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The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society of American Fight Directors 2010 Marshall University

The Cutting Edge, March/April 2010, Vol. 21 Issue 2, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


Inook And The Sun Program, University of Southern Maine Department of Theatre 2010 University of Southern Maine

Inook And The Sun Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

By Henry Beissel

Directed by Assunta Kent

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).


Sobre Lo Visible Y Lo Invisible: Barcelona Y El Teatro, Sharon G. Feldman 2010 University of Richmond

Sobre Lo Visible Y Lo Invisible: Barcelona Y El Teatro, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Durante el invierno del año 2000, el director catalán Lluís Pasqual llevó a la escena del Teatre Lliure, la casa histórica de una de las compañías de repertorio más estable, consolidada y distinguida de Barcelona, una versión catalana de El jardín de los cerezos de Antón Chekov. En la obra de Chekov, Madame Ranyévskaya, emblema de la elegancia marchita y de la ya desvanecida supremacía de la aristocracia rusa, se ve obligada, por su situación de desesperanza económica, a vender su finca y su jardín de cerezos al nuevo-rico Lopatkhin y, después, a volver a París, cuando Rusia se encuentra …


How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo", Marc Le Voir 2010 Bemidji State University

How Greek Tragedy Inspired Friedrich Nietzsche's Philosophy From "The Birth Of Tragedy" To "Ecce Homo", Marc Le Voir

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors Program.


Pajama Game Program, University of Southern Maine Department of Theatre 2010 University of Southern Maine

Pajama Game Program, University Of Southern Maine Department Of Theatre

Programs 2009-2010 Season

Book by George Abbott and Richard Bissell

Score by Richard Adler and Jerry Ross

Directed by Wil Kilroy

Musical Direction by Edward Reichert

Choreography by Vanessa Beyland

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).


You Can't Take It With You, Otterbein University Theatre and Dance Department 2010 Otterbein University

You Can't Take It With You, Otterbein University Theatre And Dance Department

2009-2010 Season

Grandpa Vanderhof and his wacky family, the Sycamores, have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. Their hobbies include collecting snakes, building fireworks in the basement, writing a myriad of plays that never get published, and taking ballet lessons. Things like stress, jobs, and paying taxes to the government are for other people, not for them! But when practical young Alice Sycamore becomes engaged to her …


Hippolytus, 2010 Taylor University

Hippolytus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.

Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.


The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society of American Fight Directors 2010 Marshall University

The Cutting Edge, January/February 2010, Vol. 21 Issue 1, The Society Of American Fight Directors

The Cutting Edge

No abstract provided.


El Perfil Postdramático Del Teatro Catalán Contemporáneo, Sharon G. Feldman 2010 University of Richmond

El Perfil Postdramático Del Teatro Catalán Contemporáneo, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Han transcurrido diez años desde la publicación en 1999 del Postdramatisches Theater de Hans-Thies Lehmann, estudio influyente en el cual el teórico alemán señalaba una serie de actitudes y condiciones propias de las prácticas estéticas teatrales (occidentales) surgidas a partir de los años setenta que parecían sugerir un cambio de paradigma en cuanto a nuestra comprensión y nuestra experiencia del drama contemporáneo [Barnett, 2006: 484-487]. La noción de lo postdramático no necesariamente excluye la presencia de lo que entendemos por drama (o por lo dramático), sino que lo postdramático y lo dramático se encuentran, como ha señalado Lehmann, entrelazados en …


The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society of American Fight Directors 2010 Marshall University

The Fight Master, Fall/Winter 2010, Vol. 32 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.


0776: Elaine Novak Papers, 1956-1995, Marshall University Special Collections 2010 Marshall University

0776: Elaine Novak Papers, 1956-1995, Marshall University Special Collections

Guides to Manuscript Collections

This collection is composed of the papers of Elaine Novak, theatre professor at Marshall University. Included are class notes, shows notes, and personal ephemera.


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