English Language and Literature Commons^™

We Care About Children, Alexandre Couture Gagnon

Journal of South Texas English Studies

No abstract provided.

Enduring And Prevailing: Ambiguity In Faulkner's Nobel Acceptance Speech, David Rampton

Journal of South Texas English Studies

No abstract provided.

Book Notes: "Nevertheless, She Persisted: Jane Eyre At 170", Diana Dominguez

Journal of South Texas English Studies

No abstract provided.

Evidentiality In The Uto-Aztecan Languages, Tim Thornes

English Literature Faculty Publications and Presentations

Evidentiality, the grammatical expression of the information source for a proposition, is quite diverse among the languages of the Uto-Aztecan family. This diversity is manifest both in the number of terms and associated functional distinctions and in the formal means used to express evidential functions. The purpose of this chapter is to synthesize and describe properties of evidential expression across the family both as a contribution to a typology of evidential systems in the world's languages and to an understanding of how such systems develop in the context of a well-established, but underrepresented and lesser-known, language family.

The Animalistic Brown Penis And The Meek White Penis In “The English Patient” And “Fun Home”, Tarun Malik

Student Works

"The English Patient" and "Fun Home" are both texts that involve the topic of sex and male sexuality. However, these topics are handled very differently when it comes to race. "The English Patient" treats a harmless brown man as a threat whereas "Fun Home" portrays an abusive white man as safe. This paper examines the differences in treatment and reflects on what this says about the view of men-of-color as sexual threats in the culture at large.

Rural Space As Queer Space: A Queer-Ecology Reading Of Fun Home, Debra J. Rosenthal, Lydia Munnell

2018 Faculty Bibliography

Alison Bechdel's Fun Home: A Family Tragicomic has quickly joined the ranks of celebrated literary graphic novels. Set in part at a family-run funeral home, the book explores Alison's complicated relationship with her father, a closeted gay man. Amid the tensions of her home life, Alison discovers her own lesbian sexuality and her talent for drawing. The coming-of-age story and graphic format appeal to students. However, the book's nonlinear structure; intertextuality with modernist novels, Greek myths, and other works; and frank representations of sexuality and death present challenges in the classroom.

This volume offers strategies for teaching Fun Home in …

Willa Cather On A “New World Novelist”: A Newly-Discovered 1920 Vanity Fair Essay, Melissa J. Homestead

Department of English: Faculty Publications

The ability to quote from and publish Willa Cather’s letters is a relatively recent development for scholars. However, the republication of her critical prose began shortly after her death, when Cather’s partner, Edith Lewis, appointed literary executor in her will, facilitated the publication of Willa Cather on Writing: Critical Studies on Writing as an Art (1949). In line with Cather’s own approach to her early career, which she often dismissed or mischaracterized, this volume collected only her critical prose published from 1920 forward, including magazine essays, prefaces, and one previously unpublished fragment. This volume supplemented Cather’s own collection encompassing critical …

Frankenstein: A Feminist Birth Myth Of Morbid Conception, Madison R. Rahner

Bridges: A Journal of Student Research

In the context of Mary Shelley’s biography and prose style, the theme and structure of Frankenstein indicate that, in addition to being an esteemed work of gothic horror, the novel is a feminist birth myth: a perverse story of maternity and a scathing critique of patriarchal dominance over the feminine. Frankenstein, as a maternal figure, repeatedly seeks to smother female sexuality and usurp heterosexual reproduction through grotesque and unnatural means. The ensuing death and violence are consequences of Frankenstein’s inadequacy as a mother and the insufficiency of masculinity. The monster’s morbid conception and subsequent murders intertwine birth and death in …

Bibliophile, Alivia M. Vaillancourt

Allusions

No abstract provided.

Encumbrance, Anna Louise Wilson

Allusions

No abstract provided.

Birmingham Poetry Review 45 (Front Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

No abstract provided.

Morning Routine, Stephanie Bryant Anderson, Andrea Spofford

Birmingham Poetry Review

p. 72

Peaches Of August, Toi Derricotte

Birmingham Poetry Review

p. 95

The Ugly American, Shara Lessley

Birmingham Poetry Review

pp. 127-128

Transcription, Robert Manaster

Birmingham Poetry Review

p. 134

Illeism, Jeffrey Peterson

Birmingham Poetry Review

p. 160

Beached, Leana Petronella

Birmingham Poetry Review

p. 162

Real Estate, Pimone Triplett

Birmingham Poetry Review

pp. 185-187

Lemons, Ryan Wilson

Birmingham Poetry Review

p. 199

Mourning Portrait For Uncle Steve, Melissa Crowe

Nelle (literary magazine)

pp. 24-26

Bloom, Tyler Mills

Nelle (literary magazine)

pp. 29-40

Endearment, Anna Lena Phillips Bell

Nelle (literary magazine)

p. 46

Lines For Others Like Us, Jessica Hudgins

Nelle (literary magazine)

pp. 87-90

Using Dystopian Texts To Promote Social Responsibility In The Composition Classroom, Melissa Ames

Faculty Research & Creative Activity

Since the Colonial period, educational institutions in the United Stateshave been tasked with developing character as well as academic skill. Whilein earlier epochs such character education would have been explicitly tied tomorality as defined within Christian contexts, today's character educationtakes on a more secular form, focusing on developing skills related to socialresponsibility. By definition, social responsibility is "a personal investmentin the well-being of people and the planet" (Berman 15). Despite the fact thatmany feel that public schools and universities are ideal sites for this type oftraining, research has found that instructors are often reluctant to discusscontroversial issues within their classrooms …

Duck Blind 2, Charles Bardes

Birmingham Poetry Review

p. 78

In Anthropocene Air: Deleuze's Encounter With Shakespeare, Steven Swarbrick

Publications and Research

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Can’T, Alyson Laplante

Allusions

No abstract provided.

Minutes, Jehanne Dubrow

Birmingham Poetry Review

p. 97

A Cosmology Of Clouds, Timothy Mcbride

Birmingham Poetry Review

pp. 136-137