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Articles 1621 - 1650 of 4668
Full-Text Articles in Art Practice
Empty Bedroom, Hannah Rickett
I Would Bury Her, Lexi Owens
Ruined, Jordan Roach
Viewpoint From Genomic Basin And Thrash, Madison Williams
Viewpoint From Genomic Basin And Thrash, Madison Williams
Allusions
No abstract provided.
Incantation For What I Cannot Hide - After "Lesson" By Hieu Minh Nguyen, Madison Williams
Incantation For What I Cannot Hide - After "Lesson" By Hieu Minh Nguyen, Madison Williams
Allusions
No abstract provided.
Whoopsie Daisy (Cover Art), Elaina Llewellyn
In Boundary Waters, Matt Ramsey
Dr. Christine Blasey Ford, Sam T. Morlan
Feel & Conceal, Janeece Warner
Run-On, Janeece Warner
Untitled, Janeece Warner
Hell's Dream, Saphire Massey
Beginning Anew, Saphire Massey
Foster Love And Affection, Austin Roberts
Self-Portrait I, Austin Roberts
The Dunes, Juliet Grey
Dreams, Jarrett Stringer
Agony Café, Sarah Mattingly
Mind Over Medicine, Ariel Petrie
This Town Eats People, Seth Johnson
#Iamthesudanrevolution, Mustafa Mustafa
Saltwater., Alyson Laplante
Lost Friend, Victoria Presslor
Red, Patrick Gibbons
Chrysalis, Sierra Nobbe
Incantation For What I Cannot Hide - After "Again, Let Me Tell You What I Know About Trust" By Hieu Minh Nguyen, Madison Williams
Incantation For What I Cannot Hide - After "Again, Let Me Tell You What I Know About Trust" By Hieu Minh Nguyen, Madison Williams
Allusions
No abstract provided.
I'M Fine, Sam T. Morlan
Break In Pink, Austin Roberts
By Land And By Sea: Displaced Samplers Reveal Women On The Move, Lynne Anderson
By Land And By Sea: Displaced Samplers Reveal Women On The Move, Lynne Anderson
Textile Society of America: Symposium Proceedings
Until the middle of the nineteenth century most American girls embroidered as least one needlework sampler as part of their education. A first sampler demonstrated the girl had learned to sew a few different stitches, copy the alphabet, and “write” her own name in thread. If instruction continued past these basics, subsequent embroideries might reveal more advanced needlework techniques and the girl’s expanding literacy. Each sampler was considered a significant accomplishment—by the girl herself, her teacher, her family, and even potential suitors. Embroidered samplers were treasured objects, framed and displayed in the home or tucked away safely for posterity. When …
Artistic Philanthropy And Women’S Emancipation In Early Twentieth-Century Italy, In The Life And The Work Of Romeyne Robert And Carolina Amari, Maria Luciana Buseghin
Artistic Philanthropy And Women’S Emancipation In Early Twentieth-Century Italy, In The Life And The Work Of Romeyne Robert And Carolina Amari, Maria Luciana Buseghin
Textile Society of America: Symposium Proceedings
Romeyne Robert, married as Ranieri di Sorbello, started an embroidery school in 1904 in Umbria, at the family’s country estate of Pischiello. Her goal was to teach young peasant women to emancipate themselves by learning the craft of embroidery. She was inspired by the Arts and Crafts movement in America and by contemporary programs developed in settlement houses along the East Coast. Their aim was to help the emancipation of immigrant women from Italy by fostering the recovery of artisan skills. At the Sorbello Embroidery School, Romeyne rediscovered the Renaissance technique originally called the punto Umbro, later renamed punto Sorbello. …