2010 - 2011 Season Brochure,
2010
Otterbein University
2010 - 2011 Season Brochure, Otterbein University Theatre And Dance Department
Theatre and Dance Annual Brochures
Annual promotional piece of the upcoming season's shows.
The 25th Annual Putnam County Spelling Bee,
2010
Otterbein University
The 25th Annual Putnam County Spelling Bee, Otterbein University Theatre And Dance Department
2010 Summer Theatre
An eclectic group of sixth-graders arrives at the 25th Annual Putnam County Spelling Bee, each eager to win for very different reasons. Sweet and shy Olive brings only her best friend (the dictionary) with her to the bee; bold and hyperallergic speller William Barfee uses his “magic foot” to propel him to greatness; former champion Chip is struggling with his burgeoning puberty; easily distracted Leaf is unconvinced that he’s smart enough to be a challenger; overachiever Marcy is disappointed by her consistent success; and politically aware Logainne Schwartzandgrubenierre only wants to impress her gay dads. In hilarious, touching, and catchy …
The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1,
2010
Marshall University
The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Pippin,
2010
Otterbein University
Pippin, Otterbein University Theatre And Dance Department
2009-2010 Season
As told by a traveling troupe of actors led by the cunning and charming Leading Player, Pippin is the story of a young prince, heir to the throne, who is searching for his own “corner of the sky.” Pippin returns from university certain that he will find a fulfilling purpose in life. As encouraged by the Leading Player, Pippin dabbles in bloody battle, licentious and lusty sexual entanglements, and saavy political maneuvers, only to discover that true happiness is more complicated than he thought. With infectious tunes by Stephen Schwartz and classic choreography from Bob Fosse, Pippin is both …
Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work,
2010
University of Connecticut - Storrs
Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook
Honors Scholar Theses
"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.
Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear,
2010
University of Nebraska-Lincoln
Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear, Ryan Kathman
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
This work is my graduate thesis documenting the creative process behind my performance of the role of Edgar in the University of Nebraska-Lincoln’s 2009 production of King Lear by William Shakespeare. It is comprised of five sections including an introduction, pre-rehearsal research, rehearsal and performance journal, post-production responses and conclusion. The introduction outlines my impressions of Edgar and King Lear prior to researching or rehearsing the role. In my research section, I attempt to better understand Shakespeare, his play and the role of Edgar by studying the playwright’s life and the history of the character and play, while also making …
Dead Man's Cell Phone,
2010
Otterbein University
Dead Man's Cell Phone, Otterbein University Theatre And Dance Department
2009-2010 Season
While at a café, a man dies. But his cell phone will not stop ringing. The woman at the next table, Jean, picks up the cell phone and ends up stuck in the middle of all his troubles, meeting his widow Hermia, his mother Mrs. Gottlieb, and his mistress. In the course of meeting all these people, she ends up falling in love with the dead man’s brother, Dwight. The dead man himself, Gordon Gottlieb, eventually tells his last moments himself.
https://stageagent.com/shows/play/1810/dead-mans-cell-phone
Crimes Of The Heart,
2010
Taylor University
Crimes Of The Heart
Taylor Theatre Playbills
The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.
Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.
The Cutting Edge, March/April 2010, Vol. 21 Issue 2,
2010
Marshall University
The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
Inook And The Sun Program,
2010
University of Southern Maine
Inook And The Sun Program, University Of Southern Maine Department Of Theatre
Programs 2009-2010 Season
By Henry Beissel
Directed by Assunta Kent
This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).
Sobre Lo Visible Y Lo Invisible: Barcelona Y El Teatro,
2010
University of Richmond
Sobre Lo Visible Y Lo Invisible: Barcelona Y El Teatro, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Durante el invierno del año 2000, el director catalán Lluís Pasqual llevó a la escena del Teatre Lliure, la casa histórica de una de las compañías de repertorio más estable, consolidada y distinguida de Barcelona, una versión catalana de El jardín de los cerezos de Antón Chekov. En la obra de Chekov, Madame Ranyévskaya, emblema de la elegancia marchita y de la ya desvanecida supremacía de la aristocracia rusa, se ve obligada, por su situación de desesperanza económica, a vender su finca y su jardín de cerezos al nuevo-rico Lopatkhin y, después, a volver a París, cuando Rusia se encuentra …
How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo",
2010
Bemidji State University
How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo", Marc Le Voir
Honors Capstones
Capstone submitted as a graduation requirement for the BSU Honors Program.
Pajama Game Program,
2010
University of Southern Maine
Pajama Game Program, University Of Southern Maine Department Of Theatre
Programs 2009-2010 Season
Book by George Abbott and Richard Bissell
Score by Richard Adler and Jerry Ross
Directed by Wil Kilroy
Musical Direction by Edward Reichert
Choreography by Vanessa Beyland
This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).
You Can't Take It With You,
2010
Otterbein University
You Can't Take It With You, Otterbein University Theatre And Dance Department
2009-2010 Season
Grandpa Vanderhof and his wacky family, the Sycamores, have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. Their hobbies include collecting snakes, building fireworks in the basement, writing a myriad of plays that never get published, and taking ballet lessons. Things like stress, jobs, and paying taxes to the government are for other people, not for them! But when practical young Alice Sycamore becomes engaged to her …
Hippolytus,
2010
Taylor University
Hippolytus
Taylor Theatre Playbills
The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.
Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.
The Cutting Edge, January/February 2010, Vol. 21 Issue 1,
2010
Marshall University
The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors
The Cutting Edge
No abstract provided.
El Perfil Postdramático Del Teatro Catalán Contemporáneo,
2010
University of Richmond
El Perfil Postdramático Del Teatro Catalán Contemporáneo, Sharon G. Feldman
Latin American, Latino and Iberian Studies Faculty Publications
Han transcurrido diez años desde la publicación en 1999 del Postdramatisches Theater de Hans-Thies Lehmann, estudio influyente en el cual el teórico alemán señalaba una serie de actitudes y condiciones propias de las prácticas estéticas teatrales (occidentales) surgidas a partir de los años setenta que parecían sugerir un cambio de paradigma en cuanto a nuestra comprensión y nuestra experiencia del drama contemporáneo [Barnett, 2006: 484-487]. La noción de lo postdramático no necesariamente excluye la presencia de lo que entendemos por drama (o por lo dramático), sino que lo postdramático y lo dramático se encuentran, como ha señalado Lehmann, entrelazados en …
The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2,
2010
Marshall University
The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
0776: Elaine Novak Papers, 1956-1995,
2010
Marshall University
0776: Elaine Novak Papers, 1956-1995, Marshall University Special Collections
Guides to Manuscript Collections
This collection is composed of the papers of Elaine Novak, theatre professor at Marshall University. Included are class notes, shows notes, and personal ephemera.
