Literature in English, British Isles Commons^™

Preface To Ssl 47.2, Patrick Scott, Tony Jarrells

Studies in Scottish Literature

Introduces the issue contents and briefly describes plans for forthcoming issues, and notes the recent deaths of two longtime SSL contributors, Henry L. Fulton (1935-2021) and Edward J. Cowan (1944-2022).

Robert Burns’S Life On The Stage: A Bibliography Of Dramatic Works, 1842–2019, Thomas Keith

Studies in Scottish Literature

This article traces the changing history of how the Scottish poet Robert Burns has been portrayed on stage, both in Scotland and elsewhere, discussing the the issues playwrights have faced and some of the approaches they have used, and provides an annotated chronological bibliography of ninety plays about Burns's life written or first staged between 1842 and 2019, with information on first known performance and on any published versions or known manuscript or typescript, and with brief notes where information is available on the style of the play and critical reaction.

Scott's Last Words, Peter Garside

Studies in Scottish Literature

Walter Scott’s dying words as recounted by J. G. Lockhart, widely accepted by in the Victorian period, have since been seen as largely fabricated. In 1938, H. J. C. Grierson blamed Lockahart’s “pious myth” on a “lady relative” of Scott’s anxious to deflect future detractors who might vilify Scott as irreligious. The concerened lady, unnamed by Grierson, was Mrs Harriet Scott of Harden, one of Scott’s first confidants, early adviser on literary matters, and later nearby neighbour at Mertoun House. Her positive influence on Scott, still underestimated, is hardly that of the “evangelical lady” featured regularly in post-Grierson Scott biographies. …

'We'll Ne'er Forget The People': The Roy Manuscript Of Burns's 'The Dumfries Volunteers', Patrick Scott

Studies in Scottish Literature

A brief illustrated report on an early manuscript of Burns's song "The Dumfries Volunteers ("Does haughty Gaul invasion threat"), now in the Roy Collection, University of South Carolina Libraries, originally sent by Burns to the editor of the Dumfries Journal, and published there on May 5, 1795, but unavailable to Kinsley and other recent editors.

Thomas Pringle Reconsidered, Simon Lewis

Studies in Scottish Literature

Review of Matthew Shum, Improvisations of Empire: Thomas Pringle in Scotland, the Cape Colony and London, 1789-1834. (Anthem, 2020), the first full-length critical study of the Scottish-South African poet, London literary editor, and anti-slavery activist Thomas Pringle, often regarded as "the father of South African poetry."

Walter Scott At 250, Alison Lumsden, Kirsty Archer-Thompson

Studies in Scottish Literature

This essay marking the 250th anniversary of Walter Scott's birth reflects on the current state of Scott studies, the scholarly directions in which it might develop, and ways in which the relevance of Scott’s work may be re-discovered and re-invigorated for contemporary audiences. In particular, it examines scholarly and critical attitudes to Scott's work over the past 50 years through papers given at the triennial international Scott conferences initiated in Edinburgh in 1971, alongside developments in public engagement at Abbotsford House and elsewhere during the 250th anniversary year.

‘Co-Ainm Na Taca Seo An-Uiridh’: Dugald Macnicol’S Caribbean Lament For Argyll, Nigel Leask, Peadar Ó Muircheartaigh

Studies in Scottish Literature

This article examines a Gaelic song written in 1816 in St. Lucia by a Scottish Gaelic-speaking army officer from Argyll, Dugald MacNicol (1791-1844), sketching MacNicol's life and military career in the Caribbean, in the Royal West Indian Rangers and later in the 1st Royals (Royal Scots Regiment), placing the song in relation to other Gaelic poems of emigration and exile, and printing a newly-edited text of MacNicol's song alongside the authors' English translation.

Books Received And Noted, Patrick Scott

Studies in Scottish Literature

Brief notices of selected recent books in the general field of Scottish literary studies; short notice here need not preclude fuller review of some titles in future.

Contributors To Ssl 47.2

Studies in Scottish Literature

Brief biographical notes on contributors to SSL 47.2.

The “Muddle” Of Landscape And Machinery In E.M. Forster’S Howard’S End And A Passage To India: An Ecocritical Reading, Ryan Ignatius Vera

Theses and Dissertations

This is an ecocritical reading of E.M. Forster's A Passage to India and Howard's End. I argue that Forster is concerned with imperial power structures that damaged the environment, as well as the looming aftereffects of the Industrial Revolution on both landscape and the people that reside in it.

Wwa Reflection: Losing Sight, Making Scholarship, Sabrina M. Durso

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Wwa Reflection: “So Near Approach / The Sports Of Children And The Toils Of Men”: Pandemic Labour, Pandemic Imagination, Kathleen E. Lawton-Trask

ABO: Interactive Journal for Women in the Arts, 1640–1830

This reflection calls attention to the idea that the merging of the domestic and the intellectual, while especially intense during the pandemic year of 2020-21, is a familiar conundrum for women especially. It suggests that creativity can emerge from the intensity of domestic labour, noting the domestic mock-heroic poetry that was written by women in 18^th century Britain as a counterpoint to the rise of domesticity, and suggests that (for female academics who are also primary caregivers) scholarly responses and reflections may be easier to bring out of this pandemic moment than scholarly research.

Wwa Reflection: Building Writing Momentum: A Year Of Digital Conferences, Brianna E. Robertson-Kirkland

ABO: Interactive Journal for Women in the Arts, 1640–1830

This reflection, which considers the positive impact of attending online conferences on building writing momentum is in response to the ABO Call for Short Reflections (500-750 words) on Writing and Research during the Pandemic.

Race And Racism In Austen Spaces: Jane Austen And Regency Romance's Racist Legacy, Bianca Hernandez-Knight

ABO: Interactive Journal for Women in the Arts, 1640–1830

Jane Austen is a master of genre, and her allusions and direct references in her Juvenilia and Northanger Abbey show that she is not just a satirist, she clearly understood and even appreciated the works she was often making fun of. So why then are people so reluctant to discuss Austen and Regency Romance, a genre directly tied to Austen’s works? Deeper still, why is there avoidance to critically read Georgette Heyer’s work?

The evolution of Regency-centered fiction cannot be discussed without looking at Heyer, an antisemitic and racist author whose abridged works have worked to overhaul her problematic writing, …

Race And Racism In Austen Spaces: National Trust In Jane Austen’S Empires Of Sugar, Tré Ventour-Griffiths

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Race And Racism In Austen Spaces: Notes On A Scandal: Sanditon Fandom’S Ongoing Racism And The Danger Of Ignoring Austen Discourse On Social Media, Amanda-Rae Prescott

ABO: Interactive Journal for Women in the Arts, 1640–1830

Sanditon fans have used social media more than many other past Jane Austen adaptations to discuss the series and to share news developments about the series. This was partially due to the COVID-19 pandemic preventing in-person marketing and fandom gatherings, but also due to some traditional Austen discussion platforms ignoring or banning pro-Sanditon discussions. White women from the UK and Europe dominated these online communities and set the tone for discussions of the plot as well as news about the series. BIPOC fans repeatedly clashed with white fans because the promises of an “inclusive” community were frequently dashed as soon …

Race And Racism In Austen Spaces: Eroticizing Men Of Empire In Austen, Kerry Sinanan

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Review Of Downward Mobility: The Form Of Capital And The Sentimental Novel, By Katherine Binhammer, Carrie D. Shanafelt

ABO: Interactive Journal for Women in the Arts, 1640–1830

A review of Downward Mobility: The Form of Capital and the Sentimental Novel by Katherine Binhammer, by Carrie D. Shanafelt

Grasses, Groves, And Gardens: Aphra Behn Goes Green, Heidi Laudien

ABO: Interactive Journal for Women in the Arts, 1640–1830

Laudien argues in “Grasses, Groves and Gardens: Aphra Behn Goes Green” that Behn moves beyond the stylized and artificial backdrops of most pastoral to explore the unique ways the landscape can be manipulated to investigate gender difference and the dynamics of desire and representation. Laudien suggests that in prioritizing the pastoral as political allegory in Behn, we overlook the descriptions of nature and the importance she places on the natural environments she creates. Through close readings of several of her pastoral poems, Laudien reveals that Behn’s landscapes destabilize existing notions of the pastoral space as an idealized and organized place …

Dress As Deceptive Visual Rhetoric In Eliza Haywood's Fantomina, Kathryn S. Hansen

ABO: Interactive Journal for Women in the Arts, 1640–1830

Writers of fiction capitalize upon dress’s potential as an agent of deception, using clothing as a means through which characters control their identity to perpetuate lies. Eliza Haywood’s Fantomina; or, Love in a Maze (1725) contains this type of heroine, and the novella shows dress can provide women with power that they can find in few other arenas. This novella constructs lying and dress as potent related tools that allow the protagonist to achieve her desires by creating untruths that pass for realities. In so doing, Fantomina capitalizes upon two related phenomena: the cultural perception of women’s status as innately …

Editors' Thanks To Dr. Linda Troost, Editor Of Ecw, Mona Narain

ABO: Interactive Journal for Women in the Arts, 1640–1830

No abstract provided.

Visions: Re-Historicizing Genre: Teaching Haywood’S The Adventures Of Eovaai In A Fantasy-Themed Survey Course, Megan E. Cole

ABO: Interactive Journal for Women in the Arts, 1640–1830

Eliza Haywood is an increasingly popular author to assign in eighteenth-century literature courses. But Haywood is also a prime figure to represent the eighteenth century in courses with a broader scope. This essay proposes teaching The Adventures of Eovaai in a fantasy-focused, introductory-level survey of British Literature. Identifying Eovaai as part of the fantasy tradition leverages students’ prior knowledge and facilitates teaching this complex novel to first-year students. Eovaai provides a wealth of topics for class discussions and activities, including the development of the novel as a genre, identity and othering in fantasy literature, and the use of fantasy conventions …

Visions: "Which Made It Look Like A Gentleman’S”: Anne Lister’S Use Of Lord Byron In Her Construction Of A Gentlemanly Image, Michelina Olivieri

ABO: Interactive Journal for Women in the Arts, 1640–1830

Despite the rigorous study of Anne Lister’s personal and public identities, scholars have only minimally acknowledged the ways in which Lister appropriated the ideas and practices of others to construct the image of herself they themselves are so fascinated by. From her teenage years onward, Lister collected ideas, images, and published works that broke with the traditional, conservative ideals on which she was raised and adapted them for her own use in expanding her queer identity. Of the scholars who do investigate Lister’s use of the publicly queer, even fewer have thoroughly examined Lister’s method of adaptation as a distinctly …

Visions: The Dance Most Of All: Envisioning An Embodied Eighteenth-Century Studies, Susannah Sanford, Sofia Prado Huggins

ABO: Interactive Journal for Women in the Arts, 1640–1830

The editors introduce this special issue of ABO, highlighting the work of the authors included in the issue. The introduction draws on recent scholarship re-visioning the work of the long, “undisciplined” eighteenth century, arguing for an eighteenth-century studies that embodies our intersectional identities and honors the experiences of bodyminds surrounding texts and authors, as well as the bodyminds that interact with those texts in the present. Throughout the years, scholars have demonstrated that there is no single vision of what eighteenth-century scholarship is or should be, but rather multiple visions. This introduction urges scholars to consider how an eighteenth-century studies …

The Tragedy Of Gregory And Sampson: Teaching Romeo And Juliet’S Opening Scene, Heather G.S. Johnson

Feminist Pedagogy

Romeo and Juliet is as much about hate as it is about love. The tragedy focuses on a kind of toxic masculinity that thrives on aggression and anger and that turns communities into battlefields, men into adversaries, and women into prizes or prey. This short critical commentary zooms in on the conversation between Gregory and Sampson at the beginning of Act I.

Preaching To The Converted: Religious Conversion In East Anglian Medieval Drama, Eleanor Davis

English Theses and Dissertations

My dissertation investigates religious conversion in late medieval East Anglian drama (c. 1400–1500). Each of my chapters examines a play with ties to fifteenth-century East Anglia, an economically prosperous region where orthodoxy and heterodoxy coexisted and religious drama flourished. All of the plays stage at least one miraculous conversion experience, yet the plays also offer reminders that conversion is an ongoing process that demands the convert’s continual effort to keep growing in faith. I demonstrate how these anonymous plays deliver their most important lessons about conversion in their much less miraculous moments, exposing a dramaturgy that revels in its ability …

C. S. Lewis And His Later Respondents: Letting In Fresh Air, Preventing Questions, And Reimagining A Preface To Paradise Lost, David V. Urban

University Faculty Publications and Creative Works

This essay chronicles significant responses to C. S. Lewis’s A Preface to Paradise Lost (1942) that occurred from the 1960s into the twenty-first century. Important responses include those of William Empson, Stanley Fish, Stuart Curran, John Rumrich, Peter C. Herman, Michael Bryson, and Joseph Wittreich. All of these scholars challenged Lewis on various points—most commonly concerning matters of Lewis’s analysis of Milton’s Satan, his alleged oversimplification of Milton’s theologically complex epic, the supposed similarities between A Preface and Fish’s Surprised by Sin, and his assumed hegemonic prevention of new avenues of critical inquiry into Milton’s epic. This essay contends …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Marina Y Cleopatra En El Escenario Teatral, Jon Paul Lawton

World Languages and Cultures Student Papers and Posters

Cleopatra and Doña Marina come from distinct time periods in world history— respectively, the declining Ptolemaic dynasty of Egypt and the age of the Spanish conquest. Literature has been inspired by these historical figures, creating various interpretations of this Egyptian queen and Aztec translator. Fundamentally, these two personalities share similarities: both women fall in love with foreign invaders and harness influence in the political arena of their times. For this, they must rectify their romantic desires with loyalty for their home countries. The plays Todos los gatos son pardos by Carlos Fuentes and Antony and Cleopatra by William Shakespeare reveal …

Women’S Acts Of Childbirth And Conquest In English Historical Writing, Emma O. Bérat

Medieval Feminist Forum: A Journal of Gender and Sexuality

This essay explores how female characters in historical literature written in high to late medieval England shape land claims, political history, and genealogy through their acts of childbirth. Recent scholarship has shown how medieval writers frequently imagined virginal female bodies – religious and secular – in relation to land claim, but less work exists on how they also used the non-virginal bodies of mothers and vivid descriptions of childbirth to assert rights to land and lineage. This essay examines three birth stories associated with conquest or claims to contested lands from Geoffrey of Monmouth’s Historia Regum Britanniae, William of …