Arts and Humanities Commons^™

China’S Rural Statistics: The Contemporary Chinese Village Gazetteer Data Project, Yuanziyi Zhang

Journal of East Asian Libraries

In July 2018, the East Asian Library (EAL) of the University of Pittsburgh Library System (ULS) initiated the Contemporary Chinese Village Gazetteer Data (CCVG Data) project to create a series of open-access online datasets of China’s rural statistics selected from the library’s collection of Chinese village gazetteers. The current datasets contain data from 1,000 village gazetteers in 18 categories. As an ongoing project, the goal is to reach 2,500 to 3,000 villages. A database that allows effective and efficient ingesting, querying, manipulating, and displaying CCVG data will be available for use by the end of 2020. This article serves as …

“I’Ve Learned From Every Contributor, And For That I’M Thankful”: A Chat With Craig Ledoux, Editor-In-Chief Of Madcap Review, Craig Ledoux, Kailin Swift

The Review Review

Along with a group of his grad school friends, Craig Ledoux co-founded Madcap Review in 2014. They are a “semiannual online journal of literature and art” that encourages “the impulsive, the reckless, and the lively, but we also have great respect for form and restraint.” As explored in this interview, Madcap has very few submission restrictions because they believe that great writing isn’t easily categorized. Their reading period is Sept 1. To Oct. 31.

Venerable Nonfiction Magazine Proves It’S Still In The Game; Review Of Creative Nonfiction, Issue 72, Bria Peterson

The Review Review

Creative Nonfiction magazine is “true stories, well told.” Each issue works to prove that interesting narratives can make any subject meaningful through the adaptive essence of narrative nonfiction. In issue 72, titled “Games: The Power of Play,” they achieve this goal through long and short-form essays along with columns that examine the craft, style, and trends of writing true stories.

American Little Magazines Since 1950: Charting Many Histories, Thom Caraway

The Review Review

As lit mag enthusiasts know, Little Magazines cuts off in 1947. It details the magazines of the Modernist period quite well, as several other excellent comprehensive resources do. The three-volume Oxford Cultural History series on literary magazines details the work of various little magazines in the US, UK, Europe, and Ireland, but gets no further than 1950. Tri-Quarterly’s excellent “documentary” issue of 1978 surveys several editors of significant magazines in the intervening period, and they provide engaging statements of purpose, origin stories, and “biographical” sketches of their particular magazines. More recent volumes like Spreading the Word, Paper Dreams …

Your Perfect Cover Letter, The Review Review Team

The Review Review

Most literary magazines request a cover letter along with your writing submission. This is just way to introduce your work and introduce yourself. Its tone should be polite, professional and unassuming.

During Turbulent Times, A Reminder: The Ground Beneath Us Has Always Been Shifting, Jeffrey Dodd

The Review Review

This issue of The Review Review is being released at a remarkable time here in the United States, where we’re based.

• Global pandemic?
• Most divisive U.S. election season in living memory?
• Editor gets Covid?
• Uncertain economic future due, in large part, to those first two items?

“I Will Take Every Opportunity To Encourage Others”: A Chat With Heather Cuthbertson, Editor Of Gold Man Review, Heather Cuthbertson, Sydney Gonzalez

The Review Review

Gold Man Review is an annual literary journal serving and supporting a community of authors residing on the West Coast. It highlights diverse and passionate writers of short fiction, nonfiction, and poetry. The journal’s founder and Editor-In-Chief, Heather Cuthbertson, has overseen all issues and has ensured that they abide by Gold Man Review’s mission, “Creativity Becomes Community.” The journal’s 9th, and most recent, issue delightfully walks the line between playful and serious with a varied collection that has something for everyone. Issue 9 offers readers tales of love gained and lost, poignant reminders of how words affect others and …

West Coast Litmag Promotes Creative Community With Geographic Focus; Review Of Gold Man Review, Issue 9, Sydney Gonzalez

The Review Review

The 9th Issue of Gold Man Review explores human behavior through analysis, tragedy, and aspiration in a varied collection of fiction, nonfiction, and poetry. This annual literary journal accepts submission from writers who reside in Alaska, California, Hawaii, Oregon, and Washington. The 2019 edition honors Gold Man Review’s mission statement of “Creativity Becomes Community” by presenting unique works that are tonally in conversation.

Journal’S Contest Issue Presents Surprising Array Of Narrative Poetry; Review Of Naugatuck River Review, Issue 23, Jeffrey Dodd

The Review Review

Many fine literary magazines benefit from regular turnover in editorial staff, and sometimes editorial vision. Such is often the case with journals housed in university writing programs, where ever-new cohorts of students bring renewed energy and aesthetic interests. This often allows for new voices to make their way onto a journal’s pages. If there’s a downside to that model, other than the amount of onboarding work and potential lost institutional memory associated with regularly revolving leadership, it is that a journal’s identity can sometimes become confused. This is not the case with Naugatuck River Review, a journal of narrative …

Muhlenberg County, Kentucky: Obituaries, P (Pace-Phelps) (Mss 701), Manuscripts & Folklife Archives

Genealogical Records

Obituaries for surnames starting with P (Pace-Phelps) from Muhlenberg County, Kentucky.

Muhlenberg County, Kentucky: Obituaries P (Phillips-Pyott) (Mss 701), Manuscripts & Folklife Archives

Genealogical Records

Obituaries for surnames starting with P (Phillips-Pyott) from Muhlenberg County, Kentucky.

66/1 | Jerusalem: Excavations In The Tyropoeon Valley (Givati Parking Lot) Volume Ii The Byzantine And Early Islamic Periods Part 1: Stratum V: The Byzantine Period, Doron Ben-Ami, Yana Tchekhanovets

IAA Reports—Monograph Series of the Israel Antiquities Authority

This volume is the second in a series of final reports presenting the results of the excavations conducted in the Givati Parking Lot, located on the eastern slope of the Tyropoeon Valley in Jerusalem. The site covers an area of c. 0.5 hectares, making it one of the largest excavations in the City of David. This second volume is comprised of three parts, and presents the remains of the Byzantine and Early Islamic periods. The exposure of Byzantine and Early Islamic remains over an extensive area has enabled a reassessment of the nature of the transition between these two periods, …

Introduction – Formes Narratives Et Co-Production Dans Les Cinémas Des Pays Arabes, José Moure, Elie Yazbek, Wissam Mouawad

Regards

Malgré la reconnaissance, surtout ces dernières années, et le succès de certains films arabes sur la scène internationale, et malgré l’augmentation remarquable du nombre de festivals de cinéma dans les pays arabes, ce qui reflète un intérêt toujours grandissant dans ces pays pour le cinéma, les industries cinématographiques dans cette région du monde restent en général peu développées...

Le « Cinéma D’Auteur » De Palestine : Expérimentations, Circulations, Émancipations, Marion Slitine, Charlotte Schwarzinger

Regards

This article explores the stakes of the “cinema d’auteur” in Palestine and intends to analyze the constraints and opportunities that this cinema allows, through two case studies that question the cinematographic creation of Palestinian directors in exile. The first is a feature-length film, Recollection by Kamal Aljafari, a filmmaker from “Palestine of 48” who self-produced his film; the second, Dégradé by Arab and Tarzan Nasser, two directors from Gaza, benefited from an Arab-European co-production. While these two examples have very distinct characteristics, their comparative trajectories make it possible to raise more general questions related to the interactions between creation, production …

Le Cinéma Libanais Coproduit : Écarts Et Variations, Noha Maroun

Regards

Lebanese filmmakers often choose particular narrative forms for their co-produced movies. Either they deviate from traditional screenplay writing or they develop a lot of thematic variations. The margins of freedom, creativity, and inventiveness therefore increase globally in Lebanese co-produced cinema. To what extent are these new narrative forms adapted to the destabilized Lebanese geopolitical context? How do documentaries, dramas, and road movies establish a kind of Lebanese identity and memory in these movies, leading to their frequent selection in European and international film festivals?

Résumé

Les cinéastes-auteurs libanais choisissent souvent des formes narratives particulières pour leurs films coproduits. Ils oscillent …

Center For Art & Theater News, Georgia Southern University

Center for Art & Theater (Archived)

• Georgia Southern Theatre Explores the Touch in a World where you can't

La « Condition Des Femmes » Au Maghreb Fait Recette Sur Le Marché Du Film Européen ! 1990-2019, Patricia Caillé

Regards

This article examines the commercial and symbolic valorisation of Maghrebi films on the European market, looking at film admissions, film criticism, and academic discourses. It explores the position and the significance of films made with Maghrebi funding in Europe, while focusing more specifically on films on the condition of women, and films by women filmmakers. Comparing the circulation of Tunisian and Moroccan films in Europe, it highlights the recurring narrative tropes of these films and shows how films on the condition of women became the lead product on the French market. These films brought more success to male than to …

Possibilité Du Filmage Documentaire Des Marges Berbères Au Maroc : Cas Comparés Des Tournages Clandestins De « La Longue Journée » (Mohamed Abbazi, 1969) Et D’« Amussu » (Nadir Bouhmouch, 2019), Marie Pierre-Bouthier

Regards

This paper explores two filmic attempts at compensating for the invisibility in which Amazigh people and struggles are kept in Morocco. Both films and filmmakers experimented with shooting and production plans, devices, and film forms that should best convey these realities. With a 50-year interval between the two, both attempts share the ambition to go against the limitations imposed by the “Centre Cinématographique Marocain”, resorting to clandestine shooting and supported by an international network. In particular, both attempts were made possible by a detour through California (USA). The Breadwinner (1969) is an unfinished documentary by Mohamed Abbazi, dedicated to the …

La Guerre Civile Libanaise Au Cinéma Et Les Circulations Transculturelles, Thomas Richard

Regards

The trajectories of Lebanese film directors and their work, characterized by a strong international dimension and by their insertion within the art film networks, bear the mark of interactions between local and global visual and memorial norms linked to these trajectories, in a globalized cultural environment. These films, though enriched by this international dimension, may appear to develop their narrative following the demands of international festival audiences, risking that these demands become constraints, and at the risk of possible loss of contact with local audiences.

Résumé

Les circulations des cinéastes libanais et de leurs œuvres, fortement marquées par une dimension …

Production Locale Et Coproductions Européennes Des Films D'Auteur Dans Le Cinéma Turc Contemporain, Hilal Ahiskali

Regards

Since its birth, Turkish cinema has gone through different eras that have allowed it to progressively evolve towards an author cinema. Even though it took longer than for European cinema, certain contemporary Turkish directors today manage to nourish themselves not only from the aesthetics and theory of European cinema but also from their own cinematic culture called Yeşilçam. This is the result of their cinematographic approaches, their independent productions, and European financial support. These production sources have allowed Turkish directors to choose the subjects of their films to work on their art, rather than serve the commercial expectations of …

Petites Et Grandes Guerres : Une Filmographie Des Longs Métrages Tournés Au Liban Pendant La Guerre Civile (1975-1990), Hady Zaccak

Regards

This study was carried out as part of the “Ciné-rencontres de l’ALBA” (Académie libanaise des beaux-arts, University of Balamand), a film event organized at the School of Cinema and Audiovisual Directing by Ghassan Koteit, May El Koussa, Danielle Davie, Myriam Hage, and Gregory Buchakjian, from April 9 to 12, 2019.
This filmography includes 70 feature films (fiction and documentaries) shot in Lebanon between 1975 and 1990...

Résumé

Cette étude a été effectuée dans le cadre des « Ciné-rencontres de l’ALBA » (Académie libanaise des beaux-arts, University of Balamand), événement de rencontres cinématographiques organisé à l’École de cinéma et de réalisation …

Les Co-Productions Algériennes Avec L'Europe : Standardisation Ou Résistance ?, Salima Tenfiche

Regards

After more than twenty years of silence, Algerian cinema has resurfaced on the international scene for ten years, through co-productions with foreign countries and especially Europe. The use of foreign funding and the recognition of these films by the legitimating institutions of the North — reading committees and prestigious international festivals — raise the question of the subjugation of these filmmakers to European cultural hegemony.
However, if some Algerian filmmakers and producers appeal to foreign funds, it is above all to free themselves from the supervision of the State and from censorship in their own country. These filmmakers are far …

The Kyai’S Voice And The Arabic Qur’An; Translation, Orality, And Print In Modern Java, Johanna Pink

Wacana, Journal of the Humanities of Indonesia

This paper discusses practices of translating the Qur’an into Javanese in the Indonesian post-independence era. Focusing on works that emerged in pedagogical contexts, it demonstrates that the range of translation practices goes far beyond contemporary notions of scriptural translation. I argue that this is due to the oral origin of these practices and to the functions they assume in teaching contexts. These result in a higher visibility of the translator who appears as a religious authority in his1 own right. His voice might therefore be considered a valuable contribution to the translation, rather than a distortion of the source text’s …

Finding Meaning In Translation; A.L. Becker’S “Text Coherence”, Thomas M. Hunter

Wacana, Journal of the Humanities of Indonesia

In this article I look at two closely related examples of A.L. Becker’s work on textual coherence and how they can be used as tools for finding meaning in translation. In the first example I draw on Becker and Oka’s work on deixis in Old Javanese (1974) to elucidate the subtle shifts of spatial and temporal reference in “Sītā’s Letter”, an innovative episode in the Old Javanese Rāmāyaṇa (OJR 11.18- 34). In the second example, I look at Becker’s analysis of the role of Indonesian verbal markers in his essay “The figure a sentence makes; An interpretation of a Classical …

English Legalese Translation Into Indonesian, Haru Deliana Dewi, Andika Wijaya, Rahayu S. Hidayat

Wacana, Journal of the Humanities of Indonesia

One of the difficulties in translating English legal texts derives from the uses of specialized language, also known as “legalese“. This research is a preliminary study which sets out to investigate the translation of English legalese into Indonesian in four open-accessed agreements. The data in English, which cover terms and expressions commonly used in legal documents, are classified into seven categories of legal English features. Their Indonesian translations are analysed by using Indonesian dictionaries to discover whether they can be considered as Indonesian legal language. The research finds that most English legalese terms and expressions studied are translated using common …

Voice Shift In The Translation From Dutch Into Indonesian, Zahroh Nuriah

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

In Memoriam Sapardi Djoko Damono, Riris K. Toha Sarumpaet

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

Graduate Degree Recital: "The Road Home" Winner Silvestre, Department Of Music

Student Degree Recitals 2020-2021

Winner Silvestre presents his graduate Conducting recital, featuring University Singers, Pioneer Men's Chorus, and Canta Bella. Performing works by Esenvalds, Forrest, Martin, and others.

Under The Shadow Of Philology; Some Notes On Translating Hikayat Seri Rama For A Modern Non-Academic Audience, Harry Aveling

Wacana, Journal of the Humanities of Indonesia

This article describes some of the issues that arose during the author’s experience of translating the Malay Hikayat Seri Rama into English, as a literary rather than a philological text. These include the choice of a source text, the nature of the language used in the translation, and the treatment of the most distinctive features of the text, including its focus on Rawana, its setting in a Muslim narrative frame, and its use of the worldview of a medieval Malay court. Linguistic issues are discussed through reference to the concept of “units of translation”. This practice can also be utilized …

Translation Ideology In Literary Translation; A Case Study Of Bram Stoker’S Dracula Translation Into Indonesian, Doni Jaya

Wacana, Journal of the Humanities of Indonesia

A literary text typically contains many cultural elements often presented in a very concise manner to enhance its readability and aesthetic quality. Its translation can be challenging when there is a gap between source culture and target culture. Thus, a translator has to make an ideological choice: either to foreignize or to domesticize. This paper aims to identify and examine the ideology applied by a literary translator when translating culturally-divergent translation units. Bram Stoker’s Dracula and its Indonesian translation by Suwarni were selected as data source due to the novel’s significant number of cultural references unfamiliar to modern Indonesians. Forty …