Theatre History Commons^™

Three Musketeers And A Rock Band, Brandi K. Kawamoto

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is the culmination of my scenic design work for Ken Ludwig’s The Three Musketeers in the Howell Theater at the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln in the spring semester of 2012. Within this paper I will look at the conceptualization process, historical research, execution of the set design, the realized final product, and the critique process. The rough sketches, research images, computer draftings, finalized renderings, and production photos are featured within the thesis.

Advisor: Sandy Veneziano

Power And Relationships In The Plays Of Neil Labute: Directing And Performing In Some Girl(S), Mary Peyton Griffith

Scripps Senior Theses

This thesis explores the major works of Neil LaBute's career as a playwright and screenwriter, including the criticism he has received on theatrical and literary levels. The themes most prevalent in the thesis are the use of power and manipulation in the relationships between LaBute's characters and the ongoing maturation of his characters that coincides with the maturation of his work. The second section of the thesis follows the production, directing, and acting in LaBute's play Some Girl(s).

King's Theatre Queens: Three Successful Women In The Early Classical Era, Ashley Mchugh

2012 Awards for Excellence in Student Research & Creative Activity - Documents

In the early Classical era, three particular women are accredited with encompassing the vocal style and techniques of the timeframe: Madame Gertrud Mara, Brigida Giorgi Banti, and Mrs. Elizabeth Billington. They were of different nationalities, statuses, educational backgrounds, vocal qualities, and performance strengths. However, they were all frequently associated with similar repertoire, critics and audiences, and companies- especially the King's Theatre in London.

Hedda Gabler Program [2012], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

By Henrik Ibsen

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Fight Master, Spring 2012, Vol. 34 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

The Drowsy Chaperone Program [2012], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Music and Lyrics by Lisa Lambert and Greg Morrison

Book by Bob Martin and Don McKellar

Directed by Assunta Kent

Musical Direction by Edward Reichert

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Dance 2012: Spotlight, Otterbein University Theatre And Dance Department

2011-2012 Season

No abstract provided.

Eurydice Program [2012], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

By Sarah Ruhl

Directed by Meghan Brodie

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Dull Enigma: Historians' Analysis Of Gilbert And Sullivan's Impact On The Development Of The American Musical, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Historians of musical theatre have been ambivalent when assessing the historical significance of Gilbert and Sullivan upon the development of the American musical. Historical narratives typically jump from The Black Crook to Friml, with only passing reference to G&S (and Offenbach, and Strauss). Gilbert and Sullivan (encouraged by D’Oyly Carte), however, anticipated not only most of the formal elements, but also many of the creative/production processes of the American musical genre. The shows that we associate with the “Golden Era” of the American musical theatre contain many components that G&S devised three score years earlier. Historians should acknowledge the importance …

Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner

Faculty Publications

This paper argues that Victorian Shakespeare burlesques reveal an alternate literary history: a movement away from private, novelistic consciousness toward collaborative performance. Many materialist scholars fault post-Romantic critics for casting Shakespeare as a psychological realist and reading his plays as if they were novels. The burlesque treatment of Hamlet’s soliloquies, however, suggests a contrary trajectory, challenging the equation of Shakespearean character with psychological reflection. Rather than inaugurating a tradition of interiority, Hamlet’s soliloquies generate social speech in works like Gilbert’s Rosencrantz and Guildenstern, inviting audience participation. The burlesque imperative also inflects novels like Dickens’s Great Expectations, turning the …

"Spectacular Opacities": The Hyers Sisters' Performances Of Respectability And Resistance, Jocelyn Buckner

Theatre Faculty Articles and Research

This essay analyzes the Hyers Sisters, a Reconstruction-era African American sister act, and their radical efforts to transcend social limits of gender, class, and race in their early concert careers and three major productions, Out of Bondage and Peculiar Sam, or The Underground Railroad, two slavery-to-freedom epics, and Urlina, the African Princess, the first known African American play set in Africa. At a time when serious, realistic roles and romantic plotlines featuring black actors were nearly nonexistent due to the country’s appetite for stereotypical caricatures, the Hyers Sisters used gender passing to perform opposite one another as heterosexual lovers in …

American Art Theatre In The Digital Archive, Patrick Michael Finelli

Theatre and Dance Faculty Publications

Based on a critical examination, evaluation, and selection of primary and secondary sources related to American art theater that have moved from the private into the public digital realm, Finelli reflects and comments on key issues related to the digital archive and theater historiography. His objective was to analyze the notion of digital archives and consider how accessing materials in electronic form affects the practice of writing history. He hypothesizes that the process of digitizing library and archival materials has a significant affect upon archival elements through their transformation into the digital realm, bringing about change in both an ontological …

The Masks Of Commedia Del’Arte, Noh Theater And Classical Greece: The Cultural Meanings, Influences And Similarities, Makena Bennett

A with Honors Projects

This essay examines the use and meanings of masks in Noh, commedia dell'art, and classical Greek theatre.

Dance Usm! Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Directed by Maria Tzianabos

Associate Director: Janette Hough-Fertig

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

Korean Mask-Dance And Aristotle's Poetics, Teayong Pakr

UNLV Theses, Dissertations, Professional Papers, and Capstones

Korean mask-dance is the traditional theatre of Korea. It was formerly the country's most well-known form of drama among traditional theatrical entertainments. This study explores the theatrical structure of Korean mask-dance as well as its historical background.

The rise of Korean mask-dance may be traced back to the shamanistic village ritual which gradually became similar to the extant form after absorbing aspects of the Buddhism festival through the Goryeo Dynasty, which lasted from 918-1392). During the Joseon Dynasty (1392-1910), the mask-dance had acquired its basic form with aspects of professional theatrical entertainment. The mask-dances have been performed during traditional holidays …

Carnival!, Otterbein University Theatre And Dance Department

2011-2012 Season

Lili, a lonely orphan, is enchanted with a traveling carnival troupe. She finally gets to join the troupe and ends up working with the puppet act. Meanwhile, both the puppeteer, Paul, and the magician, Marco the Magnificent, have fallen in love with Lili. The two men engage in a fierce rivalry for Lili’s affections. In the end, Lili chooses Paul and they live happily ever after.

https://stageagent.com/shows/musical/2440/carnival

Don't Ask, Don't Tell Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Written and Directed by Wil Kilroy

Devised with the Cast

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Christmas Carol: The Musical

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2011 performance of A Christmas Carol, based on the story by Charles Dickens. Music by Alan Menken, book by Mike Ockrent and Lynn Ahrens, and lyrics by Lynn Ahrens.

A Christmas Carol tells the story of elderly miser Ebenezer Scrooge, who is visited by the ghost of his deceased business partner, and the spirits of Christmas Past, Present, and Future. Through the encounters Scrooge is transformed into a kinder man.

A View From The Bridge Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Written by Arthur Miller

Directed by Thomas Power