Theatre History Commons^™

The Art Of Adaptation, Katharine E. Jordan

Honors Theses and Capstones

My honors thesis The Art of Adaptation discusses the process of adapting old stories and theatrical pieces for modern audiences through the exploration of various adaptations (theatrical, operatic, dance and film) of Euripides' Medea. It also touches on my own short, modern, adaptation; FURY: A Rock Musical Inspired by Medea. All of this research was important in making the performance aspect of my capstone the best it could be.

After The Fall, Otterbein University Theatre And Dance Department

2012-2013 Season

In the early stages of a new love, paralyzing memories of past relationships haunt Quentin, a liberal New York attorney who questions his own ability to truly connect with the women in his life. Arthur Miller’s most personal and autobiographical play, After the Fall, unflinchingly tackles the emotional brutality that can unfold within a marriage, against a national backdrop of McCarthyism and the commodification of celebrity. In doing so, Miller unravels the political complications in personal relationships while exposing the personal consequences of big-issue politics.

https://stageagent.com/shows/play/5665/after-the-fall

Die Fledermaus Program [2013], University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

Operetta by Johann Strauss

Directed by Assunta Kent

Musical Direction by Ellen Chickering

his production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Contemporary Theatre In Catalonia: A Story Of Creative Struggles, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

The term “normalization” is typically employed within Catalan political and linguistic circles to refer to the process of recuperation, revival, and relegitimization of Catalan cultural and intellectual life that ensued following the period of the Franco dictatorship (1939-1975). Here, to be “normal” is to move from the periphery to the centre, to be regarded as valid rather than illicit, and to be visible and vociferous—even obvious and everyday—instead of obstructed, silenced, or relegated to the margins of exile, the recesses of memory, or the darkness of invisibility. The path along which the contemporary Catalan theatre scene has struggled to recover …

The Zoo Story And The American Dream Poster, University Of Southern Maine Department Of Theatre

Posters 2012-2013 Season

By Edward Albee

Directed by William Steele

Dimensions: 8" x 13"

Postcard included, dimensions 4" x 6"

The Zoo Story And The American Dream Program, University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

By Edward Albee

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Godspell

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2013 performance of Godspell by Stephen Schwartz and John-Michael Tebelak.

Gospell is a musical telling the parables and life of Jesus found in the gospel of Matthew.

Sheridan's Promising Tale Is Half Told, Ian Kilroy

Articles

Review of 'Break a Leg', the memoir by Irish theatre artist Peter Sheridan. First published in the Sunday Business Post Magazine.

Review Of "Of Love And War" By Judy Hayden, Karen Gevirtz

Department of English Publications

No abstract provided.

Vaudeville, Popular Entertainment And Cultural Division In The Inland Empire, 1880-1914, Mark Hauser

CGU Theses & Dissertations

This paper discusses the emergence of vaudeville in California’s Inland Empire region of San Bernardino and Riverside counties. It will consider the social changes underway in late nineteenth-century America and their impact on attitudes towards popular entertainment. This paper will draw on Lawrence Levine’s observations of cultural hierarchies that emerged during the late nineteenth century and shaped American understandings of culture. Entertainment of the nineteenth century will be examined for the ways it was unable to match urban trends, and contrasted with vaudeville’s appeal to a diverse urban populace. The cities of San Bernardino, Redlands and Riverside were home to …

Suzan-Lori Parks: Essays On The Plays And Other Works Edited By Philip C. Kolin (Review), Jocelyn Buckner

Theatre Faculty Articles and Research

The anthology Suzan-Lori Parks: Essays on the Plays and Other Works offers new perspectives to the growing body of scholarship about Parks’s artistic achievements. The text features a contextualizing preface and twelve new essays about her plays, novel, and screenplays. It also contains two new interviews, one with Parks herself and another with her longtime friend and collaborator, director Liz Diamond, as well as a timeline featuring major productions of her works from her first play reading in 1984, to projects anticipated for future production on stage and screen. While Parks’s works, and works on Parks are widely anthologized in …

‘An Isle Full Of Noises’: The Perception & Influence Of Sound In Shakespeare’S The Tempest, Paul A. Di Salvo

Student Publications

Since the play’s authorship in 1610, actor-managers and directors alike have struggled over staging the opening scene of William Shakespeare’s The Tempest. The physical presence of the ship, the sounds and lighting effects of thunder and lightning, the dialogue of the actors, and the use of music have varied from the early 17^th century to the present in an effort to appeal to the audience. The presentation of these elements, especially sound cues and music, prepares audiences to understand the dynamics of Prospero’s powers and transformation as a character. Depending on how sound and stage technologies were implemented …

Creating The Role Of Nicia In The Mandrake, Robert T. Krueger

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Robert Krueger's artistic process in creating the role of Nicia in Minnesota State University, Mankato's production of The Mandrake in the fall of 2012. The thesis chronicles the actor's artistic process from pre-production through performance in five chapters: a pre-production analysis, a historical and critical perspective, a rehearsal and performance journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

[Introduction To] Religion Around Shakespeare, Peter Iver Kaufman

Bookshelf

For years scholars and others have been trying to out Shakespeare as an ardent Calvinist, a crypto-Catholic, a Puritan-baiter, a secularist, or a devotee of some hybrid faith. In Religion Around Shakespeare, Peter Kaufman sets aside such speculation in favor of considering the historical and religious context surrounding his work. Employing extensive archival research, he aims to assist literary historians who probe the religious discourses, characters, and events that seem to have found places in Shakespeare’s plays and to aid general readers or playgoers developing an interest in the plays’ and playwright’s religious contexts: Catholic, conformist, and reformist. Kaufman …

Romeo & Juliet

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2012 performance of Romeo and Juliet by William Shakespeare.

Romeo and Juliet is a tragedy about two young lovers from feuding families and how their relationship and deaths reconcile their families.

The Glass Menagerie Program [2012], University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

By Tennessee Williams

Directed by Thomas Power

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Spring Awakening, Otterbein University Theatre And Dance Department

2012-2013 Season

Based on Frank Wedekind’s groundbreaking and controversial play (once banned in Germany), Steven Sater and Duncan Sheik’s brilliant rock score and searingly emotional book take the story of sexual awakening, youth revolt, and self-discovery into a new century. It’s 1891, and grown-ups hold all the cards. Headstrong Melchior and naive Wendla stumble into each others’ arms, passionate and curious, while anxious Moritz struggles to live up to the stringent expectations of society. With only each other for guidance, this group of young men and women travel the fraught and rocky path of adolescence, discovering their bodies, their minds, and themselves …

You Can't Take It With You Program, University Of Southern Maine Department Of Theatre

Programs 2012-2013 Season

By George S. Kaufman and Moss Hart

Directed by Wil Kilroy

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Fight Master, Fall 2012, Vol. 34 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

But Not Destroyed: The Story Of Calvin Fairbank

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2012 performance of But Not Destroyed: The Story of Calvin Fairbank by William Gebby.

But Not Destroyed tells the story of Calvin Fairbank who was among forty-four persons imprisoned in the Kentucky State Penitentiary for the crime of helping African-Americans escape from slavery.

Performed by the Taylor Touring Company.