English Language and Literature Commons^™

Echoes Of The Plague: The Black Death And The Evolution Of Religious Music In Medieval Italy, Emily Bost

Articulāte

No abstract provided.

Langston Hughes And The “Afro-American Narrative” Tradition, Paul Haynes

Theses and Dissertations

After introducing Langston Hughes and defining Robert B. Stepto’s “Afro-American narrative” tradition, Chapter One presents a biography of Hughes from his birth in 1902 until he came under the patronage of Charlotte Osgood Mason in 1927. Chapter One also addresses the aesthetic expectations of the Harlem Renaissance and the extent to which Hughes either met or failed to meet those expectations. Chapter Two presents a reading of Not without Laughter as an integrated narrative, addressing how Hughes’s authenticating strategies and Mason’s authenticating devices evenly control the novel. Chapter Three presents a reading of Hughes’s short-story cycle, The Ways of White …

Túrin Was Dead: To Begin With. Death, Fate, And A Happy Ending In The Book Of Lost Tales, Thomas Hillman Phd

Journal of Tolkien Research

The final weight of the Tale of the Children of Húrin is crushing. Only the prophecy that Túrin will slay Melkor in the Last Battle offers any relief. Yet its first version, “Turambar and the Foalókë,” has an ending one might call happy. For Túrin’s death is not the end of his story, but its turning point. A coda details the afterlife of Túrin and Nienor, which begins in sorrow and ends in joy, but it is Fionwë, not Túrin, who kills Melkor (LT I 219; II 116). By the “Sketch of the Mythology” in 1926 Túrin has replaced Fionwë, …

“Restless And Uneasy…Thin And Stretched”: The Ring, The Ringbearers, And Bodies In Psychological Crisis In Tolkien’S The Lord Of The Rings., Sara Brown

Journal of Tolkien Research

The attachment that Tolkien’s Ring-bearers have for the Ring, a twisted and perverted form of love, is sterile and barren; it leaves those affected unable to settle and form fruitful, loving relationships with others, an effect that Tolkien referred to as a “Ring-restlessness.” Gollum, Bilbo, and Frodo all suffer, to their own degree, from the psychological crisis caused by the Ring that renders them uneasy and agitated. This paper examines this crisis through a psychological lens, exploring how the Ringbearers are living in discord with their true selves, and struggling with the meaninglessness of life that the Ring leaves behind.

Grief, Grieving, And Permission To Mourn In The Quenta Silmarillion, Dawn M. Walls-Thumma

Journal of Tolkien Research

Tolkien asserted on multiple occasions that death was a primary theme of his work, and there are over ninety deaths of named characters in the Quenta Silmarillion alone. In reading the Quenta Silmarillion as historiography, the universality and psychologically powerful experience of death, grief, and mourning allows the narrators of the Quenta Silmarillion to shape how readers perceive characters, events, and themes in the text. Assuming Pengolodh as the primary narrator, this paper investigates how Tolkien used a limited, flawed, and biased narrative point of view as a strategy to shape reader responses and theme. Characters who die in the …

Mourning And Melancholia In The Lord Of The Rings, Ali Mirzabayati

Journal of Tolkien Research

This paper analyzes how Denethor and Théoden respond differently to the deaths of their sons in J.R.R. Tolkien's The Lord of the Rings. Initially consumed by grief, Théoden embraces hope with Gandalf's support, while Denethor descends into despair. Employing Freud's essay "Mourning and Melancholia" (1917), we examine how Théoden and Denethor illustrate differing reactions to mourning and melancholy in the face of loss. Recognizing developments in psychoanalytic theory, the paper moves beyond simple binaries to offer a nuanced exploration of grief and attachment in Tolkien's narrative.

The Only Thriller J.R.R. Tolkien (Never) Wrote: Jungian Shapes Of Evil In “The New Shadow”, Martin Hauberg-Lund Laugesen, Bo Kampmann Walther

Journal of Tolkien Research

J.R.R. Tolkien's The New Shadow, a fragment set in the Fourth Age of Middle-earth, offers a rich but often overlooked exploration of the psychological and cultural implications of peace following the defeat of Sauron. Although Tolkien abandoned the project, dismissing it as a mere “thriller”, the text presents significant insights into the dynamics of generational conflict, the origins of Evil, and the moral challenges of a post-heroic world. This paper examines The New Shadow through a dual lens: first, by contextualizing Tolkien’s depiction of good and evil within Christian ethical frameworks, and second, by applying Carl Gustav Jung’s psychological …

The Moral Function Of Invented Languages In J.R.R Tolkien's Legendarium, Mareike Huber

Journal of Tolkien Research

For J. R. R. Tolkien, the languages he invented for Middle-earth came first, the stories second. Much of his linguistic creation was based on the idea that the sound of a language can create a sense of pleasure or displeasure in those hearing it, irrespective of the meaning behind the words. This can be seen in the ways the sound of the elvish languages on the one hand and Tolkien’s other invented languages such as Khuzdul or the Black Speech on the other, are described not only by Tolkien himself but also by readers of his works. The way a …

Tolkien And Attachment Theory : A Theory To Bind Them All?, Lelie Bremont

Journal of Tolkien Research

Tolkien and Attachment theory: One Theory to Bind Them All?

Ever since the first publication of The Hobbit in 1937, Tolkien’s works have been dominating the fantasy genre, often imitated but rarely equalled. Dozens of scholars over decades have looked for the reason behind this success, the secret ingredient that made Middle-earth so compelling.

Nicole Guédeney is a French psychiatrist specializing in Attachment Theory. Attachment Theory emerged in the early 20^th century and combines psychology with anthropology and ethnology to explore the early attachments created between a baby and the adults surrounding them and how these attachments determine the …

Perceiving The Perceiver: “Viewing” Sauron Through The Gestalt Theory Of Perception, Cameron Bourquein

Journal of Tolkien Research

This paper uses Gestalt theory, the Gestalt laws of perception, and the reception theory of Wolfgang Iser to elucidate the character “Sauron” as he appears in The Lord of the Rings, The Rings of Power, and Tolkien’s wider legendarium. It argues firstly that Sauron’s high degree of indeterminacy and ambiguity suggests he can be read as a gestalt entity, one the reader creates by mentally constructing a whole from (seemingly) disparate parts. Building on the semiotics work of Nagy (2013), it argues that Sauron in The Lord of the Rings can be read as gestalt across the spatial, …

Fears And Pains And Rages: The Psychology Of Gandalf's Anger, Nicholas Birns

Journal of Tolkien Research

We are used to seeing emotions in Tolkien as coded morally. Lust or possessiveness is evil whereas care and forbearance are good. There are some emotions, though, that cross these moral boundaries and one of these is anger Moreover, anger in Tolkien is very coded in terms of gender, as it is nearly always male rage. After examining the cases of Saruman and Wormtongue (angry because the world will not cooperate with their plans) and Thingol (angry because he realizes he has just postponed his doom rather than staved it off), we will examine the case of Gandalf. Gandalf is …

Ztc Eng 151 Syllabus: College Writing, Nicolette Guida

Open Educational Resources

This syllabus provides a curriculum for an introduction to research writing. In this course, students develop introductory skills for academic research writing, work on critical thinking and analysis skills, and build an awareness of the rhetorical situation both in texts read in class and in their own writing. This course focuses on the impact that culture has in shaping behavior and life experiences. Included course texts are centered on the exploration of the different cultural groups that people occupy and the specific cultural norms, values and beliefs for each of these groups. This is zero textbook cost (ZTC) course, so …

Children As Legacy: Fostering A Viable, Interracial Future In Chesnutt’S The Marrow Of Tradition, Allison Marchand

Honors Program Theses and Projects

Charles W. Chesnutt believed The Marrow of Tradition (1901) would be his magnum opus. In a letter to Booker T. Washington, he described it as “by far the best thing I have done” and in another, described how he sent it to Theodore Roosevelt, hoping it might help the president understand the race problem (McElrath 159; 169). The novel details the events of and leading up to a race riot in the fictional Wellington, North Carolina. Inspired by the 1898 coup d’etat and massacre in Wilmington, North Carolina, Chesnutt wrote The Marrow of Tradition with “the hope that it might …

“What Ship Will Bear Me Ever Back”: Woundedness And The Western Sea, Janet Brennan Croft

Journal of Tolkien Research

The sea journey into the West is a multi-faceted symbol-system in Tolkien’s works. It is connected with healing, loss, and the numinous. A character may sail to find peace, to lay down burdens, or to challenge the gods or to beg their help. I will be considering both Tolkien’s literary inspirations in medieval and Arthurian literature, and the personal resonances arising from the significant sea voyages (to England as a young child, and to and from France during the Great War) which twice upended his life.

Cover And Front Matter

Criterion: A Journal of Literary Criticism

No abstract provided.

Wyatt Shot First Storytelling, Justice, And The Creation Of A Hero In Stuart Lake’S Wyatt Earp: Frontier Marshal, Esther C. Lay

Criterion: A Journal of Literary Criticism

No abstract provided.

Absent Mothers And Their Effects On The Heroines' Self-Actualization In Jane Austen's Final Three Novels, Gillian Carter

Criterion: A Journal of Literary Criticism

No abstract provided.

Thou Swearest Thy Gods In Vain: The Victory Of Christ As Deus Ex Machina In King Lear Over Apollo In Euripides's Orestes, Aaron B.Y. Gorner

Criterion: A Journal of Literary Criticism

No abstract provided.

The Interconnectedness Of Fun Home On Page And Stage, Livia M. Nocito

English and Creative Writing Independent Study Projects

In Fun Home: A Family Tragicomic by Alison Bechdel, instances of Alison’s emotional “rise,” or openness in being queer, and Bruce’s “descent,” or need to conform, in the book are further supplemented by translations made into the musical through leitmotif and musical composition. This cements not only their roles as Daedalus and Icarus respectively in the metaphor Alison presents in her memoir, but also highlights their lived experiences in a way that truly extends Alison’s liberation as a lesbian to be elevated in grandeur and Bruce’s stifling life to be as damning as Icarus’s fall into the sea.

“Linked” And Unlinked: Temporal Identity And Intergenerational Connection In Zitkala-Ša’S “The Widespread Enigma Concerning Blue-Star Woman”, Ilse Eskelsen

Criterion: A Journal of Literary Criticism

No abstract provided.

Reading Whereas: Translation As Resisting Equivalence, Shiyang Su

Criterion: A Journal of Literary Criticism

No abstract provided.

“The Most Wretched Of Commodities”: Shelley's Monster And Kafka's Vermin As Proletarian Heretics, Aiman Adeel

Criterion: A Journal of Literary Criticism

No abstract provided.

Interpreting Identity: Seeing Cultural Identity As Fluid In Jhumpa Lahiri’S Interpreter Of Maladies, Caleb D'Evegnee

Criterion: A Journal of Literary Criticism

No abstract provided.

Full Issue

Criterion: A Journal of Literary Criticism

No abstract provided.

Thomas Sutpen, Stephen Dedalus, And The Intersection Of Creation And Mortality, Layla A. Mcgovern

Departmental Honors & Graduate Capstone Projects

This paper examines William Faulkner’s Thomas Sutpen and James Joyce’s Stephen Dedalus as parallel creator figures who attempt to transcend their origins and combat mortality by establishing enduring legacies. After suffering humiliation regarding social hierarchy, Sutpen endeavors to create a material dynasty through land acquisition, property development, and the enslavement of non-white people, obsessively seeking to produce a white male heir in the process. Despite his efforts, Sutpen’s physical creation deteriorates, with his most enduring legacy being a distorted oral history beyond his control. Conversely, Dedalus rejects his Irish Catholic upbringing to escape the “nets” of “nationality, language, [and] religion” …

Healing Through Collective Memory: Exploring Psychological Trauma And Community In Toni Morrison’S Beloved And Audre Lorde’S “The Uses Of The Erotic”, Cassia Mcphilliamy '25

Student Research

My project “Healing Through Collective Memory: Exploring Psychological Trauma and Community in Toni Morrison’s Beloved and Audre Lorde’s “The Uses of the Erotic”” is motivated by the traumatic images of the experience in enslavement. The symbolism that Morrison uses in Beloved through the dual role Beloved plays as both a spectator and experiencing trauma firsthand. Morrison surpasses the generic gothic tropes of the ghost through Beloved’s ghostly presence at 124 Bluestone, and later her ability to physically haunt Sethe, forcing her to confront her trauma. Beloved’s appearance collapses the past and the present, forcing Sethe to face her past in …

Incorporating Scenes Of Torture In Literature, Kiera A. Croswait

Departmental Honors & Graduate Capstone Projects

Fiction authors must consider the different ways a reader can consume acts of violence or torture in a piece of art. In this paper, I discuss the different considerations authors must make before writing such scenes, specifically within contexts of historical fictions. By analyzing the novel A Constellation of Vital Phenomena by Anthony Marra through the lens of ethical theory, I argue that Marra effectively uses language, historicization and research, and authenticity/character development to represent violent torture in his novel set in the context of the Russian-Chechen conflict. Looking at the power dynamics through character and language, as well as …

From The Kitchens Of Lords To Pinterest Boards: An Examination Of Recipe Discourse, Haley Hansen

Honors Theses

This paper traces the evolution of written recipe discourse from medieval manuscripts to modern digital platforms, examining how changes in recipe structure, audience, and purpose reflect broader shifts in cultural literacy and sponsorship. Drawing on Deborah Brandt’s theory of “sponsors of literacy,” the author argues that recipe authors have historically acted as sponsors of culinary literacy, shaping who has access to cooking knowledge and how that knowledge is communicated. Through close analysis of recipes from the Forme of Cury (1390), American Cookery (1796), the Good Housekeeping Cookbook (1963), and a contemporary food blog, the study highlights the increasing democratization of …

“The Best Storyteller In The World:” Gwydion, Court Poetry, And Statecraft In The Fourth Branch Of The Mabinogi, Abigail Fathauer '25

Senior Scholarly and Creative Symposium

Gwydion, the trickster protagonist of The Mabinogi, orchestrates the plot and manipulates those around him. His trickery ultimately results in political shifts, changes, and even wars, reflecting his role as a powerful player in the text. Moreover, Gwydion's use of poetry, knowledge, and words to enact his schemes and manipulations reflects the power of poets in medieval Welsh courts. My thesis argues that Gwydion's use of poetry to manipulate the politics around him reflects the power of poetry to craft nation states, as medieval Welsh poets did.

Just War, Pacifism, And Inevitability Of Conflict: Tolkien’S Changing Attitudes To War, Alexander Retakh

Journal of Tolkien Research

Tolkien’s approach to war is often considered through the lens of “just war” theory. Its main principles are the necessity of a just cause for war, proper conduct in battle, and the use of proper weapons; if possible, war should be avoided. The Lord of the Rings suggests an ethical framework inspired by this theory; however, the earlier Legendarium is more accepting of military conflicts and their harsh reality. Tolkien's attitude to war appears to shift in the mid-late 1930s, the time of intense debates about just war and pacifism among British Catholics. This paper discusses the evolution of his …