Theatre and Performance Studies Commons^™

Spring Dance Concert Media Release, Susan Werner

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Spring Dance Concert media release

March 2009 (*incorrect date, should be 2010)

When The Smoke From The Battle Has Cleared, T. Fulton Burns

Theatre Faculty Research

I can recall the time that followed my first national workshop. All of the excitement of new friends and new skills still went through me like a child on Christmas morning considering all of the possibilities of fun with my new toys. I thoroughly enjoyed having my college friends ask me to show them what I had learned. Eventually I was approached by a former professor to choreograph the fights for a production of Hamlet at my undergraduate program. With excitement and great pride I happily accepted.

Review Of Physical Theatres: A Critical Introduction, And: Physical Theatres: A Critical Reader, T. Fulton Burns

Theatre Faculty Research

Simon Murray (Director of Theatre at Dartington College of Arts) and John Keefe (Senior lecturer at the London Metropolitan University Undergraduate Centre) offer the theatre world two movement analysis texts. These well written books, which focus on techniques from the Western world of physical theatre, would serve graduate level or highly focused classes in movement pedagogy or practice. With their identical six-chapter breakdowns (“Genesis, Contexts, Namings”; “Roots: Routes”; “Contemporary Practices”; “Preparation and Training”; “Physicality and the Word”; “Bodies and Cultures”), the books may be used in relation to one another or stand alone as individual texts.

Graduate One Acts (March 11-13, 2010), Undergraduate One Acts (March 18-20, 2010), Lindenwood University

Student Theatre Programs

Program for Graduate One Acts (March 11-13, 2010), Undergraduate One Acts (March 18-20, 2010).

La Opresión Del Género Sexual Y La Expresión Sexual En Bodas De Sangre, Yerma, Y La Casa De Bernarda Alba Por Federico García Lorca, Janell Swick

World Languages and Cultures

This paper includes a detailed analysis of the theater of Federico García Lorca. Special attention is paid to the gender implications and sexual oppression noted in his trilogy plays Bodas de sangre, Yerma, and La casa de Bernarda Alba.

Struktur Simbolik Tari Topeng Patih Pada Dramatari Wayang Topeng Malang Di Dusun Kedungmonggo, Soerjo Wido Mintarto

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

Dramatari Wayang Topeng Malang reflects the life style of the Malangese. They are believed to have historical relevance with the development Malang s oldest culture which was under the reign of Kanjuruhan Kingdom around 7th century. Topeng Patih dance, the opening dance of the traditional theatre performance are closely related to the pattern of the show related to the space, time, and content. So the symbolic structuralist theoretical approach would be the chosen strategy to understand the symbolic internal meanings. The analysis indicates that the choreographic structure of Tari Topeng Patih consists of 7 elements: character, ritual, communication, body movement, …

Scene Night Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Scene night

Thursday, February 25, 2010, 10pm

Once Upon A Mattress, Parkland College

Parkland Theatre

Book: Jay Thompson, Dean Fuller, and Marshall Barer
Music: Mary Rodgers
Lyrics: Marshall Barer

Director: Randi Jennifer Collins Hard
Choreographer: Jean Jay Korder
Lighting Designer: Thomas V. Korder
Musical Director: Tim Schirmer
Costume Designer: Michelle Mills
Technical Director: David G. Dillman

February 23, 25, 26, March 3, 4, 5 at 7:30pm
March 5, 6 at 3pm
2011

Produced by special arrangement with The Rodgers and Hammerstein Organization.

Identidad And Mejicanidad: Dance Transference Through Mexican Folklórico, Azteca, And Flamenco Dance, Erica Ocegueda

Theatre & Dance ETDs

Identidad and Mejicanidad examines cultural identity and dance through the lens of 'owners,' 'borrowers,' and 'renters'. I examine how non-professional participants of these dance forms are beacons for cultural expression and serve to explore the fringe of the sense of cultural knowing through Mexican Folklórico, Azteca, and Flamenco dance. Through these dance forms I interrogate how cultural identity frames questions of authenticity and identity. Ownership of cultural identity and issues of authenticity are a source of ire for many underrepresented groups of people. Maintaining who is 'in control' of a cultural expressions' evolution is a common dispute. The legacy of …

Department Of Theatre, Dance & Film Strike Poster, Department Of Theatre, Dance & Film

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Talk Radio strike

February 14, 2010

Talk Radio Poster, Providence College, Jayo Miko Macasaquit '11

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Eric Bogosian's Talk Radio

An independent student production

February 12-14, 2010

Poster Design: Jayo Miko Macasaquit '11

Talk Radio Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Bowab Studio Theatre

Eric Bogosian's Talk Radio

An independent student production

February 12-14, 2010

Directed by Peter Cunis

Lighting Design: Peter Hurvitz

Costume Design: Kaitlyn MacDonough

Sound Design: Paul Perry

Scenic Design: Kenny Carberry

Sound Design: Ted Boyce-Smith & Alex MacIntyre

Cast: Barry Champlain - Justin Pimentel; Linda Macarthur - Christine Cestaro; Dan Woodruff - Patrick Saunders; Stu Noonan - Kevin Lynch; Kent - Ted Boyce-Smith; Announcer - Jeff DeSisto; Callers - Alexander MacIntyre, Kaitlin Fitzsimons, Kelly Smith, Patrick Saunders, Ted Boyce-Smith; Recorded Voices - John Smith, Sean Carney, Joe Mort, Teddy …

Did You Know? Email From Tdf Production Office To Susan Werner, Tdf Production Office

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Email from the TDF Production Office to Susan Werner regarding buying tickets online for Talk Radio.

Monday, February 8, 2010

You Can't Take It With You, Otterbein University Theatre And Dance Department

2009-2010 Season

Grandpa Vanderhof and his wacky family, the Sycamores, have been happily living their zany lives in his house by Columbia University in New York for many years. This family (and their friends) are a madcap group of eccentrics, marching to the beat of their own drum, with pride and joy. Their hobbies include collecting snakes, building fireworks in the basement, writing a myriad of plays that never get published, and taking ballet lessons. Things like stress, jobs, and paying taxes to the government are for other people, not for them! But when practical young Alice Sycamore becomes engaged to her …

Providence College Theatre, Dance, And Film Department Presents: Richard Digby Day - Shakespeare Audition Workshop Flyer, Department Of Theatre, Dance & Film

Promotional Materials

Providence College Theatre, Dance, and Film

Bowab Studio Theatre: Smith Center

Richard Digby Day - Shakespeare audition workshop

Wednesday, February 3, 2010, 4pm

Little Women Open Auditions Poster, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre, Smith Center for the Arts

Little Women open auditions

Tuesday, February 2, 2010, 7pm

Marigolds Sign In Sheet (Thursday Feb 4 - Sunday Feb 7), Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Marigolds sign in sheet (Thursday Feb 4 - Sunday Feb 7)

Louisa May Alcott's Little Women Media Release, Susan Werner

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Louisa May Alcott's Little Women media release

February 2010

The Trestle At Pope Lick Creek, Adam Zahler

Event Archive

February 10-13, 17-20 2010

Michelson Theatre, Little Center, Clark University

Director: Adam Zahler

Costume Designer: Jessie Darrell Jarbadan

Stage Manager: Audrey Fox

Set Desgin: Chris Weinrobe

Technical Theater: Ivelin Angelov, Andrew Berger, Elizabeth Decasse, Casey Harrington, Jordan Heller, Soeren Hilck, Aidan MacDonald, Cameron Miller, Daniel Murphy, Alana Osborn-Lief, Luis Ramos, Warren Reid, Briana Salomne, Daniel Zeliger

Assistant Technical Director: Kevin McGerigle

Electricians: Kaite Stone, Sarah Schneider, Chris Macioci

CAST

Dalton Chance: Michael Jokinen

Pace Creagan: Emily Boyle

Chas Weaver: Thaddeus Kelly

Gin Chance: Sarah Yourgrau

Dray Chance: Ian Michaels

Hippolytus

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Hippolytus by Euripides.

Hippolytus is the illegitimate son of Theseus, the king of Athens. The play tells how the goddess of love, Aphrodite, maliciously enacts vengeance on Hippolytus for his oath to chastity and service to the goddess of the hunt, Artemis.