Design Collaboration As A Tool For Developing Diversity In The Work Place,
2010
CUNY Hostos Community College
Design Collaboration As A Tool For Developing Diversity In The Work Place, Rees E. E. Shad
Publications and Research
Without a doubt the modern workplace is one made up of numerous working professionals graced with an array of varied abilities who work in tandem to meet a common goal. In this article the author recounts his personal journey to embracing the collaborative process and how he has honed and developed the skill set into an important element of design curriculum in order to prepare students for this fundamental market paradigm.
2010 Illinois Shakespeare Festival Program,
2010
Illinois State University
2010 Illinois Shakespeare Festival Program, School Of Theatre And Dance
Illinois Shakespeare Festival
33rd Season. The Theatre at Ewing. The Tempest by William Shakespeare. The Three Musketeers a new adaptation by Robert Kauzlaric, based on the Alexandre Dumas novel World Premiere. The Merry Wives of Windsor by William Shakespeare.
Biloxi Blues (July 16-17, 23-24 2010),
2010
Lindenwood University
Biloxi Blues (July 16-17, 23-24 2010), Neil Simon
Student Theatre Programs
Program for Biloxi Blues (July 16-17, 23-24 2010).
Ethnographic Performance And Global Learning: Lessons From "You Always Go Home",
2010
Kennesaw State University
Ethnographic Performance And Global Learning: Lessons From "You Always Go Home", Margaret Baldwin, Karen Robinson
Journal of Global Initiatives: Policy, Pedagogy, Perspective
Ethnographic performance draws upon fieldwork in a particular social/cultural "lived domain" (Madison, 2005, p. 5) as the text (aural, visual, gestural) for the performance (or representation) of other identities. Through ethnography, we are required to enter into a "deep and abiding dialogue with the Other" (Madison, 2005, p.B). Ethnographic performance is particularly focused on giving representation to individuals and groups whose voices and stories often go unheard.
This essay will focus on the conception, development, and impact of an ethnographic performance entitled You Always Go Home that was produced by the Department of Theatre and Performance Studies at Kennesaw …
Cates, Steve Dixon, B. 1940 (Fa 526),
2010
Western Kentucky University
Cates, Steve Dixon, B. 1940 (Fa 526), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 526. Correspondence, programs, newsletters, and other materials collected by Steven Dixon Cates relating to Sarah Gertrude Knott and the National Folk Festival Association. Included is his correspondence about his involvement with a variety of folk festivals and program materials from several National Folk Festivals.
Passing For Black: Coon Songs And The Performance Of Race,
2010
Ursinus College
Passing For Black: Coon Songs And The Performance Of Race, Patricia R. Schroeder
English and Creative Writing Faculty Publications
No abstract provided.
The Lab Report, Volume 04, Issue 01,
2010
Hollins University
The Lab Report, Volume 04, Issue 01, Todd Ristau
Lab Reports
- Feeback Loop, by Adam Hahn at Studio Roanoke
- No Shame Returns to Mill Mountain Theatre
- New Submission Opportunities at Studio Roanoke
- Devil Sedan, by Kenley Smith
- From the Director: Welcoming the summer students
J. Scheidegger Center For The Arts, 2010-2011 Season Program,
2010
Lindenwood University
J. Scheidegger Center For The Arts, 2010-2011 Season Program, Lindenwood University
J. Scheidegger Center for the Arts
J. Scheidegger Center for the Arts, 2010-2011 Season Program
Références Surréalistes Dans L’Œuvre Théâtrale De Georges Schéhadé,
2010
Université libanaise
Références Surréalistes Dans L’Œuvre Théâtrale De Georges Schéhadé, Georges Khoriaty
Présence Francophone: Revue internationale de langue et de littérature
Owing to Georges Schéhadé’s investment of powers of dreams which lead to existence and generate thoughts out of any preset direction, Georges Schéhadé’s theatre can be considered very close to surrealism. These powers of dreams can rediscover the world, give access to another reality and resolve fundamental life questions. In addition, Georges Schéhadé’s theatre and surrealism are similar in resorting to mysterious practices, occult research and the world of the “marvellous” which emanates from the world of dreams. This latter world consists of extraordinary random events or premonitions, visions, perceptions and sensations bringing about confusion of identities and a strange …
Instruction And Direction Of A Process Drama At Valley View Elementary School,
2010
Central Washington University
Instruction And Direction Of A Process Drama At Valley View Elementary School, Mindy Curtis
Master of Theater Production Graduate Projects
This project entailed the selection, research, structuring, implementation, documentation, and post-production analysis of an original theatrical work created through process drama at Valley View Elementary School. Documentation includes research, structure, implementation, and evaluation of the process for the Valley View Elementary School music program.
Direction Of The Play: Sylvia,
2010
Central Washington University
Direction Of The Play: Sylvia, Zachary Adam Curtis
Master of Theater Production Graduate Projects
This project entailed the selection, background research and documentation, analysis, casting, direction, and post-production analysis of Yakima Valley Community College's production of A.R. Gurney' s Sylvia. Documentation includes research and analysis of the play and an evaluation of the show as a production vehicle for the department of Theatre Arts at Yakima Valley Community College.
[Title Of Show] (June 10-12, 2010),
2010
Lindenwood University
[Title Of Show] (June 10-12, 2010), Hunter Bell
Student Theatre Programs
Program for [title of show] (June 10-12, 2010).
To view the photos from this production of [title of show], please click here.
Acting Out In The Classroom,
2010
SIT Graduate Institute
Acting Out In The Classroom, Kim Noel Daelhousen
Sandanona
The use of theater strategies and activities in the language classroom provides a space for students, like actors, to play and thus more deeply incorporate elements of the target language. Participants will be “playing” along with the presenter to explore various theater-based activities.
Pippin,
2010
Otterbein University
Pippin, Otterbein University Theatre And Dance Department
2009-2010 Season
As told by a traveling troupe of actors led by the cunning and charming Leading Player, Pippin is the story of a young prince, heir to the throne, who is searching for his own “corner of the sky.” Pippin returns from university certain that he will find a fulfilling purpose in life. As encouraged by the Leading Player, Pippin dabbles in bloody battle, licentious and lusty sexual entanglements, and saavy political maneuvers, only to discover that true happiness is more complicated than he thought. With infectious tunes by Stephen Schwartz and classic choreography from Bob Fosse, Pippin is both …
Providence College Department Of Theatre, Dance & Film Promotional Email,
2010
Providence College
Providence College Department Of Theatre, Dance & Film Promotional Email, Department Of Theatre, Dance & Film
Promotional Materials
Providence College Department of Theatre, Dance & Film
Department of Theatre, Dance & Film sneak peak at the 2010-2011 season.
Emailed May 19, 2010
Styling The Sound: Vocal Coaching The Big Knife,
2010
Virginia Commonwealth University
Styling The Sound: Vocal Coaching The Big Knife, Melissa Carroll-Jackson
Theses and Dissertations
Styling the Sound: Vocal Coaching The Big Knife explores the journey from research, to rehearsal and finally concludes with a post-production evaluation of the Theatre VCU production of Clifford Odets’s The Big Knife, directed by Tawnya Pettiford-Wates. In Chapter 1 I discuss the process I went through in preparing myself, the director and actors for the demands of the production. This section of the thesis focuses on the research aspect of the work I did. Chapter 2 focuses on the auditions for the show, first read-through and rehearsal process. Also, the one-on-one time spent with actors is also analyzed in …
The Uses Of Applied Theatre,
2010
Virginia Commonwealth University
The Uses Of Applied Theatre, Matthew Mckay
Theses and Dissertations
Applied theatre is an umbrella term describing the practice of borrowing concepts from the conventional theatre and applying them to different disciplines. This thesis focuses on the use of applied theatre in teaching effective communication skills. Using the work of the Ariel Group and personal experiences working with the VCU da Vinci Center as examples, this paper demonstrates ways that underlying theatre concepts are used to teach communication skills. Additionally, this paper argues that there are many advantages for using theatre professors to teach communication skills to non-theatre students in other disciplines through the use of applied theatre methods. To …
Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work,
2010
University of Connecticut - Storrs
Hole In The Head: A Play, Accompanied By A Conspectus Of Knowledge, Both Repressed And Researched, That Directly Influenced The Playwright In Her Development Of A New Work, Margaret Hunter Cook
Honors Scholar Theses
"Hole in the Head" is a play about a woman who wakes up. Maude wakes up in the first act, and in every subsequent scene she undergoes some form of physical or emotional awakening as characters walk in and out of her front door."Hole in the Head" is accompanied by an introduction that attempts to understand the interplay between creativity and academia through an analysis of theatre, feminist and queer theory, and science.
Hamlet From The Stage.,
2010
East Tennessee State University
Hamlet From The Stage., David Blair
Electronic Theses and Dissertations
Hamlet From The Stage is a video production designed to be an extra feature on the DVD video of the stage production of Hamlet, performed by the Division of Theatre and Dance at East Tennessee State University, and filmed by the Department of e-Learning during the Spring Semester of 2009. Hamlet From The Stage is a professional interview style video package of the cast of Hamlet designed to help inexperienced collegiate actors learn some useful tools when approaching a Shakespearean audition or performance. This video package represents over eleven months of production: concept, writing, set design and studio setup, interview …
The Fourth Level Of Theatrical Awareness,
2010
Virginia Commonwealth University
The Fourth Level Of Theatrical Awareness, Gregory Scurria
Theses and Dissertations
Abstract The Fourth Level of Theatrical Awareness By Greg Scurria, MFA A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Theatre Pedagogy at Virginia Commonwealth University. Virginia Commonwealth University, Master of Fine Arts in Theatre Pedagogy Virginia Commonwealth University, 2010 Major Director: Dr. Noreen C. Barnes, Director of Graduate Studies, Theatre Department This text is a partial record and narrative of the production of John Steinbeck’s Of Mice and Men that opened on May 1st 2009 for a three day run ending May 3rd 2009 and Shel, a collection of Shel …
