English Language and Literature Commons^™

The Space Between The Trees: Creative Symbolism In Fantasy, Matthew W. Fenn

Masters Theses

Symbolism points towards absolute truths, while not claiming to be the source of that truth, but rather an expression of it. Utilizing symbolism within writing is a way to convey the author’s faith. One can provide symbolic meaning, but as a Christian with a biblically interpreted outlook, these literary devices can be used as both a voice of good and a reflection of holiness.

From Comics To Courage: The Real Life Impact Of Superheroes, Dylan A. Perkins

Masters Theses

Are superheroes good for society? Do fictional stories of heroism have nuggets of applicable truth for the every day, normal citizen? Can it even be a motivation for people who follow religion? All of this and more are explored in this thesis assignment as we examine the history of Marvel and DC Comics and how superheroes have been developed during times of war and uncertainty throughout history. Much of this discourse serves as inspiration for the creative draft which is an original novel excerpt that goes into the life of Jack, a child experiment born with extraordinary abilities set against …

A Deconstruction Of The American Dream Through An Analysis Of 'The Great Gatsby', Juliet Hila Katherine Sage

Masters Theses

This thesis addresses the physiological, social, relational, and spiritual issues associated with materialism through Fitzgerald’s The Great Gatsby. It examines wealth and prosperity, “The American Dream” through Jay Gatsby, and argues that Gatsby and Daisy’s relationship was shaped by Fitzgerald’s personal life experiences. Fitzgerald concludes that financial success and societal achievement cannot replace human connections. Through the character Jay Gatsby, Fitzgerald illustrates that obtaining “The American Dream” does not guarantee success in all areas of one’s life. This paper dives deeper into the psychological, social, and spiritual ramifications of materialistic gain. As a result, the premise of this thesis concludes …

Strange Bird, James L. Wilson

Masters Theses

Strange Bird is a deeply emotional, character-driven novel about loss, resilience, and the unexpected bonds that heal us. When Camille dies suddenly, her son Malik—an autistic boy navigating a world already challenging to him—is left in the care of those who loved her most but who struggle to fill the void she leaves behind. Margaret, Camille’s fiercely protective mother, and Marcus, Camille’s former partner, battle grief, strained loyalties, and an emerging threat from Malik’s estranged biological father, Daryl.

As Marcus fights to protect Malik's future, hidden truths unravel, testing friendships, family ties, and the meaning of true guardianship. The novel …

A Woman’S Worth: A Portrait Of Single, Unmarried Women In Fiction, Megan V. Jenkins

Masters Theses

This thesis explores the characterization of single women and the theme of singleness in fiction and explores how nineteenth-century British literature portrayed single women using the writers’ observations of societal standards and cultural shifts throughout the century. The artist statement delves into the inspiration and origins of the project, along with a personal journey to faith. The critical paper titled “A Portrait of Single Women in Nineteenth-Century British Literature” analyzes five British novels, Emma, Jane Eyre, Shirley, Middlemarch, and The Portrait of a Lady, that discuss single women or have a theme of singleness. The creative manuscript portion is the …

Surveillance, Punishment, And Rebellion: The Eye Of Sauron And Foucauldian Panopticism In J. R. R. Tolkien’S The Lord Of The Rings, Isabel M. Birge

Journal of Tolkien Research

This article uses Michel Foucault's theory of Panopticism, as outlined in his book Discipline and Punish as a framework for understanding the role of surveillance in Middle-earth throughout J. R. R. Tolkien's The Lord of the Rings. Drawing parallels between Foucault’s understanding of the Panopticon of Jeremy Bentham and Tolkien’s depiction of Sauron’s totalitarian vision, the paper explores the ways in which power operates invisibly through intermediaries, such as the Orcs and the Nazgûl, who internalize Sauron’s all-seeing gaze and perpetuate his dominion as well as through magical/technological means of gazing such as the Palantíri. This essay argues that, …

Poetries Of Abandonment: A Study Of Plath And Glück, Yara Abdelmoneim

Theses and Dissertations

This thesis explores the intersection between literature and trauma, which can be discerned in the key works of two poets, Sylvia Plath and Louise Glück. While offering readings of crucial poems, the thesis also examines the interrelations among trauma, memory and narrative as theorized by two contemporary psychiatrists, Bessel van der Kolk and Judith Herman. Both Plath and Glück wrote about personal and generational trauma after going through different experiences of abandonment. Absence, indirection and repetition provide the basis for literary techniques that allow their traumas to be better understood by authors and readers alike. The degree to which each …

Surviving The Void: Identity Threats And The Plague Of Violence In Rawi Hage’S De Niro’S Game, Yasmine Nabil M. A. Ahmed Dr

Computer Science

Abstract In the postcolonial era, many third-world countries, instead of enjoying prosperity, were driven into longterm civil wars and political unrest. Among the Arab countries which were plagued by a prolonged social conflict is Lebanon where the Lebanese Civil War (1975–1990) lasted nearly 15 years, devastating the social fabric of the country. Among the novelists who capture this critical period in the history of Lebanon is the Lebanese-Canadian author Rawi Hage. Characterized by his nihilist and apocalyptic tone, Rawi Hage portrays, in his De Niro’s Game (2006), the chaos of war and its impact on personal and national identities. Through …

The Otley Y. J. S. Chapbooks, A Critical Edition, Michelle Dewitt, Ainsley Farmer, Kenna Fry, Elitza Hallam, Wilson Hurdle, Whitney Hutchings, Kemry Jensen, Evva Kreitlein, Samuel Peterson, Caroline Salmeron, Olivia Toone, Gabby Tracey, Elliana Valentino, Laura Vance

Student Works

The L. Tom Perry Special Collections in the Harold B. Lee Library at BYU contains a collection of sixteen small, yellow chapbooks, each with eight pages of text and hand-colored woodcut illustrations. The titles in this series range from well-known and well-loved tales such as “The History of Cinderella,” “Little Red Riding Hood,” and “Jack the Giant Killer,” to less familiar “Capitals of Europe,” “The History of Peter Brown,” and “The Old Man and his Ass.” These chapbooks are unattributed and undated, bearing only a notice that they were “printed for the booksellers” by the Yorkshire J. S. Publishing & …

“Somehow Form A Family”: Tony Earley’S Assertion Of Commonality To Highlight Difference, Emily M. Lewan

2024 Symposium

Tony Earley’s essay “Somehow Form a Family” presents a unique exploration of family life in America via the lens of satire. This paper delves into Earley’s adept use of exaggerated satire to illustrate the individual American family experience under the guise of complete commonality. Through employing formal analysis, television references, and biographical anecdotes, Earley develops a narrative that suggests universal experiences to be shared by all, only to reveal the diversity and complexity of every household. Insight from scholars Valentina Varinelli and Ayelet Kohn provides a deeper analysis of the implications of Tony Earley’s satirical approach. Their assessment highlights Earley’s …

Leaving The (Mother)Land: Nationalist Entrapment Of The Doubly Colonized Irish Woman In Joyce’S Dubliners And Boland’S Poetry, Blake Harrsch

Seton Hall University Dissertations and Theses (ETDs)

This paper explores how James Joyce’s “A Mother” and “Eveline” and Eavan Boland’s “The Lost Land” and “Mother Ireland” illuminate the gendered sacrifices underpinning Irish nationalism through the lens of double colonization. Joyce’s female protagonists are caught between personal desire and cultural obligation: Mrs. Kearney’s assertiveness leads to public dismissal, while Eveline’s paralysis reveals the psychic toll of conflating domestic labor with patriotic duty. Boland’s poems, in turn, demonstrate how both staying and leaving reinforce women’s entrapment within nationalist ideologies. In “The Lost Land,” the mother’s grief is naturalized as part of her expected role in preserving the homeland, while …

A Crisis Of Craft: Creative Writing In The American University, Brenna E. Derbish

Undergraduate Honors Theses

In this essay, I aim to analyze the changing nature of the Creative Writing MFA through the lens of the American culture that shaped it. In the 1930s, creative writing in American universities began to take shape, citing itself as a way to reform the philological study of literature into a more active field, a way for the common person to learn through creativity and self-expression. However, as the number of MFA programs in the nation continued to rise, admittance became increasingly selective, with many universities accepting only between 5 and 10% of their applicants. This increase in exclusivity, coupled …

Quixotes, Quacks, And Laughing Philosophers: Humor And Intellectual Authority In The Long Eighteenth Century, Macklin Fanning

English Theses and Dissertations

Quixotes, Quacks, and Laughing Philosophers: Humor and Intellectual Authority in the Long Eighteenth Century recovers the fascinating and forgotten story of John Elliot (1747–1787), a novelist, physician, mad scientist, pioneering optical theorist, criminal lunatic, and Gothic antihero whose life and work illuminate a strange new history of science, medicine, law, and literature in the eighteenth and nineteenth centuries.

“Umble” Vampirism: Socioeconomic Scapegoats And David Copperfield, J.R. Rizzo

Seton Hall University Dissertations and Theses (ETDs)

The narrative framing of David Copperfield is oriented in a way that ignores the flaws of its titular hero. Dickens’ autobiographical David Copperfield is compounded to entertain readers. His social mobility refines their perception of David into a middle class gentleman who is neither aristocratic, nor working class. It is David’s narration which helps facilitate such a companionship between himself and the reader, clouding any serious criticisms behind the guise of his charm. The doubling of bias layered within the novel’s narrative structure thereby poses David as a sort-of golden boy. That is, Dickens’ adoration for his protagonist, coupled with …

Teaching Engaging Grammar Instruction In The High School English Classroom, Emily A. Erlbacher

Journal of Curriculum, Teaching, Learning and Leadership in Education

Grammar is a fundamental component in the content area of English Language Arts. Having a strong foundation in grammar is a critical stepping stone to writing clearly and communicating with success. Despite its importance, grammar is historically not the most engaging topic for high school students. My study, consisting of a seven week action plan involving the ninth graders in an English Language Arts classroom, sought to recognize this disengagement and work to combat it in order to improve students’ writing capabilities. More specifically, the purpose of my action research was to evaluate different grammar instructional strategies recommended in existing …

Negotiating (Im)Migrant Identity In The (Un)Assimilated Nation: American Literature Of The Late Nineteenth Century, Haley M. Steffens

English Language and Literature ETDs

This dissertation examines representations of immigration, assimilation, and multinational cultural identity in late nineteenth-century American literature, autobiography, and print culture. Through a comparative analysis of diverse authors and immigrant communities, the project explores how literary and popular culture narratives framed the expectations and limitations of assimilation for disparate populations. By contextualizing these works within historical immigration policies, labor economies, government instability, and burgeoning nationalism, this study reveals how fiction and media shaped public attitudes toward assimilation and influenced policy. Ultimately, this dissertation argues that late, long-nineteenth-century literature functioned as both a reflection of and response to national debates about immigration, …

“Sonnet 29”: The Transcendent Power Of Rich Love, Emily M. Lewan

2025 Symposium

Shakespeare's "Sonnet 29" highlights the journey of the human condition from lowly self-deprecation to high self-sentiments when affected by love. This paper analyzes the poignant fourteen lines penned by William Shakespeare and draws parallels between their sentiment and modern research on love's positive impact on preexisting low self-esteem and self-worth. "Sonnet 29" develops a story of the natural stages from self-deprecation due to low self-esteem into heightened self-worth due to the potent integration of love. Modern, scientific research by Harris and Ulrich, Răşcanu, and Zhang and Hawk, lends credence to the assessment of love's powerful and positive impact on a …

Conformable Kate: Identity And Power In The Taming Of The Shrew, Helen R. Ball

The Confluence

The Taming of the Shrew by William Shakespeare is often read as an exploration of power dynamics and abuse, leaving readers to question the extent of Katherine’s power and autonomy in her marriage to Petruchio. Some believe Katherine manages to control her husband, Petruchio, while others believe Petruchio successfully 'tames' her. This essay explores such a question and seeks to answer which character holds the most power within the play. Using textual evidence from the play, scholarship from Natasha Korda’s writing on domesticity and commodity structures in Shakespeare's time, and Gary Schneider’s ideas of the public and private sectors of …

Long Live The Cruel King Of England: A Character Analysis Of Shakespeare’S “Henry V”, Georgia L. Coomer

The Confluence

This essay revisits Shakespeare's "Henry V," questioning the common belief that the character embodies the ideal Christian king and heroic military leader. Through careful textual analysis and references to existing literary scholarship, it argues that beneath Henry's esteemed image lies a ruler driven by political strategy, moral ambiguity, and a willingness to act ruthlessly. The analysis highlights three key aspects of Henry’s character: first, his tendency to shift moral responsibility onto others, especially in his discussions with Canterbury about the war with France; second, his capacity for imaginative cruelty, as seen in his threatening speech at Harfleur; and third, his …

Animalistic Intimacy: The Role Of The Cat In Asian American Self Actualization, Evelyn Riley

Articulāte

No abstract provided.

Deutsche Indianertümelei: Germany’S Fascination With Native Americans, Sophia Scime

Articulāte

No abstract provided.

“What Success Looks Like:” Abbott Elementary As Feminist Imagination, Ava King

Articulāte

No abstract provided.

Volume 30

Articulāte

No abstract provided.

Front Matter

Articulāte

No abstract provided.

Echoes Of The Plague: The Black Death And The Evolution Of Religious Music In Medieval Italy, Emily Bost

Articulāte

No abstract provided.

Langston Hughes And The “Afro-American Narrative” Tradition, Paul Haynes

Theses and Dissertations

After introducing Langston Hughes and defining Robert B. Stepto’s “Afro-American narrative” tradition, Chapter One presents a biography of Hughes from his birth in 1902 until he came under the patronage of Charlotte Osgood Mason in 1927. Chapter One also addresses the aesthetic expectations of the Harlem Renaissance and the extent to which Hughes either met or failed to meet those expectations. Chapter Two presents a reading of Not without Laughter as an integrated narrative, addressing how Hughes’s authenticating strategies and Mason’s authenticating devices evenly control the novel. Chapter Three presents a reading of Hughes’s short-story cycle, The Ways of White …

Túrin Was Dead: To Begin With. Death, Fate, And A Happy Ending In The Book Of Lost Tales, Thomas Hillman Phd

Journal of Tolkien Research

The final weight of the Tale of the Children of Húrin is crushing. Only the prophecy that Túrin will slay Melkor in the Last Battle offers any relief. Yet its first version, “Turambar and the Foalókë,” has an ending one might call happy. For Túrin’s death is not the end of his story, but its turning point. A coda details the afterlife of Túrin and Nienor, which begins in sorrow and ends in joy, but it is Fionwë, not Túrin, who kills Melkor (LT I 219; II 116). By the “Sketch of the Mythology” in 1926 Túrin has replaced Fionwë, …

“Restless And Uneasy…Thin And Stretched”: The Ring, The Ringbearers, And Bodies In Psychological Crisis In Tolkien’S The Lord Of The Rings., Sara Brown

Journal of Tolkien Research

The attachment that Tolkien’s Ring-bearers have for the Ring, a twisted and perverted form of love, is sterile and barren; it leaves those affected unable to settle and form fruitful, loving relationships with others, an effect that Tolkien referred to as a “Ring-restlessness.” Gollum, Bilbo, and Frodo all suffer, to their own degree, from the psychological crisis caused by the Ring that renders them uneasy and agitated. This paper examines this crisis through a psychological lens, exploring how the Ringbearers are living in discord with their true selves, and struggling with the meaninglessness of life that the Ring leaves behind.

Grief, Grieving, And Permission To Mourn In The Quenta Silmarillion, Dawn M. Walls-Thumma

Journal of Tolkien Research

Tolkien asserted on multiple occasions that death was a primary theme of his work, and there are over ninety deaths of named characters in the Quenta Silmarillion alone. In reading the Quenta Silmarillion as historiography, the universality and psychologically powerful experience of death, grief, and mourning allows the narrators of the Quenta Silmarillion to shape how readers perceive characters, events, and themes in the text. Assuming Pengolodh as the primary narrator, this paper investigates how Tolkien used a limited, flawed, and biased narrative point of view as a strategy to shape reader responses and theme. Characters who die in the …

Mourning And Melancholia In The Lord Of The Rings, Ali Mirzabayati

Journal of Tolkien Research

This paper analyzes how Denethor and Théoden respond differently to the deaths of their sons in J.R.R. Tolkien's The Lord of the Rings. Initially consumed by grief, Théoden embraces hope with Gandalf's support, while Denethor descends into despair. Employing Freud's essay "Mourning and Melancholia" (1917), we examine how Théoden and Denethor illustrate differing reactions to mourning and melancholy in the face of loss. Recognizing developments in psychoanalytic theory, the paper moves beyond simple binaries to offer a nuanced exploration of grief and attachment in Tolkien's narrative.