Theatre and Performance Studies Commons^™

The Lab Report, Volume 03, Issue 08, Todd Ristau

Lab Reports

• House of Atreus by Sean Engard
• Student Spotlight: Sean Engard
• Roanoke Regional Writer's Conference Held at Hollins University
• Kenley Smith to teach playwriting at Randolph College
• Rosalee Was Here by Maura Campbell in Vermont
• From the Director: Why Buying Advance Tickets is Important

Direction Of The Play: Blithe Spirit, Richard Shultz

Graduate Student Projects

This project entailed the selection, background research and documentation, musical analysis, casting, direction, vocal coaching, and post-production analysis of Derby High School's production of Blithe Spirit. Documentation includes research and analysis of the play, its music, and an evaluation of the play as a production vehicle for the Department of Theatre Arts at Derby High School.

Direction Of The Play: Epic Proportions, David Franklin Crutcher Jr.

Graduate Student Projects

This project entailed the selection, background research and documentation, musical analysis, casting, direction, vocal coaching, and post-production analysis of Dobie High School's production of Epic Proportions. Documentation includes research and analysis of the play and an evaluation of the play as a production vehicle for the Department of Theatre Arts at J. Frank Dobie High School. The analysis also includes a discussion as to the directorial vision of this production.

Remixed Practice: Bollywood Dance And The Global Indian, Pallabi Chakravorty

Dance Faculty Works

No abstract provided.

The Commissions: Devoted To Investigating And Research By Members Of Usitt: Computers And Software, Patrick Michael Finelli

Theatre and Dance Faculty Publications

Describes the history of theatre-related computing over the past 50 years including the evolution of computer-controlled lighting and sound. Covers the development of CAD software for set design, data visualization and intelligent lighting fixtures. Mentions a wide variety of technical, design and historical applications.

Designing An Attraction: A Hans On Approach To Themed Entertainment And Attraction Design, Matthew Estevez

Whittier Scholars Program

My senior project is a combination of my skills that I acquired in Art, Literature, Theatre. The Project uses these skills in oder to create a theme park attraction from the beginning for the final floor plans and rendering. A large portion of the project is the renderings. These rednerins will be made with water color as the primary medium. The purpose of this project is to illustrate how the difference disciplines come together to create an attraction for a theme park. It is also intended to be a hands on approach at creating a theme park attraction. Using the …

The (Un)Written Heart In Brecht’S Baal And Journeys Of The God Of Happiness : Heart Matters In The Development Of A Playwright And His Ideas On Acting, Ralf G. Rauker

Theses: Doctorates and Masters

In the 1918 and 1919 versions of his play Baal, Brecht had used
autobiographical material about a heart problem that he suffered from and
had recorded in his diaries since 1913. When he revised the 1919 version
and the play was first published in 1922, it seemed that this very personal
connection had disappeared. An observable shift in his work began to take
place, which led to his adopting an apparently unambiguous rationalist take
on theatre. However, his extremely critical, sometimes polemical position on
the intertwined subject of heart and emotions raises questions about the
motivations for the move towards …

Dance Matters: Performing India, Pallabi Chakravorty, N. Gupta

Dance Faculty Works

This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.. Written by eminent and emergent scholars and practitioners of Indian dance, the articles make dance a foundational socio-cultural and aesthetic phenomena that reflects and impacts upon various cultural intercourses -- from art and architecture to popular culture, and social justice issues. They also highlight the interplay of various …

Ua1b1/1 Rodes-Helm Lecture Series, Wku Archives

WKU Archives Collection Inventories

These records were created by and about the Rodes-Helm Lecture Series which invited distinguished, and prominent individuals from the spheres of politics, economics, and the arts, to lecture at the university. The records include programs, and recordings of lectures.

Imagining The Imaginary: Finding Mr. Marmalade, Brian Kappler

Theses

Unavailable.

Commonthought (2010), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.

Costume Crafts An Exploration Through Production Experience, Michelle L. Hathaway

LSU Master's Theses

The process of developing Costume Crafts for any production begins with research into the given time-period of the proposed production. With the appropriate research into the fashions of the day and the available tools and techniques, the Craftsperson can collaborate with the Costume Designer to create that Designer’s vision. This project included two productions set in adjacent time-periods. The first step in the process was to research millinery fashions from 1910 through 1927 thus encompassing the time-periods set for each production. This research included the prevailing fashions of the day, the available materials, fabrics, and techniques employed in creating millinery. …

The Royal Family Costume Design, Katherine Johnson

LSU Master's Theses

Abstract It is my intention through this thesis to demonstrate the journey taken for the costume design process of The Royal Family written by George S. Kauffman, A Swine Palace Production, presented in celebration of the reopening of the Claude L. Shaver Theatre located in the Music and Dramatic Arts building on the campus of Louisiana State University. In turn, establishing that the abundance of practical experience as well as the technical and design courses undergone throughout my graduate career here at Louisiana State University, have supplied me with the knowledge and skills required in the professional field of Costume …

The Dancing Imagination: How Does Imaginative Imagery Facilitate Movement Qualities In Dance Training And Performance?, Rachel Perica

Theses : Honours

The purpose· of this case study was to explore how imagery facilitates movement quality in dance training and performance. A literature review on classifications of direct and indirect imagery and imagery in relation to neuroscience, was investigated to firstly define imagery. The confusion over defining movement quality led to a literature review on Kinesiology and Gaga methods and how these dance-training methods utilise imagery in different ways to enhance the movement quality of dance in training and performance. Qualitative research methodology was used in this case study. The case study used a purposeful sample of eight subjects who were undergraduate …

A Pattern Of Patience: On Providing Technical Direction For King Lear, Theron L. Seckington

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The following writing will document my process as technical director for the 2009 mainstage production of King Lear at the Johnny Carson School of Theatre and Film (JCSTF) at the University of Nebraska – Lincoln (UNL). King Lear was directed by Virginia Smith with scenery designed by fellow Master of Fine Arts (MFA) candidate Patric Vendetti, lights by senior Angela Sharman, and sound by sophomore Max Holm. Costumes were designed by MFA candidate Cecilia Sickler. The shop foreman was Bryan Ruhs, and the production was stage managed by junior Amber Naylor. I was advised by JCSTF technical director Edward Stauffer. …

Dancing With Risk: Risk-Taking As A Performance Practice In Contemporary Dance, Gemma Dawkins

Theses : Honours

Why is risk intentionally cultivated in contemporary dance? What purpose does it serve, for performers, choreographers and audiences? This thesis explores the ways in which risk-taking affects the meaning and significance of a dance work. It seeks to question whether the use of risk can render a dance more powerful, affecting or confronting, or whether intentional risk overshadows and, thus, detracts attention away from the aesthetic content. I also ask how being 'at risk' affects the performer. Can it engender investment and authenticity? The risks explored in this thesis include both physical and emotional or intellectual risks. I refer to …

The Ephemerality Of Dance, Abby Frances Johnson

Theses : Honours

"A dancer is bound to the given form of the human body" (Hamalainen, 2009, p. 107). As an art form, dance relies on the movement of these bodies. Dance is not fixed but can leave a lasting impression on the viewer. As a performance art, dance is truly ephemeral- a term that has been defined as "lasting for only a short period of time and leaving no permanent trace" (Encarta®, 2009). As a dance performer and spectator, I am affected by this ephemerality on a daily basis. Within this thesis, I initially outline what constitutes dance as ephemeral. I then …

Historically And In The Context Of Globalisation, How Do Western European Perceptions Of Folk/ Traditional Dance Pervade And Shape The Field Of Dance?, Emma Fishwick

Theses : Honours

With the international dance community becoming increasingly globalised, how do Western European perceptions of folk/ traditional dance pervade and shape the field of dance? This paper will discuss Western European perspectives towards traditional and folk dance and investigate the origins of such perspectives, if they do indeed exist. In doing so the reasoning of Western European perspectives will be examined, considered and questioned alongside that of non-Western European perspectives. The thesis is compiled from a wide range of textual sources that explore Western European world views in relation to non-Western European perspectives to argue that such perspectives do, to a …

The Effectiveness Of The University Interscholastic League One-Act Play Competition As An Extracurricular Activity, David Christopher Rout

Open Access Theses & Dissertations

In Texas the University Interscholastic League has had a significant impact in Theatre Education through their annual competitive One-Act Play Competition. In educational climates dominated by No Pass-No Play and TAKS Testing some schools may question the effectiveness of the UIL competition as an effective activity. This paper addresses this concern, a measurement of how effective UIL One Act Play is how FERPA is impacting research into UIL events.

Playing The Part: An Actress Prepares The Role Of Cathy In The Last Five Years, Katy Slaven

Honors Program Theses

My honors thesis project took the creative/performance-oriented form. I embarked on (in the words of my advisor, Jay Edelnant) a "self-pedagogical case-study centered on role preparation." My task was to prepare the role of Cathy from the musical The Last Five Years using a process I developed based on combining my musical and theatre training with outside resources.

I chose to do this project for my honors thesis for many reasons. First of all, I was always looking for more opportunities to do musical theatre. I have learned that in order to get anything you want in life, and especially …