nineteenth century in the literature to illustrate how each of them used the concept of insanity. Despite the different reason for describing each of the above names and personalities as insane, through analyzes and questions posed it becomes clear that insanity in the end may have a different meaning from what today’s concept represent. The research concludes with the main reason behind the presentation of literature to some famous figures of insanity in a manner that reflects …

What Man Artow?: An Exploration Of The Narrator Of The Canterbury Tales, Kimberly Cavalier

Honors Program Theses

“Also I prey yow to foryeve it me, / Al have I nat set folk in hir degree / Here in this tale, as that they sholde stonde; / My wit is short, ye may wel understonde” (Chaucer 35). These are the words written by Geoffrey Chaucer, who is considered the father of English literature, in the prologue to The Canterbury Tales, a work that has survived and remained relevant for over six hundred years. The juxtaposition of a man whose writing turned him into a household name begging his audience to forgive his short wit and lack of …

"To Find Healing In My Wounds": The Transformation Of Memory And Trauma Into Art In J.R.R. Tolkien's The Lord Of The Rings, Graysen S. Russell

EWU Masters Thesis Collection

No abstract provided.

Front Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Contents, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Peace, Love And War: Venus As A Pacifist, Warmonger, And Powerful Woman In Venus And Adonis And The Faerie Queene, Maia J. Janssen

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Path To Piety In Anne Bradstreet’S “Here Follows Some Verses Upon The Burning Of Our House July 10, 1666”, Preston Thompson

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Andersen’S Fairy Tales And The Bildungsroman, Joseph Torres

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Seduction Novel’S Awakening, Julia Francis

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Fracturing The Mirror: Girls Made Of Snow And Glass, Abigael Good

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Margaret Atwood’S The Testaments As A Dystopian Fairy Tale, Karla-Claudia Csürös

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Back Matter, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

The Oswald Review Of Undergraduate Research And Criticism In The Discipline Of English: Volume 23, 2021, Douglas Higbee

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.