Theatre History Commons^™

Shakespeare Burlesque And The Performing Self, Daniel Pollack-Pelzner

Faculty Publications

This paper argues that Victorian Shakespeare burlesques reveal an alternate literary history: a movement away from private, novelistic consciousness toward collaborative performance. Many materialist scholars fault post-Romantic critics for casting Shakespeare as a psychological realist and reading his plays as if they were novels. The burlesque treatment of Hamlet’s soliloquies, however, suggests a contrary trajectory, challenging the equation of Shakespearean character with psychological reflection. Rather than inaugurating a tradition of interiority, Hamlet’s soliloquies generate social speech in works like Gilbert’s Rosencrantz and Guildenstern, inviting audience participation. The burlesque imperative also inflects novels like Dickens’s Great Expectations, turning the …

Dance Usm! Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Directed by Maria Tzianabos

Associate Director: Janette Hough-Fertig

Moral Performances: Melodrama And Nineteenth-Century American Literature, Jeffrey Taylor Pusch

Dissertations

Despite a high number of ticket sales, theater reviews, and innumerable letters and diary entries detailing trips to the theater, the stereotype that theater in nineteenth-century America was almost culturally invisible continued well into the twentieth century. Indeed, a scan of anthologies of American literature fails to yield any examples of nineteenth-century drama, even though figures like Henry James were also theater critics and playwrights. Just as it did in American life, theater exhibits a strong presence in the literature of the time. Considering theater’s pervasiveness, this dissertation seeks to restore it to its proper place in our study of …

Korean Mask-Dance And Aristotle's Poetics, Teayong Pakr

UNLV Theses, Dissertations, Professional Papers, and Capstones

Korean mask-dance is the traditional theatre of Korea. It was formerly the country's most well-known form of drama among traditional theatrical entertainments. This study explores the theatrical structure of Korean mask-dance as well as its historical background.

The rise of Korean mask-dance may be traced back to the shamanistic village ritual which gradually became similar to the extant form after absorbing aspects of the Buddhism festival through the Goryeo Dynasty, which lasted from 918-1392). During the Joseon Dynasty (1392-1910), the mask-dance had acquired its basic form with aspects of professional theatrical entertainment. The mask-dances have been performed during traditional holidays …

Carnival!, Otterbein University Theatre And Dance Department

2011-2012 Season

Lili, a lonely orphan, is enchanted with a traveling carnival troupe. She finally gets to join the troupe and ends up working with the puppet act. Meanwhile, both the puppeteer, Paul, and the magician, Marco the Magnificent, have fallen in love with Lili. The two men engage in a fierce rivalry for Lili’s affections. In the end, Lili chooses Paul and they live happily ever after.

https://stageagent.com/shows/musical/2440/carnival

Don't Ask, Don't Tell Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Written and Directed by Wil Kilroy

Devised with the Cast

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

A Christmas Carol: The Musical

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2011 performance of A Christmas Carol, based on the story by Charles Dickens. Music by Alan Menken, book by Mike Ockrent and Lynn Ahrens, and lyrics by Lynn Ahrens.

A Christmas Carol tells the story of elderly miser Ebenezer Scrooge, who is visited by the ghost of his deceased business partner, and the spirits of Christmas Past, Present, and Future. Through the encounters Scrooge is transformed into a kinder man.

A View From The Bridge Program [2011], University Of Southern Maine Department Of Theatre

Programs 2011-2012 Season

Written by Arthur Miller

Directed by Thomas Power

The Fight Master, Fall 2011, Vol. 33 Issue 2, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

August: Osage County, Otterbein University Theatre And Dance Department

2011-2012 Season

Winner of the 2008 Pulitzer Prize and Tony Award for Best New Play, August: Osage County centers around the Weston family, brought together after their patriarch, world-class poet and alcoholic Beverly Weston, disappears. The matriarch, Violet, depressed and addicted to pain pills and “truth-telling,” is joined by her three daughters and their problematic lovers, who harbor their own deep secrets, her sister Mattie Fae and her family, well-trained in the Weston family art of cruelty, and finally, the observer of the chaos, the young Cheyenne housekeeper Johnna, who was hired by Beverly just before his disappearance. Holed up in the …

The Complete Works Of William Shakespeare (Abridged)

Taylor Theatre Playbills

The playbill for Taylor University’s Fall 2011 performance of The Complete Works of William Shakespeare (Abridged) by Adam Long, Daniel Singer, and Jess Winfield.

The Complete Works of William Shakespeare (Abridged) is a parody in which all of Shakespeare’s plays are performed in merged and/or condensed form by three actors. The actors use their real names, interact with the audience, and at times improvise as they go through the plays.

Diary Of A Dream, Donnell Walsh

Faculty Scholarship

LIndenwood University academic dean's description of the process of building a new performing arts center.

A Dull Engima: Historians’ Analysis Of Gilbert And Sullivan’S Impact On The Development Of The American Musical Theatre, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Discussion of Gilbert and Sullivan's artistic practices that anticipated artistic practices in the American musical genre.

John Ficca, John Ficca, Meg Miner

All oral histories

Emeritus Professor, School of Theater Arts John Ficca taught full time in the School of Theater Arts from 1956-2002 and was also Director of the School of Theater Arts.

Ficca comments on entering the Army during the Korean War and his decisions about his education afterwards. He also speaks about the Theatre and Speech programs being part of the English Department at the start of his tenure and how the programs evolved afterwards.

Other memories include performances at different theaters on campus and invited guests; curricular requirements, including a Summer Theater; and changes in campus leadership, governance and institutional benefits.

A Creative And Scholarly Exploration Of Edna Obrien’S Iphigenia, Danya Gee Martin

Honors Senior Capstones and Theses

In this thesis, I will document the creative work I completed for my Senior Acting Project. I will also explore my Senior Acting Project from a more ‘conventional’ academic standpoint. I will explore various definitions of tragedy and argue my own definition; I will also investigate who Euripides was as a writer and human being. I will then apply my findings to three different versions of Euripides’ tragedy Iphigenia in Aulis: a classical translation, a more contemporary translation, and the adaptation I performed for my SAP. I will argue whether or not each meets my criteria for a tragedy, …

Los Exilios De Els Joglars, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Quizàs no hay ninguna otra compañía teatral en el Estado español que se haya inspirado tanto en las encrucijadas ambivalentes del mundo del espectáculo con la vida real -especialmente, la vida política catalana- como Els Joglars. A lo largo de SU trayectoria de más de cincuenta años, Albert Boadella y su compañía no han dado nunca la espalda a la política; al contrario, han ido modificando sus valores estéticos de manera gradual, ajustando su punto de ataque según las cuestiones políticas mas apasionantes y ardientes de cualquier momento dado. Els Joglars siempre han dejado que lo político despierte e invada …

Willi Red Buhay Interview, Lauren Todd

Asian American Art Oral History Project

Bio: Willi Red Buhay was a graduate of San Beda College and the University of Sto. Tomas. He was the first artistic director for design of the Cultural Center of the Philippines and the Folk Arts Theater, a position he held for fifteen years. He also held a teaching post at the University of the Philippines and his alma mater.

One of Manila’s celebrated design-artist-painters, Willi had staged over 300 productions from theater and cinema to gallery exhibitions. In 1970, he won the prestigious design competition for the Philippine Center in New York. It was the start of numerous design …

Harvey Program [2011], University Of Southern Maine Department Of Theatre

Programs 2010-2011 Season

By Mary Chase

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Fight Master, Spring 2011, Vol. 33 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Witness For The Prosecution

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2011 performance of Witness for the Prosecution by Agatha Christie.

Witness for the Prosecution tells the story of a trial of a man named Leonard Vole for the murder of a wealthy older woman who made him her principle heir. During the trial his wife, Romaine, comes to testify not in his defense, but on the side of the prosecution.