Theatre and Performance Studies Commons^™

Goneril: Jealousy And Thirst For Power Caused By The Loss Of A Father's Love, Beth L. King

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

The challenge for every actor is to bring something of yourself to a role. The more real it can become for you the more real it will be for the audience. Goneril is a caricature. She is rich, powerful and she does horrible things like throwing her father out into the cold, having an affair, poisoning her sister and ultimately killing herself. She is one of Shakespeare’s “evil” women. I have to say I do not consider myself evil. So what could I have in common with this monster of a woman? One of our fellow classmates died while we …

Becoming The Bastard: An Exploration Of The Creative Process For Preparing The Role Of Edmund In King Lear, Daniel Gilbert

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is a documentation of the creative process I utilized in the preparation of the role of Edmund in the 2009 UNL production of William Shakespeare’s King Lear. It is comprised of three main parts. Part One: Research consists of all complied materials pertaining to the life and work of William Shakespeare and his play King Lear; including play structure, language and themes. Part Two: Process is an examination of the rehearsal process and methodology used in character development. Part Three: Evaluation is a conclusion of the process and provides faculty responses as well as self examinations …

Costume Design For You Never Can Tell, Emily S. Parker

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis will expound upon the costume design process for The Johnny Carson School of Theatre and Film’s 2009 production of You Never Can Tell, performed in the Howell Theatre at the University of Nebraska – Lincoln. Directed by Tice Miller, and Mijou Sahiouni, Assistant Director, the production team included Emily Parker as the Costume Designer, Ahna Packard as the Set Designer, and Harrison Hohnholt as the Lighting Designer. This thesis will describe the research, inspiration, rendering and construction process of the costume designer.

Two Kings: An Account Of The Preparation And Performance Of The Role Of Edgar In William Shakespeare's King Lear, Ryan Kathman

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This work is my graduate thesis documenting the creative process behind my performance of the role of Edgar in the University of Nebraska-Lincoln’s 2009 production of King Lear by William Shakespeare. It is comprised of five sections including an introduction, pre-rehearsal research, rehearsal and performance journal, post-production responses and conclusion. The introduction outlines my impressions of Edgar and King Lear prior to researching or rehearsing the role. In my research section, I attempt to better understand Shakespeare, his play and the role of Edgar by studying the playwright’s life and the history of the character and play, while also making …

Costume Design And Execution Of King Lear By William Shakespeare, Cecelia Rae Sickler

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis documents the costume design and execution for the fall production of William Shakespeare’s King Lear performed on the Howell Stage at the Johnny Carson School of Theatre and Film of the University of Nebraska-Lincoln. The following discusses and documents the research, inspiration, development and construction of the costume design.

Beneath The Waves, Allison Nast

Renée Crown University Honors Thesis Projects - All

Beneath the Waves is an original, feature-length screenplay. It is a fairy tale set in Ireland, where a woman dives to the bottom of the ocean to reclaim her husband, who had been taken by mermaids. She succeeds in rescuing her husband, and in doing so discovers that mermaids are not the beautiful women of legend, but rather man-eating deep-sea creatures. I wrote the short story Brigid and the Mermaids in my junior year in order to get the basic storyline down in an understandable form. In writing the screenplay I used the free screenwriting program Celtx, which formats easily …

Con Mis Manos / With My Hands: A Documentation Of Specific Cultural Elements Required For A Play Set In South Texas, Emily Ruby Fierros

Theses and Dissertations - UTB/UTPA

This paper attempts to explain the significant cultural elements necessary for a play set in South Texas. Three important elements that are needed to justify the importance of this production are addressed: Preplanning, Production Record, and Evaluation. Chapter 1: The Preplanning explains the purpose and approach of the play through internal and external analysis. Both of these concepts will help develop the understanding of the culture of a play. Chapter 2: The Production Record contains the complete record of the elements used throughout the production of the play. Chapter 3: The Evaluation of the production describes the success of this …

Incidental Music: Enhancing The Emotional Experience Of The Audience, Daniel Edward Nelson

UNLV Theses, Dissertations, Professional Papers, and Capstones

Environmental psychologists, like Robert Gifford who study transactions between individuals and their physical settings, maintain that as an individual's environment is changed, the environment also changes his/her behavior and experience. (Gifford, 2002) Like other segments of a theatrical setting, manipulation of the environment can enhance or constrain a broad range of audience actions from traditional theatre audiences to shoppers in a mall or guests at a wedding. Physical elements, as well as other ambient factors such as lighting, color, and quality of materials, set design, music, fragrance, and room temperature are a sample of the dramatic elements used to orchestrate …

Dinner With Friends (April 29-30, May 1, 2010), Donald Margulies

Student Theatre Programs

Program for Dinner with Friends (April 29-30, May 1, 2010).

To view the photos from this production of The Curious Incident of the Dinner with Friends, please click here.

Dead Man's Cell Phone, Otterbein University Theatre And Dance Department

2009-2010 Season

While at a café, a man dies. But his cell phone will not stop ringing. The woman at the next table, Jean, picks up the cell phone and ends up stuck in the middle of all his troubles, meeting his widow Hermia, his mother Mrs. Gottlieb, and his mistress. In the course of meeting all these people, she ends up falling in love with the dead man’s brother, Dwight. The dead man himself, Gordon Gottlieb, eventually tells his last moments himself.

https://stageagent.com/shows/play/1810/dead-mans-cell-phone

All Out, Parkland College

Parkland Theatre

19th Annual Student Production

All Out
How far would you go for $1,000,000?
a dark comedy by John Rester Zodrow

Director: Breelyn Mehtens*
Scenic Designer: Alex Birnie
Lighting Designers: Andrew Hart* and Seth Gelke
Costume Designers: Kirby Toalson* and Lily Maclin*
Sound Designer: Joshua D. Stewart
Technical Director: Matt Rowlen
Stage Manager: Rachel McGrath*
Properties Coordinator: Kelsey Cravens

April 28, 29, 30, May 1 at 7:30pm
May 2 at 3pm
Parkland College Theatre
2010

Produced by special arrangement with Dramatic Publishing

Worlds Apart: Tracing The Transition Of The Young Dancer From Studio To College, Roger Lee

Dance Honors Papers

In 1932, dance educator Martha Hill created the first accredited dance major Bachelors of Arts degree at Bennington College. Since then, dance has grown into a popular course of study for undergraduate students, and seen major developments in dance science, kinesiology, dance injury prevention and technologies. In this research paper I will trace the development of young dancers from competitive studio training into liberal arts dance programs by exploring the aesthetics and training methods of both dance environments. As a senior dance major at Ursinus College, I have witnessed a pattern that takes place each year where incoming freshmen dancers …

Spring Dance Concert 2010 Playbill, Providence College

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert 2010

April 23rd, 8:00 p.m.

April 24th, 8:00 p.m.

Director: Wendy Oliver

Lighting Designer: Sarah Randles '10

Choreographers: Krissy Phillipino, Melissa Cusak, Kelly Cummings, Lindsay Guarino, Joelle Hogan, Claire Pevoto, Katelyn Uyehara, Kaitlin Elliot, Brianna Munoz, Shannon Hoey, Kate Piquette, Kelly Mulhern, Casey Caliendo, Lauren Spagnuolo

Dancers: Callie Kovack, Amy McCormack, Kaitlyn Order, Grantis Peranda, Krissy Phillipino, Jennifer Robinson, Casey Caliendo, Melissa Cusack, Theresa Hurton, Kelly Mulhern, Kaitlin Elliott, Kate Piquette, Katelyn Uyehara, Alyssa Catjakis, Kelly Cummings, Christina Martinez, Claire Pevoto, Erica Tuccero, Joelle Hogan, Caroline …

Spring Dance Concert 2010 Poster, Providence College, John Vaghi

Playbill and Promotions

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Spring Dance Concert 2010

April 23rd, 8:00 p.m.

April 24th, 8:00 p.m.

Poster Design: John Vaghi

Crimes Of The Heart

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2010 performance of Crimes of the Heart by Beth Henley.

Crimes of the Heart tells the story of the three Magrath sisters, Meg, Babe, and Lenny, who reunite at their grand father’s home in Mississippi after Babe shoots her abusive husband.

Main Street - Theatrical Program, Carrie D. Applegate

Department of Theatre Arts Programs (UP 620)

Theatrical program for staged play reading of Main Street, based on the novel by Sinclair Lewis, adapted by Theatre Arts faculty member, Ann Hoste. Performed April 23 & 24, 2010 in the Danny Peterson Theatre.

The Grapes Of Wrath; A Costume Design Thesis, Kenann Quander

Theses and Dissertations

In this thesis, I intend to present an original costume design for John Steinbeck's The Grapes of Wrath. This production is the first full collaboration of its kind between Virginia Commonwealth University’s Theatre Department and Barksdale Theatre. This thesis will be a complete account of my entire design process from the design concept to the finished, realized production. I will be examining my design choices and finished production photos, including color photographs of my original renderings, fabric swatches and research. Throughout my thesis, I will be researching ways to accurately represent the millions of exploited itinerant farm laborers who survived …

The Creative Process As Applied To Choreography, Mysha Corb

Undergraduate Research Conference

No abstract provided.

A Biomechanical Analysis Of The Jete Dessus Using Dartfish Motion Analysis Software, Beatrice Turrubiartes

Undergraduate Research Conference

No abstract provided.

Processing King Lear, Patric Michael Vendetti

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

This thesis is the culmination of my scenic design work for William Shakespeare’s The Tragedy of King Lear in the Howell Theatre at the Johnny Carson School of Theatre and Film at the University of Nebraska-Lincoln. Within this paper I will look at the processes used to create the set design, the execution of the set design and the final product when seen in a fully realized production.