Theatre and Performance Studies Commons^™

Playing The Part: An Actress Prepares The Role Of Cathy In The Last Five Years, Katy Slaven

Honors Program Theses

My honors thesis project took the creative/performance-oriented form. I embarked on (in the words of my advisor, Jay Edelnant) a "self-pedagogical case-study centered on role preparation." My task was to prepare the role of Cathy from the musical The Last Five Years using a process I developed based on combining my musical and theatre training with outside resources.

I chose to do this project for my honors thesis for many reasons. First of all, I was always looking for more opportunities to do musical theatre. I have learned that in order to get anything you want in life, and especially …

The Impact Drama Has On Enabling International University Students To Assimilate Into The American Culture, Julie Baldwin

Honors Program Theses

We often take for granted how accepted we are by others around us. Without realizing it, we may forget we belong to a larger community connected by the culture of the United States that shapes the way we understand the world. Culture plays an invaluable role in much of how we live. According to Marcelle E. DuPraw and Marya Axne, authors of the article, "Working on Common Cross-Cultural Communication Challenge, "our culture "influences how we approach problems, and how we participate in groups and in communities" by shaping our communication and decision-making styles, attitudes toward conflict and disclosure, and approaches …

The (Un)Written Heart In Brecht’S Baal And Journeys Of The God Of Happiness : Heart Matters In The Development Of A Playwright And His Ideas On Acting, Ralf G. Rauker

Theses: Doctorates and Masters

In the 1918 and 1919 versions of his play Baal, Brecht had used
autobiographical material about a heart problem that he suffered from and
had recorded in his diaries since 1913. When he revised the 1919 version
and the play was first published in 1922, it seemed that this very personal
connection had disappeared. An observable shift in his work began to take
place, which led to his adopting an apparently unambiguous rationalist take
on theatre. However, his extremely critical, sometimes polemical position on
the intertwined subject of heart and emotions raises questions about the
motivations for the move towards …

Rhythms Of Rebellion: Artists Creating Dangerously For Social Change, Susan J. Erenrich

Antioch University Dissertations & Theses

On December 14, 1957, after winning the Nobel Prize for literature, Albert Camus challenged artists attending a lecture at the University of Uppsala in Sweden to create dangerously. Even though Camus never defined what he meant by his charge, throughout history, artists involved in movements of protest, resistance, and liberation have answered Camus’ call. Quite often, the consequences were costly, resulting in imprisonment, censorship, torture, and death. This dissertation examines the question of what it means to create dangerously by using Camus’ challenge to artists as a starting point. The study then turns its attention to two artists, Augusto Boal …

What Is It Like To Be Funny? The Spontaneous Humor Producer’S Subjective Experience, Lisa Goldstein Graham

Antioch University Dissertations & Theses

The purpose of this study is to explore the experience of the individual who spontaneously produces humor during conversation. Although a broad humor literature exists, very little research addresses the experience of the spontaneous humor producer. This study represents an early step toward filling this gap in the literature. I gathered data by videotaping organizational meetings and conducting subsequent Interpersonal Process Recall (IPR) interviews with individuals who produced humor during the course of the meetings. I analyzed data from the IPR interviews using an emergent thematic analysis. Most humor producers in this sample were consciously aware of specific external cues, …

The Dialogism Of Self And Other In Contemporary American Drama, Shih-Yi Huang

LSU Doctoral Dissertations

This work is interdisciplinary in orientation and brings together American theatre (and culture) and contemporary ethical philosophy. I am introducing the French philosopher Emmanuel Lévinas and his theory of Self and Other to an analysis of contemporary American drama—a mode of approach that is new to the discipline of theatre studies. Lévinas’s insights are particularly relevant to the concerns of the 21st century and how we might rethink relationships and values. My work looks at contemporary American plays in terms of nationalism, gender politics, racial dynamics and ecological issues. I contend that these playwrights are attempting to go beyond conventional …