Theatre History Commons^™

Orlando Program [2013], University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

By Virginia Woolf

Adapted by Sarah Ruhl

Directed by Meghan Brodie

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Interview Of Sidney J. Macleod, Jr., M.F.A., Sidney J. Macleod Jr., M.F.A., Amy E. Brooks

All Oral Histories

Sidney MacLeod (often called Sid) was born in 1933 in Chicago, Illinois. He is the oldest of three children and the only boy. He earned his M.S.S. at Saint Mary’s College in Winona, Minnesota and his M.F.A. at Catholic University in Washington, D.C. After graduate school he was drafted into the U.S. Army where he served two years on several domestic military bases. He began working at La Salle in 1959. In 1961 he married his wife, Mary Jane. They have four children (three sons and one daughter). He continues to work at La Salle full-time. When he retires he …

The Fight Master, Spring 2013, Vol. 35 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Love Kills: Exploring Young Women In Shakespeare, Malcolm X. Evans

Senior Theses and Projects

Taking a look at how William Shakespeare writes young women (particularly in Romeo and Juliet and Hamlet), Evans puts forth the idea that "love kills." There are no young and strong characters that are powerful, entirely as women, in the works of Shakespeare. To further put forth the idea Evans comments on a production of his own design, by the same name, which brings together the Romeo and Juliet and Hamlet.

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.

After The Fall, Otterbein University Theatre And Dance Department

2012-2013 Season

In the early stages of a new love, paralyzing memories of past relationships haunt Quentin, a liberal New York attorney who questions his own ability to truly connect with the women in his life. Arthur Miller’s most personal and autobiographical play, After the Fall, unflinchingly tackles the emotional brutality that can unfold within a marriage, against a national backdrop of McCarthyism and the commodification of celebrity. In doing so, Miller unravels the political complications in personal relationships while exposing the personal consequences of big-issue politics.

https://stageagent.com/shows/play/5665/after-the-fall

Die Fledermaus Program [2013], University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

Operetta by Johann Strauss

Directed by Assunta Kent

Musical Direction by Ellen Chickering

his production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Contemporary Theatre In Catalonia: A Story Of Creative Struggles, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The term “normalization” is typically employed within Catalan political and linguistic circles to refer to the process of recuperation, revival, and relegitimization of Catalan cultural and intellectual life that ensued following the period of the Franco dictatorship (1939-1975). Here, to be “normal” is to move from the periphery to the centre, to be regarded as valid rather than illicit, and to be visible and vociferous—even obvious and everyday—instead of obstructed, silenced, or relegated to the margins of exile, the recesses of memory, or the darkness of invisibility. The path along which the contemporary Catalan theatre scene has struggled to recover …

The Zoo Story And The American Dream Poster, University Of Southern Maine Department Of Theatre

Posters 2012-2013 Season

By Edward Albee

Directed by William Steele

Dimensions: 8" x 13"

Postcard included, dimensions 4" x 6"

The Zoo Story And The American Dream Program, University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

By Edward Albee

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Godspell

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2013 performance of Godspell by Stephen Schwartz and John-Michael Tebelak.

Gospell is a musical telling the parables and life of Jesus found in the gospel of Matthew.

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.

Creating The Role Of Nicia In The Mandrake, Robert T. Krueger

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Robert Krueger's artistic process in creating the role of Nicia in Minnesota State University, Mankato's production of The Mandrake in the fall of 2012. The thesis chronicles the actor's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …

[Introduction To] Religion Around Shakespeare, Peter Iver Kaufman

Bookshelf

For years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman …

Review Of "Of Love And War" By Judy Hayden, Karen Gevirtz

Department of English Publications

No abstract provided.

Vaudeville, Popular Entertainment And Cultural Division In The Inland Empire, 1880-1914, Mark Hauser

CGU Theses & Dissertations

This paper discusses the emergence of vaudeville in California’s Inland Empire region of San Bernardino and Riverside counties. It will consider the social changes underway in late nineteenth-century America and their impact on attitudes towards popular entertainment. This paper will draw on Lawrence Levine’s observations of cultural hierarchies that emerged during the late nineteenth century and shaped American understandings of culture. Entertainment of the nineteenth century will be examined for the ways it was unable to match urban trends, and contrasted with vaudeville’s appeal to a diverse urban populace. The cities of San Bernardino, Redlands and Riverside were home to …

‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo

Student Publications

Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging the opening scene of William Shakespeare’s The Tempest. The physical presence of the ship, the sounds and lighting effects of thunder and lightning, the dialogue of the actors, and the use of music have varied from the early 17^th century to the present in an effort to appeal to the audience. The presentation of these elements, especially sound cues and music, prepares audiences to understand the dynamics of Prospero’s powers and transformation as a character. Depending on how sound and stage technologies were implemented …

’Tis Pity She’S A Realist: A Conversational Case Study In Realism And Early Modern Theater Today, Kim Solga, Roberta Barker, Cary Mazer

Kim Solga

No abstract provided.

“Peer Reviewed: Elizabeth Inchbald’S Shakespeare Criticism", Karen Gevirtz

Karen Bloom Gevirtz

No abstract provided.