Theatre History Commons^™

Review Of Sidwell, Aristophanes The Democrat, In New England Classical Journal 38 (2011), 290-92., Kenneth S. Rothwell Jr.

Classics & Religious Studies Faculty Publication Series

No abstract provided.

The Portia Project: The Heiress Of Belmont On Stage And Screen, Ann Mccauley Basso

USF Tampa Graduate Theses and Dissertations

Until now, there has not been a performance history of The Merchant of Venice that focuses on Portia, the main character of the play. Although she has the most lines, the most stage time, and represents the nexus of the action, Portia has often been hidden in Shylock's shadow, and this dissertation seeks to bring her into the spotlight. The Portia Project is a contribution to literary and theatrical history; its primary goal is to provide a tool for scholars and teachers. Moreover, because of Merchant's notoriously problematic nature, the play invites different perspectives. By presenting the diverse ways that …

The Salt Lake Theatre: Brigham's Playhouse, Kenneth L. Alford Ph.D., Robert C. Freeman Ph.D.

Faculty Publications

A history of the Salt Lake Theatre (dedicated in 1862).

A Penitent Prepares: Affect, Contrition, And Tears, Christopher B. Swift

Publications and Research

This essay draws upon a poetic and devotional texts from late medieval Spain to show how public displays of emotion (weeping, in particular) during penitential processions could be learned and prepared for in advance.

Betrayal Program [2010], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

Written by Harold Pinter

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Streetcar Named Desire

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of A Streetcar Named Desire by Tennessee Williams.

A Streetcar Named Desire follows the story of southern belle, Blanche DuBois, who has gone through a series of personal losses and moves in with her sister Stella and brother-in-law Stanley in a dilapidated New Orleans tenement.

Born Yesterday, Otterbein University Theatre And Dance Department

2010-2011 Season

In Garson Kanin’s pointed and hilarious Born Yesterday, personal and political oppression is exposed and outwitted in the intellectual rebirth of the iconic “dumb blonde”, Billie Dawn, who ultimately stands up to Harry Brock’s violent intimidation and shuts down his shady bid for governmental cooperation. https://stageagent.com/shows/play/4838/born-yesterday

We Will Not Be Silent

Taylor Theatre Playbills

The playbill for Taylor University’s October 2010 performance of We Will Not Be Silent. by William Gebby.

During the darkest days of WWII, a handful of German college students distributed thousands of anti-Nazi leaflets and worked toward unifying resistance across Germany. They called themselves the White Rose, and their faith drew them to engage in a fight that would cost them their lives. William Gebby’s brand new play celebrates the lives of these brave young people who would not and will not be silent.

Performed by the Taylor Touring Company.

Lend Me A Tenor Program [2010], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

By Ken Ludwig

Directed by Wil Kilroy

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Bald Soprano

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of The Bald Soprano by Eugène Ionesco.

The Bald Soprano: An Anti-Play follows the events of a traditional couple who invite over another couple, and are later joined by their maid and the maid’s lover. The characters engage in meaningless banter that becomes even more nonsensical as time goes on.

In this adaptation the actors play the actresses’ roles and the actresses play the actor’s roles.

Doubt

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2010 performance of Doubt by John Patrick Shanley.

Doubt: A Parable is the story of a fictional Catholic school in Bronx and the clash between the parish priest, Father Flynn, and school’s principal, Sister Aloysius, over the suspicion that Flynn molested an alter boy.

This play is performed by the faculty and staff of Taylor University.

Don't Dress For Dinner, Otterbein University Theatre And Dance Department

2010 Summer Theatre

Don’t Dress For Dinner centers around Bernard and Jacqueline, a not-so-happily married couple, both of whom are having extramarital affairs. As Jacqueline prepares to go out of town to visit her mother, Bernard invites his mistress and Robert, his best friend (and also Jacqueline’s lover, unbeknownst to Bernard), over for the weekend. He’s even hired a Cordon Bleu chef to cater the evening. Jacqueline discovers Robert is coming to town and cancels her trip, causing Bernard to panic. When Robert arrives, Bernard asks him to pretend Suzanne is Robert’s mistress. Robert mistakes the chef (Suzette), for Bernard’s mistress (Suzanne), producing …

2010 - 2011 Season Brochure, Otterbein University Theatre And Dance Department

Theatre and Dance Annual Brochures

Annual promotional piece of the upcoming season's shows.

The 25th Annual Putnam County Spelling Bee, Otterbein University Theatre And Dance Department

2010 Summer Theatre

An eclectic group of sixth-graders arrives at the 25th Annual Putnam County Spelling Bee, each eager to win for very different reasons. Sweet and shy Olive brings only her best friend (the dictionary) with her to the bee; bold and hyperallergic speller William Barfee uses his “magic foot” to propel him to greatness; former champion Chip is struggling with his burgeoning puberty; easily distracted Leaf is unconvinced that he’s smart enough to be a challenger; overachiever Marcy is disappointed by her consistent success; and politically aware Logainne Schwartzandgrubenierre only wants to impress her gay dads. In hilarious, touching, and catchy …

The Fight Master, Spring/Summer 2010, Vol. 32 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Pippin, Otterbein University Theatre And Dance Department

2009-2010 Season

As told by a traveling troupe of actors led by the cunning and charming Leading Player, Pippin is the story of a young prince, heir to the throne, who is searching for his own “corner of the sky.” Pippin returns from university certain that he will find a fulfilling purpose in life. As encouraged by the Leading Player, Pippin dabbles in bloody battle, licentious and lusty sexual entanglements, and saavy political maneuvers, only to discover that true happiness is more complicated than he thought. With infectious tunes by Stephen Schwartz and classic choreography from Bob Fosse, Pippin is both …

Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook

Honors Scholar Theses

"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.

Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear, Ryan Kathman

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This work is my graduate thesis documenting the creative process behind my performance of the role of Edgar in the University of Nebraska-Lincoln’s 2009 production of King Lear by William Shakespeare. It is comprised of five sections including an introduction, pre-rehearsal research, rehearsal and performance journal, post-production responses and conclusion. The introduction outlines my impressions of Edgar and King Lear prior to researching or rehearsing the role. In my research section, I attempt to better understand Shakespeare, his play and the role of Edgar by studying the playwright’s life and the history of the character and play, while also making …

Dead Man's Cell Phone, Otterbein University Theatre And Dance Department

2009-2010 Season

While at a café, a man dies. But his cell phone will not stop ringing. The woman at the next table, Jean, picks up the cell phone and ends up stuck in the middle of all his troubles, meeting his widow Hermia, his mother Mrs. Gottlieb, and his mistress. In the course of meeting all these people, she ends up falling in love with the dead man’s brother, Dwight. The dead man himself, Gordon Gottlieb, eventually tells his last moments himself.

https://stageagent.com/shows/play/1810/dead-mans-cell-phone

Crimes Of The Heart

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.

Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.