English Language and Literature Commons^™

Ursula K. Le Guin In Mythlore, Janet Brennan Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Ursula K. Le Guin, whose career and influence are examined in brief in the preceding note by David Bratman, has long been a writer of interest to the readers of Mythlore and members of the Mythopoeic Society. She was the Author Guest of Honor at Mythcon 19 (the theme of which was “Legends for a New Land: Fantasy in America”) at Berkeley CA in 1988, and was a finalist for the Myth and Fantasy Studies Award in 2011 and 2012 for her essay collection Cheek by Jowl (Aqueduct Press, 2009).

Petticoats And Spurs: Female Armor In Spenser's "Faerie Queene" And Pope's "The Rape Of The Lock", Patrick D. Wilks

The Criterion

Both Britomart in Spenser’s Book 3, Canto 1 of Faerie Queene and Belinda in Pope’s The Rape of The Lock wear their clothes and (in Belinda’s case) makeup as their armor, both literally and figuratively. Both suffer unwanted advances, their image publicly besmirched as a result. Even though Belinda dresses to show off her beauty and Britomart dresses to conceal it, both women use their array as protection from cruel male world around them. Both feel safe, and both women have this safety violated and attack to defend their honor.

For Spenser, Chastity is a virtue to be held in …

C.S. Lewis And Christian Postmodernism: Word, Image, And Beyond. Kyoko Yuasa, Peter G. Epps

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In C. S. Lewis and Christian Postmodernism, Kyoko Yuasa has managed to advance the cause of careful reading and discussion of Lewis’s novels as contemporary cultural artifacts, rather than mere ciphers for apologetics or mere fluff for children, for both Japanese and American audiences. This is no mean feat, not only in terms of translation but also in terms of trans-Pacific discourse, and Yuasa deserves great credit for the accomplishment. Her close reading of several of Lewis’s major fiction works in a comparative frame she derives from works by Iris Murdoch, Muriel Spark, Doris Lessing, and John Fowles yields …

An Annotated List Of Fantasy Novels Incorporating Tarot (1968-1989) [Notes], Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This selective list includes abstracts of each novel or series and how the author incorporates the Tarot or Tarot imagery.

English People. Owen Barfield; Narnia And The Fields Of Arbol. Matthew Dickerson And David O'Hara; And The Mythic Dimension. Joseph Campbell, Phillip Fitzsimmons

Faculty Articles & Research

Three books, written about differing themes and released decades apart, still manage to work together to present a complex picture of the images of mythology and their effect upon the human race. The books are English People, a 1929 novel by Owen Barfield; Narnia and the Fields of Arbol, a 2009 study of environmentalism in the works of C.S. Lewis, by Matthew Dickerson and David O'Hara; and The Mythic Dimension, a selection of essays by Joseph Campbell spanning almost three decades.

Editorial, Janet Brennan Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This issue of Mythlore is the first to include a special section since I became editor in 2006. “Divination in Mythopoeic Fantasy” is the topic, and Emily E. Auger is the guest editor for the content starting on page 160. Her editorial describes the theme and the articles and notes included in this section in more detail.

Our regular content begins with an essay by Patricia Monk on Tyrion Lannister, a central character in George R.R. Martin’s A Song of Ice and Fire, whom Monk describes as a fulcrum point within the series. In her reading, the dwarf Tyrion’s experiences …

'Love Of Knowledge Is A Kind Of Madness': Competing Platonisms In The Universes Of C.S. Lewis And H.P. Lovecraft, Guillaume Bogiaris

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Though they often gesture in his direction, few contemporary philosophers or writers engage Plato’s ideas. Yet C.S. Lewis and H.P. Lovecraft, two relatively uncelebrated authors of science-fiction fantasy (in academic circles, at least), treat Plato’s notion of human enlightenment extensively. The two authors seem to agree with Plato’s premise that knowledge is possible. While they concur that the metaphorical journey outside the cave is feasible, they differ on the benefits of such an ascent. Lewis is reassuring to his readers; like the Neo-Platonists to which he links his trilogy of science-fiction fantasy, he theorizes that the outside of the Platonic …

Allegorical Reference To Oxford University Through Classical Myth In The Early Poetry Of Dorothy L. Sayers: A Reading Of “Alma Mater” From Op.I.., Barbara L. Prescott

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Dorothy L. Sayers is rarely considered to be an author of mythopoeic literature or one whose own writings contain the metaphors or allegories of myth and legend. Yet, as a young adult at Oxford University, Sayers produced a variety of poems that, centering upon Oxford and her experiences as a student, explored mythic themes as they related to the university. Her early poems, written while an undergraduate at Oxford and directly afterward, were built upon three motifs: classical mythology, mediaeval legend, and Christian romanticism. These Oxford-centered poems were included in Dorothy L. Sayers’s first book titled, OP. I., published …

On Superhero Stories: The Marvel Cinematic Universe As Tolkienesque Fantasy, A.G. Holdier

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

By considering the movies in the Marvel Cinematic Universe as a case study, I bring Tolkien’s explication of mythopoesis in “On Fairy Stories” to bear on the current popularity of superhero films to argue that such works qualify as cinematic examples of Tolkienesque fantasy tales. After summarizing Tolkien’s criteria for the genre in Nietzschean aesthetic terms, I both demonstrate how the builders of the MCU have crafted a sub-created fictional world and defend the existence of fairy stories in visual media from Tolkien’s own criticism of such a possibility.

Ursula K. Le Guin: An Appreciation, David Bratman

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

It seems appropriate in the aftermath of her death, which occurred January 22, 2018, at the age of 88, to name Ursula K. Le Guin as the most consequential writer in the fantastic mode of the last half century. Her work spans a range from traditionalist European fantasy to hard-edged social science fiction on the effect of technology on society, without ever drawing a firm line between categories. Le Guin never disavowed genre, but refused to be bound by it. She used it as a tool to express herself.

J.R.R. Tolkien, Romanticist And Poet. Julian Eilmann. Translated By Evelyn Koch, Kris Swank

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Owen Barfield: Philosophy, Poetry, And Theology. Michael Vincent Di Fuccia, Tiffany Brooke Martin

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Scotland's Forgotten Treasure: The Visionary Romances Of George Macdonald. Colin Manlove, Bonnie Gaarden

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

C.S. Lewis And The Art Of Writing: What The Essayist, Poet, Novelist, Literary Critic, Apologist, Memoirist, Theologian Teaches Us About The Life And Craft Of Writing. Corey Latta, Tiffany Brooke Martin

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

C.S. Lewis And The Arts: Creativity In The Shadowlands. Ed. Rod Miller, Michael D. Prevett

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Game Of Thrones Versus History: Written In Blood. Brian Pavlac, Joseph Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Detecting Wimsey: Papers On Dorothy L. Sayer's Detective Fiction. Nancy-Lou Patterson. Ed. Emily E. Auger And Janet Brennan Croft, Joe R. Christopher

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Goddess And Grail: The Battle For Arthur's Promised Land. Jeffrey John Dixon, Kris Swank

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Editorial: Divination And Prophecy In Mythopoeic Literature [Article], Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Tarot And T.S. Eliot In Stephen King's Dark Tower Novels [Article], Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. This paper explores King's use of Tarot motifs in the Dark Tower series with attention to similarities and parallels to the presentation of Tarot in T.S. Eliot's The Waste Land. King’s central character Roland, whose cards are read by his nemesis, has the satisfaction of knowing when the cartomancer is dead and of saving multiple universes, but then discovers that he is doomed to …

Divination And Prophecy In Jrr Tolkien's The Lord Of The Rings: Some Observations [Notes], Robert F. Tredray

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Lists and describes prophetic statements and poems, the use of the palantíri in divining far-off events, and the place of prophecy in Middle-earth. Examples of prophecy are mostly used to establish mood; while examples of divination play a more prominent part in the narrative and demand moral decisions on the part of the characters. Thus they not only are important plot devices, but they also reveal to the reader important aspects of the moral nature of Tolkien's Middle-Earth.

Tarot Of The Future: Raising Spiritual Consciousness. Arthur Rosengarten, Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Tyrion Lannister: A Fulcrum Of Balance In George R. R. Martin’S A Song Of Ice And Fire, Patricia Monk

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Tyrion Lannister, a central character in George R.R. Martin’s A Song of Ice and Fire, is described as a fulcrum point within the series. In Monk’s reading, the dwarf Tyrion’s experiences can be mapped onto the hero’s journey. He is surrounded by dragon imagery which, in a Jungian interpretation, positions him as a potential heir to the throne of Westeros.

Bilbo Baggins And The Forty Thieves: The Reworking Of Folktale Motifs In The Hobbit (And The Lord Of The Rings), Giovanni Carmine Costabile

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The Hobbit is undisputedly influenced by Germanic sources such as Beowulf, the Völsunga Saga and both the Elder Edda and the Prose Edda. While there is no reason to deny this result of criticism, I argue that acknowledging the aforementioned sources should not constitute a reason to deny the potentiality of other sources from other cultural areas. The similarities between The Hobbit and a famous tale from the Arabian Nights, Ali Baba and the Forty Thieves, offer a chance to investigate a much wider potential field wherein to look for shared motifs when only …

The Unlikely Milliner & The Magician Of Threadneedle-Street [Article], K. A. Laity

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Susanna Clarke uses the tarot in her novel Jonathan Strange & Mr Norrell much as she uses history: twisting it to open up spaces for magic and playfulness. She offers modifications on the traditional Tarot de Marseille that accurately predict the narrative events, yet deftly obscures the outcomes by leading the readers (and the characters) to jump to the wrong conclusions. Laity’s analysis of the Tarot readings performed by Childermas and Vinculus shows that Strange and Norrell enjoy mastery in magic, only to find that that mastery brings great suffering to others and also isolates them from the world as …

Was Faramir Gandalf’S Chosen Ring Bearer? Or Is This The Beginning Of My Own Work Of Fan Fiction?, Victoria Gaydosik

Faculty Articles & Research

Good afternoon and thank you for sharing your interest in J. R. R. Tolkien’s The Lord of the Rings. The title of my talk, as specified in the program distributed via e-mail, is the question “Was Faramir Gandalf’s Intended Ring Bearer?” But there is also a further sub-title omitted from the program that hints at the larger problem of interpreting and appreciating literary works: the subtitle continues, “OR Is This the Germination of a Piece of Fan Fiction?” So I have a double purpose today: I wish to explain some puzzling aspects—puzzling to me at least—of Faramir’s construction as …

When In Spain: Intercultural Competence In Hemingway's The Sun Also Rises, Alexa Barta

Undergraduate Research Symposium 2018

Ernest Hemingway, an iconic American writer of the Lost Generation, frequently traveled to Spain while living abroad as an expatriate. In fact, many of the fictitious accounts in his works are based on real events in the lives of Hemingway and his friends during their time in Spain. Despite the large number of American expatriates traveling and living abroad during the 1920s, the concept of intercultural competence likely did not exist; or at least not in the modern-day sense of the phrase. While much literature already exists on Hemingway’s connection to Spain, there is currently limited scholarship on the portrayal …

Lgbtq+ Children’S Picture Books In Ontario Public Libraries, Ashleigh Yates-Mackay, Danielle Bettridge, Alissa Droog, Alyssa Martin

FIMULAW

Diverse representation in picture books is important for the wellbeing of children and families; this includes LGBTQ+ representation, a frequently contested area of literature. Our poster identifies 33 of the most frequently recommended picture books with LGBTQ+ representations and reports on their inclusion in 40 selected Ontario Public Libraries. We then compared these results with five socioeconomic factors for each library: size of population served, the size of the print collection, the size of the materials budget, the average total median household income and the last decade of provincial election results for the riding in which the main branch of …

Anti-Feminism In Modernist Literature, Maddie Holbrook

Modernist Short Story Project

After the stifling conventions of the Victorian era, the modernist movement cast a new and surprising light on issues that had previously been ignored or approached only a single way. The rigidity of moral standards was fading, and many authors sought to start conversations about topics that had previously been taboo. Modernism is often credited with progressive attitudes toward issues such as feminism, independence, and homosexuality, but there may not have been as radical a change as there appears. Some modernist works carried the appearance of progressive thinking, but a closer inspection reveals attitudes more similar to their Victorian ancestors. …

Iago As Moral Other In Jonathan Munby's Production Of Othello (2016), Emma Magbanua

Honors Theses

Jonathan Munby produced a contemporary adaptation of Shakespeare's Othello at the Chicago Shakespeare Theatre in Spring of 2016. While continuing to utilize Shakespeare's language, Munby modernized Othello through the use of contemporary military costumes, props, accents, music, and dance. Munby did not limit his adaptation to solely visual and auditory aspects of Othello, but also took the liberty of contemporizing the principle of "otherness" in the play. This research explores the identification of Munby's character as Iago as "Moral Other," whose actions lead to the fall of his wife, Emilia, a fellow officer, Roderigo, Desdemona, and the protagonist, Othello.