English Language and Literature Commons^™

Living Through The End Of Nature: The Future Of American Environmentalism By Paul Wapner, Taylor Kraayenbrink

The Goose

Review of Living Through The End of Nature: The Future of American Environmentalism by Paul Wapner.

Parks, Peace And Partnership: Global Initiatives In Transboundary Conservation Edited By Michael S. Quinn, Len Broberg, And Wayne Freimund, Fenn Stewart

The Goose

Review of Parks, Peace and Partnership: Global Initiatives in Transboundary Conservation edited by Michael S. Quinn, Len Broberg, and Wayne Freimund.

Humanesis By David Cecchetto, Max Ritts

The Goose

Review of Humanesis by David Cecchetto.

Stories In A New Skin: Approaches To Inuit Literature By Keavy Martin, Allison K. Athens

The Goose

Review of Stories in a New Skin: Approaches to Inuit Literature by Keavy Martin.

"Making Ourselves Over In The Image Of The Imagery": Overcoming Alienation Through Poetic Expressions Of Experience, Jacqueline Aquino Teusch

Theses and Dissertations

My focus for this essay is on understanding the rhetorical process that occurs when people come together despite their differences—that is what rhetoric is all about. Kenneth Burke argues that this process, for alienated people especially, happens poetically, more than semantically because there are too many differences to overcome semantically between alienated people and the dominant community. This essay is about how the rhetorical process of identification as described by Burke helps us to explain how we cross barriers that divide people who are different to create moments of mutual understanding—identification. In this essay, I look at the experience of …

The Challenge Of Happily Ever After: How Once Upon A Time Fanfic Fairy Tales Model Strategies For Ordinary Life Challenges, Christa M. Baxter

Theses and Dissertations

Although many feminist fairy-tale scholars have theorized how the tales shape the lives of their readers, few have explicitly examined what readers themselves have to say about how fairy tales impacted their choices and expectation. This article turns to fanfiction written by fans of ABC's Once Upon a Time television series to discover how these fans challenge or reify fairy-tale expectations, particularly in terms of gender. After outlining the brief history of fairy-tale reception studies concerned with gender, the article then turns to a close reading of three OUAT fanfiction retellings of Beauty and the Beast that show the couple …

With So Little Time, Where Do We Start? Targeted Teaching Through Analyzing Error Egregiousness And Error Frequency, Katie Fredrickson

Theses and Dissertations

Why do so many students confuse good writing with simply error-free writing, and what can writing instructors do about it? In order to answer this question, the present study first undertakes an exploration of the different meanings associated with grammar and how those definitions have influenced composition instruction. These influences range from an over-emphasis on grammar in the first half of the twentieth century to allowing it to disappear almost completely from the composition curriculum in the second half of the century. However, because research demonstrates that students over this same time period make errors in writing at a fairly …

X: Poems & Anti-Poems By Shane Rhodes, Tom Miller

The Goose

A review of Shane Rhodes' X: Poems & Anti-Poems. This review focuses on the link between language and landscape, and considers the ways in which that link, reflected in Rhodes' work, comments upon the use of language as an oppressive tool in the treatment of Native Americans and Canadians.

Eng 1001g-001: Composition And Language, R Beebe

Summer 2014

No abstract provided.

High Risk, High Yield: Embodied Facilitation For Racial Justice In Writing Workshops Across The Disciplines, Beth Godbee, Jasmine Kar Tang

English Faculty Research and Publications

If one of the lifelines of WAC involves facilitating workshops with/for faculty, TAs, tutors, and others across campus, then how can we better attend to issues of racial diversity? This interactive session looks at the intersection of the writing center pedagogies and critical race studies. Featuring reflection on a series of movement-based workshops, the co-authors argue for a high-risk, high-yield model of facilitation, one that requires awareness of social locations, identities, and histories.

Perilous Power: Chastity As Political Power In William Shakespeare's Measure For Measure And Margaret Cavendish's Assaulted And Pursued Chastity, Kelsey Brooke Smith

Theses and Dissertations

William Shakespeare and Margaret Cavendish each published plays and poems focusing on the precarious implications and cultural enactments of female chastity in their time. Their lives and writing careers bookend a time when chastity's place in English politics, religion, and social life was perceived as crucial for women while also being challenged and radically redefined. This paper engages in period-specific definitions of virginity and chastity, and with modern scholarship on the same, to explore the historicity of chastity and how representations of self-enforced chastity create opportunities for female political power in certain fiction contexts. Through a comparison of the female …

June 5, 2014: Anthony Ellis Scholarly Speakers Series, 2014-2015, Department Of English

Gleanings: Department of English Blog Archive

No abstract provided.

Trauma Of A Perpetrator: Reimagining Perpetrators In Edwidge Danticat's The Dew Breaker, Marinda Quist

Theses and Dissertations

This article studies the possibility of perpetrator trauma in Edwidge Danticat's The Dew Breaker. The article gives a brief historical background of the political violence in Haiti that occurred under the Duvalier dictatorship and focuses specifically on the role of Tonton Macoutes, the violent enforcers of much of Duvalier's oppression. Drawing on trauma theory, the article argues that perpetrators have been very little studied within trauma studies because of the possible moral implications of giving research time to individuals who have often chosen their own path of violence. Along with theorists such as Kali Tal and Dominick LaCapra, this article …

A Foray Into Library Digital Publishing: The British Virginia Project At Virginia Commonwealth University, Kevin Farley

Charleston Library Conference

The British Virginia project involves a collaboration between Virginia Commonwealth University (VCU) Libraries and faculty members in the departments of English and History at VCU, with the project led by Dr. Joshua Eckhardt (English). As of April 25, 2013, the project has published its first title: an online edition of a sermon preached to the Virginia Company by William Symonds. To ensure the success of this project, a number of details required careful planning, including library outreach, IT involvement, and digital publishing protocols. Our example has deepened a move toward a dynamic and creative digital environment for researchers across campus. …

Almagro & Claude [Supplemental Material], Wendy Fall

Gothic Archive Supplemental Materials for Chapbooks

No abstract provided.

“The Woman” And The Women Of Sherlock Holmes, Cassandra Poole

James Madison Undergraduate Research Journal (JMURJ)

Women appear in nearly every Sherlock Holmes novel and short story. The vast majority are victims. Against the recurring oppression of women and women’s sexuality in the Holmes canon, a few exceptional female characters escape their Victorian gender roles. One rises above all others. She is “the woman,” Irene Adler, whose strength, intelligence, and independence have made her a recurring star in extra-canonical books, television shows, film adaptations, and Sherlockian fan fiction. This essay focuses on women and women’s sexuality within and beyond the Holmes canon to explore our enduring fascination with “the only woman to ever best Sherlock Holmes.”

Committing To The Waves: Emerson's Moving Assignments, Karinne Keithley Syers

Dissertations, Theses, and Capstone Projects

Committing to the Waves: Emerson's Moving Assignments reads Ralph Waldo Emerson as a writer of assignments for living and working whose senses can be taken up across a wide array of creative and exploratory fields. Shifting between an interdisciplinary array of contexts ranging from philosophy and poetics to dance, performance, and somatic movement experiments, I join the practical sense of creative inquiry embodied in these fields to the abstract images of Emerson's assignments. I argue that Emerson's descriptions of intelligence and power, and so his approaches to navigating skepticism and loss, as well as the non-possessive sense of what "self" …

"For The Voices": The Letters Of John Wieners, Michael Seth Stewart

Dissertations, Theses, and Capstone Projects

American poet John Wieners is thoroughly disenfranchised from the modern poetic establishments because he is, to those institutions, practically illegible. He was a queer self-styled poete maudit in the fifties; a protege of political-historical poet Charles Olson who wrote audaciously personal verse; a lyric poet who eschewed the egoism of the confessional mode in order to pursue the Olsonian project of Projective (outward-looking) poetics; a Boston poet who was institutionalized at state hospitals. Wieners lived on the "other side" of Beacon Hill, not the Brahmin south slope, but the north side with its working-class apartments and underground gay bars. Though …

Reading Cruft: A Cognitive Approach To The Mega-Novel, David J. Letzler

Dissertations, Theses, and Capstone Projects

Reading Cruft offers a new critical model in which to examine a genre vital to modern literature, the mega-novel. Building on theoretical work in both cognitive narratology and cognitive poetics, it argues that the mega-novel is primarily characterized by its inclusion of a substantial amount of pointless text ("cruft"), which it uses to challenge its readers' abilities to modulate their attention and rapidly shift their modes of text processing. Structured into five chapters respectively devoted to subgenres in which mega-novels have been grouped--the dictionary novel, the encyclopedic novel, the Menippean satire, the picaresque and frame-tale, and the epic and allegory--it …

Musical Landscapes: Theophile Gautier And The Evolution Of Nineteenth Century French Poetry, Dana Milstein

Dissertations, Theses, and Capstone Projects

Theophile Gautier's first edition of Emaux et camees (1852) marks the juncture at which Romantic, Neoclassical, and nascent Symbolist poetic theories converged under the umbrella ideology of "Parnassianism." Emaux et camees synthesizes the aesthetics promoted by these diverse groups, primarily by 1) using "musical" and "painterly" language, 2) emphasizing correspondences among arts, and 3) paradoxically demanding an attention to form and the artist's labor while also emphasizing art's inutility during a century characterized by Progress. Gautier's Emaux et camees bridges painterly and musical poetics to create a new model for poetry.

While the vocabulary of painting captivated many nineteenth century …

The Grammar Of Choice: Charles Dickens's Existential Idea Of Religion, Hai Na

Dissertations, Theses, and Capstone Projects

This dissertation challenges the received opinion that Charles Dickens's religious thinking is merely sentimental and philanthropic. Instead, I argue that there is in his works a very consistent "existential" sense of religion, especially in his mature novels. To be religious for him does not lie in the adherence to dogma or the study of theological arguments, but in the crucial choices people make every day. In order to illustrate this "existential" sense of religion, I analyze, in the first chapter, relevant works by Kierkegaard, Carlyle, George Eliot, and Dostoevsky, in order to establish the context in which Dickens's religious views …

Provisional Fictions: Discontinuous Selves And The Making Of Meaning, Tara Roeder

Dissertations, Theses, and Capstone Projects

My project is an exploration of trauma-based meaning-making practices and reader response across a variety of sites. By teasing out some of the complex connections among trauma, narrative, and audience that may occur in spaces ranging from non-linear memoir to courtroom testimony to the writing classroom, I engage with the inherently dialogic nature of making meaning from trauma, and examine some of the ways in which women who engage in recursive, embodied rhetorical practices can productively disrupt conventional expectations of the function of trauma narratives. Chapter One examines the formal, linguistic, and philosophical choices made by women memoirists who challenge …

How Silently Sheela-Na-Gig Speaks: Memory, Mythos, And The Female Body, Amber C. Snider

Dissertations, Theses, and Capstone Projects

How and why do we destroy female agency, still today? Focusing on some of the mythical foundations and formations found in ancient Celtic and Greek imaginings, the "bodily" aspects in particular, this thesis traces the ways in which some of the modern women intellectuals receive or reject the typical feminist or female elements found in mythologies; the elided nature of the female trinity and the life giver-destroyer circularity inherent in goddesses and archetypes, for instance, appears to mirror our cultural impulse to destroy the female body. It is then not enough to create a new mythology by and for women--we …

The Advance Of The Mobile Woman: Representations Of British Women's Physical Mobility, 1660-1820, Amanda Booth Springs

Dissertations, Theses, and Capstone Projects

Britain's long eighteenth century (1660-1820) underwent an infrastructure and transportation revolution. Over the same period of time, scholars argue, the ideology of "the domestic woman" grew increasingly prevalent. This dissertation explores the improvements to roadways and representations of the various ways in which British women of the period increasingly utilized transportation, equestrianism, and pedestrianism to traverse the nation, which was also reflected in the development of traveling clothing for women. It argues that these literary and pictorial representations depict the tensions around women's increasing capacity for physical movement, contending that the ideology of the domestic woman was largely reactionary rhetoric …

"She Said Plain, Burned Things": A Feminist Poetics Of The Unsayable In Twentieth Century Literary & Visual Culture, Leah Souffrant

Dissertations, Theses, and Capstone Projects

This dissertation examines the way silence, blank space, and other forms of creative withholding attempt to translate the unsayable, or to convey the unsayability of language in artistic form. Through a study of the works of Sylvia Plath, Jean Rhys, Rachel Zucker, Marguerite Duras, Anne Carson, and visual images, this work observes the connection between women's writing in the 20th century and the communication of painful subject matter through attention to absence. This study attends explicitly to how formal qualities in artistic works attend to ontological concerns through an examination of the intersection of concerns with phenomenology, feminism, and formal …

Reclaiming Space: Buildings In Modernist Literature And Film, Sreenjaya Ria Banerjee

Dissertations, Theses, and Capstone Projects

This dissertation argues that modernists like Virginia Woolf, T. S. Eliot, and Alain Resnais construct literary and filmic works that rely on interruptions and elliptical narration to gesture towards an aesthetics of modernity that counters the interest in monoliths concurrently shown by architectural modernism. This is particularly evident in the context of the war memorial, where regimented public memory is countered by the artistic works discussed through their emphasis on private memorials that are changeable, contingent, and mutable. This is a fundamentally altered vision of twentieth century modernity than that embraced by the architectural mode.

The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess

Dissertations, Theses, and Capstone Projects

A tent of bed sheets, a furniture fort, a corner of the closet surrounded by chosen objects--the child finds or fashions these spaces and within them daydreaming begins. What do small spaces signify for the child, and why do scenes of enclosure emerge in autobiographical self-portraits of the artist? Sigmund Freud's theory that the literary vocation can be traced to childhood experiences is at the heart of this project, especially his observation that "the child at play behaves like a writer, in that he creates a world of his own, or rather, re-arranges the things of this world in a …

Paris And Havana: A Century Of Mutual Influence, Laila Pedro

Dissertations, Theses, and Capstone Projects

This dissertation employs an interdisciplinary approach to trace the history of exchange and influence between Cuban, French, and Francophone Caribbean artists in the twentieth century. I argue, first, that there is a unique and largely unexplored tradition of dialogue, collaboration, and mutual admiration between Cuban, French and Francophone artists; second, that a recurring and essential theme in these artworks is the representation of the human body; and third, that this relationship ought not to be understood within the confines of a single genre, but must be read as a series of dialogues that are both ekphrastic (that is, they rely …

Rendering The Unthinkable: (Un)Knowable Animality, Compulsory Recovery, And Heterosexualized Trauma In The Hunger Games, Jennifer Polish

Dissertations, Theses, and Capstone Projects

Dystopian fiction is expected to reflect deeply on the interactions between identities, bodies, and state control. Suzanne Collins's The Hunger Games Trilogy is no exception. The disturbing trilogy situated animality, disability, and trauma (both of non-humans and of humans) as being firmly controlled by the power of the state (the Capitol). Through its portrayal of hunting and genetic manipulation, the trilogy constructed a state-created animality which refused definitive labeling and insisted upon facing animal subjectivity while simultaneously disregarding the needs and desires of those considered to be non-human. Similarly, the state held sway over both the creation and elimination of …

“You Are Turning Into A Hive Mind”: Storytelling, Ecological Thought, And The Problem Of Form In Generation A, Jenny Kerber

English and Film Studies Faculty Publications

This article discusses the relationship between literary form and contemporary ecological anxiety in Douglas Coupland’s novel Generation A. Coupland’s speculative fiction envisions a possible future in the wake of Colony Collapse Disorder, but the more generalized eco-anxiety the novel explores is applicable to a number of contemporary environmental issues ranging from climate change to ocean acidification. I argue that Coupland’s novel invites readers to consider the problem of representing ecological problems characterized by global scale, temporal uncertainty, and multiple origins. I then explore how Coupland responds to these challenges by stretching form in two directions. First, he juxtaposes and …