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Articles 3751 - 3780 of 4669
Full-Text Articles in Art Practice
Schema., David B. Mazure
Schema., David B. Mazure
Electronic Theses and Dissertations
This thesis supports the Master of Fine Arts exhibition at the Slocumb Galleries in Ball Hall at East Tennessee State University, from February 23rd through February 27th 2009. The exhibition is comprised of eight graphite drawings, one ink drawing, eight vinyl prints, two hundred sixty lenticular prints, over fifty digital inkjet prints, and one video installation. The exhibition presents the artist's exploration into using drawings and prints as installation as they relate to quantum physics and universal scale. Subjects discussed, on a project-by-project basis, include thought, ideas, methods, influences, and process by which the work in the exhibition …
Vrc News, May 6, 2009; Issue One, Chris Strasbaugh
Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier
Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier
Asian American Art Oral History Project
2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto
Binzel, Philip Edward, 1893-1955 (Sc 1912), Manuscripts & Folklife Archives
Binzel, Philip Edward, 1893-1955 (Sc 1912), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1912. Monograms designed by Philip Edward Binzel, a Bowling Green, Kentucky jeweler, for members of his family. Also includes a copy of his obituary.
Performing Violence: The (Un)Reality Of War - Chris Burden, Edward Kienholz, Wafaa Bilal, Jordan Gadd
Performing Violence: The (Un)Reality Of War - Chris Burden, Edward Kienholz, Wafaa Bilal, Jordan Gadd
Pomona Senior Theses
I. Introduction II. Chris Burden III. Edward Kienholz IV. Wafaa Bilal V. Conclusion Appendix A: Images Appendix B: Bibliography
Mind Vs. Media: A Civil War Between Typography And The Mediated Image, Elizabeth J. Neffinger
Mind Vs. Media: A Civil War Between Typography And The Mediated Image, Elizabeth J. Neffinger
Senior Honors Theses
The past thirty years have marked the start of a new kind of civil war in our digitally powered American society. There is a deep chasm between the cry for the lost art of typography and the mediated power of the Image. We are a culture battling a war in our own heads, attempting to assimilate Images without replacing the need for a written text.
This thesis will argue that the mediated Image is not a death sentence to critical thinking; rather it is an undeniable, inescapable power that can be used to positively influence our culture. It will research …
Ba/Bfa Senior Critique Honors - School Of Art
Ba/Bfa Senior Critique Honors - School Of Art
John Wesley Powell Student Research Conference
No abstract provided.
The Beauty Of Arabic Script: Tracing The Artistic Significance Of The Arabic Letter In Morocco, Sarah C. Malin
The Beauty Of Arabic Script: Tracing The Artistic Significance Of The Arabic Letter In Morocco, Sarah C. Malin
Independent Study Project (ISP) Collection
This paper explores the reference to traditional Moroccan craftwork in contemporary art, specifically in the microcosm of the incorporation of Arabic letters in contemporary painting. The line between craft and art, calligraphy and symbols is examined. What is the purpose of these designs and what meaning do they carry? Through interviews with five artists that employ this technique as well as conversations with other members of the art community, it was found that the artistic significance of these letters has changed throughout history. In the past, calligraphy, although containing some embellishing flair, emphasized the literal linguistic and religious meaning in …
Redrawing The Walls: Street Art In Belgrade, Emily Levitt
Redrawing The Walls: Street Art In Belgrade, Emily Levitt
Independent Study Project (ISP) Collection
This research examines street art in Belgrade as a means of changing the political, social, and cultural atmosphere of Belgrade, Serbia. Street art is examined as a means of breaking down consumer/producer binaries, an alternative to dominant culture, as part of the contemporary city, and as a transformative use of and re-appropriation of imagery. The research data was collected through semi-structured interviews in the Spring of 2009. Students, artists, and former artists were interviewed in order to collect data. In addition, participant observation and visual analysis contributed to and gave context to the interview based data. Ultimately, it was discovered …
Blanket Statements, Issue 95, Spring 2009
Blanket Statements, Issue 95, Spring 2009
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 95, Spring 2009
Taking In: Photography 2009, Aib Students
Taking In: Photography 2009, Aib Students
Taking In
Taking In showcases a selection of work from students attending the Art Institute of Boston Work was collected by members of this class for presentation before a jury of distinguished artists from outside of the school. The images selected by the jury were then sequenced for the book, which is designed to be distributed throughout the artistic community. In addition, the work is displayed in a gallery exhibition and on our website. In your hands is the result of the hard work and dedication of the members of this class.
Graffiti En Managua: Una Expresión Democrática De La Juventud Nicaragüense, Katie Laroque
Graffiti En Managua: Una Expresión Democrática De La Juventud Nicaragüense, Katie Laroque
Independent Study Project (ISP) Collection
Semiotics, or the philosophical study of signs and symbols, makes us rethink the familiar and the things we take for granted. If someone walks to work everyday on the same street, after time he will probably stop thinking about the graffiti on the corner. Graffiti is probably something that most of us take for granted, or hardly see anymore, but I argue that its role in society must be rethought. What does graffiti on the wall represent? It is a manifestation of the ideas and beliefs of the artist, as well as a reflection of his artistic talent. When several …
Denton, Richard (Fa 384), Manuscripts & Folklife Archives
Denton, Richard (Fa 384), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 384. Project entitled "Virginia Petty: Woodcarver from Oakland, Kentucky," with an interview conducted by Richard Denton with Petty.
Burnett, Laura Jo (Fa 423), Manuscripts & Folklife Archives
Burnett, Laura Jo (Fa 423), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 423. Interview with textile artist Lysbeth Wallace, Hopkinsville, Kentucky conducted by Laura Jo Burnett for a Western Kentucky University folk studies class.
Burnett, Laura Jo (Fa 382), Manuscripts & Folklife Archives
Burnett, Laura Jo (Fa 382), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 382. Interview with textile artist Lysbeth Wallace, Hopkinsville, Kentucky, conducted by Laura Jo Burnett.
Merwin & Wakeley Galleries Present Creative Works, Allegra Gallian ’09
Merwin & Wakeley Galleries Present Creative Works, Allegra Gallian ’09
News and Events (Discontinued Series)
No abstract provided.
Signing Off On The State, Amanda J. Allerding
Signing Off On The State, Amanda J. Allerding
Theses: Doctorates and Masters
This thesis provides a contextual analysis of my creative practice as a visual artist. An overview of the social and historical relationships of the individual in societal organisations, and in relation to what Stuart Hall refers to as tendential lines of force, the dominant structures of religion and the state (Hall, 1996), set the context for a selfreflexive analysis of my practice. In carrying out a contextual analysis of my practice, it is the intention of this thesis to map a context by which Australian national identity is manufactured. This context is the hegemonic processes that seek to maintain a …
Public Mood Ring, Collaborative Project
Public Mood Ring, Collaborative Project
Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations
This entry adheres to the use of the quad chart template to provide a succint description only of the current research project undertaken by the participants. It provides for the following information.M
Participants
1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci
Kimmerly Kiser: A Memorial Exhibition, Robert And Elaine Stein Galleries
Kimmerly Kiser: A Memorial Exhibition, Robert And Elaine Stein Galleries
Exhibition and Program Catalogs
This catalog features work from a memorial exhibition of drawings and paintings by the late Kimmerly Kiser held at Robert and Elaine Stein Galleries. Kiser was a professor of painting and drawing at Wright State University from 1969 to 1995. He continued teaching as faculty emeritus until his passing in 2006. The exhibition ran from January 25 through February 6, 2009.
'Voices In Freedom' Poster, Anne Giangiulio
'Voices In Freedom' Poster, Anne Giangiulio
Selected Works Temporary Series
I am one of only one hundred graphic designers worldwide invited to participate in the 2010 poster exhibit 'Voices in Freedom' sponsored by the International Biennial of the Poster in Mexico, celebrating the Bicentennial of Mexican Independence and the Centennial of the Mexican Revolution.
Anne M. Giangiulio's Portfolio In Brief, 2004–2009, Anne Giangiulio
Anne M. Giangiulio's Portfolio In Brief, 2004–2009, Anne Giangiulio
Selected Works Temporary Series
Select views and brief descriptions of all works designed from 2004 to 2009, categorized and in chronological order. Please be patient when downloading as file is 7.5 MB
Proposal For 'Crossing Borders: Portraits From The Casasola Studio In El Paso, Texas' Ellis Island Museum Exhibit, Anne Giangiulio
Proposal For 'Crossing Borders: Portraits From The Casasola Studio In El Paso, Texas' Ellis Island Museum Exhibit, Anne Giangiulio
Selected Works Temporary Series
Proposal to design the exhibit 'Crossing Borders: Portraits from the Casasola Studio in El Paso, Texas' to be on display at New York’s Ellis Island Museum in the Summer of 2010. For more on the story behind the photography studio that this exhibit features, go to: http://online.wsj.com/article/SB122462120863355585.html?mod=article-outset-box#project%3DSLIDESHOW08%26s%3DSB122399525628532677 Funding for this exhibit is still in the process of being secured by a committee which includes UTEP faculty and staff from the Centennial Museum, Library Special Collections and Department of History. All private information has been deleted from the file here for download. Please be patient when downloading as file is 1.2 …
Wilco Show Poster, Anne Giangiulio
Wilco Show Poster, Anne Giangiulio
Selected Works Temporary Series
Designed a gig poster for the June 17 Wilco show at the Abraham Chavez Theatre. The poster was stenciled and spray painted with metallic silver paint on speckletone green French paper. Black hemp twine attached adds texture and the headphone cord for the local Gambel's quail enjoying the music.
Blanket Statements, Issue 98, Winter 2009–2010
Blanket Statements, Issue 98, Winter 2009–2010
Blanket Statements: News Publication of the American Quilt Study Group
Blanket Statements, Issue 98, Winter 2009–2010
School Play, Ronan Mccrea
School Play, Ronan Mccrea
Exhibitions
School Play was the outcome of a public art commission associated with the construction of a new school building for a state primary school, catering for children from ages 4 – 12. School Play consists of two main elements: a series of thirty colour photographs and a permanent design for a school play yard consisting of a series of graphic set of circles and arcs applied in various colours onto the tarmac and also adjacent footpaths and car park. This element of the work has a dual function: primarily as utilitarian design– acting as boundaries and markings for un-prescribed play …
Tampa Public Mood Ring, Collaborative Project
Tampa Public Mood Ring, Collaborative Project
Dyson College- Seidenberg School of CSIS : Collaborative Projects and Presentations
This entry adheres to the use of the quad chart template to provide a succinct description only of the current research project undertaken by the participants. It provides for the following information
1. Participants and Affiliations
2. Overall Project Goals
3. Illustrative picture
4. Specific research/artistic/pedagogic foci
Singing The Moly Blues: The Direct Use Of Molybdenum Clusters As A Precursor To The Development Of Molybdenum Blue Glazes, Margaret Fiedler
Singing The Moly Blues: The Direct Use Of Molybdenum Clusters As A Precursor To The Development Of Molybdenum Blue Glazes, Margaret Fiedler
Undergraduate Review
Cobalt is currently the most commonly used blue colorant for ceramic glazes, however due to its toxicity in powder form there is a need for an alternative. Molybdenum, more specifically molybdenum oxide, is one alternative that has shown promise. This research is aimed at the direct incorporation of reduced molybdenum clusters into the glaze matrix. Two compounds have been synthesized that exhibit an intense blue color, Na15[MoVI126MoV28O457H14(H2O)70]0.5-[MoVI124MoV28O427H14(H2O)68]0.5 …
Der Gebrochene Rücken: A Variation Of The German Case Binding, Peter D. Verheyen
Der Gebrochene Rücken: A Variation Of The German Case Binding, Peter D. Verheyen
Librarian Publications
The “gebrochene rücken” is variant of the German case “Bradel” binding, something often described as the quintessential German binding structure. It is precise and adaptive to a variety of needs and aesthetic considerations can be worked “in boards” or as a case. Its closest modern relative is the simplified binding (reliure simplifée) as demonstrated by Sün Evrard and Laura Wait. While there are structural differences (that are not as great as one would think given that one is German and the other French), what both these bindings have in common is that they allow for the use of different covering …
Prints Portfolio, Laura K. Czys, '10
Prints Portfolio, Laura K. Czys, '10
BA/BFA Senior Honors Book Gallery
Print work display.