Art Practice Commons^™

The City Influence, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition The City Influence shown at Wright State University from January 26 through February 21, 1992. The exhibition focused on abstract painting.

X6: New Directions In Multiples, The Aldrich Museum Of Contemporary Art, Museum Of Contemporary Art

Exhibition and Program Catalogs

This exhibit catalog shows work that is considered multiples, objects created by artists but not necessarily made by them or the idea of art works that could be easily reproduced with no diminution of meaning. The exhibit singled out six publishers with widely varying points of view to showcase: A/D, Artes Magnus, Kunst Editon New York, Editions Schellmann, Carl Solway Gallery, and Thea Westreich. The exhibit was originally shows at The Aldrich Museum of Contemporary Art from January 26-May 3, 1992 and then shown at Wright State University, hosted by the Dayton Art Institute Museum of Contemporary Art from June …

Moving Pictures, Melissa Ann Mcclure

Dissertations and Theses

My thesis work includes 10 large drawings that explore the narrative qualities of line movement. I use line in these drawings as a recording device to document both the physical activity of the process and the personal experience that the lines represent. Through this work I attempt to develop a language of visual imagery that is autobiographical in nature. A system of personal symbols and recurring forms make up the structure of this visual vocabulary. Line movement and rhythm provides a sense of the dialog.

Blanket Statements, Issue 31, Winter 1992

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 31, Winter 1992

Bukhara: Traditional Weavings From Pre-Soviet Central Asia, Carol Bier

Textile Research Works

In southern regions of what was the Soviet Union lie five independent republics, the populations of which are predominantly Turkic: Kazakhstan, Kirghizia, Azerbaijan, Turkmenistan, and Uzbekistan. During the course of the past fifty years, each of these areas has seen increasing industrialization as part of the centralized planning of the Soviet economy. Today, throughout the region. privatization of industry is rapidly occuring. Accompanying these new developments, and as part of the political and economic changes of the last few years, there has been an increasing awareness of ethnic identity and cultural inheritance. This may be expressed through literary and intellectual …

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 13 (1992), Laurel Horton, Teresa Cooper Jacobs, Nancy Cameron Armstrong, Barbara Brackman, Dorothy Cozart, Janee Hindman, Carolyn H. Krone, Thomas M. Horner, Kristin M. Langellier, Margaret T. Ordoñez, Kari Ronning, Virginia Gunn

Uncoverings Journal

Cover Artist's Statement by Teresa Cooper Jacobs

Preface by Laurel Horton

Research Papers

Quilts of the Gulf War, Desert Storm-Participation or Protest? by Nancy Cameron Armstrong

Quiltmaking on the Overland Trails: Evidence from Women's Writing by Barbara Brackman

The Handwork of Women of One Southern Family by Dorothy Cozart

Quilt Talk: Verbal Performance Among a Group of African-American Quilters by Jane E. Hindman

Quilting and Bereavement: Her Grief in the Quilt by Carolyn Krone and Thomas M. Horner

Show-and-Tell as a Performance Event: Oppositional Practice in Contemporary Quiltmaking Culture by Kristin M. Langellier

Ink Damage on Nineteenth-Century Cotton Signature Quilts …

A Kurdish Reed Screen, Carol Bier

Textile Research Works

A unique ethnographic monument recently donated to The Textile Museum merits special attention not only for its size (twenty-five feet long and four feet high), but for its important place in the history, use, construction, and decoration of functional textiles.

Designed to enclose space in a nomadic environment. the reed screen may be considered an architectural textile destined for use within the community in which it was made. This distinguishes it from commercial products manufactured for the market, and, indeed, from most other utilitarian textiles, although it shares with carpets and kilims an obvious intent to beautify the environment for …

Elements Of Plane Symmetry In Oriental Carpets, Carol Bier

Textile Research Works

Historically, in the Islamic world from Spain to Indonesia, two-dimensional repeat patterns have served as primary means for organizing color and space. The ornamentation of architecture may involve the modifications of a two-dimensional pattern in its application to a three-dimensional surface. All of the uses of pattern, appearing as well on ceramics and metalwork, in book illumination, and textiles, rely upon the repetition of complex or simple designs to form overall repeat patterns of apparent complexity and intricacy. Yet within all the visual diversity and within the variability of regional traditions throughout the Islamic world, there is a common visual …

Blanket Statements, Issue 26, Fall 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 26, Fall 1991

Zami: A Portrait Of An Artist As A Black Lesbian, Barbara Dibernard

Department of English: Faculty Publications

As feminist critics, we cannot continue to ignore differences in race, sexuality, and class when we write about women; we should heed Adrienne Rich's critique of her own earlier work, that she will never again write of the "faceless, raceless, classless category of 'all women.'" Aware that my work will be partial and limited, I would like to explore Audre Lorde's Zami as a portrait of an artist as a black lesbian. In doing so, I hope to suggest areas where we must open up our conception of the female Kunstlerroman so that we are taking account of Lorde's black …

Blanket Statements, Issue 25, Summer 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 25, Summer 1991

William Olander The Practice Of An Activist Curator, Gayle Rodda Kurtz

Theses and Dissertations

William Olander, Senior Curator of The New Museum of Contemporary Art, was born July 14, 1950, and died of AIDS March 18, 1989. From his first curatorial project, a presentation of performance art in April 1980, and until his death, Olander's curatorial practice was based on theoretically formulated ideas that promoted active participation in culture with traditional and non-traditional mediums. He has been described as a "model museum curator" with some "very novel ideas."

This thesis traces Olander's early background and formal education in order to show the development of his approach to contemporary art within the institutional context of …

Words & #S, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

The gallery guide discusses the exhibition Words and Numbers shown at Wright State University from April 7 through May 10, 1991. The exhibition focused on the combination of art and text.

Blanket Statements, Issue 24, Spring 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 24, Spring 1991

Todt: Womb Wars, The Museum Of Contemporary Art, Wright State University

Exhibition and Program Catalogs

This catalog features work from the exhibition by artist collective TODT. The TODT: Womb Wars exhibition was held at Wright State University Art Galleries February 3 through March 8, 1991.

Perry Hoberman: Faraday's Garden, Museum Of Contemporary Art At Wright State University

Exhibition and Program Catalogs

In Perry Hoberman's electronic garden, evocative of happier and simpler times when the American Dream was the "General Electric Home," the concept of sculpture is being redefined and stretched to its limits. Hoberman, in a sort of tribute to Michael Faraday's electronic genius, recycles outdated and, at times, archaic-looking household appliances and tools in our room-sized installation. In this expanded version of the original Faraday's Garden, which was exhibited in 1990 at Postmasters Gallery in New York City, each of the appliances is activated by walking on electronic footpads on the floor, resulting in a sculpture that seems to have …

Blanket Statements, Issue 27, Winter 1991

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 27, Winter 1991

Beyond The Pyramids: Geometry And Design In The Carpets Of Egypt, 1450-1750, Carol Bier

Textile Research Works

Mamluk carpets present a paradox. For although they are among the most tantalizingly beautiful of all Oriental carpets, they are also the least understood. The answers to such questions as who made them, why they were made and for whom, and how they were used, are virtually unknown. These carpets, produced during the rule of the Mamluk sultans in Egypt in the late 15th century are arguably the finest ever produced anywhere. Mamluk carpets are distinguished from all other carpet-weaving traditions. In part, this distinction derives from the dominance and simplicity of geometric form (#R34.32.1): squares and rectangles, octagons and …

The Graduate Thesis, Li-Ping Chung

Theses

Not available.

Uncoverings: The Research Papers Of The American Quilt Study Group, Volume 12 (1991), Laurel Horton, Michael Kile, Rod Kiracofe, Lawrence Howe, Catherine E. Cerny, Vista Anne Mahan, William J. Riffe, Pat L. Nickols, Clover Nolan Williams, Valerie Wilson, Varyn M. Kendra, Kyle Emily Ciani

Uncoverings Journal

Dedication:Michael Kile (1947-1991) by Rod Kiracofe

Preface by Laurel Horton

Research Papers

A Text of the Times: The NAMES Project by Lawrence Howe

A Quilt Guild: Its Role in the Elaboration of Female Identity by Catherine A. Cerny

Quilts used as Backdrops in Old Photographs by Vista Anne Mahan

Brain Dominance and Quilters: A Small Group Study by William J. Riffe

Mary A. McElwain: Quilter and Quilt Businesswoman by Pat L. Nickols

Tradition and Art: Two Layers of Meaning in the Bloomington Quilters Guild by Clover Nolan Williams

Quiltmaking in Counties Antrim and Down: Preliminary Findings from the Ulster Quilt …

Basic Paper Treatments For Printed Book Materials, Peter D. Verheyen

Librarian Publications

In October of 1989, at the Guild of Book Workers' Standards of Excellence Seminar, Betsy Palmer Eldridge gave a presentation on "Basic Paper Treatments for Printed Book Materials." This 2 1/2 hour presentation was a very ambitious undertaking, but she did a magnificent job.

Since these presentations and the synopses that later appeared in the GBW Newsletter, there has been some discussion. The presentations and these articles are not to be construed as a "how to" of basic paper conservation but rather as an introduction for those with interest but little experience. For the more experienced, they present the methods …

The Relationship Between Elements Of Symbolism In Drawings And Language, Sarah Lynn Williams

Masters Theses

A relationship between the development of drawing skills and overall development has been well documented. Furthermore, a relationship between language development and drawing development has been suggested by a number of research findings. The research goal of this project is the following: to determine whether there is a predictable relationship between the elements of symbolism in drawing and language development.

Twenty-six children were given a standardized language assessment and a drawing assessment. The children were divided into two groups according to age. Language scores for Group 1 included the following Test of Language Development-Primary subtests (Newcomer & Hammill, 1982): picture …

Blanket Statements, Issue 22, Fall 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 22, Fall 1990

Blanket Statements, Issue 21, Summer 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 21, Summer 1990

An Exploration Of Some Aspects Of Mystery, Terry Foster Thompson

Dissertations and Theses

This thesis project consists of twenty-four paintings, drawings and lithographs dealing with three sub-themes of the larger subject of mystery: the mystery of existence; the mystery of religion; the mystery of the unknown. These themes are explored through manipulations of light, color, compositional arrangement and painting and drawing techniques.

Allen Eaton And The Department Of Art And Social Work: Social Work In The Appalachian Arts And Crafts Movement1, Roger A. Lohmann

Faculty & Staff Scholarship

This paper explores a singular chapter in Social Work, Appalachia and

American culture. Like many other aspects of Appalachian culture and politics, it is

primarily a tale of extended effort for what proved to be a lost cause. Like many

other chapters in the history of the social work profession, it is a tale of a bright

beginning and insufficient follow-through. It is an optimistic narrative of expected

and unanticipated consequences that have proven to be beneficial for the culture

and economy of the region. It is also a deeply political narrative, if only because it is

dramatically at variance …

Assembled: Works Of Art Using Photography As A Construction Element, Wright State University Art Galleries

Exhibition and Program Catalogs

This catalog is from an exhibition featuring pieces that are a hybrid of work that combines two or more traditional disciplines, all employing photographs as a construction element. The exhibit was curated by Barry A. Rosenberg at the University Art Galleries at Wright State University and was shown from April 8 though May 13, 1990.

Blanket Statements, Issue 20, Spring 1990

Blanket Statements: News Publication of the American Quilt Study Group

Blanket Statements, Issue 20, Spring 1990

Joan Nelson Gary Stephan: Landscapes, Wright State University Art Galleries

Exhibition and Program Catalogs

A catalog of landscape paintings for a show held at The University Art Galleries at Wright State University from January 7 - February 2, 1990. The show featured works by landscape painters Joan Nelson and Gary Stephan. The catalog also includes an interview by the director of the gallery Barry A. Rosenberg.

Fantastic Figures Of Ocumicho, Joe Molinaro

Art and Design Faculty and Staff Scholarship

No abstract provided.